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COR ANGLAIS
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
Noviscore
Profs-edition
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Pertinence
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2005
PIANO & CLAVIERS
Piano seul
855
Piano, Voix
345
Piano Facile
294
Piano, Voix et Guitare
169
Instruments en Do
86
Orgue
82
Piano grosses notes
35
Accompagnement Piano
28
1 Piano, 4 mains
26
2 Pianos, 4 mains
22
Piano Trio: piano, violon, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
6
Accordéon
4
Clavecin
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
124
Guitare
107
Ukulele
28
Ligne De Mélodie, (Paroles) et Accords
25
Basse electrique
19
2 Guitares (duo)
17
4 Guitares (Quatuor)
14
Paroles et Accords
11
Guitare (partie séparée)
8
Banjo
6
Dulcimer
4
Mandoline
3
3 Guitares (trio)
3
Piano, Guitare (duo)
3
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
436
Chorale 3 parties
160
Chorale 2 parties
84
Chorale Unison
61
Chorale TTBB
54
Chorale SSAA
52
Voix duo, Piano
48
Voix duo
21
Voix haute
15
Voix Soprano, Piano
10
Voix seule
7
Voix Tenor, Piano
6
Voix Baryton, Piano
5
Voix Alto, Piano
3
Chorale
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
Voix basse
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
185
Clarinette et Piano
124
Flûte traversière et Piano
122
Flûte, Hautbois, Clarinette, Basson
104
Quatuor de Saxophones: 4 saxophones
101
Hautbois, Piano (duo)
96
Quatuor de Clarinettes: 4 clarinettes
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
2 Clarinettes (duo)
79
Saxophone Alto et Piano
75
2 Flûtes traversières (duo)
69
Saxophone, Clarinette (duo)
61
Saxophone Tenor et Piano
58
Clarinette
58
Flûte traversière
52
Clarinette, Violon (duo)
52
Flûte, Clarinette (duo)
45
Ensemble de Clarinettes
44
Saxophone (partie séparée)
43
Ensemble de Flûtes
43
Quatuor de Flûtes : 4 flûtes
42
Hautbois, Basson (duo)
40
3 Saxophones (trio)
40
2 Hautbois (duo)
39
Clarinette, Trompette (duo)
36
Saxophone Alto
36
Saxophone Soprano et Piano
36
Quintette de Saxophone: 5 saxophones
36
Flûte, Violon
32
Hautbois (partie séparée)
30
Quatuor de Flûtes à bec
29
Hautbois, Clarinette (duo)
27
Ensemble de saxophones
27
Flûte, Saxophone (duo)
27
Hautbois, Flûte
26
2 Flûte à bec (duo)
25
Flûte, Trompette (duo)
24
Cor anglais, Piano
24
Clarinette et Alto
24
Saxophone Tenor
23
Saxophone Baryton, Piano
22
Flûte et Guitare
21
Clarinette, Basson (duo)
20
Flûte, Alto (duo)
18
3 Clarinettes (trio)
18
Trio de Flûtes: 3 flûtes
17
Flûte, Violoncelle
15
Flûte, Clarinette et Basson
14
Clarinette, Violoncelle (duo)
13
Flûte, Violon et Violoncelle
12
Flûte, Hautbois (duo)
12
Flûte à bec Soprano, Piano
12
Flûte à Bec
11
3 Flûtes à bec (trio)
11
Clarinette Basse, Piano
10
Quintette de Clarinettes: 5 clarinettes
9
Flûte, Trombone (duo)
7
Hautbois, Violoncelle
6
2 Flûtes traversières, Piano
6
Piccolo, Piano
6
Quintette de Flûte : 5 flûtes
6
Saxophone, Violon (duo)
5
Ensemble De Flûte à bec
5
Flûte, Tuba (duo)
5
5 Flûtes à bec
4
Hautbois
4
Flûte à bec Alto, Piano
4
Flûte, Hautbois, Basson
4
2 Saxophones, Piano
4
Ocarina
4
Flûte à bec Soprano
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Piano
3
Flute (partie séparée)
3
Hautbois, violon (duo)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Guitare (duo)
2
Harmonica
2
Hautbois, Guitare (duo)
2
Clarinette (partie séparée)
2
4 Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Piano
2
Clarinette, Contrebasse (duo)
2
Flûte, trombone et piano
1
Flute, harpe et violon
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone
1
Hautbois et alto (duo)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
105
Trombone et Piano
91
Trompette, Piano
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Trompette
66
Cor et Piano
59
2 Trombones (duo)
47
Trompette, Saxophone (duo)
42
2 Trompettes (duo)
41
Trompette, Trombone (duo)
40
Euphonium, Piano (duo)
37
Cor
35
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
Tuba et Piano
33
Trompette (partie séparée)
32
Trombone
31
Tuba
25
Cor anglais, Piano
24
Trombone (partie séparée)
23
Quatuor de Cuivres
23
2 Cors (duo)
20
Quatuor de cuivres: 4 trombones
18
3 Trombones (trio)
13
Trompette, Cor (duo)
12
Euphonium
11
Trompette, Violoncelle (duo)
10
Trompette, violon (duo)
10
Quatuor de cuivres: 4 cors
10
Euphonium, Tuba (duo)
9
Ensemble de Trombones
9
2 Tubas (duo)
8
4 Tubas
7
Tuba et Orgue
6
3 Trompettes (trio)
6
Ensemble de Trompettes
5
Cor, Tuba (duo)
5
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Cor, Violoncelle (duo)
5
Cor (partie séparée)
3
Trio de Cuivres
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Clarinette, Cor (duo)
1
3 Tubas (trio)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
Trombone basse
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
356
Violon et Piano
189
Harpe
147
Violon, Violoncelle (duo)
126
Violoncelle, Piano
91
Alto, Piano
88
Violoncelle
86
Violon
82
2 Violoncelles (duo)
82
Trio à Cordes: violon, alto, violoncelle
65
Violon, Alto (duo)
64
2 Violons (duo)
64
Contrebasse, Piano (duo)
50
Alto seul
47
2 Altos (duo)
39
Trio à Cordes: 2 violons, violoncelle
36
Quatuor à cordes: 4 violons
30
Violoncelle, Contrebasse (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Quatuor à cordes : 4 altos
28
Contre Basse
20
4 Contrebasses
20
Alto, Violoncelle (duo)
17
Trio à cordes: 3 altos
13
4 Violoncelles
13
3 Contrebasses
10
2 Contrebasses (duo)
9
Alto (partie séparée)
9
2 Harpes (duo)
9
Piano Trio: Violon, Alto, Piano
8
Contrebasse (partie séparée)
8
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
6
Violon (partie séparée)
5
Flûte, Contrebasse (duo)
4
Violon, Basson (duo)
4
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
2 Violons, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
Violon, Violoncelle, Clarinette
2
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Ensemble d'Altos
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Violon, Orgue
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
672
Orchestre à Cordes
167
Orchestre
135
Cloches
86
Ensemble de cuivres
78
Ensemble Jazz
75
Orchestre de chambre
48
Jazz combo
28
Fanfare
25
Batterie
18
Ensemble de Percussions
13
Xylophone, Piano
10
2 Xylophones
6
Batterie (partie séparée)
5
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Just As
Chorale TTBB
Partitions à imprimer
54 partitions trouvées
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Just As I Am
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.795801 Composed by William…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.795801 Composed by William Bradbury, Charlotte Elliott. Arranged by Dan Wessler. Contemporary. Octavo. 2 pages. Dan Wessler #4283583. Published by Dan Wessler (A0.795801). Men's Barbershop Quartet arrangement of Just As I Am arranged by Dan Wessler.
$2.50
2.26 €
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Chorale TTBB
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William Bradbury, Charlotte Elliott
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Dan Wessler
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Just As I Am
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Dan Wessler
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SheetMusicPlus
I'm Just Ken
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gos…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
2.71 €
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Chorale TTBB
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Ryan Gosling
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Jacob Klingsten
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I'm Just Ken
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Jacob Klingsten
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SheetMusicPlus
My Baby Just Cares For Me
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871523 By John Pizzarelli.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871523 By John Pizzarelli. By Walter Donaldson. Arranged by Walter Latzko. Contemporary. Octavo. 5 pages. Latzko Muzic #5214697. Published by Latzko Muzic (A0.871523). 1930 Gus Kahn swing tune as performed by The Buffalo Bills
$5.99
5.43 €
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Chorale TTBB
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John Pizzarelli
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Walter Latzko
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My Baby Just Cares For Me
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Latzko Muzic
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SheetMusicPlus
They Just Keep Moving The Line
Chorale TTBB
(TTBB) - Level 4 - Digital Download SKU: A0.1043175 Composed by Marc Shaiman and Sc…
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(TTBB) - Level 4 - Digital Download SKU: A0.1043175 Composed by Marc Shaiman and Scott Wittman. Arranged by Steve Tramack. A Cappella,Broadway,Musical/Show. Barbershop Quartet. 7 pages. TramackMusic #647866. Published by TramackMusic (A0.1043175). TTBB a cappella arrangement (in the barbershop style) of the fantastic feature song for Megan Hilty from Smash. This is contestable, as per Barbershop Harmony Society rules, circa 2022.
$12.99
11.77 €
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Chorale TTBB
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Marc Shaiman and Scott Wittman
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Steve Tramack
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They Just Keep Moving The Line
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TramackMusic
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SheetMusicPlus
Why Don't We Just Dance
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512707 By Josh Turner. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512707 By Josh Turner. By Darrell Brown, Jim Beavers, and Jonathan Singleton. Arranged by Aaron Dale. Country. Octavo. 4 pages. Aaron Dale #4621509. Published by Aaron Dale (A0.512707). Male Barbershop voicing - as sung by OC Times.Purchase one copy for each singer in an ensemble. .
$29.99
27.17 €
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Chorale TTBB
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Josh Turner
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Aaron Dale
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Why Don't We Just Dance
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Aaron Dale
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SheetMusicPlus
Something Just Like This
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1233912 By The Chainsmoker…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1233912 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by John Trent Wallace. Contemporary,Pop. Octavo. 15 pages. TS3 #829471. Published by TS3 (A0.1233912). As part of John Trent Wallace's Modern Classics for Men, this song brings the emotive sound of male voices to this global hit from Coldplay.It is perfectly matched to male chorus, colleges and students.
$1.99
1.8 €
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Chorale TTBB
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The Chainsmokers
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John Trent Wallace
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Something Just Like This
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TS3
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SheetMusicPlus
Happy As The Sun
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.902081 By Tyrone Wells. By…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.902081 By Tyrone Wells. By Tyrone Wells. Arranged by Justin P. Miller. A Cappella. Octavo. 6 pages. Justin P. Miller #5299931. Published by Justin P. Miller (A0.902081). Happy as the Sun by Tyrone Wells arranged for male vocal ensemble: barbershop quartet, contemporary a cappella group, or male choir. Â A fun, light hearted love song that is not too difficult to perform. Â This could be programmed as a delightful palate cleanser in-between more serious works. Â The melody could either be a featured soloist, or a section of singers.
$3.99
3.61 €
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Chorale TTBB
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Tyrone Wells
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Justin P
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Happy As The Sun
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Justin P. Miller
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SheetMusicPlus
As Long As You Love Me
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1127198 By Justin Bieber f…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1127198 By Justin Bieber feat. Big Sean. By Andre Lindal, Justin Bieber, Nasri Atweh, Rodney Jerkins, and Sean Anderson. Arranged by Ben Bram. A Cappella,Barbershop,Pop. Octavo. 6 pages. Ben Bram Music #727832. Published by Ben Bram Music (A0.1127198).
$15.00
13.59 €
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Chorale TTBB
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Justin Bieber feat
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Ben Bram
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As Long As You Love Me
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Ben Bram Music
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SheetMusicPlus
As Long As You Love Me
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.827559 By Justin Bieber fe…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.827559 By Justin Bieber feat. Big Sean. By Andre Lindal, Justin Bieber, Nasri Atweh, Rodney Jerkins, and Sean Anderson. Arranged by Nicholas Wright. A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 12 pages. Nicholas Wright #6333361. Published by Nicholas Wright (A0.827559). Voicing: TTBB (all-male)Parts: 8 (includes solos/divisi)Pages: 11Range: F2 - D5Key: C minor
$3.99
3.61 €
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Chorale TTBB
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Justin Bieber feat
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Nicholas Wright
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As Long As You Love Me
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Nicholas Wright
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SheetMusicPlus
Angel, Blow that Trumpet
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.8 €
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Chorale TTBB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
You Are Enough
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1436832 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1436832 Composed by Holly Aloise. 21st Century,Contemporary. 9 pages. Holly Aloise #1016900. Published by Holly Aloise (A0.1436832). You Are Enough is a song that addresses the mental health issues that so many of our students deal with. In our fast-paced achievement-oriented society, sometimes we just need to hear that we are enough, just as we are.
$1.99
1.8 €
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Chorale TTBB
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Holly Aloise
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You Are Enough
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Holly Aloise
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SheetMusicPlus
They Remind Me Too Much Of You
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856193 Composed by Don Irw…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856193 Composed by Don Irwin Robertson and Donald Robertson. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4265619. Published by Liz Garnett (A0.856193). This song was the b-side to Elvis Presley's 'One Broken Heart for Sale', and as such is something of a hidden gem in his oeuvre. It is a song of lost love that starts off with wistfulness, moves through anguish, and ends with feeling that hope is not all lost. The arrangement features an original verse, crafted to link the song to another in a barbershop contest set, but the narrative works just as well as a stand-alone piece.Vocal Ranges:Tenor: B flat 3 - B flat 4Lead: B blat 2 - F4Bari: E flat 3 - F4Bass: A flat 3 - C4www.HelpingYouHarmonise.com
$2.99
2.71 €
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Chorale TTBB
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Don Irwin Robertson and Donald Robertson
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Liz Garnett
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They Remind Me Too Much Of You
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Liz Garnett
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SheetMusicPlus
Mr. Blue Sky
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856170 By Electric Light O…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856170 By Electric Light Orchestra. By Jeff Lynne. Arranged by Liz Garnett. A Cappella,Pop. Octavo. 8 pages. Liz Garnett #3910639. Published by Liz Garnett (A0.856170). It is a crazy project to take a song from a rock group whose very name evokes both the extravagance of their instrumentation and their use of technological interventions, and render it into a 4-part a cappella texture, isn't it? And yet, the Electric Light Orchestra's optimistic and uplifting tune works its cheerful magic just as happily in this version.Vocal Ranges:Tenor: A3 - C5Lead: D3 - F4Bari: C3 - G4Bass: G2 - C4www.HelpingYouHarmonise.com
$2.99
2.71 €
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Chorale TTBB
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Electric Light Orchestra
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Liz Garnett
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Mr. Blue Sky
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Liz Garnett
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SheetMusicPlus
Shenandoah (3-part)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.901103 Arranged by Bonnie …
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King #6460757. Published by Clifford W. King (A0.901103). 3-Part for changing voices. Piano accompaniment, Key of F.Boys just want to sing! This arrangement of Shenandoah accommodates unchanged voices, changing voices, and newly changed voices. The piece includes unison singing, voice doubling in different octaves, and some 2 and 3-part harmony with note preparation and support in the accompaniment. The arrangement is easy to learn and easy for singers to make adjustments if needed as they mature. Legato singing is usually a challenge for boys and this piece teaches skills in connecting pitches. So many times boys feel unsuccessful in choral ensembles because of the challenges of their changing voice. This arrangement will overcome those feelings and give these young singers a rewarding experience- not to mention confidence.
$1.99
1.8 €
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Chorale TTBB
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Bonnie V
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Shenandoah
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Clifford W. King
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.8 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Africa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.53 €
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Chorale TTBB
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.61 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Son to Mother
Chorale TTBB
TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Sec…
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TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
4.89 €
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Lord's Prayer
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1375943 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1375943 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960495. Published by Müller Publishing company (A0.1375943). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for TTBB choir in the key of B-flat Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for TTBB. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
$1.99
1.8 €
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Chorale TTBB
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Matthew 6:9-13 and Ruth Elaine Schram
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L
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The Lord's Prayer
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Müller Publishing company
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SheetMusicPlus
The Lord's Prayer
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1373895 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1373895 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #958371. Published by Müller Publishing company (A0.1373895). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for For Men's Choir TTBB choir in the key of D major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for For Men's Choir TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for For Men's Choir TTBB . Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
$1.99
1.8 €
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Chorale TTBB
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Matthew 6:9-13 and Ruth Elaine Schram
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L
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The Lord's Prayer
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Müller Publishing company
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SheetMusicPlus
Paradise By The Dashboard Light
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.856210 By Meat Loaf. By Ji…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.856210 By Meat Loaf. By Jim Steinman. Arranged by Liz Garnett. A Cappella,Rock. Octavo. 14 pages. Liz Garnett #4313721. Published by Liz Garnett (A0.856210). This is an extended drama in rock 'n' roll. Meatloaf's story tells of young love, young lust, hasty decisions and adult regret in a multi-sectioned song that verges on the operatic in its narrative urgency and expressive range.The arrangement features a female soloist, and an optional spoken narrative section in the middle. It is shorter than Meatloaf's version, but still a full five minutes in length. It was originally commissioned along with my other two Meatloaf arrangements, but the three together are just two expressively huge to work as an a cappella show set. This one would work as a strong statement-piece, either as a closer, or the penultimate number followed by something shorter and lighter.Vocal Ranges:Tenor: B flat 3 - C5Lead: D3 - G4Bari: B flat 2 - G4Bass: G2 - A flat 3Solo: G3 - B flat 4www.HelpingYouHarmonise.com
$3.99
3.61 €
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Chorale TTBB
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Meat Loaf
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Liz Garnett
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Paradise By The Dashboard Light
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Liz Garnett
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SheetMusicPlus
The Lord Bless You and Keep You - For Men's Choir
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1325977 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1325977 Composed by Peter C. Lutkin. Arranged by Alex E. 20th Century,A Cappella,Chamber,Religious,Sacred. 4 pages. Müller Publishing company #914174. Published by Müller Publishing company (A0.1325977). Embark on a musical odyssey with our meticulously crafted sheet music for Men's Choir, featuring the poignant composition The Lord Bless You and Keep You by Peter C. Lutkin. This adaptation for TTBB male voices promises an exquisite rendition of Lutkin's masterpiece, presented in high-resolution digital format.The Lord Bless You and Keep You stands as a remarkable hymn, showcasing Peter C. Lutkin's mastery in evoking a sense of reverence and spirituality through his musical genius. This adaptation, thoughtfully tailored for TTBB male vocal ensembles, pays homage to the timeless beauty and profound sentiments encapsulated in Lutkin's creation.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this adaptation. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord Bless You and Keep You. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord Bless You and Keep You adapted for TTBB. Revel in the harmonious blend of male voices as your choir breathes life into this sacred message, beautifully preserved in Peter C. Lutkin's timeless composition.
$1.99
1.8 €
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Chorale TTBB
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Peter C
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Alex E
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The Lord Bless You and Keep You - For Men's Choir
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Müller Publishing company
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SheetMusicPlus
Pure Imagination
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon T…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Timorell. A Cappella,Barbershop,Christmas,Film/TV,Standards. 16 pages. Timorell #942213. Published by Timorell (A0.1357674). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced level, TTTBB cover of the popular original song from the 70's movie, Willy Wonka & the Chocolate Factory. Intended to be earnest and magical, and even slightly worrisome in later sections, just like our imaginations can be. It is not sad or pensive, though. Multiple meters: 4|4 5|4 6|4 Opening melody could be cast as a solo through measure 16. Run time is 2:45. Note the third verse from the original song is not included in this arrangement. A piano reduction is provided for rehearsals as the chord structure is heavily jazz influenced (6ths, 9ths, 11ths and cluster chords abound). Vocal percussion, a key component, is not notated but encourage between measures 17 & 48. Range: low - (tessitura) - highT1: F3 - (G4) - D5T2: C3 - (F4) - Bb4T3: C3 - (D4) - Bb4Bari: C3 - (A3) - F4Bass: Eb2 - (D3) -Bb3
$2.00
1.81 €
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Chorale TTBB
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Mormon Tabernacle Choir
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Timorell
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Pure Imagination
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Timorell
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SheetMusicPlus
On Christmas Day - TTBB divisi Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1169893 Composed by Englis…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770258. Published by Mark R Lewis (A0.1169893). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by TTBB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the bass 2s should be able to sing down to a D2 (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.
$1.99
1.8 €
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Chorale TTBB
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English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin
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Mark R Lewis
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On Christmas Day - TTBB divisi Ensemble
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Mark R Lewis
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SheetMusicPlus
Scooby Doo, Where Are You?
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Ral…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
11.77 €
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Chorale TTBB
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
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