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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
KIDS\\\
Non classifié
323
Piano & claviers
Piano Facile
294
Piano seul
292
Piano, Voix et Guitare
264
Piano, Voix
211
Accordéon
25
Instruments en Do
17
Accompagnement Piano
17
Orgue
8
1 Piano, 4 mains
5
Piano (partie séparée)
3
Clavier
2
Piano grosses notes
2
+ 7 instrumentations
Retracter
Guitares
Guitare
81
Guitare notes et tablatures
80
Ligne De Mélodie, (Paroles) et Accords
74
Paroles et Accords
27
Ukulele
12
2 Guitares (duo)
8
Basse electrique
6
Mandoline
4
Guitare (partie séparée)
3
Piano, Guitare (duo)
2
+ 5 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 2 parties
58
Chorale Unison
57
Chorale 3 parties
38
Voix seule
16
Chorale TTBB
11
Voix d'Enfants
10
Chorale
9
Voix Alto, Piano
8
Pack Instrumental pour Chorale
8
Voix Soprano, Piano
4
Voix duo, Piano
3
Chorale SSAA
2
Voix duo
2
Voix Soprano
1
Chorale SSATBB
1
+ 11 instrumentations
Retracter
Vents
Clarinette (partie séparée)
12
Flûte, Hautbois, Clarinette, Basson
9
Flute (partie séparée)
8
Flûte traversière
8
Flûte traversière et Piano
8
Saxophone (partie séparée)
7
2 Saxophones (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Saxophone Alto
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois (partie séparée)
5
Instruments en Mib
5
Clarinette
5
Clarinette et Piano
5
Saxophone Tenor
4
Saxophone Alto et Piano
4
3 Clarinettes (trio)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor et Piano
2
2 Clarinettes (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Piano (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
1
Ensemble de saxophones
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Hautbois
1
2 Flûtes traversières (duo)
1
Saxophone Soprano et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
+ 31 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
22
Trombone (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Piano
9
Cor (partie séparée)
8
Trombone
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba (partie séparée)
5
Instruments en Sib
5
Trompette
5
Cor
3
2 Trompettes (duo)
2
Trombone et Piano
2
Tuba
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Tuba et Piano
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Cor et Piano
1
4 Tubas
1
Trompette, Trombone (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon (partie séparée)
11
Violon et Piano
10
Violon
10
Alto, Piano
9
Alto (partie séparée)
7
Contrebasse (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
Harpe
7
Violoncelle
6
2 Violoncelles (duo)
3
Alto seul
2
Violon, Alto (duo)
2
Violoncelle, Piano
2
Violon, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
79
Fanfare
57
Jazz combo
44
Orchestre
35
Batterie
26
Orchestre à Cordes
26
Ensemble Jazz
9
Ensemble de cuivres
7
Orchestre de chambre
7
Cloches
5
Percussion (partie séparée)
5
Ensemble de Percussions
5
Batterie (partie séparée)
3
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
KIDS\\\
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
What's The Matter With Kids Today?
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Chorale TTBB
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INTERMÉDIAIRE
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Sour
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Larry Wright
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What's The Matter With Kids To
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Larry Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.853861 By Sour. By Michael John Burkett. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry...
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Choral Choir (TTBB) - Level 3 - SKU: A0.853861 By Sour. By Michael John Burkett. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry Wright #4718405. Published by Larry Wright (A0.853861). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune. To be performed with Kids Choir of 4 to 10 kids singing a simple melody. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website and the per-copy pricing on the SMP website is a problem, email me. SMP requires a minimum purchase of 10 copies for all choral selections <larry@larrywrightmusic.com>.
$15.00
Toy for Timothy
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Chorale TTBB
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INTERMÉDIAIRE
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Jim Bosse
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Jim Bosse with Charles Rann
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.954968 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary,World. Octavo. 14 pa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.954968 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary,World. Octavo. 14 pages. Jim Bosse #4579731. Published by Jim Bosse (A0.954968). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is the score for the third movement, Toy for Timothy. Performance time is 3 minutes and 31 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar.
$2.99
Toy for Timothy
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Chorale TTBB
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INTERMÉDIAIRE
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Jim Bosse
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Jim Bosse with Charles Rann
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.954970 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary,World. Octavo. 14 pa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.954970 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary,World. Octavo. 14 pages. Jim Bosse #4579735. Published by Jim Bosse (A0.954970). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is all parts for the third movement, Toy for Timothy. Performance time is 3 minutes and 31 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar.
$1.99
I 2 I
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Chorale TTBB
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INTERMÉDIAIRE
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Patrick Deremer and Roy Freela
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Charles Beale
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I 2 I
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1510769 Composed by Patrick Deremer and Roy Freeland. Arranged by Charles Beale. Broadway,Disco,Fi...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1510769 Composed by Patrick Deremer and Roy Freeland. Arranged by Charles Beale. Broadway,Disco,Film/TV,Musical/Show,Pop. 18 pages. Charliebmusic #1085968. Published by charliebmusic (A0.1510769). 'I 2 I' was an intrinsic part of childhood for a particular generation of Disney-loving kids in the 1990s, and this song remains relevant in 2024, as an upbeat anthem about coming together to fight division. Written for the New York City Gay Men's Chorus as a spectacular but accessible finale, this song would suit any large community chorus.
$2.99
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Peter Paul and Mary
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Mark Goodney
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Puff The Magic Dragon
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.836308 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Mark Goodney. Children,Folk. Octavo...
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Choral Choir (TTBB) - Level 4 - SKU: A0.836308 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Mark Goodney. Children,Folk. Octavo. 8 pages. Mark Goodney #5207511. Published by Mark Goodney (A0.836308). Great song to sing for kids! Not so straightforward, though. The arrangement offers time signature changes, 1 verse in the relative minor key, to keep things interesting for the audience and the singer, and an original verse to wrap things up on a high note.
$4.51
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
I Want A Hippopotamus For Christmas (Hippo The Hero)
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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John Rox
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Mark Goodney
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I Want A Hippopotamus For Chri
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.836325 Composed by John Rox. Arranged by Mark Goodney. Contemporary. Octavo. 7 pages. Mark Goodney #5219203. Pub...
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Choral Choir (TTBB) - Level 3 - SKU: A0.836325 Composed by John Rox. Arranged by Mark Goodney. Contemporary. Octavo. 7 pages. Mark Goodney #5219203. Published by Mark Goodney (A0.836325). Novelty Christmas Song! Great for kids. Arranged in a lower key for mature voices.
$4.51
Everything Is Awesome (awesome Remixx!!!)
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Chorale TTBB
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INTERMÉDIAIRE
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Kidz Bop Kids
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David Maddux
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Everything Is Awesome
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.507968 By Kidz Bop Kids. By Akiva Schaffer, Akiva Shaffer, Andrew Samberg, Andy Samberg, Jorma Taccone, Joshua B...
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Choral Choir (TTBB) - Level 3 - SKU: A0.507968 By Kidz Bop Kids. By Akiva Schaffer, Akiva Shaffer, Andrew Samberg, Andy Samberg, Jorma Taccone, Joshua Bartholomew, Lisa Harriton, and Shawn Patterson. Arranged by David Maddux. Contemporary,Film/TV,Pop. Octavo. 17 pages. David Maddux #4404462. Published by David Maddux (A0.507968). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
Believe
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Chorale TTBB
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INTERMÉDIAIRE
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Josh Groban
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Charles Beale
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Believe
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. 13 pages. Charliebmusic #4785529. Published by charliebmusic (A0.865846). From the movie 'Polar Express' (2004), 'Believe' is a heart-warming and hopeful pop ballad for the Holidays. The lyric tells how we all become slightly better people at Christmas, as we rediscover our inner child, find ourselves and 'believe'. Popular with kids and adults and originally featuring Josh Groban, this anthemic song stands up 15 years after the movie's release, and Charlie is frequently asked for this arrangement by different choirs.Set in four parts for TTBB with moments of doubling and simple divisi.
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Horizon
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Chorale TTBB
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INTERMÉDIAIRE
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
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