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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My Hope is in God
Non classifié
132
Piano & claviers
Piano seul
40
Piano, Voix
14
Orgue
12
Instruments en Do
7
Piano, Voix et Guitare
3
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
69
Chorale 3 parties
7
Chorale TTBB
6
Voix seule
5
Chorale Unison
3
Voix duo, Piano
1
Voix Tenor, Piano
1
+ 2 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
15
Clarinette
10
Hautbois (partie séparée)
9
2 Clarinettes (duo)
6
2 Saxophones (duo)
5
Saxophone Alto et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette et Piano
2
Hautbois, Basson (duo)
2
Flûte traversière
2
Flûte, Alto et Piano
2
Clarinette, Basson (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Alto
2
Ensemble de Flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière et Piano
1
Flûte et Guitare
1
Flûte, Clarinette, Piano (trio)
1
+ 17 instrumentations
Retracter
Cuivres
2 Cors (duo)
2
2 Trombones (duo)
2
Trombone et Piano
2
2 Trompettes (duo)
2
Trombone
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
Tuba
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
+ 5 instrumentations
Retracter
Cordes
2 Violons (duo)
8
Violon et Piano
3
Violon, Violoncelle (duo)
3
Violon
3
Alto, Piano
3
2 Altos (duo)
2
Violoncelle, Piano
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Alto seul
2
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Harpe, Voix
1
Alto et Harpe
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Cloches
12
Orchestre
7
Orchestre d'harmonie
7
Ensemble de cuivres
3
Ensemble Jazz
1
Orchestre à Cordes
1
+ 1 instrumentations
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AUTRES INST…
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BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Vous avez sélectionné:
My Hope is in God
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
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In Christ Alone
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Chorale TTBB
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DÉBUTANT
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The Newsboys
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Stephen J
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In Christ Alone
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Marco Borsoi
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.904854 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Stephen J. Nasby - editing M. Borsoi. Chr...
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Choral Choir (TTBB) - Level 1 - SKU: A0.904854 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Stephen J. Nasby - editing M. Borsoi. Christian,Gospel. Octavo. 24 pages. Marco Borsoi #5648469. Published by Marco Borsoi (A0.904854). In Christ Alone is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001.This song is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, and that he is God whom even death cannot hold.The song is commonly known as In Christ Alone (My Hope Is Found) and In Christ Alone (I Stand) taking verses from the song. It has become very popular and has been the subject of many cover versions and many language translations.
$9.99
Rise Up, O Men of God!
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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William H
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Tuaimanu B
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Rise Up, O Men of God!
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Tuaimanu Byron Petaia
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1256812 Composed by William H. Walter. Arranged by Tuaimanu B. Petaia. A Cappella,Religious,Sacred,Spiritual,Tra...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1256812 Composed by William H. Walter. Arranged by Tuaimanu B. Petaia. A Cappella,Religious,Sacred,Spiritual,Traditional. Octavo. 9 pages. Tuaimanu Byron Petaia #850197. Published by Tuaimanu Byron Petaia (A0.1256812). I became aware of the hymn Rise Up, O Men of God! whilst playing through the hymnal used by my congregation a few years before I tried my hand at writing this arrangement in 2021. I drew part of my inspiration from a recording of the hymn made by the Tabernacle Choir, as well as from a very popular arrangement of the hymn Nearer My God to Thee by BYU Vocal Point.I’ve always been impressed by the immense power found in the unison singing of any choir, which is why I find the opening to this hymn so compelling and captivating. There is a grand and almost orchestral quality to this hymn that I find almost impossible to replicate in an ensemble that is singing acapella, and so in a way I think it almost inevitable that this arrangement is anti-climactic. I tried my best to write in a way that I thought imitated the triumphal and regal sounds of brass instruments and the organ. Even so, this hymn remains one of my favorites of all time, and I hope this arrangement does it justice, especially because it is ultimately written with the express purpose encouraging the saints to have a greater love and greater sense of jubilation in praising our Lord. Â
$3.99
Nearer My God to Thee (Men's Choir)
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Chorale TTBB
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AVANCÉ
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Musique Sacrée
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Lowell Mason, Arthur Sullivan
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Peter P
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Nearer My God to Thee
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1500681 Composed by Lowell Mason, Arthur Sullivan. Arranged by Peter P. 19th Century,A Cappella,Ch...
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Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1500681 Composed by Lowell Mason, Arthur Sullivan. Arranged by Peter P. 19th Century,A Cappella,Christian,Classical,Praise & Worship. 6 pages. Clem & Jun Bascar #1076768. Published by Clem & Jun Bascar (A0.1500681). The hymn that wa played by the band during the sinking of the Titanic was given an awesome male voice arrangement by a famous musician. This song is usually sung during a funeral service, but sometimes in any ocassion as a song of hope and inspiration. The original men's choir the BYU Vocal point is found in the youtube link below.
$2.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Blessed Assurance for TTBB men's choir
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Music by Mrs
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KATHLEEN HOLYOAK
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Blessed Assurance for TTBB men
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1399545 Composed by Music by Mrs. J.F. Knaft. Arranged by KATHLEEN HOLYOAK. Christian,Praise & Worship,Re...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1399545 Composed by Music by Mrs. J.F. Knaft. Arranged by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred. 7 pages. Kathleen Holyoak #982836. Published by Kathleen Holyoak (A0.1399545). This beloved old Swedish hymn based on 1 John 4:18  with words in three verses by Fanny Crosby of Sweden, elevates the soul, gives purpose to life, hope in salvation and expectation of the future. Popular for a funeral or any church or religious gathering.Follow the words as you listen:Blessed assurance, Jesus is mine!O what a foretaste of glory divine.Heir of salvation, purchase of God.Born of His Spirit, washed in His Blood.This is my story, this is my song,Praising the Savior all the day long.This is my story, this is my song,Praising the Savior all the day long.Â
$3.00
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
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My Hope is in God
