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20
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1 Piano, 6 mains
2
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1
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VOIX
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18
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16
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13
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11
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10
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9
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8
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6
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4
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3
Voix seule
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix haute
1
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1
Voix basse
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VENTS
2 Saxophones (duo)
163
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102
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68
Saxophone Alto et Piano
57
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54
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48
Saxophone Alto
48
Saxophone Tenor et Piano
44
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36
2 Clarinettes (duo)
36
Clarinette, Violon (duo)
33
Saxophone Soprano et Piano
31
3 Saxophones (trio)
31
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28
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28
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27
Clarinette
25
Clarinette et Piano
24
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23
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22
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21
Flûte traversière
20
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20
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19
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18
Flûte à bec Soprano
17
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15
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14
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14
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14
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13
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13
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13
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11
Saxophone Baryton
11
2 Hautbois (duo)
11
Saxophone Soprano
10
Quatuor de Flûtes : 4 flûtes
9
Ensemble de Clarinettes
9
Flûte à bec Alto
7
Flûte à Bec
7
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois
5
Clarinette, Violoncelle (duo)
5
Quintette de Flûte : 5 flûtes
5
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4
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4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Alto, Piano
4
Cor anglais, Piano
4
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3
Clarinette Basse, Piano
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Harmonica
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5 Flûtes à bec
2
2 Flûte à bec (duo)
2
3 Clarinettes (trio)
2
Ensemble à vent
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2
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2
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1
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1
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1
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Clarinette Basse
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Ocarina
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2 Clarinettes, Piano
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1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Trio de Flûtes: 3 flûtes
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Tenor
1
Flute (partie séparée)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Trombone et Piano
41
Trombone
38
2 Trombones (duo)
37
Trompette, Saxophone (duo)
36
Trompette
32
Quatuor de cuivres: 4 trombones
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette, Trombone (duo)
27
Trompette, Piano
25
Cor
24
Ensemble de Trombones
24
Cor et Piano
22
Tuba
21
2 Trompettes (duo)
15
Tuba et Piano
13
Trombone (partie séparée)
12
Quatuor de cuivres: 4 cors
8
Quatuor de Cuivres
7
Ensemble de Trompettes
7
Trio de Cuivres
6
2 Tubas (duo)
4
Cor anglais, Piano
4
2 Cors (duo)
3
Tuba (partie séparée)
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
Ensemble de Cors
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Trompette (partie séparée)
2
Cor (partie séparée)
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Cor Anglais
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
39
Violon, Violoncelle (duo)
35
Violon
34
Violoncelle, Piano
26
Alto, Piano
24
Violoncelle (partie séparée)
24
Harpe
24
2 Violons (duo)
23
Violon, Alto (duo)
22
Alto seul
21
Trio à Cordes: violon, alto, violoncelle
20
2 Violoncelles (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
2 Altos (duo)
13
Violoncelle
12
Contrebasse, Piano (duo)
10
4 Violoncelles
10
Contre Basse
10
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
7
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Harpe, Voix
3
Violon (partie séparée)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
2 Harpes (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
2 Violoncelles, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
208
Orchestre
52
Ensemble de cuivres
44
Orchestre à Cordes
33
Ensemble Jazz
14
Cloches
13
Fanfare
13
Orchestre de chambre
11
Jazz combo
10
Batterie (partie séparée)
4
Ensemble de Percussions
3
Orchestre, Violon
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Marimba
1
Vibraphone
1
Instrumentation Flexible
1
Batterie
1
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AUTRES
Vous avez sélectionné:
In You, We Are One
Chorale TTBB
Partitions à imprimer
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We Are One (TTBB)
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382985 By Christop…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages. Christopher Alexander #967412. Published by Christopher Alexander (A0.1382985). We Are One is a new choral work for a cappella voices. Starting with a soloist, the piece grows into a small ensemble and then finally the reonant entrance of the entire choir. Harmonic and homophonic voice leading gives strength to the text, creating a hymn-like quality. Divisi does occur at times within specific voice sections, all the while articulating and expanding the universality and connection to the seemingly simple text. Your singers will fall in love with this choral piece and, hopefully, be inspired to create a better humanity for today’s world.Also available in SATB and SSAA.SSAA Audio recording by:Rocky Mountain Chamber Choir - Virtual SingersFacebook: @Rocky Mountain Chamber Choir - Virtual SingersInstagram: @RMCCVCYouTube: @rockymountainchamberchoir3528#RMCC, #RMCCVC.
$2.50
2.3 €
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Chorale TTBB
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Christopher Alexander
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We Are One
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Christopher Alexander
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SheetMusicPlus
Your Disco Needs You
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1372967 By Kylie Mi…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1372967 By Kylie Minogue. By Guy Chambers, Kylie Minogue, and Robert Peter Williams. Arranged by Charles Beale. Disco,Funk. 17 pages. Charliebmusic #957303. Published by charliebmusic (A0.1372967). Kylie Minogue's career has had many phases, and this disco revival song kickstarted her early 2000s period of success. Thematically it is about how when times are hard adn the struggle is real, we should dance. Dance music in general, but especially the disco, is a palce of belonging, empowerment and celebration for the marginalized, and can indeed 'cure your lonely heart'. It is also slightly tongue in cheek in its use of 1970s disco gestures in a bombastic, super-gay and double-coded way.This TTBB arrangement is suitable for many groups and designed asa show opener, with an opening fanfare. It also features a whole TTBB singing falsetto, and, rather than resolving, finishes on a dramatic moment of tension, ready for the next song.Band parts and other choral voicings are also available from the arranger at their website.
$1.99
1.83 €
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Chorale TTBB
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Kylie Minogue
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Charles Beale
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Your Disco Needs You
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charliebmusic
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SheetMusicPlus
Ahh, the love we have for you
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.909989 Composed by Tinus B…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.909989 Composed by Tinus Badenhorst. 20th Century,Celtic,Contemporary,Holiday,Love,Wedding. Octavo. 63 pages. Envangeli #5215859. Published by envangeli (A0.909989). A love song in Celtic style composed to the words of my dearest person who wrote this to me in my 2020 diary.Love above,love below,in the middle of the riverI do flow.Not for sorrow,not for horror,in God's love I do flow.Yes, I do,for now I do,forever and ever we will do.Ahh, the love we have for you.Melody and Chords, Score, Set of Parts for Irish Flute, Bagpipes, Irish Fiddle, Timpani, Snare Drums, Bass Drums, Chinese Cymbal, Pipe Organ, String & Pad Synthesizer, Baritone Solo and TTBB Choir.
$5.99
5.52 €
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Chorale TTBB
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Tinus Badenhorst
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Ahh, the love we have for you
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envangeli
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SheetMusicPlus
Sacred Music for Men's Choir - We Thank You, Lord
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411511 By Mic…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411511 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Contest,Festival,Praise & Worship. 27 pages. Martin Music Editions #993780. Published by Martin Music Editions (A0.1411511). Experience the profound gratitude expressed in 'We Thank You, Lord', a stirring choral work with text by Michael A. Schmid, now tailored for Men's Chorus, TTBB. This piece offers a unique opportunity for Tenor 1, Tenor 2, Baritone, and Bass voices to blend in harmony, creating a powerful musical expression.In 'We Thank You, Lord', the melody gracefully transitions between the Tenor and Baritone/Bass voices, with each section having its moment to shine. This distinctive arrangement ensures a balanced showcase for both the upper and lower registers, resulting in a resonant and unified sound.The accompaniment, skillfully woven into the piano part, provides a solid foundation for the voices, with intricate melodies and harmonies adding depth and emotion. This thoughtful arrangement supports singers in delivering a heartfelt performance that truly connects with listeners.For added versatility and beauty, 'We Thank You, Lord' offers the option to include a C instrument such as violin, flute, or oboe, enhancing the overall texture and adding richness to the musical tapestry. Moreover, parts for brass quintet are included, further expanding the ensemble possibilities.This anthem is very accessible for intermediate level men's choirs, making it perfect for Sunday worship or any other performance occasion. With its striking harmony, lyric melody and compelling message of gratitude, 'We Thank You, Lord' is ready to uplift and inspire all who experience it!Don't miss the opportunity to share the message of thankfulness and appreciation with 'We Thank You, Lord' – a heartfelt choral piece that will touch the hearts of all who hear it!
$2.10
1.93 €
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Chorale TTBB
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Michael A
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Kenneth Martin
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Sacred Music for Men's Choir - We Thank You, Lord
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Martin Music Editions
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.23 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
On Bethlehem's Silent Plain : TTBB Acapella
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A…
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Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
1.83 €
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Chorale TTBB
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M
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On Bethlehem's Silent Plain : TTBB Acapella
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Vocal Works
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.84 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.919859 Composed by Various…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
3.22 €
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Chorale TTBB
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Various, Traditional
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Ash
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"What Carol Is This?"
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Music by Ash
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SheetMusicPlus
Winter Song
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865876 Composed by Ingrid …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865876 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Charles Beale. Pop. Octavo. 14 pages. Charliebmusic #5313409. Published by charliebmusic (A0.865876). Co-written by Sara Bareilles and Ingrid Michaelson, 'Winter Song' is a Holiday (Christmas) song, which does not mention the season in the lyric. Written in 2008, it wistfully expresses a universal longing to be with your loved one in December, when the world and nature itself can feel loveless. The polyphonic outro 'round and round' section, which builds to a spectacular and colorful conclusion, expresses a yearning for connection with the lyric 'Is Love Alive?'. Optimistically, it reminds us that Spring will come and we will rebuild.
$1.99
1.83 €
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Chorale TTBB
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Ingrid Michaelson and Sara Bareilles
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Charles Beale
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Winter Song
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charliebmusic
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SheetMusicPlus
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