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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
King of the Hill
Non classifié
237
Piano & claviers
Piano seul
113
Piano Facile
39
Piano, Voix
24
Instruments en Do
14
Piano, Voix et Guitare
11
Orgue
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
4
Piano grosses notes
2
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
6
Basse electrique
2
Dulcimer
1
2 Guitares (duo)
1
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
64
Pack Instrumental pour Chorale
24
Chorale 3 parties
12
Chorale SSAA
10
Chorale TTBB
10
Chorale 2 parties
8
Voix seule
7
Chorale Unison
5
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
40
Quatuor de Saxophones: 4 saxophones
27
3 Saxophones (trio)
21
2 Clarinettes (duo)
15
Quatuor de Clarinettes: 4 clarinettes
14
2 Flûtes traversières (duo)
13
Clarinette et Piano
10
Flûte traversière et Piano
10
2 Flûte à bec (duo)
9
2 Hautbois (duo)
8
Hautbois, Basson (duo)
7
Saxophone Tenor et Piano
7
Flûte, Hautbois, Clarinette, Basson
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
7
3 Clarinettes (trio)
7
Hautbois, Clarinette (duo)
6
Flûte traversière
6
Trio de Flûtes: 3 flûtes
6
Clarinette
5
Ocarina
5
Flûte à bec Alto
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone, Clarinette (duo)
5
Flûte à bec Soprano
5
Saxophone (partie séparée)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Clarinettes
5
Saxophone Alto et Piano
5
3 Flûtes à bec (trio)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Violoncelle (duo)
4
Saxophone Alto
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Tenor
4
Quatuor de Flûtes à bec
4
Clarinette et Alto
3
Clarinette, Violon (duo)
3
Flûte à Bec
2
Hautbois (partie séparée)
2
Ensemble de Flûtes
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton, Piano
2
Flûte, Violon
2
Saxophone Soprano et Piano
2
Hautbois
2
Flûte, Basson et Piano
1
Flûte, Violon, Piano
1
Flûte, Alto (duo)
1
5 Flûtes à bec
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Violon, Piano
1
Hautbois, Basson et Piano
1
Saxophone et Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Piano
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Hautbois, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Hautbois, Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Orgue
1
Quintette de Flûte : 5 flûtes
1
Hautbois et alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
+ 71 instrumentations
Retracter
Cuivres
Trompette, Piano
11
Trompette
9
Trombone et Piano
8
Trombone
7
Cor
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Cor et Piano
4
2 Trombones (duo)
3
Trompette, Saxophone (duo)
2
Tuba et Piano
2
3 Cors (trio)
2
2 Cors (duo)
2
3 Trombones (trio)
2
3 Tubas (trio)
2
Quatuor de cuivres: 4 trombones
2
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Cor et Harpe
1
Trompette, Cor (duo)
1
Cor et Basson (duo)
1
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
4 Tubas
1
Trompette, Basson (duo)
1
Cor, Violoncelle (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
25
Violon
21
Violoncelle, Piano
15
2 Violons (duo)
14
Alto, Piano
14
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
13
Violoncelle
12
2 Altos (duo)
11
Trio à cordes: 3 violins
9
Harpe
9
Alto seul
8
Violon (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
7
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
6
Violon, Alto (duo)
6
Alto, Violoncelle (duo)
5
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 altos
3
Alto (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Contre Basse
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Harpe, Trombone (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
29
Orchestre
15
Ensemble de cuivres
7
Fanfare
5
Batterie
5
Cloches
4
Orchestre de chambre
3
Jazz combo
2
Ensemble Jazz
2
Ensemble de Percussions
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
King of the Hill
Chorale TTBB
Partitions à imprimer
10 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Running Up That Hill
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Chorale TTBB
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INTERMÉDIAIRE
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Kate Bush
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Charles Beale
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Running Up That Hill
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1180070 By Kate Bush. By Kate Bush. Arranged by Charles Beale. 20th Century,Film/TV,Pop. Octavo. 17 pages. Charl...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1180070 By Kate Bush. By Kate Bush. Arranged by Charles Beale. 20th Century,Film/TV,Pop. Octavo. 17 pages. Charliebmusic #780008. Published by charliebmusic (A0.1180070). This innovative and quirky song by Kate Bush speaks of dogged persistence in the face of struggle, and making a deal with yourself, others and a higher power to get through whatever the issue is. It was initially a hit in 1985, but returned to popularity when it featured in a powerful and viral 2022 episode of Netflix series 'Stranger Things'.This intense and dynamic TTBB arrangement sticks to the form of the original, but shortens some of the spaces between verses, to increase forward motion in a choral context. Band parts are also available from the arranger.
$1.99
Ride On, King Jesus
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Chorale TTBB
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FACILE
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Christopher Aspaas
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Ride On, King Jesus
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Aspen Hill Music - Digital
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SheetMusicPlus
TTBB choir and soloist a cappella - Easy - SKU: MQ.AHM-38-E Composed by Christopher Aspaas. Passion/Palm Sunday. 8 pages. Aspen Hill Music - Digital #AH...
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TTBB choir and soloist a cappella - Easy - SKU: MQ.AHM-38-E Composed by Christopher Aspaas. Passion/Palm Sunday. 8 pages. Aspen Hill Music - Digital #AHM-38-E. Published by Aspen Hill Music - Digital (MQ.AHM-38-E). English.A traditional a cappella setting of this Spiritual gives your tenors and basses a chance to explore different roles in the ensemble: strong and unified chorus during the refrains; and, as a colorful background for the soloists. A great piece that your tenors and basses can learn quickly and take into the hallways with or without you!
$2.25
After The Love Has Gone
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Chorale TTBB
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AVANCÉ
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Earth Wind and Fire
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After The Love Has Gone
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Mike Rambinintsoa
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1507899 By Earth Wind and Fire. By Bill Champlin, David Babyface Foster, and Jay Graydon. Arranged...
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Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1507899 By Earth Wind and Fire. By Bill Champlin, David Babyface Foster, and Jay Graydon. Arranged by Tehillah Alphonso, Transcripted by Mike Rambinintsoa. A Cappella,Jazz,Pop,R & B. 23 pages. Mike Rambinintsoa #1083176. Published by Mike Rambinintsoa (A0.1507899). Transcription of After the love has gone, as performed by Kings Return, as a youtube video cover. SATB.
$3.00
Psalm 46
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Chorale TTBB
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AVANCÉ
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Musique Sacrée
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Christopher Aspaas
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Psalm 46
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi and piano - Difficult - SKU: MQ.AHM-37-E Composed by Christopher Aspaas. Reformation. 16 pages. Aspen Hill Music - Digital #AHM-37-E....
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SATB chorus divisi and piano - Difficult - SKU: MQ.AHM-37-E Composed by Christopher Aspaas. Reformation. 16 pages. Aspen Hill Music - Digital #AHM-37-E. Published by Aspen Hill Music - Digital (MQ.AHM-37-E). English. Psalm 46.Psalm 46 was composed during the height of the global pandemic and cultural upheaval of 2020. The text reflects the challenges of our time (the nations rage, the kingdoms are moved, and the earth melted, what desolation has been made of the earth...) as well as a comforting response (Be still, there is a river whose streams make glad the city of God). This work was selected for performance at the NCCO 2022 National Conference.
$2.85
This Wandering Day
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Chorale TTBB
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INTERMÉDIAIRE
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David Donaldson, David Long, J
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Gabriel J
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Arrangements section!
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This Wandering Day
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Gabriel J. Hill
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1219161 Composed by David Donaldson, David Long, Janet Roddick, Jd Payne, and Steve Roche. Arranged by Gabriel J...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1219161 Composed by David Donaldson, David Long, Janet Roddick, Jd Payne, and Steve Roche. Arranged by Gabriel J. Hill. A Cappella,Contemporary,Folk. Octavo. 3 pages. Gabriel J. Hill #815573. Published by Gabriel J. Hill (A0.1219161). A fantastic TTBB version of Poppy Proudfellow's walking song from The Lord of the Rings: The Rings of Power - Season 1, Episode 5. This arrangement is for TTBB voices and is in the original key of Bear McCreary's recording from the soundtrack. The arrangement is full of amazing moments and has a fantastic finale. The piece has a Bb4 - F2 range!Practice tracks are available for each part upon request!Want more information on arrangements and special arrangements? Visit www.thegabrieljhill.weebly.com and navigate to the A Cappella & Arrangements section!
$3.99
Pippo Non Lo Sa
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Chorale TTBB
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INTERMÉDIAIRE
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Giuseppe Rastelli, Gorni Krame
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Bacco Baccanels
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Centur...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
Amazing Grace
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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John Newton
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Tehillah Alphonso
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Amazing Grace
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Tehillah Alphonso
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1212359 Composed by John Newton. Arranged by Tehillah Alphonso. A Cappella,Christian,Contemporary,Jazz,Tradition...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1212359 Composed by John Newton. Arranged by Tehillah Alphonso. A Cappella,Christian,Contemporary,Jazz,Traditional. Octavo. 5 pages. Tehillah Alphonso #809860. Published by Tehillah Alphonso (A0.1212359). This rendition of Amazing Grace features all four voices in the TTBB arrangement. Staying true to choral voicings while implementing pop sounds, jazz harmony, and gospel influences, this piece is challenging yet rewarding for any sized ensemble and accessible for all audiences and events. Add Amazing Grace to your repertoire today!As performed by the internationally acclaimed men's quartet, Kings Return, arranged by Tehillah Alphonso. Arranged for 4+ voices with a moving solo in TTBB (easily adaptable to SATB).
$10.00
Lil Boo Thang
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Chorale TTBB
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FACILE
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Albert Phillip Mc Kay, Maurice
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Jacob Klingsten
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Lil Boo Thang
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob Klingsten. 21st Century,A Cappella,Broadway,Contemporary,Hip-Hop,Musical/Show. 12 pages. Jacob Klingsten #931731. Published by Jacob Klingsten (A0.1346944). Lil Boo Thang by Paul Russell is a 2023 top track with a positive, energetic atittude. This arrangement is for TTBB acapella groups, and sits at an easy difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features a hype-up kind of energy like no other while being quite repetitive and fun to sing with doubled spoken parts. Additionally, there are multiple opportunities for the ensemble to get the crowd excited, with suggestions such as freestyle dancing and clapping in the score. This piece is a great way to start or end your program or even a set within your repertoire!Additional Details: Key: C Major 12 Pages Length: 1m 55s Ranges Soloist: C3-C4 (E4) T1: G3-A4 T2: G3-F4 B1: E3-C4 B2: G2-G3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99
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