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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May It Be
Non classifié
2 164
Piano & claviers
Piano seul
456
Piano, Voix et Guitare
397
Piano, Voix
299
Piano Facile
106
Orgue
70
Instruments en Do
21
Accompagnement Piano
18
1 Piano, 4 mains
17
Clavecin
8
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
4
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
41
Ukulele
13
Banjo
6
4 Guitares (Quatuor)
6
Mandoline
5
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Guitare (partie séparée)
1
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
400
Chorale 3 parties
111
Voix haute
72
Chorale 2 parties
61
Chorale Unison
53
Chorale TTBB
40
Voix Alto, Piano
38
Voix Soprano, Piano
37
Chorale SSAA
29
Voix moyenne, Piano
17
Voix duo
10
Voix seule
6
Voix Tenor, Piano
5
Voix Baryton, Piano
5
Voix duo, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix basse
2
Chorale SSATTB
2
Chorale
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
156
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Ensemble de saxophones
104
Flûte traversière et Piano
88
Quatuor de Clarinettes: 4 clarinettes
78
Quatuor de Saxophones: 4 saxophones
64
Ensemble de Clarinettes
55
Clarinette et Piano
42
2 Flûtes traversières (duo)
36
Hautbois, Piano (duo)
33
Clarinette
33
2 Saxophones (duo)
31
Flûte, Hautbois, Clarinette, Basson
29
Quintette de Flûte : 5 flûtes
28
Flûte traversière
26
Ensemble de Flûtes
24
Saxophone Tenor et Piano
23
Saxophone Alto et Piano
23
Hautbois (partie séparée)
21
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
2 Clarinettes (duo)
16
3 Saxophones (trio)
14
Saxophone Alto
13
Saxophone Tenor
13
Cor anglais, Piano
12
Saxophone Baryton, Piano
12
Saxophone
11
Clarinette (partie séparée)
11
Clarinette Basse, Piano
9
Flûte à Bec
8
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone, Clarinette (duo)
7
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
3 Clarinettes (trio)
6
Clarinette, Trompette (duo)
5
Flûte et Guitare
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
Hautbois
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
Cor Anglais
2
Saxophone et Orgue
2
Clarinette, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Flûte, Alto et Piano
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Clarinette, Orgue
1
Piccolo
1
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Ensemble de Trompettes
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Ensemble de Trombones
43
Trompette
32
Trombone et Piano
26
Euphonium, Piano (duo)
17
Quatuor de cuivres: 4 trombones
17
Cor et Piano
17
Quatuor de Cuivres
16
Trompette, Piano
15
Trombone
14
Trompette, Trombone (duo)
13
Cor anglais, Piano
12
Tuba
12
Trompette (partie séparée)
12
2 Trompettes (duo)
11
2 Trombones (duo)
10
Trombone (partie séparée)
10
Cor
10
Euphonium
6
Tuba et Piano
6
Ensemble de Cors
6
Trio de Cuivres
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
5
2 Tubas (duo)
4
Cor (partie séparée)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Ensemble de Tubas
1
Trombone basse
1
4 Tubas
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon
158
Violon, Violoncelle (duo)
155
Trio à Cordes: violon, alto, violoncelle
151
Harpe
61
Violon et Piano
58
Violoncelle, Piano
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto, Piano
30
Ensemble de Violons
29
Ensemble d'Altos
27
Violoncelle
23
Violon, Alto (duo)
22
2 Violoncelles (duo)
20
2 Violons (duo)
18
Alto seul
16
Violon (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
12
2 Altos (duo)
11
Alto (partie séparée)
10
2 Harpes (duo)
9
4 Violoncelles
8
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Contrebasse (partie séparée)
6
Quatuor à cordes: 4 violons
4
3 Harpes
3
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contre Basse
3
5 Harpes
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Alto, Orgue
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Harpe, Flûte (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Cloches
458
Orchestre d'harmonie
179
Orchestre à Cordes
160
Orchestre
90
Ensemble de cuivres
79
Ensemble Jazz
64
Fanfare
32
Orchestre de chambre
32
Jazz combo
22
Ensemble de Percussions
13
Percussion (partie séparée)
6
Batterie
4
Marimba
3
Ensemble d'École
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Timbales (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Vous avez sélectionné:
May It Be
Chorale TTBB
Partitions à imprimer
40 partitions trouvées
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1
26
Be Near Me (TTBB)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Greg Bartholomew
#
Be Near Me
#
Burke & Bagley
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published by Burke & Bagley (A0.787386). Be Near Me is a setting of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson for unaccompanied mixed choir (SATB). Duration ca. 5'15. This is an adaptation for men’s chorus of a work originally composed for mixed choir (SATB). The piano reduction (for rehearsal purposes only) keeps the original women’s voices in the right hand, to help with clarity of line during rehearsal. It may also be helpful to separate the first tenors and baritones on one side and the second tenors and basses on the other, but that is entirely optional.
$2.25
I Wish It Could Be Christmas Every Day
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Noël
#
Wizzard
#
Ben May
#
I Wish It Could Be Christmas E
#
Ben May
#
SheetMusicPlus
Choir, TTBB, 4-Part, A Cappella - INTERMEDIATE By Wizzard. By Roy Wood. Arranged by Ben May. A Cappella,Barbershop,Christmas, Jazz,Rock. Octavo. 12 ...
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Choir, TTBB, 4-Part, A Cappella - INTERMEDIATE By Wizzard. By Roy Wood. Arranged by Ben May. A Cappella,Barbershop,Christmas, Jazz,Rock. Octavo. 12 pages. Ben May #708120. Published by Ben May
$1.99
Can't Get It Out Of My Head
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Electric Light Orchestra
#
Bob Eggers
#
Can't Get It Out Of My Head
#
ROBERT J EGGERS
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Conte...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Pop,Rock. 13 pages. ROBERT J EGGERS #878833. Published by ROBERT J EGGERS (A0.1287756). Jeff Lynne of ELO composed this song to prove to his father that all of his classical music lessons were not a waste as he pursued a career in popular rock music. This arrangement features a tenor soloist, accompanied by 4 part background, plus a duet and later a trio of tenors on the final chorus. To extend the song, a key change lifts the final chorus to a new level. Duration is 3:45.The arrangement is suitable for school, collegiate and professional choirs of any size, and may be performed for family audiences. Please be sure to follow the link to preview the YouTube video!
$1.99
We Could Be Falling In Love
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Stuart Aaron Hart and Thomas H
#
Dom Finetti
#
We Could Be Falling In Love
#
Dom Finetti
#
SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Fes...
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Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Festival,Film/TV,Jazz. Barbershop Quartet. 10 pages. Dom Finetti #858073. Published by Dom Finetti (A0.1265228). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$12.99
We Could Be Falling In Love
#
Chorale TTBB
#
AVANCÉ
#
Stuart Aaron Hart and Thomas H
#
Dom Finetti
#
We Could Be Falling In Love
#
Dom Finetti
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbersh...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Film/TV,Jazz. 10 pages. Dom Finetti #904461. Published by Dom Finetti (A0.1315713). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$2.99
It Must Be Love
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Madness
#
Liz Garnett
#
It Must Be Love
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.856265 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #6856487. Publi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.856265 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #6856487. Published by Liz Garnett (A0.856265). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.
$2.99
Oh, It's A Lovely War! Medley
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Paul A
#
Greg Mallett
#
Oh, It's A Lovely War! Medley
#
Greg Mallett
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1082948 Composed by Paul A. Rubens, R.P. Weston, Bert Lee, Felix Powell, J.P. Long, Maurice Scott. Arrang...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1082948 Composed by Paul A. Rubens, R.P. Weston, Bert Lee, Felix Powell, J.P. Long, Maurice Scott. Arranged by Greg Mallett. A Cappella,Film/TV. 8 pages. Greg Mallett #687156. Published by Greg Mallett (A0.1082948). Medley of WWI-era songs from the musical movie Oh, It's A Lovely War! Arranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). mp3 sample contains small differences. PDF is the definitive version. Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
It's A Beautiful Day
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Michael Buble
#
Greg Mallett
#
It's A Beautiful Day
#
Greg Mallett
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.879009 By Michael Buble. By Alan Chang, Amy Foster, and Michael Buble. Arranged by Greg Mallett. A Cappella,Jazz...
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Choral Choir (TTBB) - Level 4 - SKU: A0.879009 By Michael Buble. By Alan Chang, Amy Foster, and Michael Buble. Arranged by Greg Mallett. A Cappella,Jazz. Octavo. 12 pages. Greg Mallett #4736061. Published by Greg Mallett (A0.879009). Made famous by Michael BubléArranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
May It Be - 9 Prints by Peter Hollens - Men's Choir A Cappella
#
Chorale TTBB
#
Peter Hollens
#
May It Be - 9 Prints
#
Musicnotes
Performed by: Peter Hollens: May It Be - (from The Lord of the Rings: The Fellowship of the Ring) Digital Sheetmusic plus an interactive, downloadable digital s...
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Performed by: Peter Hollens: May It Be - (from The Lord of the Rings: The Fellowship of the Ring) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Men's Choir A Cappella, instruments: Choir; 9 pages -- Folk~~Movie/TV~~New Age~~Pop~~Choral~~Soundtrack~~A cappella
$2.99
I Want It That Way – TTBB and Solo Voice, a cappella
#
Chorale TTBB
#
Rock Alternatif
#
The Backstreet Boys
#
Charles A
#
I Want It That Way – TTBB an
#
CG Publications
#
SheetMusicPlus
By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications ...
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By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications
This well-known favorite from The Backstreet Boys is a challenging but truly impressive and crowd-pleasing selection arranged for Men?s a cappella voices, TTBB (divisi) and Solo voice, and may be sung with as few as five voices, though parts are written for seven voices plus Optional Beatboxer.
$2.99
A Bridge Between an Ocean
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Quinn McMath
#
A Bridge Between an Ocean
#
Quinn McMath
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published b...
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Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994). 6.75 x 10.5 inchesA Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives. A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.
$3.50
In My Room
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Chorale TTBB
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FACILE
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Rock
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The Beach Boys
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Charles A
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In My Room
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.882497 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Charles A. Gravenhorst. Pop,Rock. Octavo. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.882497 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Charles A. Gravenhorst. Pop,Rock. Octavo. 11 pages. CG Publications #5045627. Published by CG Publications (A0.882497). Clean, simple setting of this Brian Wilson classic arranged for 4-part men's voices (TTBB) as performed by the Beach Boys. Includes piano accompaniment and chord symbols. Guitar maybe either included or substituted. Very straight-forward harmonies, well-supported in the accompaniment. Although it sits somewhat high, it is not too challenging even for beginners. May be sung by quartet but suitable for larger groups, even men’s chorus.
$1.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Brightly Beams Our Father's Mercy (TTB)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Phillip Paul Bliss
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Garrett Breeze
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Brightly Beams Our Father's Me
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Lagom Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.723270 Composed by Phillip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred. Octavo. 10 pa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.723270 Composed by Phillip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred. Octavo. 10 pages. Lagom Music #6078271. Published by Lagom Music (A0.723270). Enjoy this peaceful new setting of Philip Paul Bliss’s popular Christian hymn arranged by Garrett Breeze. The multiple voicings make it accessible for any ensemble, and a piano version of the accompaniment is available for times when an organ is not available. Also available in SATB, SSA, and TTB.Purchase piano accompaniment here: http://bit.ly/35jOoQNAlso available in:SATB: http://bit.ly/3ooh56DSSA: http://bit.ly/3oobbT0Two-Part: http://bit.ly/35jzwlzVisit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Brightly beams our Father's mercy from His lighthouse ever more, but to us He gives the keeping of the lights along the shore. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Dark the night of sin has settled, loud the angry billows roar. Eager eyes are watching, long-ing, for the lights along the shore. Trim your feeble lamp, my neighbor; some poor sailor, tempest tossed, trying now to make the harbor, in the darkness may be lost. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.
$2.75
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Auld Lang Syne
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Stephen Smith
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Auld Lang Syne
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1354419 Composed by Traditional. Arranged by Stephen Smith. Celtic,Christmas,Classical,Holiday,Irish,Trad...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1354419 Composed by Traditional. Arranged by Stephen Smith. Celtic,Christmas,Classical,Holiday,Irish,Traditional. 7 pages. Stephen Smith #939138. Published by Stephen Smith (A0.1354419). This concert arrangement for male choir uses the broad and heartfelt melody that Robert Burns originally intended to be paired with his Auld Lang Syne lyric. From a gentle and pensive opening, the arrangement steadily builds -- as the poem extols the virtues of brotherhood, friendship, and faithfulness -- to a truly stirring conclusion. The piano part in this piano-choral score may be used as the sole accompaniment in performances of the work; or the piano may be replaced by a chamber ensemble of flute, clarinet, French horn, violin, cello, and contrabass. It is actually this chamber ensemble version of the piece -- or at least a MIDI approximation of it -- that is heard in the accompanying audio preview. Should you wish to perform the arrangement in this version, please email  the composer at smithstephen@shaw.ca to obtain a full score and parts.
$2.49
The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
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Chorale TTBB
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INTERMÉDIAIRE
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Lyrics attributed to Frank H
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Donald A
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The Streets of Laredo, Streets
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappel...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappella,Concert,Folk. Octavo. 5 pages. Donald A Mills #3544217. Published by Donald A Mills (A0.928966). Your men's chorus or quintet will love this song and its harmonies...and your audiences will as well. This old standard Cowboy song, also known as The Cowboy's Lament, has been sung for hundreds of years. It has accumulated hundreds of chorus lines, some tame, some ribald. Treat your audience to this new arrangement, to be sung by an a cappella TTBB chorus or quartet plus a bass/baritone soloist. From Wikipedia, the free encyclopedia: Members of the Western Writers of America chose this song as one of the top 100 Western Sonngs of all time. The song title refers to the city of Laredo, Texas. The authorship of the words were claimed by Frank H. Maynard (1853-1926) of Colorado Springs, Colorado. The song was first published in 1910. The tune appears to be descended from an Irish song from the late 18th century called, The Unfortunate Rake.
$2.99
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE
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Peter Paul and Mary
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Ryan Wainwright-Meekins
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Puff The Magic Dragon
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekin...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekins. 20th Century,A Cappella,Barbershop,Pop. 9 pages. Ryan Wainwright-Meekins #1022062. Published by Ryan Wainwright-Meekins (A0.1442067). This is a barbershop arrangement for TTBB voices. Duration c.3:30. 9 pages.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Happy Birthday
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Chorale TTBB
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FACILE
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Ryan Wainwright-Meekins
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Ryan Wainwright-Meekins
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Happy Birthday
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins....
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins. A Cappella,Barbershop,Traditional. 1 pages. Ryan Wainwright-Meekins #1023450. Published by Ryan Wainwright-Meekins (A0.1443505). This is a barbershop arrangement of Happy Birthday for TTBB voices. 1 page.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Ol' 55
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Chorale TTBB
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INTERMÉDIAIRE
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Tom Waits
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Bob Eggers
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Ol' 55
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1471700 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Country,Folk,Pop...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1471700 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Country,Folk,Pop. 12 pages. ROBERT J EGGERS #1049454. Published by ROBERT J EGGERS (A0.1471700). Ol' 55, popularized by the Eagles, is considered to be one of Tom Waits's more conventional songs typical of his early work. But some writers believe it captures a cleverly encoded message revelaing something of Waits's darker side. Although most listeners hear the story of a man driving home from his girlfiend's place in the early morning, it may well tell the story of a man who has passed from this world and finds himself riding off into the next at the head of his own funeral procession. You be the judge!The arrangement is set for 4 background voices and tenor soloist, with an active, wall of sound style. Duration is 4:05, and it is suitable for all audiences. It builds to a remarkable climax and key change before unwinding with a more relective final verse.
$1.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
If I Had My Way
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Lyrics: Lou Klein
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Donald A
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If I Had My Way
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th C...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical,Folk,Instructional,Traditional. Octavo. 14 pages. Donald A Mills #54695. Published by Donald A Mills (A0.928947). This TTBB a cappella arrangement is in the barbershop, close harmony style. It was originally written in the age of the Tin Pan Alley of New York City, and has been a favorite of millions over many decades. It's a heartfelt wish and plea to live long and never grow old along with your partner. This new arrangement will delight your singers and audiences alike. This may be sung by a quartet, octet/small ensemble or chorus, and would be considered of medium to medium-high difficulty. The song's duration is only 2:58, sung in a ballad format. Try performing it in a straight tone, with vibrato used sparingly or not at all. For a teaching opportunity, concentrate on dynamics where appropriate to the lyrics, and also (sometimes overlapping) breath control. Tags: If I Had My Way, TTBB, a cappella, barbershop, close harmony, ballad, quartet, octet, chorus, small ensemble, Donald A. Mills, Beachtanned.
$2.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Alleluia, Sing With Joy
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Donald A
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Alleluia, Sing With Joy
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928969 Composed by Donald A. Mills, 2018. A Cappella,Christian,Christmas,Sacred. Octavo. 4 pages. Donald A Mills...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928969 Composed by Donald A. Mills, 2018. A Cappella,Christian,Christmas,Sacred. Octavo. 4 pages. Donald A Mills #3692823. Published by Donald A Mills (A0.928969). An original composition by Donald A. Mills in the style of the old church choirs. This composition is TTBB a cappella. It may be used as a piece for Christmas or as a stand-alone piece for a church service or aconcert venue any time of the year. The words are easy, the music is of mid-level complexity with overlapping musical sentences and a higher level of breath control. There are a few disonances to be aware of along the way.Your choir and your congregation will be pleased with this new Alleluia. FINALLY, a NEW Alleluia.
$3.39
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