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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Will Fall
Non classifié
96
Piano & claviers
Piano seul
83
2 Pianos, 4 mains
21
Piano, Voix
18
Piano, Voix et Guitare
16
Piano Facile
14
Instruments en Do
4
1 Piano, 4 mains
3
Orgue
2
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Guitare
11
Ukulele
2
Guitare notes et tablatures
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
41
Chorale 3 parties
11
Chorale 2 parties
8
Chorale TTBB
7
Chorale SSAA
5
Chorale Unison
4
Voix duo, Piano
3
Voix Soprano, Piano
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
6
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Flûte et Guitare
4
2 Hautbois (duo)
4
Ensemble de Flûtes
3
Saxophone Alto
3
Saxophone Tenor
3
Clarinette et Piano
3
Flûte, Hautbois, Clarinette, Basson
2
Clarinette
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte traversière et Piano
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Guitare (duo)
1
Ocarina
1
Saxophone Baryton, Piano
1
Saxophone et Orgue
1
Ensemble de Clarinettes
1
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
Clarinette, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
+ 20 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
2 Trompettes (duo)
5
2 Tubas (duo)
4
2 Cors (duo)
4
2 Trombones (duo)
3
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba
2
Trompette, Piano
2
Trombone et Piano
2
Trombone
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Cor et Piano
1
Euphonium, Piano (duo)
1
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
14
Violoncelle
5
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Harpe
4
Alto, Piano
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Violon
3
Violon, Alto (duo)
2
Violoncelle, Piano
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Fanfare
58
Orchestre d'harmonie
47
Orchestre à Cordes
12
Ensemble de cuivres
6
Orchestre
6
Ensemble Jazz
4
Cloches
2
Jazz combo
1
Orchestre de chambre
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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expert
avec audio
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Crtitères actifs :
It Will Fall
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
It's Time to Fall In Love (TTBB - barbershop) - arr. Robert Rund
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert Rund, William Stauffer
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Robert Rund
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It's Time to Fall In Love
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.967146 Composed by Robert Rund, William Stauffer. Arranged by Robert Rund. Contemporary. Octavo. 4 pages. Robert...
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Choral Choir (TTBB) - Level 4 - SKU: A0.967146 Composed by Robert Rund, William Stauffer. Arranged by Robert Rund. Contemporary. Octavo. 4 pages. Robert Rund #6012721. Published by Robert Rund (A0.967146). Original uptune for barbershop quartet.
$4.60
We Could Be Falling In Love
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Stuart Aaron Hart and Thomas H
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Dom Finetti
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We Could Be Falling In Love
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Dom Finetti
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Fes...
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Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Festival,Film/TV,Jazz. Barbershop Quartet. 10 pages. Dom Finetti #858073. Published by Dom Finetti (A0.1265228). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$12.99
We Could Be Falling In Love
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Chorale TTBB
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AVANCÉ
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Stuart Aaron Hart and Thomas H
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Dom Finetti
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We Could Be Falling In Love
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Dom Finetti
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbersh...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Film/TV,Jazz. 10 pages. Dom Finetti #904461. Published by Dom Finetti (A0.1315713). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$2.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
Bad Day
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Chorale TTBB
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INTERMÉDIAIRE
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Daniel Powter
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Jay Dougherty
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Bad Day
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Jay Dougherty
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1224030 By Daniel Powter. By Daniel Powter. Arranged by Jay Dougherty. A Cappella,Barbershop,Contemporary,Pop,Si...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1224030 By Daniel Powter. By Daniel Powter. Arranged by Jay Dougherty. A Cappella,Barbershop,Contemporary,Pop,Singer/Songwriter. Octavo. 11 pages. Jay Dougherty #820146. Published by Jay Dougherty (A0.1224030). Daniel Powter's 3-time-platinum hit song, Bad Day, was the first song ever to sell two million digital copies in the United States and it was measured by Billboard as the most popular song of the year in the U.S. in 2006. This upbeat arrangement by Jay Dougherty is for TTBB a cappella voices. Its positive message and catchy melody will make this a great addition to any show. Note: while this arrangement falls under the barbershop umbrella, with the melody in the second voice, it is not considered to be contestable barbershop.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
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It Will Fall