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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Hot Hot Hot
Non classifié
367
Piano & claviers
Piano seul
175
Piano, Voix et Guitare
69
Instruments en Do
66
Piano Facile
48
Piano, Voix
47
Orgue
18
Piano (partie séparée)
15
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 4 mains
4
Clavecin
2
Accompagnement Piano
2
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
33
Guitare
33
Guitare (partie séparée)
32
Guitare notes et tablatures
16
Basse electrique
5
2 Mandolines (duo)
2
Mandoline
2
Banjo
2
2 Guitares (duo)
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
83
Chorale 3 parties
24
Chorale SSAA
19
Chorale TTBB
15
Chorale 2 parties
10
Voix Soprano, Piano
5
Chorale Unison
5
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
3
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone (partie séparée)
105
Saxophone Alto
41
Flûte traversière et Piano
36
Saxophone Tenor
34
Hautbois, Piano (duo)
32
Flûte traversière
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
17
Clarinette et Piano
17
Clarinette
17
Quatuor de Clarinettes: 4 clarinettes
17
Flute (partie séparée)
14
Saxophone Tenor et Piano
14
Saxophone Alto et Piano
13
Clarinette (partie séparée)
11
Saxophone Baryton, Piano
10
Saxophone Soprano
10
Hautbois (partie séparée)
9
Saxophone Soprano et Piano
8
2 Flûtes traversières (duo)
8
Flûte à bec Soprano
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
6
Clarinette Basse, Piano
5
Cor anglais, Piano
4
2 Saxophones (duo)
4
Flûte et Guitare
3
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
Ensemble de Clarinettes
2
Ensemble de Flûtes
2
Flûte à bec Alto
2
Clarinette, Trompette (duo)
1
Flûte à Bec
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Flûte à bec Tenor
1
Saxophone, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Flûte traversière, Basse continue
1
+ 42 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
84
Trompette (partie séparée)
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trompette
35
Trombone et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Cor et Piano
15
Cor (partie séparée)
14
Tuba (partie séparée)
12
Trompette, Piano
11
Euphonium, Piano (duo)
10
Trombone
8
Cor anglais, Piano
4
Tuba et Piano
2
Quatuor de Cuivres
2
Cor
2
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone, Tuba (duo)
1
Trompette, Saxophone (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon
55
Violon et Piano
39
Violon, Violoncelle (duo)
35
Violoncelle, Piano
32
Violoncelle
30
Trio à Cordes: violon, alto, violoncelle
24
Contrebasse (partie séparée)
22
Alto, Piano
19
Violon (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Harpe
7
Alto (partie séparée)
7
Violon, Alto (duo)
5
Alto seul
4
4 Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Contrebasse, Piano (duo)
4
Contre Basse
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violons (duo)
3
2 Violoncelles (duo)
3
Violoncelle, Basse continue
2
2 Altos (duo)
2
Violon, Orgue
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orchestre
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
162
Ensemble Jazz
53
Orchestre
44
Fanfare
30
Orchestre à Cordes
23
Batterie (partie séparée)
19
Ensemble de cuivres
13
Percussion (partie séparée)
10
Orchestre de chambre
9
Jazz combo
6
Batterie
6
Cloches
4
Ensemble de Percussions
2
Orchestre, Violon
2
Percussion
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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intermédiaire
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expert
avec audio
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Vous avez sélectionné:
It's Hot Hot Hot
Chorale TTBB
Partitions à imprimer
15 partitions trouvées
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1
Go, tell it on the mountain
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Chorale TTBB
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Wilfried Fischer
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Go, tell it on the mountain
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) - SKU: S9.Q14935 Negro Spiritual. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Digita...
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Men's choir (TTBB) - SKU: S9.Q14935 Negro Spiritual. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Digital #Q14935. Published by Schott Music - Digital (S9.Q14935). English.
$2.99
Imagine Dragons Medley - 5 Prints by Peter Hollens - Men's Choir A Cappella
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Chorale TTBB
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Peter Hollens
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Imagine Dragons Medley - 5 Pri
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Musicnotes
Performed by: Peter Hollens: Imagine Dragons Medley - (Radioactive - Believer - Gold - It's Time - Demons - Shots - On Top of the World - Natural) Digital ...
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Performed by: Peter Hollens: Imagine Dragons Medley - (Radioactive - Believer - Gold - It's Time - Demons - Shots - On Top of the World - Natural) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Men's Choir A Cappella, instruments: Choir; 15 pages -- Alternative Pop/Rock~~Indie Rock~~New Wave/Post-Punk Revival
$2.99
Messa breve
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Nino Rota
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Messa breve
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) and organ - intermediate - Digital Download For men's choire with 4 voices (TTBB) and organ. Composed by Nino Rota (1911- ...
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Men's choir (TTBB) and organ - intermediate - Digital Download For men's choire with 4 voices (TTBB) and organ. Composed by Nino Rota (1911- 1979). This edition: score. Chormusik. Downloadable. Duration 16 minutes. Schott Music - Digital #Q8523. Published by Schott Music - Digital
Latin.
Rota's Mass for choir and organ is published in two editions: for three-part mixed choir and for four-part male choir, each with organ. The organ part is identical in both editions. As a consequence, it is possible to perform the work with varying choir ensembles. The mass, with Latin text, is suitable both for amateur choirs and in small churches or concert halls.
$9.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
You're All I Need To Get By
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Chorale TTBB
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INTERMÉDIAIRE
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Marvin Gaye
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Bob Eggers
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You're All I Need To Get By
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1169515 By Marvin Gaye. By Nickolas Ashford and Valerie Simpson. Arranged by Bob Eggers. 20th Century,A Cappella...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1169515 By Marvin Gaye. By Nickolas Ashford and Valerie Simpson. Arranged by Bob Eggers. 20th Century,A Cappella,Pop,Rock,Spiritual. Octavo. 10 pages. ROBERT J EGGERS #769865. Published by ROBERT J EGGERS (A0.1169515). Recorded by Marvin Gaye and Tammi Terrell in 1968, and reaching number 7 on the Billboard's Hot R&B/Soul singles chart, the song is less Motown and more gospel in it's feeling. This arrangement captures that gospel energy and excitement and should bring audiences to their feet.
$1.99
Reh-im-Park-Blues
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Chorale TTBB
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INTERMÉDIAIRE
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - intermediate - SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable...
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TTBB chorus a cappella - intermediate - SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46987. Published by Schott Music - Digital (S9.Q46987). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99
FAT BOTTOMED GIRLS by Queen arr Kathleen McGuire (TTBB choral score)
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Chorale TTBB
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Film/TV
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Glee Cast, Queen, Seattle Me
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Kathleen McGuire
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FAT BOTTOMED GIRLS by Queen ar
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Kathleen McGuire
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SheetMusicPlus
Piano Accompaniment, TTBB - By Glee Cast, Queen, Seattle Men's Chorus. Arranged by Kathleen McGuire. Piano Reduction, Score. 9 pages. Published...
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Piano Accompaniment, TTBB - By Glee Cast, Queen, Seattle Men's Chorus. Arranged by Kathleen McGuire. Piano Reduction, Score. 9 pages. Published by Kathleen McGuire
Performed by the British rock band Queen, written by guitarist Brian May, the track featured on their 1978 album Jazz and later on their compilation album Greatest Hits. When released as a single with BICYCLE RACE (an arrangement also available by Kathleen McGuire), the song reached number 11 in the UK Singles Chart and number 24 in the Billboard Hot 100 in the US. It was recently covered on the TV show, GLEE. (Rock band parts available separately.).
$2.50
Bad Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Daniel Powter
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Liz Garnett
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Bad Day
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.856146 By Daniel Powter. By Daniel Powter. Arranged by Liz Garnett. A Cappella. Octavo. 7 pages. Liz Garnett #30...
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Choral Choir (TTBB) - Level 4 - SKU: A0.856146 By Daniel Powter. By Daniel Powter. Arranged by Liz Garnett. A Cappella. Octavo. 7 pages. Liz Garnett #3038819. Published by Liz Garnett (A0.856146). This song by Daniel Powter was the first single released from the Canadian singer-songwriter's debut album, and shot him to fame. It has been used in all sorts of contexts, from a goodbye song on American Idol and Coca Cola commercials to the 2008 US Presidential election. Billboard named the song as no. 1 of the Hot 100 songs for 2006, and the Performing Rights Society announced that it was the most played song in the UK between 2003 and 2008.The arrangement evokes many details of the original, and thus demands both confident rhythmic skills and the ability to make subtle adjustments to balance to let the details through.Ranges:
$12.99
Bed Of Roses
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Bon Jovi
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Carolyn Goates
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Bed Of Roses
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Carolyn Goates
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1330431 By Bon Jovi. By Jon Bon Jovi. Arranged by Carolyn Goates. 20th Century,Pop,Rock. 15 pages. Caroly...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1330431 By Bon Jovi. By Jon Bon Jovi. Arranged by Carolyn Goates. 20th Century,Pop,Rock. 15 pages. Carolyn Goates #918300. Published by Carolyn Goates (A0.1330431). Jon Bon Jovi wrote the song in a hotel room while suffering from a hangover and the lyrics reflect his feelings at the time. The song's power ballad style made it a worldwide hit and reached No. 10 on the US Billboard Hot 100, No. 2 on the Canadian RPM 100 Hit Tracks chart, No. 13 on the UK Singles Chart, and No. 10 on the German Singles Chart.This arrangement for TTBB choir and piano builds to immense and passionate choruses between tender and reflective verses, with the piano part increasingly heavy as the song progresses.
$2.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Can't Help Falling In Love
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Chorale TTBB
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Rock
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Rock
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Elvis Presley
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Jonathan Kilhams
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octa...
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Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Poor Little Millionaire
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Chorale TTBB
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INTERMÉDIAIRE
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Marc Shaiman and Scott Wittman
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Mark Burnip
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Poor Little Millionaire
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Mark S Burnip
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1395378 Composed by Marc Shaiman and Scott Wittman. Arranged by Mark Burnip. 21st Century,A Cappella,Barb...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1395378 Composed by Marc Shaiman and Scott Wittman. Arranged by Mark Burnip. 21st Century,A Cappella,Barbershop,Contemporary. 7 pages. Mark S Burnip #978846. Published by Mark S Burnip (A0.1395378). This wonderful insight into the lack of a love life for a PoorLittle Millionaire from the musical Some Like it Hot.Will he find love? Money is no problem but he is not very happy you need more than money to be happy in life. Â This fun arrangement is challenging and use the doo-der- ly doos and do-wop!s for effect.This could be a good opener or closer for ant chorus set!I really enjoyed arranging this song I hope you like my version of this fun song!! Â
$1.99
The Christmas Waltz
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Chorale TTBB
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FACILE
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Ho...
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Voice (TTBB) - Level 2 - SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836345. Published by Anastasio Rossi (A0.1240950). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$12.99
The Christmas Waltz
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Chorale TTBB
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FACILE
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Noël
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbersho...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835405. Published by Anastasio Rossi (A0.1240040). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
The Christmas Waltz
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Chorale TTBB
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FACILE
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Noël
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbersho...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836343. Published by Anastasio Rossi (A0.1240952). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
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