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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the house
Non classifié
590
Piano & claviers
Piano seul
452
Piano, Voix
165
Piano, Voix et Guitare
144
Piano Facile
118
Orgue
53
Instruments en Do
47
Piano grosses notes
36
Accompagnement Piano
16
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Orgue, Trompette (duo)
3
Piano (partie séparée)
3
2 Accordéons
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
74
Guitare notes et tablatures
64
Ligne De Mélodie, (Paroles) et Accords
18
Ukulele
15
Paroles et Accords
10
Guitare (partie séparée)
8
Dulcimer
7
Basse electrique
5
Mandoline, Guitare (duo)
4
Mandoline
3
2 Guitares (duo)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
292
Chorale 3 parties
110
Chorale 2 parties
57
Chorale TTBB
48
Chorale SSAA
28
Chorale Unison
28
Voix duo
11
Voix haute
10
Voix duo, Piano
9
Voix seule
8
Voix Soprano, Piano
6
Chorale
5
Voix Baryton, Piano
5
Voix basse, Piano
4
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix Baryton
3
Voix Alto, Piano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
+ 16 instrumentations
Retracter
Vents
Clarinette
69
Saxophone (partie séparée)
51
Quatuor de Saxophones: 4 saxophones
45
Flûte traversière
29
Flûte traversière et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Clarinettes: 4 clarinettes
19
2 Flûtes traversières (duo)
18
Saxophone Alto
18
Saxophone Alto et Piano
18
Quatuor de Flûtes : 4 flûtes
15
Clarinette et Piano
14
2 Saxophones (duo)
14
Saxophone Tenor
13
Saxophone Tenor et Piano
8
Ensemble de Flûtes
8
Hautbois, Piano (duo)
8
2 Clarinettes (duo)
8
Ensemble de saxophones
7
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
Instruments en Mib
6
Hautbois (partie séparée)
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
3
Flûte à bec Soprano
3
Flûte et Guitare
3
Saxophone Soprano
3
2 Flûte à bec (duo)
3
Clarinette Basse, Piano
3
Clarinette, Violon (duo)
3
Flute (partie séparée)
3
Flute, harpe et violon
2
Quintette de Saxophone: 5 saxophones
2
Flûte à bec Alto, Piano
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Hautbois
2
Flûte, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Trompette (duo)
1
Ensemble De Flûte à bec
1
3 Saxophones (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson et Piano
1
Flûte à bec Alto
1
Clarinette et Alto
1
Harmonica
1
Clarinette Basse
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette (duo)
1
Flûte à Bec
1
3 Clarinettes (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Hautbois, violon (duo)
1
Ocarina
1
Flûte, Hautbois (duo)
1
Clarinette (partie séparée)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Saxophone, Clarinette (duo)
1
2 Hautbois (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Trompette
66
Trombone (partie séparée)
28
Trompette (partie séparée)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Tuba et Piano
13
Quatuor de cuivres: 4 trombones
12
Trombone et Piano
11
Cor et Piano
11
Trombone
10
2 Trompettes (duo)
8
Cor
8
Trompette, Piano
7
Instruments en Sib
6
Tuba
6
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trompette, Trombone, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Bass Clef Instruments
1
Instruments en Fa
1
Cor anglais, Guitare (duo)
1
Ensemble de Trombones
1
Trompette, Saxophone (duo)
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
4 Tubas
1
Euphonium
1
Trio de Cuivres
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon, Violoncelle (duo)
105
Trio à Cordes: 2 violons, violoncelle
68
Violoncelle
50
Violon
47
Violon et Piano
32
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
25
Violon, Alto (duo)
24
Harpe
19
Violoncelle, Piano
17
2 Violons (duo)
15
Contrebasse (partie séparée)
15
2 Altos (duo)
9
Alto seul
8
Alto, Piano
7
Violoncelle, Contrebasse (duo)
6
Contre Basse
6
Violon (partie séparée)
5
Alto, Violoncelle (duo)
5
Alto (partie séparée)
5
4 Violoncelles
4
2 Harpes (duo)
4
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
3
2 Contrebasses (duo)
3
Contrebasse, Piano (duo)
3
Violon, Basse continue
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Violons et Basse continue
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
330
Orchestre
52
Orchestre à Cordes
46
Ensemble Jazz
33
Ensemble de cuivres
22
Fanfare
16
Batterie
15
Orchestre de chambre
14
Cloches
11
Batterie (partie séparée)
6
Jazz combo
6
Percussion (partie séparée)
5
Ensemble de Percussions
5
Vibraphone
4
Marimba
1
Xylophone, Piano
1
Quintette à Vent
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
In the house
Chorale TTBB
Partitions à imprimer
48 partitions trouvées
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1
26
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Best Seat In The House
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Chorale TTBB
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INTERMÉDIAIRE
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David Grusin
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Larry Wright
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contestable for BHS
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Best Seat In The House
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853956 Composed by David Grusin. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853956 Composed by David Grusin. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4757723. Published by Larry Wright (A0.853956). A MEN'S 4-part, a cappella, barbershop ballad arrangement of this great Barry Manilow song; contestable for BHS. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP (or the publisher) who controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
James Bond Theme
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Chorale TTBB
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Film/TV
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Monty Norman
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Jay Althouse
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James Bond Theme
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
James Bond Theme - TTBB. Composed by Monty Norman. Arranged by Jay Althouse. Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0001663. Publ...
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James Bond Theme - TTBB. Composed by Monty Norman. Arranged by Jay Althouse. Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0001663. Published by Alfred Music - Digital Sheet Music
Celebrate 50 years of James Bond OO7---and the release of the movie Skyfall---with this fabulously recognizable theme, originally premiered in the film Dr. No. Singers can now enjoy these exciting rhythms, marvelous melodies, and snazzy harmonies!
Inst. Parts Available (choral); Recorded Acc. Available.
$2.25
Spirit In The Night
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Chorale TTBB
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INTERMÉDIAIRE
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Bruce Springsteen
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Bob Eggers
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
Cheeseburger In Paradise
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Chorale TTBB
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INTERMÉDIAIRE
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Jimmy Buffett
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Eric Ruthenberg
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Cheeseburger In Paradise
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Eric Ruthenberg
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1471179 By Jimmy Buffett. By Jimmy Buffett. Arranged by Eric Ruthenberg. A Cappella,Barbershop,Rock....
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1471179 By Jimmy Buffett. By Jimmy Buffett. Arranged by Eric Ruthenberg. A Cappella,Barbershop,Rock. 6 pages. Eric Ruthenberg #1048839. Published by Eric Ruthenberg (A0.1471179). This Jimmy Buffet classic will get the audience up and bring the house down at your quartet's next performance! True to the original and fun to sing!
$1.99
The Star-Spangled Banner TTBB
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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John Stafford Smith with Lyric
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Russell Wilson
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Tenor 1 needs a strong High A
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The Star-Spangled Banner TTBB
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Prelude Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.972988 Composed by John Stafford Smith with Lyrics by Scott Francis Key. Arranged by Russell Wilson. A Cappella,...
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Choral Choir (TTBB) - Level 4 - SKU: A0.972988 Composed by John Stafford Smith with Lyrics by Scott Francis Key. Arranged by Russell Wilson. A Cappella,Holiday,Patriotic. Octavo. 2 pages. Prelude Press #3537873. Published by Prelude Press (A0.972988). Bring the house down with this powerful acapella arrangement of the National Anthem for TTBB men's quartet or chorus. Superbly edited in a quick military style, but featuring slightly modernized harmonies and dynamics changes.Already sung at countless basketball games over the years, it’s a blockbuster arrangement, Bass must have a strong Low E. Tenor 1 needs a strong High A.
$1.99
Haunted House
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Chorale TTBB
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INTERMÉDIAIRE
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Halloween
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Gene Simmons
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Julie Hinton
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Haunted House
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1410889 By Gene Simmons. By Robert Geddins. Arranged by Julie Hinton. A Cappella,Barbershop,Children...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1410889 By Gene Simmons. By Robert Geddins. Arranged by Julie Hinton. A Cappella,Barbershop,Children,Halloween,Pop. 6 pages. Red Tape Productions #993277. Published by Red Tape Productions (A0.1410889). TTBB acapella. This arrangement features a snazzy T2 solo throughout while the other parts support with rhythmic vocals behind them, coming together for the choruses in tenor and bass duets. The song is a fun Halloween novelty tune appropriate for all ages about a person moving into a haunted house and seeing a ghost. Great for school men's choruses, community ensembles and barbershop groups!This arrangement is also available in SATB and SSAA acapella. The audio sample comes from the beginning of the song. Check out the other versions' audio samples for different parts of the arrangement.
$2.25
The House I Live In
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Chorale TTBB
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FACILE
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Contemporain
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Earl Robinson
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Walter Latzko
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The House I Live In
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.871590 Composed by Earl Robinson. Arranged by Walter Latzko. Contemporary. Octavo. 5 pages. Latzko Muzic #529647...
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Choral Choir (TTBB) - Level 2 - SKU: A0.871590 Composed by Earl Robinson. Arranged by Walter Latzko. Contemporary. Octavo. 5 pages. Latzko Muzic #5296473. Published by Latzko Muzic (A0.871590). 1945 Ballad as performed by the Four Renegades
$5.99
This Ole House
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Stuart Hamblen
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Larry Triplett
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this is 4 parts plus soloist
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This Ole House
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Larry Triplett
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.979932 Composed by Stuart Hamblen. Arranged by Larry Triplett. A Cappella,Contemporary,Standards. Octavo. 10 pag...
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Choral Choir (TTBB) - Level 4 - SKU: A0.979932 Composed by Stuart Hamblen. Arranged by Larry Triplett. A Cappella,Contemporary,Standards. Octavo. 10 pages. Larry Triplett #6211093. Published by Larry Triplett (A0.979932). A cappella harmony in the barbershop style for men's voices.If you have a REAL bass soloist, this gospel tune will be just what your chorus needs. The bass feature is separate from the chorus bass part; this is 4 parts plus soloist.
$3.99
This Ole House
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Chorale TTBB
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FACILE
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Stuart Hamblen
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Paul A
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This Ole House
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522353 Composed by Stuart Hamblen. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6013461....
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Choral Choir (TTBB) - Level 2 - SKU: A0.522353 Composed by Stuart Hamblen. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6013461. Published by Paul A. Jorg (A0.522353). This is one of many wonderful compositions by Stuart Hamblen which was written in the 1950's. This arrangement is for 4 part Male Harmony (TTBB) a cappella. The lyrics are very uplifting.
$4.59
This Ole House
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Chorale TTBB
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INTERMÉDIAIRE
#
Stuart Hamblen
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Kevin Keller
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This Ole House
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Kevin Keller
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1043309 Composed by Stuart Hamblen. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Spiritual. Octa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1043309 Composed by Stuart Hamblen. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Spiritual. Octavo. 5 pages. Kevin Keller #647998. Published by Kevin Keller (A0.1043309). Fun TTBB chart a cappella in the barbershop style with addition of bass melody - NOT suitable for BHS competition.
$2.99
Deck The Halls (TTB)
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Chorale TTBB
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FACILE
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Noël
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Stephen DeCesare
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Stephen DeCesare
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Deck The Halls
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1295278 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Children,Christmas,Classical,R...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1295278 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Children,Christmas,Classical,Rock,Standards. 8 pages. Exultet Music #885577. Published by Exultet Music (A0.1295278). The traditional carol that is sung in every land, especially when the house is being decorated for the holidays has been freshly arranged with a lively rock 'n roll beat with some classical nuances mixed throughout. Â Scored for TTB with Piano accompaniment. Â Accessible and appropriate for any school or concert setting. Â An accompaniment track is also available.
$3.99
It Happened In Monterey
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Chorale TTBB
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AVANCÉ
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Billy Rose and Mabel Wayne
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John Brockman
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It Happened In Monterey
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BrockhouseMusic
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1310082 Composed by Billy Rose and Mabel Wayne. Arranged by John Brockman. 20th Century,A Cappella,Barber...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1310082 Composed by Billy Rose and Mabel Wayne. Arranged by John Brockman. 20th Century,A Cappella,Barbershop,Standards,Traditional. 6 pages. BrockhouseMusic #899217. Published by BrockhouseMusic (A0.1310082). Four part (TTBB) arrangement for acapella male voices in the barbershop style. Arranged for OC Times.
$1.99
The Nights
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Chorale TTBB
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FACILE
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Avicii
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Carolyn Goates
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The Nights
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Carolyn Goates
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1284705 By Avicii. By Ash Pournouri, Avicii, Gabriel Benjamin Budin Smither, John Feldmann, Jordan Suecof...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1284705 By Avicii. By Ash Pournouri, Avicii, Gabriel Benjamin Budin Smither, John Feldmann, Jordan Suecof, and Nicholas Furlong. Arranged by Carolyn Goates. 21st Century,Pop,Rock. 6 pages. Carolyn Goates #875881. Published by Carolyn Goates (A0.1284705). This is described as a progressive house song with elements of folk rock. Apparently an ode to a father, the idea conceived in a bar in Ireland. This arrangement has been set at a fairly upbeat pace, but would work equally well as a slow, atmospheric ballad.
$2.99
Four Seasons In One Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Crowded House
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Rowena Harper
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Four Seasons In One Day
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo...
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Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #4726641. Published by Rowena Harper (A0.762494). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$3.00
Four Seasons In One Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
Crowded House
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Rowena Harper
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Four Seasons In One Day
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Rowena Harper
#
SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Qu...
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Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #4726635. Published by Rowena Harper (A0.762493). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$15.95
Our House
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Chorale TTBB
#
INTERMÉDIAIRE
#
Crosby Stills Nash and Young
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Jasper Swank
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Our House
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Jasper Swank
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1342329 By Crosby Stills Nash and Young. By Graham Nash. Arranged by Jasper Swank. Pop,Singer/Songwriter,...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1342329 By Crosby Stills Nash and Young. By Graham Nash. Arranged by Jasper Swank. Pop,Singer/Songwriter,Standards. 13 pages. Jasper Swank #927842. Published by Jasper Swank (A0.1342329). This arrangement was written in 2019 for the vocal quartet ‘Zangkasteel’.Included in package TTBB Choir score (4 pages) TTBB Choir + piano score (4 pages) Piano rehearsal part (3 pages, choir reduction, melody 8va) Piano rehearsal part (2 pages, chord sheet).
$3.09
Two Of A Kind (Workin' On A Full House)
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Garth Brooks
#
Aaron Dale
#
Two Of A Kind
#
Aaron Dale
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1455112 By Garth Brooks. By Bobby Boyd, Dennis Robbins, and Warren Dale Haynes. Arranged by Aaron Da...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1455112 By Garth Brooks. By Bobby Boyd, Dennis Robbins, and Warren Dale Haynes. Arranged by Aaron Dale. A Cappella,Barbershop,Country. 7 pages. Aaron Dale #1034189. Published by Aaron Dale (A0.1455112). This is the link for choirs to purchase (for more than 4 people) ***You must purchase one copy for each person in your group***
$2.95
The Toilet Seat Song
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Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
Brad Paisley
#
Matt Astle
#
The Toilet Seat Song
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Matt Astle Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891484 By Brad Paisley. By Brad Paisley and Gerry House. Arranged by Matt Astle. Contemporary. Octavo. 7 pages. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891484 By Brad Paisley. By Brad Paisley and Gerry House. Arranged by Matt Astle. Contemporary. Octavo. 7 pages. Matt Astle Music #6048329. Published by Matt Astle Music (A0.891484). As performed by renowned comedy quartet Dewey Singum & HoweIn this quartet version, one purchase entitles you to four copies for the quartet.Learning tracks available from Matt Astle at facebook.com/mattastlemusicMore information and custom arrangements available at facebook.com/mattastlemusic.
$12.99
The Toilet Seat Song
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Chorale TTBB
#
INTERMÉDIAIRE
#
Brad Paisley and Gerry House
#
Matt Astle
#
The Toilet Seat Song
#
Matt Astle Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1235164 Composed by Brad Paisley and Gerry House. Arranged by Matt Astle. A Cappella,Barbershop,Comedy,Country. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1235164 Composed by Brad Paisley and Gerry House. Arranged by Matt Astle. A Cappella,Barbershop,Comedy,Country. Octavo. 7 pages. Matt Astle Music #830698. Published by Matt Astle Music (A0.1235164). As performed by renowned comedy quartet Dewey Singum & HoweIn this chorus version, each part is sold separately, minimum 10.Learning tracks available from Matt Astle at facebook.com/mattastlemusicMore information and custom arrangements available at facebook.com/mattastlemusic.
$1.99
Scooby Doo, Where Are You?
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Chorale TTBB
#
INTERMÉDIAIRE
#
Ben Raleigh and David Monk
#
Alex Frank
#
Scooby Doo, Where Are You?
#
Alex Frank
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
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