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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Long Boy
Non classifié
108
Piano & claviers
Piano seul
67
Piano, Voix et Guitare
59
Piano, Voix
37
Piano Facile
28
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Orgue
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
26
Paroles et Accords
11
Ligne De Mélodie, (Paroles) et Accords
10
Guitare
9
Basse electrique
4
Piano, Guitare (duo)
2
Ukulele
1
Ensemble de guitares
1
Mandoline
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
24
Chorale 3 parties
19
Chorale 2 parties
13
Chorale TTBB
7
Chorale Unison
4
Voix duo
2
Chorale SSAA
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
8
Flûte, Hautbois, Clarinette, Basson
6
Clarinette
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Flûte traversière et Piano
3
Flûte, Clarinette (duo)
3
Hautbois (partie séparée)
3
Saxophone Alto et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor et Piano
3
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
2
2 Saxophones (duo)
2
Saxophone Tenor
2
Clarinette, Violoncelle (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières (duo)
1
Ensemble de saxophones
1
Hautbois, Guitare (duo)
1
Flûte traversière
1
Flûte et Guitare
1
Flûte, Violoncelle
1
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
Flûte à bec Soprano
1
+ 24 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
3
Tuba
3
Quatuor de Cuivres
2
Trompette (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Piano
2
Cor
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone
2
Trombone (partie séparée)
1
Ensemble de Trompettes
1
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Trombone et Piano
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Trio à Cordes: 2 violons, violoncelle
9
Violon (partie séparée)
7
Violon
7
Violon et Piano
7
Violon, Violoncelle (duo)
7
Violoncelle
4
2 Violoncelles (duo)
4
Harpe
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle, Piano
3
Alto, Piano
3
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Batterie
118
Orchestre à Cordes
12
Orchestre d'harmonie
12
Orchestre
7
Ensemble de cuivres
6
Ensemble Jazz
4
Cloches
2
Orchestre de chambre
2
Xylophone
1
Jazz combo
1
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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Partitions Numériques
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61
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Long Boy
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
Along The Navajo Trail
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Chorale TTBB
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FACILE
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Contemporain
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Bing Crosby & The Andrews Sist
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Jim Shubert
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Along The Navajo Trail
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971346 By Bing Crosby & The Andrews Sisters. By Dick Charles, Eddie De Lange, and Larry Markes. Arranged by Jim ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971346 By Bing Crosby & The Andrews Sisters. By Dick Charles, Eddie De Lange, and Larry Markes. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6211801. Published by James W. Shubert (A0.971346). 4 part male barbershop (TTBB) Early Intermediate Level. An interesting demonstration of 'Cowboy Swing' that many in your audience will remember.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Don't Stop Believin'
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Chorale TTBB
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INTERMÉDIAIRE
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Journey
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Charles Beale
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Don't Stop Believin'
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865867 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Charles Beale. A Cappella,Rock. Oc...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865867 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Charles Beale. A Cappella,Rock. Octavo. 12 pages. Charliebmusic #5297905. Published by charliebmusic (A0.865867). Originally a massive rock anthem in the early '80s, Don't Stop Believing re-emerged in the 2000s thanks to the TV show 'Glee', which re-established the song as a timeless classic that resonates across the generations. It tells the all-American story of the small-town boy who never gives up, and starts with that guitar solo.This upbeat TTBB arrangement sticks largely to the original rock textures but includes extensive nods to a cappella vocal textures. Suitable as a energetic and potentially spectacular show opener or singalong.
$1.99
I'm Going Up
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Dixie Melody Boys,Dixie Melody
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Paul A
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I'm Going Up
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.522319 By Dixie Melody Boys,Dixie Melody Boys. By Mccray Dove. Arranged by Paul A. Jorg. Contemporary. Octavo. 5...
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Choral Choir (TTBB) - Level 3 - SKU: A0.522319 By Dixie Melody Boys,Dixie Melody Boys. By Mccray Dove. Arranged by Paul A. Jorg. Contemporary. Octavo. 5 pages. Paul A. Jorg #5795997. Published by Paul A. Jorg (A0.522319). This is a spirited and moving arrangement for male (TTBB) voices, and is a fun song to sing! The bass part keeps the rhythm going. The lyrics are: Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh I'm cleansed Heal'd Leaning on His arms to carry me through O yes! For Jesus is the mighty King; by His blood I've been redeemed. I'm goin up to Him on Glory Avenue. I'm goin' up, King; goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh there is no problem too great or small for Jesus to answer when I call. Seeking His guidance and doing His will. You know I'm praisin' Him all the day long, Yet still I'm goin' Leaning on His arms to carry me through For Jesus is the mighty King; Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Yes, He is my rock, and He is my Lord! Love lifted me! Lord! Lord! Love lifted me!
$4.59
Streets of Laredo (Downloadable)
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Chorale TTBB
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John David Earnest
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Streets of Laredo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #803...
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TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8035-E. Published by E. C. Schirmer Music Company - Digital (MQ.8035-E). Also known as The Cowboy’s Lament, this song was passed along in the oral tradition of folk music. Earnest selected only those verses that outline the poignant narrative of the dying cowboy: his realization of having “done wrong,†his acceptance of his tragic youthful death, and his plaintive appeal to his comrades for a final resting place. In keeping with the spirit of that story, the work should be performed with a quiet sustained nobility. Duration: 5:30.
$2.80
Deep In The Heart Of Texas
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Chorale TTBB
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FACILE
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Alvino Rey & His Orchestra
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D
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Deep In The Heart Of Texas
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346931 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346931 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th Century,Country,Pop,Standards. 8 pages. Tully Road Music #931718. Published by Tully Road Music (A0.1346931). The 1941 classic “Deep in the Heart of Texas†is an American popular song about the state of Texas with lyrics by June Hershey and music by Don Swander. It has been recorded in multiple versions, five of which were on the Billboard charts in 1942. Several university bands in Texas perform the song before football games including the University of Texas Longhorn Band and the Texas Christian University Horned Frog Marching Band, and country music singer and native Texan George Strait has the song played before he takes the stage at concerts. This simple version for TTBB voices and piano was arranged by D. Jason Bishop for the Texas Boys Choir.
$2.00
Surfer Girl
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Charles A
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Surfer Girl
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CG Publications
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.882485 By The Beach Boys. By Brian Wilson. Arranged by Charles A. Gravenhorst. A Cappella,Pop,Rock. 9 pag...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.882485 By The Beach Boys. By Brian Wilson. Arranged by Charles A. Gravenhorst. A Cappella,Pop,Rock. 9 pages. CG Publications #4800249. Published by CG Publications (A0.882485). Delight audiences with the breezy harmonies of The Beach Boys arranged in this very accessible setting of their classic hit Surfer Girl, for 4-part Men’s Quartet, also suitable for Men’s Chorus. May be performed a cappella, or you can also add comping guitar or piano (chords included), along with drums, to provide a lively backing to support the voices. Arrangement includes piano reduction for rehearsal purposes.
$2.49
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Long Boy