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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ide Were Were
Non classifié
757
Piano & claviers
Piano seul
659
Piano, Voix et Guitare
203
Piano, Voix
190
Piano Facile
74
Orgue
31
Instruments en Do
26
Piano grosses notes
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
47
Ukulele
32
Guitare notes et tablatures
26
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
3
Basse electrique
3
Mandoline
3
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
215
Chorale 3 parties
35
Chorale 2 parties
21
Chorale TTBB
15
Chorale Unison
12
Chorale SSAA
10
Voix Soprano, Piano
6
Voix duo
4
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Tenor
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
49
Saxophone, Clarinette (duo)
48
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
45
Hautbois, Piano (duo)
42
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Clarinette, Violon (duo)
33
Flûte, Violon, Piano
31
Saxophone Tenor et Piano
29
Ensemble de saxophones
28
Clarinette, Trompette (duo)
28
Cor anglais, Piano
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière
23
Flûte, Clarinette (duo)
21
Clarinette
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Alto
16
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
Flûte, Saxophone (duo)
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
13
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon
12
Saxophone Alto
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
7
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Cor Anglais
5
Saxophone (partie séparée)
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Clarinette (partie séparée)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
Clarinette Basse
1
Hautbois
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Saxophone (duo)
35
Trombone et Piano
33
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
26
Cor et Piano
25
Trompette
24
Trompette, Trombone (duo)
18
2 Trombones (duo)
17
Trombone
15
Ensemble de Trombones
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de cuivres: 4 cors
7
Trompette (partie séparée)
6
Tuba
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone basse
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
71
Violoncelle, Piano
44
Alto, Piano
44
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
2 Harpes (duo)
39
Violon
31
Harpe
30
2 Violons (duo)
29
Violon, Alto (duo)
23
2 Altos (duo)
20
Violoncelle
20
2 Violoncelles (duo)
16
Alto seul
8
4 Violoncelles
7
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
Contre Basse
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
168
Orchestre à Cordes
80
Orchestre
67
Orchestre de chambre
37
Ensemble de cuivres
34
Cloches
11
Ensemble Jazz
9
Ensemble de Percussions
8
Jazz combo
7
Vibraphone
3
Batterie
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Ide Were Were
Chorale TTBB
Partitions à imprimer
15 partitions trouvées
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1
(ghost) Riders In The Sky (a Cowboy Legend)
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Chorale TTBB
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FACILE
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages....
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Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
Those Were The Days
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Chorale TTBB
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INTERMÉDIAIRE
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Mary Rice Hopkins
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Raymond Fenech
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Those Were The Days
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Raymond Fenech
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.760673 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festiva...
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Choral Choir (TTBB) - Level 3 - SKU: A0.760673 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festival,Instructional,Pop. Octavo. 9 pages. Raymond Fenech #5772041. Published by Raymond Fenech (A0.760673). Those Were the Days is a song credited to Gene Raskin, who put a new English lyric to the Russian romance song Dorogoi dlinnoyu composed by Boris Fomin (1900–1948) with words by the poet Konstantin Podrevsky. It deals with reminiscence upon youth and romantic idealism. Mary Hopkin's 1968 debut single of Those Were the Days, which was produced by Paul McCartney of the Beatles, became a number one hit on the UK Singles Chart. It was number one in the very first edition of the foreign singles sales chart.This piece is arranged for TTBB Men's Choir (A Cappella). The duration is 2.43 minutes and Intermediate level.Contact for other voices arrangements: rfenech58@gmail.com
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Gone Too Soon
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Chorale TTBB
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INTERMÉDIAIRE
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McG...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
Wade In the Water....ttbb w/bass solo
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Traditional Negro Spiritual, c
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Donald A
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Wade In the Water....ttbb w/ba
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928993 Composed by Traditional Negro Spiritual, composer unknown. Arranged by Donald A. Mills, 2020. A Cappella,...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928993 Composed by Traditional Negro Spiritual, composer unknown. Arranged by Donald A. Mills, 2020. A Cappella,African,Classical,Folk,Spiritual. Octavo. 6 pages. Donald A Mills #5307775. Published by Donald A Mills (A0.928993). This old traditional Negro Spiritual is part of a group of songs that were used to guide the slaves wanting freedom how and when to leave for the north. In this case, the song's directions were to get into the water of the stream or river to travel so that their scents could not be followed by the slave owners bloodhounds. This arrangement is for a men's quintet or chorus. The arrangement needs a level of experience and expertise at the intermediate to high level. It is a cappella, sung as the slaves would have sung it, with no instruments.
$2.99
Wade In the Water....ttbb plus bass solo
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Composer Unknown: Traditional
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Donald A
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Wade In the Water....ttbb plus
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928995 Composed by Composer Unknown: Traditional Negro Spiritual. Arranged by Donald A. Mills. A Cappella,Concer...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928995 Composed by Composer Unknown: Traditional Negro Spiritual. Arranged by Donald A. Mills. A Cappella,Concert,Folk,Gospel,Spiritual,Traditional. Octavo. 5 pages. Donald A Mills #5355171. Published by Donald A Mills (A0.928995). This old traditional Negro Spiritual is part of a group of songs called map songs, that were used to guide the slaves wanting freedom how and when to leave for the north. In this case, the song's directions were to get into the water of the stream or river to travel so that their scents could not be followed by the slave-owners bloodhounds. This arrangement is for a bass solo and a men's quartet or a men's chorus. The arrangement needs a level of experience and expertise at the intermediate to high level. It is a cappella, sung as the slaves would have sung it, with no instruments. Your singing group and audiences will surely love the beautiful words and harmonies.
$2.29
My Patie is a Lover Gay (The Gentle Shepherd) 1725
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional 17th century Scott
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Scott S
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My Patie is a Lover Gay
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1459447 Composed by Traditional 17th century Scottish tune/Allan Ramsay. Arranged by Scott S. Stewar...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1459447 Composed by Traditional 17th century Scottish tune/Allan Ramsay. Arranged by Scott S. Stewart. A Cappella,Celtic,Classical,Irish,Traditional. 6 pages. Scott S. Stewart #1038399. Published by Scott S. Stewart (A0.1459447). “My Patie is a Lover Gay” was written by the Scottish poet Allan Ramsay as the Finale for his ballad opera The Gentle Shepherd (1725). As was the custom of ballad opera at that time, he suggested his lyrics were to be sung to the well-known Scottish-English tune “Corn Riggs are Happy” (aka ‘Corn Riggs are Bonny’). In the spirit of PRIDE month, and updating the setting to the context of now, this is a love song about a shepherd and his lover. It is arranged for 4-part (gay or inclusive) men’s chorus to be performed a cappella. Performance time: 2:55+-.
$2.99
Don't Tell Me
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Chorale TTBB
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FACILE
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Hudson Taylor
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G
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Don't Tell Me
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G. M. Morley
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G...
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Choral Choir (TTBB) - Level 2 - SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 9 pages. G. M. Morley #6450807. Published by G. M. Morley (A0.500725). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49
Vocalise
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Chorale TTBB
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AVANCÉ
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Sergei Rachmaninoff and Stanle
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Vocalise
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir divisi (a cappella) - Difficult - SKU: MQ.8049-E Composed by Sergei Rachmaninoff and Stanley M. Hoffman. Score & instrument parts. 8 pages. E...
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TTBB choir divisi (a cappella) - Difficult - SKU: MQ.8049-E Composed by Sergei Rachmaninoff and Stanley M. Hoffman. Score & instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8049-E. Published by E. C. Schirmer Music Company - Digital (MQ.8049-E). The arranger condenses the piano accompaniment into a cappella choral parts. The TTB/TBB/TTBB version was arranged for Adam Reinwald and the Cantus Vocal Ensemble for their call for scores On the Shoulders of Giants. Russian music expert Vladimir Morosan then suggested the idea of an SATB version. Both versions were performed in a joint concert called Sanctus: Spirit of Music presented by the Cantus Vocal Ensemble and the National Lutheran Choir conducted by Dr. David Cherwien, on May 5 and 6, 2012, in Edina and Woodbury, Minnesota.**Demo recording is of the SATB version, #8050
$2.25
A Song of Canute (male voice choir and piano)
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
BLESSED ASSURANCE
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Chorale TTBB
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FACILE
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Lyrics -Fannie Crosby, Music -
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Paul A
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,H...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
Radius solaris
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Chorale TTBB
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Anders Jormin
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Radius solaris
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and violin & double bass - SKU: BJ.1245 Composed by Anders Jormin. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1245. Published by ...
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SATB chorus and violin & double bass - SKU: BJ.1245 Composed by Anders Jormin. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1245. Published by Bo Ejeby Forlag - Digital (BJ.1245). 8.27 x 11.7 inches.Radius solaris, descendit ut pluvia ... Sunbeams fall - as if they were rain. You, who received the blessing that abides within, make the world beautiful for all God's children. The Latin lyrics used in Radius solaris stem from an old, less-used version of Ave maris stella, an essential prayer in the Catholic church. The composition honours medieval vocal music as well as the later passacaglia form. The solo part, notated here for the violin, can also be played by a clarinet, an alto flute, a cello or an English horn. The piece can also be performed without an instrumental solo. - Anders Jormin Radius solaris is recorded by the Polish choir Camerata Silesia and Anders Jormin: Ama, Footprint Records FRCD 094.
$3.20
The Mansions Of The Lord
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nick Glennie-Smith
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Charles A
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The Mansions Of The Lord
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.882484 Composed by Nick Glennie-Smith. Arranged by Charles A. Gravenhorst. Contemporary. Octavo. 10 pages. CG Pu...
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Choral Choir (TTBB) - Level 4 - SKU: A0.882484 Composed by Nick Glennie-Smith. Arranged by Charles A. Gravenhorst. Contemporary. Octavo. 10 pages. CG Publications #4799021. Published by CG Publications (A0.882484). A rich, full-bodied treatment of the stirring anthem, from the Paramount Motion Picture “We Were Soldiers,†that includes the haunting “Sgt. MacKenzie†lament, as well as the lyrical prayer themes. Movingly arranged for 4-part Men’s Chorus with supportive Piano Accompaniment. An optional Cello Part Score is included that adds a full orchestral feel to performance with only minimal added instrumentation. Though the work, in the original key of A-flat, is challenging, optional cuts, as well as optional Substitute Instrumental Part (Violin or other C Instrument), are provided to allow the best experience for groups that may have more limited available resources.
$2.99
On Bethlehem's Silent Plain : TTBB Acapella
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Chorale TTBB
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M
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On Bethlehem's Silent Plain :
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484...
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Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
Can't Get It Out Of My Head
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Chorale TTBB
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INTERMÉDIAIRE
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Electric Light Orchestra
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Bob Eggers
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Can't Get It Out Of My Head
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Conte...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Pop,Rock. 13 pages. ROBERT J EGGERS #878833. Published by ROBERT J EGGERS (A0.1287756). Jeff Lynne of ELO composed this song to prove to his father that all of his classical music lessons were not a waste as he pursued a career in popular rock music. This arrangement features a tenor soloist, accompanied by 4 part background, plus a duet and later a trio of tenors on the final chorus. To extend the song, a key change lifts the final chorus to a new level. Duration is 3:45.The arrangement is suitable for school, collegiate and professional choirs of any size, and may be performed for family audiences. Please be sure to follow the link to preview the YouTube video!
$1.99
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