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GUITARE PED…
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MANDOLINE
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OUD
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Non classifié
1004
PIANO & CLAVIERS
Piano seul
1484
Piano Facile
541
Piano, Voix et Guitare
71
Piano, Voix
43
Accordéon
37
Orgue
35
1 Piano, 4 mains
28
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Clavier
2
Accompagnement Piano
2
Concertina
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Piano grosses notes
1
Ensemble d'Accordéons
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
364
Basse electrique
313
Guitare notes et tablatures
173
Mandoline
22
Ukulele
21
Banjo
16
Piano, Guitare (duo)
7
Dulcimer
7
Guitare Pedal Steel
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
2 Ukuleles
1
2 Mandolines (duo)
1
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
62
Voix seule
18
Chorale 2 parties
12
Chorale 3 parties
12
Chorale TTBB
9
Voix duo
6
Chorale Unison
6
Voix Tenor, Piano
1
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VENTS
Hautbois
60
Quatuor de Clarinettes: 4 clarinettes
54
Clarinette
41
Flûte traversière
39
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Harmonica
12
Flûte, Hautbois, Clarinette, Basson
12
Clarinette et Piano
12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone
9
Saxophone Alto et Piano
9
2 Flûte à bec (duo)
8
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
8
Saxophone Soprano et Piano
7
Flûte à Bec
6
Trio de Flûtes: 3 flûtes
6
Hautbois (partie séparée)
6
Flûte à bec Alto
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
4
Hautbois, Piano (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Tenor
4
Flûte à bec Soprano, Basse continue
3
Saxophone (partie séparée)
3
Saxophone Baryton, Piano
3
Saxophone Alto
3
3 Flûtes à bec (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte de Pan
2
Instruments en Mib
2
Cor anglais, Piano
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Clarinette (trio)
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Clarinette Basse
2
Ensemble de Hautbois
2
Clarinette (partie séparée)
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
3 Clarinettes (trio)
1
Flûte à bec Tenor
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
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CUIVRES
Trompette
71
Trombone
51
2 Cors (duo)
46
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
Bass Clef Instruments
5
2 Trompettes (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Cor (duo)
5
2 Trombones (duo)
5
Euphonium
3
Quatuor de Cuivres
3
Cor et Piano
3
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Trombone basse
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
2
Instruments en Sib
2
3 Tubas (trio)
2
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
Trio de Cuivres
1
Cornet A Pistons
1
Tuba et Orgue
1
Tuba et Piano
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
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CORDES
Violon
111
Harpe
62
Violoncelle
55
Violon et Piano
47
Alto seul
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Trio à cordes: 3 violins
19
2 Violons (duo)
19
Violon (partie séparée)
15
Contre Basse
12
Alto, Piano
12
Violon, Alto (duo)
11
2 Violoncelles (duo)
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Harpe et Piano
6
Autoharp
5
2 Altos (duo)
5
Alto (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Harpe, Voix
2
Violoncelle, Orchestre
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
2 Contrebasses (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
176
Orchestre à Cordes
49
Batterie
47
Orchestre
30
Cloches
22
Orchestre de chambre
9
Percussion
6
Caisse Claire
5
Vibraphone
4
Ensemble Jazz
4
Conga
4
2 Xylophones
4
Fanfare
4
Marimba
3
Ensemble de cuivres
3
Cajon
2
Ensemble d'École
2
Orchestre, Violon
2
Jazz combo
2
Timbales
1
Ensemble de Percussions
1
Bongos
1
Instrumentation Flexible
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Xylophone
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
Vous avez sélectionné:
Method
Chorale TTBB
Partitions à imprimer
9 partitions trouvées
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1
Lightless Luster (Dunkler Lichtglanz)
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1247249 Composed by Robert…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1247249 Composed by Robert Schumann. Arranged by William J. Bullock. Contest,Festival,Romantic Period,Standards. Octavo. 8 pages. T.U.X. People's Music #841796. Published by T.U.X. People's Music (A0.1247249). Built around the idea of disparity, Lightless Luster is a beautifully haunting work from composer Robert Schumann, featuring a prosodic, rhyming translation by William J. Bullock. Utilizing full TTBB forces, as well as piano four-hands, Schumann's work is deliberate and methodical, but moves delicately toward a gentle conclusion.
$3.85
3.46 €
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Chorale TTBB
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Robert Schumann
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William J
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Lightless Luster
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T.U.X. People's Music
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SheetMusicPlus
Arioso by Bach for Choir TTBB and Piano
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957331 Composed by …
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Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957331 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Multicultural,Sacred,Standards,Wedding,World. 7 pages. Woods Only, Arrangements #6853135. Published by Woods Only, Arrangements (A0.957331). This easy arrangement for choir ttbb was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains.
$7.99
7.18 €
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Chorale TTBB
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Choir TTBB and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Scarborough Fair - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144863 Composed by Englis…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144863 Composed by English Folk Song. Arranged by Mark R Lewis. A Cappella,Celtic,Folk,Irish,Traditional. Octavo. 11 pages. Mark R Lewis #745181. Published by Mark R Lewis (A0.1144863). Scarborough Fair is an English folk song that is centuries old in which a young man tells about his love and lists a series of impossible tasks for her to complete. The song has remained popular throughout the years but was particularly brought into public eye when the folk-rock duo Simon and Garfunkel covered it incorporating lyrics of their own. This a cappella, TTBB quartet/choir with optional hand drum part by Mark Lewis showcases all four voice parts with key changes that place the melody nicely within every vocal range. Each verse explores a different method of accompaniment giving the whole choir a variety of choral experiences.
$1.99
1.79 €
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Chorale TTBB
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English Folk Song
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Mark R Lewis
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Scarborough Fair - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Men's Choir Sight-Reading, Book 1
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.993929 Composed by Addie A…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.993929 Composed by Addie Akin. Instructional. Octavo. 15 pages. Addie Akin #4321465. Published by Addie Akin (A0.993929). After searching and searching for a good tenor/bass sight-reading method, I decided to create my own! This packet has 50 sight-reading examples for beginning to intermediate men's ensembles. It covers note names, major and minor key signatures, intervals, and simple vs. compound time signatures. It uses solfege, numbers, and 'da' for singing. I believe it's important that students can sight-read using multiple approaches.
$3.25
2.92 €
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Chorale TTBB
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Addie Akin
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Men's Choir Sight-Reading, Book 1
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Addie Akin
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SheetMusicPlus
Tauben vergiften im Park
Chorale TTBB
TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q46985 Georg Kre…
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TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - schwarzer Humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q46985. Published by Schott Music - Digital (S9.Q46985). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions:Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99
4.49 €
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Chorale TTBB
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
On This Day Earth Shall Ring
Chorale TTBB
TTBB Chorus,Voice - Level 5 - Digital Download SKU: A0.1467982 By Men's Quartet of …
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TTBB Chorus,Voice - Level 5 - Digital Download SKU: A0.1467982 By Men's Quartet of King's Way Methodist Church. By Anonymous. Arranged by John Prescott. Advent,Christian,Christmas,Classical,Sacred. Barbershop Quartet. 8 pages. John Prescott Music #1046285. Published by John Prescott Music (A0.1467982). This 16th-century Christmas melody and text can be found in the collection Piae Cantiones (1582). Arranged by Gustav Holst with text translation by Jane M. Joseph in 1925, the present setting is for men's vocal quartet (Tenor I, Tenor II, Baritone, Bass) accompanied by piano. It provides an inspiring feature during the Advent and Christmas season.
$3.50
3.15 €
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Chorale TTBB
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Men's Quartet of King's Way Methodist Church
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John Prescott
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On This Day Earth Shall Ring
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John Prescott Music
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SheetMusicPlus
DOES JESUS CARE
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522481 Composed by Frank E…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522481 Composed by Frank E. Graeff - Lyrics J. Lincoln Hall - Music. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Gospel,Praise & Worship,Sacred. Octavo. 4 pages. Paul A. Jorg #6256577. Published by Paul A. Jorg (A0.522481). The author of the lyrics, Frank E. Graeff. was a minister in the Philadelphia Conference of the Methodist denomination. The lyrics were created in 1901, prior to the music being created a few years later by J. Lincoln Hall. The first appearance in a hymnal was in 1905, which now appears in 116 different hymnals. Does Jesus Care is an excellent hymn for the sick, the bereaved and those who have lost hope through hardship. Many also use it as a hymn or song for a funeral.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.13 €
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Chorale TTBB
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Frank E
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Paul A
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DOES JESUS CARE
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Paul A. Jorg
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SheetMusicPlus
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