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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just Time
Non classifié
1 481
Piano & claviers
Piano seul
763
Piano, Voix
342
Piano Facile
227
Piano, Voix et Guitare
174
Instruments en Do
52
Accompagnement Piano
36
Accordéon
30
2 Pianos, 4 mains
18
Orgue
15
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
12
Piano (partie séparée)
7
Piano grosses notes
5
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Ligne De Mélodie, Piano
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
85
Guitare notes et tablatures
75
Basse electrique
47
Ukulele
35
Ligne De Mélodie, (Paroles) et Accords
24
2 Guitares (duo)
16
Guitare (partie séparée)
12
Paroles et Accords
12
4 Guitares (Quatuor)
7
Mandoline
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Banjo
2
3 Guitares (trio)
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
249
Chorale 3 parties
111
Chorale 2 parties
108
Chorale TTBB
41
Chorale Unison
39
Chorale SSAA
37
Voix seule
28
Voix duo, Piano
25
Voix duo
18
Pack Instrumental pour Chorale
5
Voix Soprano, Piano
5
Chorale
4
Voix haute
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Chorale SATBB
1
Voix basse, Piano
1
Chorale SAATB A Cappella
1
Voix basse
1
Chorale SSATB
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
190
Saxophone
183
Clarinette
122
Flûte traversière
116
2 Clarinettes (duo)
89
Saxophone, Clarinette (duo)
78
Clarinette et Piano
71
2 Flûtes traversières (duo)
70
Quatuor de Saxophones: 4 saxophones
67
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Flûte traversière et Piano
65
2 Flûte à bec (duo)
60
Flûte, Hautbois, Clarinette, Basson
60
Clarinette, Violon (duo)
57
Clarinette, Trompette (duo)
51
Saxophone (partie séparée)
46
Quintette de Saxophone: 5 saxophones
46
2 Hautbois (duo)
43
Hautbois, Piano (duo)
43
Flûte, Clarinette (duo)
41
Flûte irlandaise
36
Saxophone Alto
36
Saxophone Alto et Piano
34
Saxophone Tenor et Piano
34
Hautbois, Clarinette (duo)
33
Quatuor de Clarinettes: 4 clarinettes
30
Hautbois, Basson (duo)
29
Flûte, Violon
28
Hautbois, Flûte
27
Saxophone Soprano et Piano
27
Saxophone Tenor
26
Clarinette et Alto
26
Flûte, Saxophone (duo)
25
Flûte, Alto (duo)
21
Flûte, Trompette (duo)
20
Ensemble de Flûtes
20
Hautbois (partie séparée)
17
3 Saxophones (trio)
16
Ensemble de Clarinettes
16
Ensemble de saxophones
15
Quatuor de Flûtes : 4 flûtes
15
Saxophone Baryton, Piano
15
Hautbois
14
Flûte et Guitare
12
3 Clarinettes (trio)
11
Quintette de Clarinettes: 5 clarinettes
10
Cor anglais, Piano
10
Clarinette, Trombone (duo)
9
Flûte, Clarinette et Basson
8
Trio de Flûtes: 3 flûtes
8
Saxophone Soprano
7
Flute (partie séparée)
7
Flûte, Violoncelle
7
Clarinette, Violoncelle (duo)
7
Clarinette, Basson (duo)
6
Quatuor de Flûtes à bec
5
2 Flûtes traversières, Piano
5
Clarinette Basse, Piano
5
Quintette de Flûte : 5 flûtes
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois (duo)
3
Flûte à bec Soprano, Piano
3
Hautbois, Violoncelle
3
Clarinette, Guitare (duo)
3
Saxophone Baryton
2
Hautbois et alto (duo)
2
Clarinette (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Flûte à bec Soprano
2
Hautbois, Guitare (duo)
2
Cor Anglais
2
Hautbois, violon (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, trompette et piano
1
Cor anglais, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Flûte à bec Alto
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Trompette
99
Trombone
86
Trompette, Saxophone (duo)
54
2 Trompettes (duo)
53
2 Trombones (duo)
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Trombone et Piano
47
Trompette, Piano
45
Trompette, Trombone (duo)
43
Cor et Piano
33
Trombone (partie séparée)
26
Cor
25
Tuba
25
Tuba et Piano
25
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
2 Cors (duo)
13
Quatuor de Cuivres
11
Euphonium, Piano (duo)
11
Trompette, Cor (duo)
10
2 Euphoniums (duo)
10
2 Tubas (duo)
10
Cor anglais, Piano
10
Cor (partie séparée)
6
Ensemble de Trombones
5
Ensemble de Cors
5
Tuba et Orgue
5
Quatuor de cuivres: 4 cors
4
Tuba (partie séparée)
4
Ensemble de Trompettes
4
Trio de Cuivres
3
3 Trombones (trio)
2
4 Tubas
2
Cor Anglais
2
3 Trompettes (trio)
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
Cor, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon et Piano
139
Violon, Violoncelle (duo)
81
Violon
74
Violoncelle
72
2 Violons (duo)
64
Alto, Piano
60
Violoncelle, Piano
51
Violon, Alto (duo)
49
2 Violoncelles (duo)
43
2 Altos (duo)
39
Harpe
30
Alto seul
30
Trio à Cordes: violon, alto, violoncelle
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Contrebasse, Piano (duo)
22
Contre Basse
22
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
9
2 Contrebasses (duo)
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Basson (duo)
6
Violon (partie séparée)
6
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes : 4 altos
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
4
4 Contrebasses
3
Ensemble de Violons
2
Quatuor à cordes: 4 violons
2
2 Harpes (duo)
2
4 Violoncelles
2
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Harpe et mandoline
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Alto et Basson
1
Violoncelle (partie séparée)
1
Harpe, Voix
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
216
Orchestre à Cordes
84
Ensemble Jazz
80
Orchestre
67
Batterie
61
Ensemble de cuivres
48
Fanfare
44
Cloches
23
Orchestre de chambre
16
Jazz combo
12
Ensemble de Percussions
9
Batterie (partie séparée)
7
Marimba
6
2 Xylophones
2
Percussion (partie séparée)
1
Vibraphone
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Just Time
Chorale TTBB
Partitions à imprimer
41 partitions trouvées
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1
26
I Just Want To (party All The Time)
#
Chorale TTBB
#
FACILE
#
Big Time Rush
#
Jeff Tincher
#
I Just Want To
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1269037 By Big Time Rush. By Adam B. Korbesmeyer, Carlos Penavega, James A Johnson, James Maslow, Kendall Schmid...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1269037 By Big Time Rush. By Adam B. Korbesmeyer, Carlos Penavega, James A Johnson, James Maslow, Kendall Schmidt, Logan Henderson, Nicholas Michael Furlong, Spencer Afari Nezey, and William T Ventres. Arranged by Jeff Tincher. Contemporary,Pop. Octavo. 10 pages. Jeff Tincher #861572. Published by Jeff Tincher (A0.1269037). Here is a great uptempo song from Big Time Rush. In the original key from their Another Life project. Duration = 2:58. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
I'm Just Ken
#
Chorale TTBB
#
AVANCÉ
#
Ryan Gosling
#
Jacob Klingsten
#
I'm Just Ken
#
Jacob Klingsten
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cap...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
The Longest Time
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Billy Joel
#
W
#
The Longest Time
#
Diamond S Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.790068 By Billy Joel. By Billy Joel. Arranged by W. Brent Sawyer. A Cappella,Pop,Rock. Octavo. 11 pages. Diamond...
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Choral Choir (TTBB) - Level 4 - SKU: A0.790068 By Billy Joel. By Billy Joel. Arranged by W. Brent Sawyer. A Cappella,Pop,Rock. Octavo. 11 pages. Diamond S Music #3561449. Published by Diamond S Music (A0.790068). THE LONGEST TIME by Billy Joel. For TTBB CHORUS or QUARTET. This new arrangement is very similar to the original iconic Billy Joel version and is authentic to to feel and groove of there original version. There is a new modulation in the middle that gives a nice lift to the arrangement. The arrangement is not too difficult at all and most groups would be able to learn it very quickly. The arrangement is a cappella with the singers snapping throughout. But a Bass and Drums could be easily added to give an even cooler groove to it (the Bass could just double the lowest vocal part). This arrangement is available for TTBB and SSAA in different keys for each. THE AUDIO CLIP IS OF THE SSAA VERSION - THE TTBB IS IN A HIGHER KEY.video of SSA version of this arrangement:https://youtu.be/vp20TkR6LBA Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$1.99
The Longest Time
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Billy Joel
#
W
#
The Longest Time
#
Diamond S Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.790055 By Billy Joel. By Billy Joel. Arranged by W. Brent Sawyer. A Cappella,Pop,Rock. Octavo. 11 pages. Diamond...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.790055 By Billy Joel. By Billy Joel. Arranged by W. Brent Sawyer. A Cappella,Pop,Rock. Octavo. 11 pages. Diamond S Music #3561307. Published by Diamond S Music (A0.790055). THE LONGEST TIME by Billy Joel. For TTBB CHORUS or QUARTET. This new arrangement is very similar to the original iconic Billy Joel version and is authentic to to feel and groove of there original version. There is a new modulation in the middle that gives a nice lift to the arrangement. The arrangement is not too difficult at all and most groups would be able to learn it very quickly. The arrangement is a cappella with the singers snapping throughout. But a Bass and Drums could be easily added to give an even cooler groove to it (the Bass could just double the lowest vocal part). This arrangement is available for TTBB and SSAA in different keys for each. THE AUDIO CLIP IS OF THE SSAA VERSION - THE TTBB IS IN A HIGHER KEY.video of the SSAA version of this arrangement: https://youtu.be/vp20TkR6LBAOther similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$12.99
Hold On (Just a Little While Longer) for TTBB a cappella
#
Chorale TTBB
#
FACILE
#
Spiritual
#
Ivana Tuskan
#
Hold On
#
Ivana Tuskan
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.793960 Composed by Spiritual. Arranged by Ivana Tuskan. A Cappella,Concert,Gospel,Sacred,Spiritual,Standards. Oc...
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Choral Choir (TTBB) - Level 2 - SKU: A0.793960 Composed by Spiritual. Arranged by Ivana Tuskan. A Cappella,Concert,Gospel,Sacred,Spiritual,Standards. Octavo. 6 pages. Ivana Tuskan #5362569. Published by Ivana Tuskan (A0.793960). An arrangement of beautiful spiritual song Hold On! for TTBB choir or small ensemble a cappellaThe sound sample is an electronic preview.The pdf file contains score, 6 pages. Performance Time approx. 2:42
$1.99
I'm Just Ken
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Ryan Gosling
#
Robert Lane
#
I'm Just Ken
#
Robert Lane
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1309145 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Robert Lane. A Cappella,Comedy,Film...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1309145 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Robert Lane. A Cappella,Comedy,Film/TV. 15 pages. Robert Lane #898330. Published by Robert Lane (A0.1309145). 4-part T/B a cappella arrangement of this fun and hilarious song from Barbie the movie. Features a couple of soloists, but most of the time the melody is sung by one of the parts. It is recommended that you add vocal percussion or a drum set to the performance to enhance the Kenergy. Costumes not included!
$2.50
It's Been A Long, Long Time
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Jule Styne and Sammy Cahn
#
Justin P
#
It's Been A Long, Long Time
#
Justin P. Miller
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.911382 Composed by Jule Styne and Sammy Cahn. Arranged by Justin P. Miller. 20th Century,A Cappella,Broadway,Fil...
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Choral Choir (TTBB) - Level 4 - SKU: A0.911382 Composed by Jule Styne and Sammy Cahn. Arranged by Justin P. Miller. 20th Century,A Cappella,Broadway,Film/TV,Jazz,Musical/Show. Octavo. 7 pages. Justin P. Miller #517415. Published by Justin P. Miller (A0.911382). A TTBB barbershop arrangement of the classic song from the 1940's, reintroduced to modern audiences thanks to the Marvel Cinematic Universe. This arrangement was premiered by The Westminster Chorus (2007, 2010, 2015, and 2019 International Champions of the Barbershop Harmony Society and 2009 Choir of the World) at the 2022 Midwinter Convention of the Barbershop Harmony Society. It is designed for use in Barbershop Harmony Society contests.
$3.99
Why Don't We Just Dance
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Country
#
Josh Turner
#
Aaron Dale
#
Why Don't We Just Dance
#
Aaron Dale
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.512707 By Josh Turner. By Darrell Brown, Jim Beavers, and Jonathan Singleton. Arranged by Aaron Dale. Country. O...
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Choral Choir (TTBB) - Level 3 - SKU: A0.512707 By Josh Turner. By Darrell Brown, Jim Beavers, and Jonathan Singleton. Arranged by Aaron Dale. Country. Octavo. 4 pages. Aaron Dale #4621509. Published by Aaron Dale (A0.512707). Male Barbershop voicing - as sung by OC Times.Purchase one copy for each singer in an ensemble. .
$29.99
If There's Any Justice
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Chorale TTBB
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AVANCÉ
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Lemar
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Christopher Langworthy
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If There's Any Justice
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Christopher Langworthy
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1450377 By Lemar. By Mick Leeson and Peter Vale. Arranged by Christopher Langworthy. Barbershop,R & ...
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Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1450377 By Lemar. By Mick Leeson and Peter Vale. Arranged by Christopher Langworthy. Barbershop,R & B,Soul. 5 pages. Christopher Langworthy #1030108. Published by Christopher Langworthy (A0.1450377). A challenging, but hugely exciting, arrangement of Lemar's timeless classic.
$3.00
Some Kinda Time
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Fleet Street, arranged by Aaro
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Benj Pasek and Justin Paul
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Aaron Zart
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Some Kinda Time
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Aaron Zart
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1013072 Composed by Benj Pasek and Justin Paul. Arranged by Aaron Zart. A Cappella. Octavo. 12 pages. Aaron Zart...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1013072 Composed by Benj Pasek and Justin Paul. Arranged by Aaron Zart. A Cappella. Octavo. 12 pages. Aaron Zart #5853697. Published by Aaron Zart (A0.1013072). By Fleet Street, arranged by Aaron ZartThis arrangement is for men's a cappella quartet. The price entitles the purchaser to four copies.
$12.99
Christmas Time (don't Let The Bells End)
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Chorale TTBB
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Rock
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The Darkness
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Simon Arnott
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Christmas Time
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Simon Arnott
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.764831 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by Simon Arnott. Rock...
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Choral Choir (TTBB) - SKU: A0.764831 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by Simon Arnott. Rock. Octavo. 10 pages. Simon Arnott #5865971. Published by Simon Arnott (A0.764831).
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Shenandoah (3-part)
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Chorale TTBB
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DÉBUTANT
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Bonnie V
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Shenandoah
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King #6460757. Published by Clifford W. King (A0.901103). 3-Part for changing voices. Piano accompaniment, Key of F.Boys just want to sing! This arrangement of Shenandoah accommodates unchanged voices, changing voices, and newly changed voices. The piece includes unison singing, voice doubling in different octaves, and some 2 and 3-part harmony with note preparation and support in the accompaniment. The arrangement is easy to learn and easy for singers to make adjustments if needed as they mature. Legato singing is usually a challenge for boys and this piece teaches skills in connecting pitches. So many times boys feel unsuccessful in choral ensembles because of the challenges of their changing voice. This arrangement will overcome those feelings and give these young singers a rewarding experience- not to mention confidence.
$1.99
After All That I Have Been to You
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Chorale TTBB
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INTERMÉDIAIRE
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1912, Chris Smith, and Jack Dr
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Donald A
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After All That I Have Been to
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Cen...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
The Lord Bless You and Keep You - For Men's Choir
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Chorale TTBB
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FACILE
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Peter C
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Alex E
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The Lord Bless You and Keep Yo
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325977 Composed by Peter C. Lutkin. Arranged by Alex E. 20th Century,A Cappella,Chamber,Religious,Sacred...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325977 Composed by Peter C. Lutkin. Arranged by Alex E. 20th Century,A Cappella,Chamber,Religious,Sacred. 4 pages. Müller Publishing company #914174. Published by Müller Publishing company (A0.1325977). Embark on a musical odyssey with our meticulously crafted sheet music for Men's Choir, featuring the poignant composition The Lord Bless You and Keep You by Peter C. Lutkin. This adaptation for TTBB male voices promises an exquisite rendition of Lutkin's masterpiece, presented in high-resolution digital format.The Lord Bless You and Keep You stands as a remarkable hymn, showcasing Peter C. Lutkin's mastery in evoking a sense of reverence and spirituality through his musical genius. This adaptation, thoughtfully tailored for TTBB male vocal ensembles, pays homage to the timeless beauty and profound sentiments encapsulated in Lutkin's creation.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this adaptation. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord Bless You and Keep You. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord Bless You and Keep You adapted for TTBB. Revel in the harmonious blend of male voices as your choir breathes life into this sacred message, beautifully preserved in Peter C. Lutkin's timeless composition.
$1.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
The Lord's Prayer
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Chorale TTBB
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FACILE
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Matthew 6:9-13 and Ruth Elaine
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L
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The Lord's Prayer
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1375943 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Cl...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1375943 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960495. Published by Müller Publishing company (A0.1375943). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for TTBB choir in the key of B-flat Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for TTBB. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
$1.99
The Lord's Prayer
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Chorale TTBB
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FACILE
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Matthew 6:9-13 and Ruth Elaine
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L
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The Lord's Prayer
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1373895 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Cl...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1373895 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #958371. Published by Müller Publishing company (A0.1373895). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for For Men's Choir TTBB choir in the key of D major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for For Men's Choir TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for For Men's Choir TTBB . Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
$1.99
Where Is Hope? - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Mark R Lewis
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Mark R Lewis
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Where Is Hope? - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,Religious,Sacred. 11 pages. Mark R Lewis #1090864. Published by Mark R Lewis (A0.1516691). The text for “Where Is Hope?” is adapted from the Lamentations Chapter 3 and is an expression of hopelessness, almost depression. The text starts out with the singer feeling lost, alone, and in pain. As the song progresses, the singer remembers God’s promises to always help and be with us. By the end of the song, the singer has regained hope and is triumphant and comforted. First and foremost, the music is very much intended to support the lyrical content of this song.Throughout the song, the key switches from major to minor (both parallel and relative) quite frequently. The piece starts with a very free section with almost no tempo alternating between just voices and simple piano accompaniment. The middle sections have stricter tempo and more active piano accompaniment and the final section increases in speed and excitement with piano truly accompanying the voices instead of just mostly mirroring them. Throughout the piece, meter always follows word stress so there are a surprising number of time signature changes with lyrical clarity always being more important than strict meter. All that said, the rhythms are not too difficult throughout the song and while there are some dissonant harmonies, the musical lines themselves should be singable by most intermediate choirs. The most challenging voice part is probably the tenor 1 line which spends a lot of time in the higher ranges. There are a few optional parts for the tenor 1s that will truly test the range of the singers.
$2.99
You Are Enough
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Chorale TTBB
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INTERMÉDIAIRE
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Holly Aloise
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You Are Enough
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Holly Aloise
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1436832 Composed by Holly Aloise. 21st Century,Contemporary. 9 pages. Holly Aloise #1016900. Publish...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1436832 Composed by Holly Aloise. 21st Century,Contemporary. 9 pages. Holly Aloise #1016900. Published by Holly Aloise (A0.1436832). You Are Enough is a song that addresses the mental health issues that so many of our students deal with. In our fast-paced achievement-oriented society, sometimes we just need to hear that we are enough, just as we are.
$1.99
Satisfied
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Chorale TTBB
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FACILE
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Musique Sacrée
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Life Church Worship
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Jeff Tincher
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Satisfied
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Jeff Tincher
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1486033 By Life Church Worship. By James Conner, Rob Estevez, and Ryan Ellis. Arranged by Jeff Tinch...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1486033 By Life Church Worship. By James Conner, Rob Estevez, and Ryan Ellis. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Sacred,Soul. 17 pages. Jeff Tincher #1063089. Published by Jeff Tincher (A0.1486033). It's time to put some soul in your worship service. This is Ryan Ellis's single just released (8/2/24). In the original key, this one will get your audience/congregation in the worship mood. Duration = 4:09. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$2.99
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
The Impression That I Get
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Chorale TTBB
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AVANCÉ
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The Mighty Mighty Bosstones
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Corey Cerullo
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The Impression That I Get
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Cerullo Music LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella...
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Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella. Octavo. 12 pages. Cerullo Music LLC #4301113. Published by Cerullo Music LLC (A0.540600). Your advanced male a cappella group is going to love this arrangement! As true to the original as can be with just voices, this is going to knock the socks off of your audiences. If you are dying to showcase your male singers, this is the tune to do it with!Arranged for TTBB with some divisi and a Solo/duet on top. It's going to be a rockin' good time when you put all of this together!
$4.00
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
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