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Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May Night
Non classifié
241
Piano & claviers
Piano, Voix
245
Piano seul
203
Piano, Voix et Guitare
15
Piano Facile
13
Orgue
10
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
Accompagnement Piano
4
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Guitare
7
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
172
Chorale TTBB
15
Chorale 3 parties
15
Chorale Unison
14
Chorale 2 parties
13
Chorale SSAA
3
Voix seule
3
Voix duo
2
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix haute
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
10
Saxophone Alto et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
7
Clarinette et Piano
7
2 Clarinettes (duo)
6
Ensemble de saxophones
5
Flûte traversière et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
2 Flûtes traversières (duo)
5
Saxophone Tenor et Piano
5
Hautbois, Piano (duo)
5
Quintette de Saxophone: 5 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette
4
Saxophone, Clarinette (duo)
4
Saxophone Tenor
4
Flûte, Violon
4
Flûte traversière
4
Hautbois (partie séparée)
3
Clarinette, Violon (duo)
3
Clarinette Basse, Piano
3
Cor anglais, Piano
3
Ensemble de Clarinettes
3
Saxophone Alto
3
Clarinette, Trompette (duo)
2
Saxophone Soprano et Piano
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Saxophone (partie séparée)
2
Ensemble de Flûtes
2
Flûte et Guitare
1
Hautbois
1
Piccolo, Piano
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte à Bec
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Flute, harpe et violon
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
2 Trompettes (duo)
6
Trombone et Piano
6
Trompette
5
Cor et Piano
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
3
Cor anglais, Piano
3
Trompette, Piano
2
Trompette, Saxophone (duo)
2
2 Cors (duo)
2
2 Tubas (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Cor
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Trombone
1
Tuba et Piano
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
15
Violon et Piano
12
Alto, Piano
8
Violoncelle, Piano
6
2 Violons (duo)
6
Violoncelle
5
Violon
5
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Harpe, Voix
2
Trio à cordes
1
2 Contrebasses (duo)
1
Ensemble d'Altos
1
Alto seul
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
3 Harpes
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre
23
Cloches
22
Orchestre à Cordes
16
Ensemble de cuivres
13
Ensemble Jazz
9
Jazz combo
8
Batterie
6
Orchestre de chambre
3
Marimba
3
Xylophone
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
May Night
Chorale TTBB
Partitions à imprimer
15 partitions trouvées
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1
Facetime With My Mom Tonight
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Chorale TTBB
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INTERMÉDIAIRE
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Bo Burnham
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Jacob Klingsten
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Facetime With My Mom Tonight
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contempo...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Brightly Beams Our Father's Mercy (TTB)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Phillip Paul Bliss
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Garrett Breeze
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Brightly Beams Our Father's Me
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Lagom Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.723270 Composed by Phillip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred. Octavo. 10 pa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.723270 Composed by Phillip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred. Octavo. 10 pages. Lagom Music #6078271. Published by Lagom Music (A0.723270). Enjoy this peaceful new setting of Philip Paul Bliss’s popular Christian hymn arranged by Garrett Breeze. The multiple voicings make it accessible for any ensemble, and a piano version of the accompaniment is available for times when an organ is not available. Also available in SATB, SSA, and TTB.Purchase piano accompaniment here: http://bit.ly/35jOoQNAlso available in:SATB: http://bit.ly/3ooh56DSSA: http://bit.ly/3oobbT0Two-Part: http://bit.ly/35jzwlzVisit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Brightly beams our Father's mercy from His lighthouse ever more, but to us He gives the keeping of the lights along the shore. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Dark the night of sin has settled, loud the angry billows roar. Eager eyes are watching, long-ing, for the lights along the shore. Trim your feeble lamp, my neighbor; some poor sailor, tempest tossed, trying now to make the harbor, in the darkness may be lost. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.
$2.75
Behold, I Am the Light, TTBB Men's Choir
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I have set an example for you
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Behold, I Am the Light, TTBB M
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1431588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1431588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #1012063. Published by Kevin G. Pace (A0.1431588). Beautiful, sacred music for TTBB men's choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:Behold, I Am the Light“Behold, I am the light; I have set an example for you.” (3 Nephi 18:16)Storms of darkness may descend like a winter sky.Clouds of gloom may dominate; sun may be disguised.Walking step by step with Me through mortalityLessens shadows flawlessly; trusting is my plea:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.I will faithful be . . . trust Me perfectly.Days of trial might seem long like the darkest night.Tests of patience may endure ev’n in Father’s sight.Trusting in each morning sun is a blessed choice,for bright truth will ever shine. Hear my faithful voice:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.God’s light shines through Me, shining endlessly.
$1.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
'39
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Chorale TTBB
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DÉBUTANT
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Rock
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Queen
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Carolyn Goates
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'39
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Carolyn Goates
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.762545 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #4268411. Publi...
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Choral Choir (TTBB) - Level 1 - SKU: A0.762545 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #4268411. Published by Carolyn Goates (A0.762545). This song by Brian May from A Night At The Opera is a jaunty folk like song that should give your TBB choir a really enjoyable sing-along.  For more information about my arrangements or to request practice tracks go to http://www.carolyngoatesmusic.co.uk and please LIKE on Facebook @carolyngoatesmusic
$2.59
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Crossing the Bar (Downloadable)
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Chorale TTBB
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David Conte
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Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer M...
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TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer Music Company - Digital (MQ.7720-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$1.95
Here's to His-Her Health
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Chorale TTBB
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DÉBUTANT
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Contemporain
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R R Bealey & J Randle-Fletcher
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Jay Dearling
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Here's to His-Her Health
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Jay Dearling
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.996399 Composed by R R Bealey & J Randle-Fletcher. Arranged by Jay Dearling. Contemporary. Octavo. 2 pages. Jay ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.996399 Composed by R R Bealey & J Randle-Fletcher. Arranged by Jay Dearling. Contemporary. Octavo. 2 pages. Jay Dearling #6402243. Published by Jay Dearling (A0.996399). Created for brethren societies for welcoming or thanking their leader. The verses are many and, over the years, have become intermingled and amended to suit situations. Many verses can be found on the internet. An optional link has been created for situations where the melody singer may move around the room and wish to return to a start point.An alternative version for brethren societies to express their gratitude to their wives and girlfriends on ‘Ladies Night’ for supporting their partners in their society activities. Again, the words vary and are amended to suit situations. Many verses can be found on the internet.Further details can be found on www.jaydeemusic.me.uk
$1.99
The Creation Of Man
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Chorale TTBB
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FACILE
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Comédie Musicale
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Frank Wildhorn and Nan Knighto
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John Lehrack
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The Creation Of Man
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GGLS Music
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1500381 Composed by Frank Wildhorn and Nan Knighton. Arranged by John Lehrack. Broadway,Musical/Sh...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1500381 Composed by Frank Wildhorn and Nan Knighton. Arranged by John Lehrack. Broadway,Musical/Show. 14 pages. GGLS Music #1076478. Published by GGLS Music (A0.1500381). This fun and campy number from the Scarlet Pimpernel will have your audience and singers laughing. It may be sung by 4 individual singers or a full ensemble. There are ample opportunities for solos, if desired. Arranged for TTBB.
$3.50
Good Night, Ladies! (A Folk Song Medley)
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Chorale TTBB
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Stephen Foster
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Becki Slagle Mayo
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Good Night, Ladies!
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stephen Foster. Arranged by Becki Slagle Mayo. TTBB. Concert; Folk. Choral. 9 pages. Duration 2:30. Published by Hal Leonard - Digital Sheet Music...
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By Stephen Foster. Arranged by Becki Slagle Mayo. TTBB. Concert; Folk. Choral. 9 pages. Duration 2:30. Published by Hal Leonard - Digital Sheet Music
$2.50
Die Mainacht: (The May Night)
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Chorale TTBB
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Classique
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Johannes Brahms
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James McCullough
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Die Mainacht:
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Galaxy Music Corporation
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SheetMusicPlus
Composed by Johannes Brahms (1833-1897). Arranged by James McCullough. Secular, Romantic, Creation/Nature, Love. Octavo. 10 pages. Duration 3 minutes, 39 sec...
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Composed by Johannes Brahms (1833-1897). Arranged by James McCullough. Secular, Romantic, Creation/Nature, Love. Octavo. 10 pages. Duration 3 minutes, 39 seconds. Published by Galaxy Music Corporation (MQ.1.3410-E). - octavo - Secular, Romantic, Creation/Nature, Love - Galaxy Music Corporation
$2.65
Becki Slagle Mayo: Good Night, Ladies! (A Folk Song Medley) for choir and piano (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Becki Slagle Mayo
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Virtualsheetmusic
Instantly printable sheet music by Stephen Foster for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,concert
Instantly printable sheet music by Stephen Foster for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,concert
$5.48
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May Night