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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I build
Non classifié
197
Piano & claviers
Piano seul
138
Piano, Voix
50
Piano, Voix et Guitare
41
Piano Facile
24
Orgue
20
Instruments en Do
11
1 Piano, 4 mains
7
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
20
Guitare
11
Guitare notes et tablatures
8
Ukulele
5
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
100
Chorale 3 parties
24
Chorale TTBB
12
Chorale 2 parties
11
Chorale SSAA
10
Chorale Unison
3
Voix duo, Piano
2
Chorale SSATB
2
Voix duo
1
Chorale SSAATTBB
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
43
Flûte traversière
12
Saxophone Alto
8
Saxophone Tenor
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de saxophones
6
Ensemble de Flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Piano (duo)
4
Clarinette et Piano
4
Clarinette
4
Saxophone Soprano
4
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
4
Saxophone Tenor et Piano
3
Quatuor de Flûtes : 4 flûtes
3
2 Hautbois (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Clarinette (duo)
3
Saxophone Alto et Piano
3
Flûte et Guitare
2
2 Clarinettes (duo)
2
Hautbois (partie séparée)
2
Saxophone, Clarinette (duo)
2
Flûte traversière et Piano
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Quatuor de Flûtes à bec
1
Clarinette Basse, Piano
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Basson et Piano
1
Hautbois, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
+ 41 instrumentations
Retracter
Cuivres
Trombone
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
8
Trompette, Saxophone (duo)
7
Cor
6
Trombone et Piano
6
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
4
Cor et Piano
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
2 Trombones (duo)
2
Trompette, violon (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
+ 16 instrumentations
Retracter
Cordes
Violon
16
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle
11
Violon et Piano
8
Harpe
5
Alto seul
5
Alto, Piano
4
Violon, Violoncelle (duo)
4
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Contre Basse
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
41
Orchestre d'harmonie
20
Orchestre
18
Orchestre à Cordes
15
Ensemble de cuivres
9
Cloches
7
Batterie
4
Orchestre de chambre
4
Jazz combo
4
Vibraphone
1
Marimba
1
Fanfare
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
I build
Chorale TTBB
Partitions à imprimer
12 partitions trouvées
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1
When I Survey The Wondrous Cross
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Chorale TTBB
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FACILE
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Musique Sacrée
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Joseph Schrock
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Schrock Music
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When I Survey The Wondrous Cro
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.977520 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Easter,Sacred. Octavo. 8 pages. Schrock ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.977520 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Easter,Sacred. Octavo. 8 pages. Schrock Music #4600701. Published by Schrock Music (A0.977520). Ttbb with accompaniment The beloved lyrics of When I Survey The Wondrous Cross have been paired with the beautiful musical setting from The Crown of Roses by Peter Tchaikovsky. Unison opening builds to a powerful climax at See from His head, His hands, His feet, sorrow and love flow! Appropriate for general worship, passion week, communion service, concerts and festivals.Approx. duration 3:30 min Length 8 pagesAlso available as ttbb unaccompanied
$2.25
I'll Cover You
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Chorale TTBB
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INTERMÉDIAIRE
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Jonathan Larson
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Timorell
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I'll Cover You
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501983 Composed by Jonathan Larson. Arranged by Timorell. A Cappella,Broadway,Contemporary,Film/TV,Musica...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501983 Composed by Jonathan Larson. Arranged by Timorell. A Cappella,Broadway,Contemporary,Film/TV,Musical/Show,Wedding. 14 pages. Timorell #3553501. Published by Timorell (A0.501983). As performed by TONEWALL, the charismatic queer a cappella band the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website . Questions for the arranger? Contact us at tonewallnyc@gmail.com. An intermediate level, upbeat cover of the Broadway song from RENT, featuring a male couple. Cross-part playful backup, 8 bar slow section then builds to a peak near the finished, pulling back at the very end for a quieter ending. Performs well both with and without vocal percussion. Range: low - (tessitura) - highSolo 1: D3 - (E4) - A4Solo 2: C3 - (B3) - F4T1: Bb3 - (A4) - C5 T2: G3 - (D4) - Ab4 Bari: E3 - (C4) - E4Bass: F2 - (D3) - C4
$2.00
I'm runnin' on
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Chorale TTBB
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Gospel Spirituel
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Musique Sacrée
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Mack Wilberg
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I'm runnin' on
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus with divisi, upper-voice solo, and orchestra or piano - SKU: OX.9780193543201 Arranged by Mack Wilberg. Sheet music. Octavo. 13 pages. Oxfor...
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SATB chorus with divisi, upper-voice solo, and orchestra or piano - SKU: OX.9780193543201 Arranged by Mack Wilberg. Sheet music. Octavo. 13 pages. Oxford University Press Digital #9780193543201. Published by Oxford University Press Digital (OX.9780193543201). ISBN 9780193543201.For SATB with divisi, upper-voice solo, and orchestra or piano. Wilberg's masterful setting of this African-American spiritual begins with a female solo backed by static, high-pitched chords in the piano, then gradually builds momentum to finish in a jubilant and lively double forte. Orchestral material is available on hire.
$4.00
I'l Build a Stairway to Paradise
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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George and Ira Gershwin
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Walter Latzko
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I'l Build a Stairway to Paradi
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871588 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871588 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5297271. Published by Latzko Muzic (A0.871588). Wonderful 1922 Gershwin ballad as performed by The Alexandria Harmonizers
$5.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
The Water Is Wide
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Chorale TTBB
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FACILE
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
Real Love
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Chorale TTBB
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FACILE
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Rock
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The Beatles
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G
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Real Love
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G. M. Morley
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley #5990205. Published by G. M. Morley (A0.500712). In 2014 John Lewis launched a Christmas advertising campaign that melted hearts worldwide, featuring a song written by John Lennon performed by Tom Odell, Real Love. The song was originally recorded by Lennon in 1979 and 1980 and released posthumously in 1988. His demo recording was completed by his former Beatles bandmates (Paul McCartney, George Harrison, and Ringo Starr) as part of the Beatles Anthology project released in 1995. It is the last single by the Beatles to become a top 40 hit in the US, the last released record of new material credited to the Beatles, and the last to originate and be included on an album. This arrangement is faithful tribute to both versions, building on the emotional textures of the Odell version by including the additional second and third verses of the original. Â If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
Three Songs About Prayer with God
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Chorale TTBB
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INTERMÉDIAIRE
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James Siddons
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Three Songs About Prayer with
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.972651 Composed by James Siddons. 20th Century,Contemporary,Sacred. Octavo. 25 pages. James Siddons Music and Wr...
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Choral Choir (TTBB) - Level 3 - SKU: A0.972651 Composed by James Siddons. 20th Century,Contemporary,Sacred. Octavo. 25 pages. James Siddons Music and Writings #4898811. Published by James Siddons Music and Writings (A0.972651). This is a TTBB setting with tenor and bass solos, organ and timpani, of the songs I Can Hear My Savior Call, Rock of Ages, and Near to the Heart of God. It is intended for concert performance but would be suitable for such special services as large funerals, building dedications, and memorial concerts. The words are selections from the original hymns. The timpani part is published separately.
$5.99
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
Anonymous: I'm Buildin' Me a Home - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
$6.23
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