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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My Little Man
Non classifié
172
Piano & claviers
Piano seul
167
Piano, Voix et Guitare
86
Piano Facile
58
Piano, Voix
47
Orgue
14
Instruments en Do
13
1 Piano, 4 mains
4
Accordéon
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
41
Guitare notes et tablatures
34
Basse electrique
7
Mandoline
3
2 Guitares (duo)
2
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
46
Chorale TTBB
13
Chorale SSAA
10
Chorale Unison
9
Chorale 2 parties
8
Chorale 3 parties
7
Chorale SSAATTBB
3
Voix Tenor, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
1
Voix duo
1
Voix Baryton, Piano
1
Chorale SSATTB
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Flûte, Hautbois, Clarinette, Basson
10
Clarinette et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Tenor et Piano
7
Hautbois, Piano (duo)
7
Flûte traversière et Piano
7
Trio de Flûtes: 3 flûtes
6
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte et Guitare
4
Ensemble de saxophones
4
2 Clarinettes (duo)
3
Ensemble de Clarinettes
3
Saxophone Alto
3
Flûte traversière
3
3 Clarinettes (trio)
2
Hautbois (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Guitare (duo)
2
Saxophone Baryton, Piano
2
2 Saxophones (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Guitare (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Basson (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Flûtes
1
Flûte, Violon, Piano
1
Saxophone et Orgue
1
Flûte à Bec
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 35 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
6
Trompette, Piano
6
Trombone et Piano
5
Ensemble de Trompettes
5
Trombone
4
Cor et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Ensemble de Trombones
2
Ensemble de Tubas
1
Tuba et Piano
1
Cor anglais, Guitare (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Cor
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
17
Violon, Violoncelle (duo)
11
Harpe
10
Violon
10
2 Violons (duo)
6
Violoncelle
6
Violoncelle, Piano
5
Alto, Piano
4
2 Altos (duo)
4
2 Violoncelles (duo)
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Alto (partie séparée)
2
Violon, Alto (duo)
2
Contre Basse
2
Violon, Guitare (duo)
2
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
2 Violons, Piano
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
40
Orchestre
14
Orchestre à Cordes
13
Ensemble Jazz
12
Ensemble de cuivres
9
Orchestre de chambre
6
Jazz combo
5
Ensemble de Percussions
2
Vibraphone
1
Percussion
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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Partitions Numériques
13
Librairie Musicale
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Matériel de Musique
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
My Little Man
Chorale TTBB
Partitions à imprimer
13 partitions trouvées
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1
Poor Little Millionaire
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Chorale TTBB
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INTERMÉDIAIRE
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Marc Shaiman and Scott Wittman
#
Mark Burnip
#
Poor Little Millionaire
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Mark S Burnip
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1395378 Composed by Marc Shaiman and Scott Wittman. Arranged by Mark Burnip. 21st Century,A Cappella,Barb...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1395378 Composed by Marc Shaiman and Scott Wittman. Arranged by Mark Burnip. 21st Century,A Cappella,Barbershop,Contemporary. 7 pages. Mark S Burnip #978846. Published by Mark S Burnip (A0.1395378). This wonderful insight into the lack of a love life for a PoorLittle Millionaire from the musical Some Like it Hot.Will he find love? Money is no problem but he is not very happy you need more than money to be happy in life. Â This fun arrangement is challenging and use the doo-der- ly doos and do-wop!s for effect.This could be a good opener or closer for ant chorus set!I really enjoyed arranging this song I hope you like my version of this fun song!! Â
$1.99
My Little Buttercup
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
Randy Newman
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Michael Webber
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My Little Buttercup
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Michael Webber
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1121053 Composed by Randy Newman. Arranged by Michael Webber. A Cappella,Barbershop. Octavo. 8 pages. Michael We...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1121053 Composed by Randy Newman. Arranged by Michael Webber. A Cappella,Barbershop. Octavo. 8 pages. Michael Webber #722243. Published by Michael Webber (A0.1121053). Purchase learning tracks for this chart @ www.mwarrangements.com This version is for TTBB chorus / choir.
$1.99
My Little Buttercup
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Barbershop
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Randy Newman
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Michael Webber
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My Little Buttercup
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Michael Webber
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SheetMusicPlus
Composed by Randy Newman. Arranged by Michael Webber. A Cappella, Barbershop. Barbershop Quartet. 8 pages. Michael Webber #722244. Published by Michae...
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Composed by Randy Newman. Arranged by Michael Webber. A Cappella, Barbershop. Barbershop Quartet. 8 pages. Michael Webber #722244. Published by Michael Webber
$12.99
My Little Buttercup (arr. Dan Wessler)
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Chorale TTBB
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Film Walt Disney
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Randy Newman
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Dan Wessler
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My Little Buttercup
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Barbershop Harmony Society
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SheetMusicPlus
(TTBB) - Composed by Randy Newman. Arranged by Dan Wessler. 145. Choral. 8 pages. Published by Barbershop Harmony Society...
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(TTBB) - Composed by Randy Newman. Arranged by Dan Wessler. 145. Choral. 8 pages. Published by Barbershop Harmony Society
$3.20
On A Little Street In Singapore
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
(See Below)
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My Sheet Music Transcriptions
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On A Little Street In Singapor
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My Sheet Music Transcriptions
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1506334 By (See Below). By Billy Hill and Peter De Rose. Arranged by My Sheet Music Transcriptions...
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Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1506334 By (See Below). By Billy Hill and Peter De Rose. Arranged by My Sheet Music Transcriptions. Jazz,Pop. 5 pages. My Sheet Music Transcriptions #1081714. Published by My Sheet Music Transcriptions (A0.1506334). TTBB Choir and piano of the extraordinary On A Little Srteet In Singapore as played by the Manhattan Transfer.
$19.95
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
My Babe - choral TTBB arrangement
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Chorale TTBB
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INTERMÉDIAIRE
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traditional blues
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Petr Zeman
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My Babe - choral TTBB arrangem
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Petr Zeman
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1011201 Composed by traditional blues. Arranged by Petr Zeman. Blues,Standards,Traditional,Wedding. Octavo. 4 pa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1011201 Composed by traditional blues. Arranged by Petr Zeman. Blues,Standards,Traditional,Wedding. Octavo. 4 pages. Petr Zeman #3086967. Published by Petr Zeman (A0.1011201). The choral version of traditional blues recorded by Willie Dixon and inspirated by Little Walter - an attempt to convert blues into a male choir (TTBB) - original source of inspiration listen here (https://www.youtube.com/watch?v=p3cKJ42HAd0) - sing with drive and don't worry about dissonances - accompaniment ad libitum (percussions,quitar, ukulele etc.
$2.99
Little Jazz Bird
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Chorale TTBB
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INTERMÉDIAIRE
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Meredith d'Ambrosio, Emilie Cl
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Douglas E Smith
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Little Jazz Bird
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DouglasESmithPublishers
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1401108 By Meredith d'Ambrosio, Emilie Claire Barlow, Blossom Dear, and many others. By George and Ira Ge...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1401108 By Meredith d'Ambrosio, Emilie Claire Barlow, Blossom Dear, and many others. By George and Ira Gershwin. Arranged by Douglas E Smith. A Cappella,Barbershop,Blues,Jazz,Standards. 6 pages. DouglasESmithPublishers #984291. Published by DouglasESmithPublishers (A0.1401108). This hidden Gershwin brothers tune was written for the 1924 musical My One And Only, and encourages the listener to appreciate the use of synchopation to enhance the jazz style of music.
$1.99
Randy Newman: My Little Buttercup (arr. Dan Wessler) - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Barbershop
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Randy Newman
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Virtualsheetmusic
Instantly printable sheet music by Randy Newman for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
Instantly printable sheet music by Randy Newman for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
$7.18
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
We Two
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Chorale TTBB
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FACILE
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The Little River Band
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Jeff Tincher
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We Two
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Jeff Tincher
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1201650 By The Little River Band. By Graeham George Goble. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Octa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1201650 By The Little River Band. By Graeham George Goble. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Octavo. 16 pages. Jeff Tincher #800268. Published by Jeff Tincher (A0.1201650). This is my favorite song from the Yacht Rock groups Little River Band. In the original key from their The Net LP, this is the best breakup song ever. This arrangement includes the live ending from their The Net tour in Germany 3/1983. Duration = 4:10. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
O for a Thousand Tongues to Sing
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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O for a Thousand Tongues to Si
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacr...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Artist of Note, Inc. #1069484. Published by Artist of Note, Inc. (A0.1492799). O for a Thousand Tongues to SingText by Charles Wesley/Music by Ken Litton (ASCAP) TTBB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close. All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers. Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard1
$2.99
6 Choral Treasures for male voices (TBB, TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Various
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Ivana Tuskan
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6 Choral Treasures for male vo
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.793983 Composed by Various. Arranged by Ivana Tuskan. A Cappella,Opera,Romantic Period,Sacred,Spiritual. Octavo....
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Choral Choir (TTBB) - Level 3 - SKU: A0.793983 Composed by Various. Arranged by Ivana Tuskan. A Cappella,Opera,Romantic Period,Sacred,Spiritual. Octavo. 43 pages. Ivana Tuskan #6454845. Published by Ivana Tuskan (A0.793983). A collection of 6 songs (sacred, secular songs) and opera arias from romantic period for male voices (TBB, TTBB, with soloist (tenor or soprano) a cappella and with accompaniment) Include scores (with a partial electronic preview of each song): Gaetano Donizetti: Una furtiva lagrima from L'elisir d'amore for TBB and piano Giaccomo Puccini: Nessun dorma from Turandot for TBB and piano Johann Strauss Jr.: Ich lade gern (Orlofsky aria) from Die Fledermaus for TTBB Pietro Mascagni: Easter Hymn (Regina Coeli) from Cavalleria rusticana for T/S solo TTBB and keyboard instrument (cut version) spiritual: Hold On (Just a Little While) for TTBB Franz Liszt: O lieb', so lang du lieben kannst (Liebestraum) for TTBB Scores are available separately on the my profile, too.
$2.20
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My Little Man