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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Memory - Viola
Sheetmusicplus
Non classifié
250
Piano & claviers
Piano seul
438
Piano, Voix
70
Piano Facile
63
Piano, Voix et Guitare
61
Orgue
60
Piano grosses notes
11
Instruments en Do
10
Accordéon
7
1 Piano, 4 mains
2
Clavier
1
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
40
Ligne De Mélodie, (Paroles) et Accords
18
Guitare
18
Ukulele
9
Paroles et Accords
6
Basse electrique
4
2 Guitares (duo)
4
Mandoline
3
Dulcimer
2
3 Guitares (trio)
1
Guitare Pedal Steel
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale 3 parties
28
Chorale 2 parties
23
Pack Instrumental pour Chorale
18
Chorale TTBB
15
Chorale Unison
14
Chorale SSAA
11
Voix Alto, Piano
9
Voix Soprano, Piano
6
Voix duo, Piano
6
Voix haute
3
Chorale
3
Voix seule
3
Voix duo
2
Voix Tenor, Piano
2
Voix Tenor
1
Chorale SSAATTBB
1
Voix, Guitare
1
Voix Baryton, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
15
Quatuor de Saxophones: 4 saxophones
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette
10
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
8
2 Flûtes traversières (duo)
7
Clarinette et Piano
7
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
Saxophone (partie séparée)
6
Flute (partie séparée)
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Alto
5
Flûte et Guitare
4
Flûte, Clarinette (duo)
4
Ensemble de Flûtes
4
Clarinette (partie séparée)
4
2 Clarinettes (duo)
4
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
4
Ensemble de Clarinettes
3
Hautbois (partie séparée)
3
Saxophone Tenor
3
Cor anglais, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte à bec Alto
2
3 Saxophones (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Hautbois
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
Clarinette, Guitare (duo)
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Instruments en Mib
1
Clarinette Basse, Piano
1
Flûte à Bec
1
Saxophone Tenor et Piano
1
Saxophone
1
Flûte à Bec, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Guitare (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette (partie séparée)
8
Cor
7
Trombone (partie séparée)
5
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
4
Trombone
4
Tuba et Piano
4
Trombone et Piano
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
3
Trompette
3
Cor anglais, Piano
2
2 Trombones (duo)
2
Tuba (partie séparée)
2
4 Tubas
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Bass Clef Instruments
1
Trio de Cuivres
1
Trombone, Orgue
1
Quatuor de Cuivres
1
Instruments en Sib
1
Trombone, Violon (duo)
1
Ensemble de Trompettes
1
Trombone basse et Piano
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
21
Violon
16
Violoncelle
13
Harpe
10
Violoncelle, Piano
9
Violon (partie séparée)
8
2 Violons (duo)
7
Contrebasse (partie séparée)
6
Violoncelle (partie séparée)
4
Contre Basse
4
Contrebasse, Piano (duo)
3
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Harpe (partie séparée)
2
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
175
Orchestre
52
Cloches
23
Orchestre à Cordes
19
Orchestre de chambre
14
Percussion (partie séparée)
11
Ensemble de cuivres
9
Ensemble Jazz
8
Ensemble de Percussions
6
Jazz combo
4
Batterie
2
Timbales (partie séparée)
2
Vibraphone
1
Percussion
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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ENFANTS : EVEIL - IN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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RAGTIME
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Crtitères actifs :
Memory - Viola
SheetMusicPlus
Partitions à imprimer
15 partitions trouvées
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1
Memory
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Chorale TTBB
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AVANCÉ
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Contemporain
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Music by Russell Paterson word
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Memory
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Russell Paterson
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.996508 Composed by Music by Russell Paterson words by David Knight. Contemporary. Octavo. 8 pages. Russell Pater...
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Choral Choir (TTBB) - Level 5 - SKU: A0.996508 Composed by Music by Russell Paterson words by David Knight. Contemporary. Octavo. 8 pages. Russell Paterson #4844625. Published by Russell Paterson (A0.996508). Memory is a brand new part-song for male voices. Taken from a poem by David Knight, the song evokes memories of those that have been lost along the way. For male voice and piano accompaniment, it makes an excellent addition to a concert programme.
$3.99
Memory
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Chorale TTBB
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Kane Brown X Blackbear
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W
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Memory
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Thomas Catoe
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1017703 By Kane Brown X Blackbear. By Andrew Goldstein, Andrew Maxwell Goldstein, Ernest K, Ernest K. Smith, Ernest Keith ...
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Choral Choir (TTBB) - SKU: A0.1017703 By Kane Brown X Blackbear. By Andrew Goldstein, Andrew Maxwell Goldstein, Ernest K, Ernest K. Smith, Ernest Keith Smith, Joe Kirkland, Joseph Kirkland, Kane Brown, Matthew Musto, and Matthew Tyler Musto. Arranged by W. Thomas Catoe. A Cappella. Octavo. 22 pages. Thomas Catoe #6696641. Published by Thomas Catoe (A0.1017703). TTBB acapella arrangement of Memory, originally by Kane Brown and Blackbear.
$1.99
Thanks For The Memory
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Chorale TTBB
#
INTERMÉDIAIRE
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Contemporain
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Dave McKenna
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Tom Gentry
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Thanks For The Memory
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.776510 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by Tom Gentry. Contemporary. Octavo. 4 pages. T...
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Choral Choir (TTBB) - Level 3 - SKU: A0.776510 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by Tom Gentry. Contemporary. Octavo. 4 pages. Tom Gentry #5868705. Published by Tom Gentry (A0.776510).
$4.50
Somewhere In My Memory (from Home Alone) (arr. Mark Hayes)
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Chorale TTBB
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Film/TV
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Noël
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John Williams
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Mark Hayes
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Somewhere In My Memory
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Hal Leonard - Digital
#
SheetMusicPlus
Composed by John Williams. Arranged by Mark Hayes. Christmas, Holiday, Standards. Choral. 7 pages. Published by Hal Leonard - Digital...
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Composed by John Williams. Arranged by Mark Hayes. Christmas, Holiday, Standards. Choral. 7 pages. Published by Hal Leonard - Digital
$2.15
Hakol Hevel (All is Mere Breath) - Choral Score
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Nicholas Weininger
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Hakol Hevel
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Nicholas Brock Weininger
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417490 Composed by Nicholas Weininger. 21st Century,Classical. 96 pages. Nicholas Brock Weininger #...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417490 Composed by Nicholas Weininger. 21st Century,Classical. 96 pages. Nicholas Brock Weininger #999027. Published by Nicholas Brock Weininger (A0.1417490). Cantata in ten movements, for TTBB chorus, chamber orchestra, and soloists, written in memory of the victims of the COVID-19 pandemic. Premiered by the Empire City Men's Chorus in March 2023 in New York, released on Navona Records in December 2023, this work was recently named a finalist for the 2024 American Prize. Gramophone called it poignant and powerful and said that Weininger skilfully weaves together texts from the Tanakh, eloquently sung in Hebrew by the chorus and presented in Robert Alter’s powerful English translations by the three soloists. The cantata unfolds as a tapestry of colours and profound mourning, with occasional echoes of an ancient musical language, wherein the orchestra plays a virtuosic role.This is the choral score with parts for singers and soloists and a piano reduction for rehearsal. A full conductor score is available separately, and orchestra parts are available from the composer on request.
$5.99
Younger Than Springtime
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Chorale TTBB
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AVANCÉ
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Comédie Musicale
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Stan Kenton
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John Brockman
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Younger Than Springtime
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BrockhouseMusic
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1389664 By Stan Kenton. By Oscar Hammerstein and Richard Rodgers. Arranged by John Brockman. 20th Century...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1389664 By Stan Kenton. By Oscar Hammerstein and Richard Rodgers. Arranged by John Brockman. 20th Century,A Cappella,Barbershop,Broadway,Musical/Show,Standards. 6 pages. BrockhouseMusic #973259. Published by BrockhouseMusic (A0.1389664). Four part (TTBB) arrangement for acapella male voices in the barbershop style. Arranged for the Masters of Harmony in memory of my friend, Jeff Baker.
$1.99
The Cry Of The Crow
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Paul Sprague
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The Cry Of The Crow
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Paul Sprague
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1029236 Composed by Paul Sprague. Contemporary. Octavo. 2 pages. Paul Sprague #4783571. Published by Paul Spragu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1029236 Composed by Paul Sprague. Contemporary. Octavo. 2 pages. Paul Sprague #4783571. Published by Paul Sprague (A0.1029236). This piece was written in the memory of Evann Crow, a classmate and friend of mine, who took her life in the spring of my freshman year of high school. This piece is a depiction of the outpouring of sorrow, grief, and love that was a result of her death. Fly high, Evann.
$9.99
Shine On You Crazy Diamond (parts 1-5)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pink Floyd
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Brevis Minim
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Shine On You Crazy Diamond
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Brevis Minim
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1312232 By Pink Floyd. By David Gilmour, Rick Wright, and Roger Waters. Arranged by Brevis Minim. 20th Ce...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1312232 By Pink Floyd. By David Gilmour, Rick Wright, and Roger Waters. Arranged by Brevis Minim. 20th Century,A Cappella,Contemporary,Pop,Rock. 22 pages. Brevis Minim #901086. Published by Brevis Minim (A0.1312232). A trip down memory lane for any long-haired teenager of the past. Indulgent arrangement of four Pink Floyd tunes (Shine On You Crazy Diamond, Wish You Were Here, Money, On The Turning Away), sprinkled with further snippets (Another Brick In The Wall, Comfortably Numb, Have A Cigar). Challenging, as always, with many splits and quite a spread. I hope you enjoy.
$2.50
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Poor Little Rhode Island
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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Jim Shubert
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Poor Little Rhode Island
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.971343 Composed by Jule Styne. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6142513...
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Choral Choir (TTBB) - Level 3 - SKU: A0.971343 Composed by Jule Styne. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6142513. Published by James W. Shubert (A0.971343). 4 part Male Barbershop Arrangement (TTBB). An uptempo dance piece by Guy Lombardo's orchestra from the '40's that will tickle your audience's memory and bring a smile to their lips.
$1.99
Christmas Vacation
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Various Artists
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Absalon Figueroa
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Christmas Vacation
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Absalon Figueroa
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1243308 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Absalon Figueroa. Christmas,Film/TV,Holi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1243308 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Absalon Figueroa. Christmas,Film/TV,Holiday,Pop. Octavo. 14 pages. Absalon Figueroa #838272. Published by Absalon Figueroa (A0.1243308). This fun Christmas pop tune will take your audiences on a trip down memory lane! This perfectly balanced GALA Chorus arrangment allows all sections to have thier moments to shine. A fabulous addition to your Holiday concert!
$5.00
Everybody's Talkin' (echoes)
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Chorale TTBB
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Harry Nilsson
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Paul Marks Joffe
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Everybody's Talkin'
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Paul Marks Joffe
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SheetMusicPlus
Choral Choir,Choral (TTBB) - SKU: A0.1307936 By Harry Nilsson. By Fred Neil. Arranged by Paul Marks Joffe. Film/TV,Folk,Singer/Songwriter. 10 pages. Pau...
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Choral Choir,Choral (TTBB) - SKU: A0.1307936 By Harry Nilsson. By Fred Neil. Arranged by Paul Marks Joffe. Film/TV,Folk,Singer/Songwriter. 10 pages. Paul Marks Joffe #897225. Published by Paul Marks Joffe (A0.1307936). Arranged for TTBB choir and piano. Based on both the Harry Nilsson version and the later cover by Elephant's Memory. Moves from relaxed and folky into a more folk-rock feel and back again. About 3'30 in performance.
$1.99
Quem vidistis pastores
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Cesar Alejandro Carrillo
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Quem vidistis pastores
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Cesar Alejandro Carrillo
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.881129 Composed by Cesar Alejandro Carrillo. Christmas,Contemporary,Sacred. Octavo. 8 pages. Cesar Alejandro Car...
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Choral Choir (TTBB) - Level 3 - SKU: A0.881129 Composed by Cesar Alejandro Carrillo. Christmas,Contemporary,Sacred. Octavo. 8 pages. Cesar Alejandro Carrillo #4729225. Published by Cesar Alejandro Carrillo (A0.881129). Liturgically, the text of Quem vidistis pastores works as an antiphon and as a response. In this version I have musicalized the corresponding text to the responsory, but adding the alleluia, which is typical of the antiphon. The motet passes in a pastoral atmosphere beholding the birth of Jesus. With this work, I have finally put music to the same set of texts used by Francis Poulenc for his Quatre motets pour le temps de Noël. The whole set is a tribute to his memory and his powerful influence on my training as a composer.
$2.45
Come to Me
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Chorale TTBB
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INTERMÉDIAIRE
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Christopher Aspaas
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John 14:1
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Come to Me
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi and piano - Medium - SKU: MQ.AHM-04-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-04-E. Published by As...
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SATB chorus divisi and piano - Medium - SKU: MQ.AHM-04-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-04-E. Published by Aspen Hill Music - Digital (MQ.AHM-04-E). English. Matthew 11:28-30; John 14:1.Come to me was commissioned in loving memory of Bob Doan, and premiered at Wayzata Community Church. The texts were drawn from his memorial service (Matthew 11 and John 14). The piece begins with a sense of longing with a lyric melody. Limited divisi makes this accessible for smaller ensembles.
$2.65
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Memory - Viola