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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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3
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1
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4
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3
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2
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2
3 Saxophones (trio)
2
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2
2 Flûtes traversières (duo)
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13
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5
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3
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3
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3
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3
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3 Trombones (trio)
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24
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11
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9
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9
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9
Harpe
8
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7
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6
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6
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5
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5
Violoncelle (partie séparée)
4
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3
2 Violons (duo)
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Ensemble de Violons
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Ensemble d'Altos
2
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Alto seul
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Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
38
Orchestre d'harmonie
30
Orchestre de chambre
12
Ensemble Jazz
10
Orchestre
8
Ensemble de cuivres
4
Cloches
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Fanfare
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Just Because
Chorale TTBB
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Shenandoah (3-part)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.901103 Arranged by Bonnie …
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King #6460757. Published by Clifford W. King (A0.901103). 3-Part for changing voices. Piano accompaniment, Key of F.Boys just want to sing! This arrangement of Shenandoah accommodates unchanged voices, changing voices, and newly changed voices. The piece includes unison singing, voice doubling in different octaves, and some 2 and 3-part harmony with note preparation and support in the accompaniment. The arrangement is easy to learn and easy for singers to make adjustments if needed as they mature. Legato singing is usually a challenge for boys and this piece teaches skills in connecting pitches. So many times boys feel unsuccessful in choral ensembles because of the challenges of their changing voice. This arrangement will overcome those feelings and give these young singers a rewarding experience- not to mention confidence.
$1.99
1.84 €
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Chorale TTBB
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Bonnie V
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Shenandoah
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Clifford W. King
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.25 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.84 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Rise Up, O Men of God!
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1256812 Composed by Willia…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1256812 Composed by William H. Walter. Arranged by Tuaimanu B. Petaia. A Cappella,Religious,Sacred,Spiritual,Traditional. Octavo. 9 pages. Tuaimanu Byron Petaia #850197. Published by Tuaimanu Byron Petaia (A0.1256812). I became aware of the hymn Rise Up, O Men of God! whilst playing through the hymnal used by my congregation a few years before I tried my hand at writing this arrangement in 2021. I drew part of my inspiration from a recording of the hymn made by the Tabernacle Choir, as well as from a very popular arrangement of the hymn Nearer My God to Thee by BYU Vocal Point.I’ve always been impressed by the immense power found in the unison singing of any choir, which is why I find the opening to this hymn so compelling and captivating. There is a grand and almost orchestral quality to this hymn that I find almost impossible to replicate in an ensemble that is singing acapella, and so in a way I think it almost inevitable that this arrangement is anti-climactic. I tried my best to write in a way that I thought imitated the triumphal and regal sounds of brass instruments and the organ. Even so, this hymn remains one of my favorites of all time, and I hope this arrangement does it justice, especially because it is ultimately written with the express purpose encouraging the saints to have a greater love and greater sense of jubilation in praising our Lord. Â
$3.99
3.69 €
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Chorale TTBB
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William H
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Tuaimanu B
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Rise Up, O Men of God!
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Tuaimanu Byron Petaia
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SheetMusicPlus
Suit & Tie
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlak…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
60.19 €
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Chorale TTBB
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Justin Timberlake
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Tim Brent
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Cold Water
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726743 By Major Lazer Feat…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726743 By Major Lazer Feat. Justin Bieber And Mo. By Benjamin Levin, Ed Sheeran, Henry Allen, Jamie Scott, Justin Bieber, Karen Orsted, Philip Meckseper, and Thomas Pentz. Arranged by Ben Bram. Contemporary. Octavo. 8 pages. Ben Bram Music #3520447. Published by Ben Bram Music (A0.726743). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.
$150.00
138.89 €
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Chorale TTBB
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Major Lazer Feat
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Ben Bram
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Cold Water
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Ben Bram Music
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SheetMusicPlus
Mirrors
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726777 By Justin Timberlak…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726777 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Ben Bram. Dance,Pop. Octavo. 11 pages. Ben Bram Music #3545649. Published by Ben Bram Music (A0.726777). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.
$150.00
138.89 €
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Chorale TTBB
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Justin Timberlake
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Ben Bram
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Mirrors
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Ben Bram Music
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SheetMusicPlus
From Now On
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865885 Composed by Benj Pa…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865885 Composed by Benj Pasek and Justin Paul. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmusic #6635791. Published by charliebmusic (A0.865885). 'From Now On' is one of Pasek and Paul's most famous songs, and has taken on a special resonance in minority communities because of its explicit fighting spirit, and message of hope, optimism and inclusion. An upbeat marching finale, it asks the audience to pledge with the singers that 'things will be different' from now on.
$1.99
1.84 €
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Chorale TTBB
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Benj Pasek and Justin Paul
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Charles Beale
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From Now On
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charliebmusic
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SheetMusicPlus
From Now On
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865858 Composed by Benj Pa…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865858 Composed by Benj Pasek and Justin Paul. Arranged by Charles Beale. Contemporary. Octavo. 12 pages. Charliebmusic #5033513. Published by charliebmusic (A0.865858). 'From Now On' is one of Pasek and Paul's most famous songs, and has taken on a special resonance in minority communities because of its explicit fighting spirit, and message of hope, optimism and inclusion. An upbeat marching finale, it asks the audience to pledge with the singers that 'things will be different' from now on.
$1.99
1.84 €
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Chorale TTBB
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Benj Pasek and Justin Paul
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Charles Beale
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From Now On
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charliebmusic
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SheetMusicPlus
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