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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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391
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301
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27
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26
1 Piano, 4 mains
22
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12
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9
Accordéon
6
2 Pianos, 4 mains
6
1 Piano, 6 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
+ 8 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
12
Mandoline
5
Basse electrique
4
Piano, Guitare (duo)
3
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
1
2 Ukuleles
1
Guitare Pedal Steel
1
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Chorale SATB
33
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10
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9
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6
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4
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2
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1
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14
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11
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10
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9
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8
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7
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6
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6
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5
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5
Flûte, Clarinette (duo)
4
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4
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3
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3
Hautbois, Piano (duo)
3
Saxophone Tenor
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais, Piano
2
2 Flûtes traversières (duo)
2
Saxophone Alto
2
Saxophone
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto
1
Quatuor de Flûtes : 4 flûtes
1
Flûte et Trio à cordes
1
Hautbois
1
Flûte à bec Alto, Piano
1
Flûte irlandaise
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Saxophone (partie séparée)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Tenor
1
Ensemble de Hautbois
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Flûte traversière, Basse continue
1
+ 43 instrumentations
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Cuivres
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
7
Trombone et Piano
5
Trompette, Cor (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trombones (duo)
4
Cor et Piano
3
2 Cors (duo)
3
2 Trompettes (duo)
3
Trombone
3
3 Tubas (trio)
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Cors (trio)
2
3 Trombones (trio)
2
Quatuor de Cuivres
2
2 Tubas (duo)
2
Tuba et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Cor
1
Tuba et Piano
1
Tuba
1
Quatuor de cuivres: 4 cors
1
+ 22 instrumentations
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Cordes
Violon et Piano
38
Quatuor à cordes: 2 violons, alto, violoncelle
17
Harpe
12
Alto, Piano
11
Violoncelle, Piano
10
Violon
10
Alto seul
8
Violoncelle
8
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
3
Trio à cordes: 3 violins
3
Contre Basse
3
Violon (partie séparée)
2
Violon, Alto (duo)
2
Harpe, Voix
2
2 Altos (duo)
2
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
10
Orchestre à Cordes
8
Orchestre de chambre
3
Ensemble de cuivres
2
Orchestre, Violon
2
Cloches
2
Vibraphone
2
Ensemble Jazz
2
Batterie
2
Fanfare
1
Piano et Orchestre
1
Jazz combo
1
Ensemble d'École
1
Cajon
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Lightless Luster (Dunkler Lichtglanz)
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Chorale TTBB
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INTERMÉDIAIRE
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Robert Schumann
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William J
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Lightless Luster
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T.U.X. People's Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1247249 Composed by Robert Schumann. Arranged by William J. Bullock. Contest,Festival,Romantic Period,Standards....
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Choral Choir (TTBB) - Level 3 - SKU: A0.1247249 Composed by Robert Schumann. Arranged by William J. Bullock. Contest,Festival,Romantic Period,Standards. Octavo. 8 pages. T.U.X. People's Music #841796. Published by T.U.X. People's Music (A0.1247249). Built around the idea of disparity, Lightless Luster is a beautifully haunting work from composer Robert Schumann, featuring a prosodic, rhyming translation by William J. Bullock. Utilizing full TTBB forces, as well as piano four-hands, Schumann's work is deliberate and methodical, but moves delicately toward a gentle conclusion.
$3.85
Tauben vergiften im Park
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Chorale TTBB
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INTERMÉDIAIRE
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofm...
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TTBB chorus and piano - intermediate - SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - schwarzer Humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q46985. Published by Schott Music - Digital (S9.Q46985). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions:Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99
DOES JESUS CARE
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Chorale TTBB
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FACILE
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Musique Sacrée
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Frank E
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Paul A
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DOES JESUS CARE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522481 Composed by Frank E. Graeff - Lyrics J. Lincoln Hall - Music. Arranged by Paul A. Jorg. A Cappella,Christ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522481 Composed by Frank E. Graeff - Lyrics J. Lincoln Hall - Music. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Gospel,Praise & Worship,Sacred. Octavo. 4 pages. Paul A. Jorg #6256577. Published by Paul A. Jorg (A0.522481). The author of the lyrics, Frank E. Graeff. was a minister in the Philadelphia Conference of the Methodist denomination. The lyrics were created in 1901, prior to the music being created a few years later by J. Lincoln Hall. The first appearance in a hymnal was in 1905, which now appears in 116 different hymnals. Does Jesus Care is an excellent hymn for the sick, the bereaved and those who have lost hope through hardship. Many also use it as a hymn or song for a funeral.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
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