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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My Way Is Not His Way
Non classifié
320
Piano & claviers
Piano seul
316
Piano Facile
142
Piano, Voix
89
Piano, Voix et Guitare
61
Instruments en Do
23
Piano grosses notes
21
Orgue
21
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
40
Basse electrique
17
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
Dulcimer
1
2 Guitares (duo)
1
Ensemble de guitares
1
Mandoline
1
Guitare, Orchestre
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale 3 parties
30
Chorale SSAA
23
Chorale TTBB
16
Chorale 2 parties
8
Voix seule
7
Voix Alto, Piano
3
Chorale Unison
3
Voix Soprano, Piano
2
Voix haute
2
Voix duo, Piano
2
Voix Tenor, Piano
1
Voix duo
1
Chorale SSATTB
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
18
Clarinette
15
Flûte traversière et Piano
14
Flûte traversière
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
10
Saxophone Alto
9
Hautbois (partie séparée)
9
Clarinette et Piano
9
3 Clarinettes (trio)
8
Saxophone (partie séparée)
8
Quintette de Saxophone: 5 saxophones
7
Hautbois, Piano (duo)
7
2 Flûtes traversières (duo)
7
Saxophone Tenor
6
2 Clarinettes (duo)
6
Saxophone Alto et Piano
6
Flûte, Violon
6
Ensemble de saxophones
6
Clarinette, Violon (duo)
6
Ensemble de Flûtes
5
Ensemble de Clarinettes
5
Flûte, Clarinette (duo)
5
Flûte et Guitare
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
4
Saxophone
3
Saxophone Baryton, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Alto et Piano
2
Saxophone Soprano
2
Ocarina
2
Saxophone et Guitare
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Cor anglais, Guitare (duo)
2
Clarinette Basse, Piano
2
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
Flute, harpe et violon
1
Cor anglais, Piano
1
Hautbois
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
2 Saxophones (duo)
1
Cor Anglais
1
Harmonica
1
Flûte, Violon, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
+ 53 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de cuivres: 4 trombones
13
Trompette
13
Cor
11
Trombone
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba
6
Quatuor de Cuivres
5
Cor et Piano
5
Trombone et Piano
3
Trompette (partie séparée)
3
Euphonium, Piano (duo)
2
Cor anglais, Guitare (duo)
2
2 Cors, Piano
1
Ensemble de Tubas
1
Tuba et Orgue
1
Ensemble de Cors
1
Ensemble de Trombones
1
Cor anglais, Piano
1
2 Tubas (duo)
1
Cor Anglais
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon et Piano
30
Violon
27
Harpe
19
Violon, Violoncelle (duo)
19
Violoncelle
13
Trio à Cordes: violon, alto, violoncelle
12
Alto, Piano
10
Violoncelle, Piano
10
2 Violons (duo)
7
Contre Basse
6
Alto seul
6
Harpe, Voix
5
Alto (partie séparée)
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77
Orchestre
32
Ensemble Jazz
25
Ensemble de cuivres
23
Orchestre à Cordes
20
Orchestre de chambre
19
Jazz combo
8
Cloches
6
Marimba
2
Ensemble d'École
2
Fanfare
2
Ensemble de Percussions
2
Xylophone, Piano
1
Vibraphone
1
Percussion
1
Batterie
1
Piano et Orchestre
1
+ 12 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
My Way Is Not His Way
Chorale TTBB
Partitions à imprimer
16 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
If I Had My Way
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Lyrics: Lou Klein
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Donald A
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If I Had My Way
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th C...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical,Folk,Instructional,Traditional. Octavo. 14 pages. Donald A Mills #54695. Published by Donald A Mills (A0.928947). This TTBB a cappella arrangement is in the barbershop, close harmony style. It was originally written in the age of the Tin Pan Alley of New York City, and has been a favorite of millions over many decades. It's a heartfelt wish and plea to live long and never grow old along with your partner. This new arrangement will delight your singers and audiences alike. This may be sung by a quartet, octet/small ensemble or chorus, and would be considered of medium to medium-high difficulty. The song's duration is only 2:58, sung in a ballad format. Try performing it in a straight tone, with vibrato used sparingly or not at all. For a teaching opportunity, concentrate on dynamics where appropriate to the lyrics, and also (sometimes overlapping) breath control. Tags: If I Had My Way, TTBB, a cappella, barbershop, close harmony, ballad, quartet, octet, chorus, small ensemble, Donald A. Mills, Beachtanned.
$2.99
Hear My Song, Lord
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Chorale TTBB
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FACILE
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Contemporain
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Bill Gaither
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Paul A
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Hear My Song, Lord
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522321 Composed by Bill Gaither. Arranged by Paul A. Jorg. Contemporary. Octavo. 8 pages. Paul A. Jorg #5797691....
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Choral Choir (TTBB) - Level 2 - SKU: A0.522321 Composed by Bill Gaither. Arranged by Paul A. Jorg. Contemporary. Octavo. 8 pages. Paul A. Jorg #5797691. Published by Paul A. Jorg (A0.522321). The arrangement is for male voices (TTBB) with piano accompaniment; It has a march-time rhythm.This song's lyrics are based from Isaiah 35 which could be sub-titled The Joy of the Redeemed. Verses 8-10: And a highway will be there; it will be called the Way of Holiness; it will be for those who walk on that Way. The unclean will not journey on it; wicked fools will not go about on it. No lion will be there, nor any ravenous beast; they will not be found there. But only the redeemed will walk there, and those the LORD has rescued will return. They will enter Zion with singing; everlasting joy will crown their heads. Gladness and joy will overtake them, and sorrow and sighing will flee away.
$4.59
I Did It My Way
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Chorale TTBB
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INTERMÉDIAIRE
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Jay-Z
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Larry Wright
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I Did It My Way
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Larry Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.853854 By Jay-Z. By Chuck Stanton, Claude Francois, Francois Revaud, Giles Thibaut, Gilles Thibaut, Jacques Reva...
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Choral Choir (TTBB) - Level 3 - SKU: A0.853854 By Jay-Z. By Chuck Stanton, Claude Francois, Francois Revaud, Giles Thibaut, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, Shawn C Carter, and Shawn C. Carter. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 2 pages. Larry Wright #4717201. Published by Larry Wright (A0.853854). A MEN/WOMEN 8-part. This is the MEN'S 4 parts, a cappella, barbershop, non-contest, partial arrangement of this great ballad tune. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my part-predominant, vocal learning trax on my website store... and the per-copy pricing on the SMP website store is a problem, email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$1.99
My Way
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Chorale TTBB
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FACILE
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Frank Sinatra
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Mark Burnip
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My Way
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Mark S Burnip
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1390508 By Frank Sinatra. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1390508 By Frank Sinatra. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Mark Burnip. 20th Century,A Cappella,Pop. 6 pages. Mark S Burnip #974035. Published by Mark S Burnip (A0.1390508). This wonderful melody builds from nothing to an amazing climax a real treasure for any quartet or chorus.It has been arranged for TTBB and is a moderate difficulty but will wow any audience.
$1.99
Can't Take My Eyes Off You - Male voice quartet TTBB
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Eoin Conway
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Can't Take My Eyes Off You - M
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Eoin Conway
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SheetMusicPlus
TTBB - Intermediate - Digital Download Arranged by Eoin Conway. 6 pages. Published by Eoin Conway...
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TTBB - Intermediate - Digital Download Arranged by Eoin Conway. 6 pages. Published by Eoin Conway
Arranged for barbershop quartet (though not suitable for barbershop contest), this is the arrangement as sung by "4 in a Bar".
$3.50
Put Your Dreams Away (for Another Day)
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Chorale TTBB
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FACILE
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Jazz
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Frank Sinatra
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Jim Shubert
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Put Your Dreams Away
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971385 By Frank Sinatra. By Kim Gannon, Paul Mann, Stephan J Weiss, and Stephan Weiss. Arranged by Jim Shubert. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971385 By Frank Sinatra. By Kim Gannon, Paul Mann, Stephan J Weiss, and Stephan Weiss. Arranged by Jim Shubert. Jazz. Octavo. 2 pages. James W. Shubert #6479457. Published by James W. Shubert (A0.971385). 4 part male Barbershop (TTBB) Early Intermediate level. An absolute hidden gem; This song was the theme song for the Sinatra radio program. Written by Paul Mann, Stephan Weiss and Ruth Lowe (who previously wrote I'll Never Smile Again), this is a beautiful, romantic waltz that will capture your audience. Part of my 'Sinatra Suite'.
$1.99
My Favorite Things
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Chorale TTBB
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INTERMÉDIAIRE
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Lorrie Morgan
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David Maddux
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My Favorite Things
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.508153 By Lorrie Morgan. By Richard Rodgers. Arranged by David Maddux. Broadway,Film/TV,Musical/Show. Octavo. 11...
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Choral Choir (TTBB) - Level 3 - SKU: A0.508153 By Lorrie Morgan. By Richard Rodgers. Arranged by David Maddux. Broadway,Film/TV,Musical/Show. Octavo. 11 pages. David Maddux #5302431. Published by David Maddux (A0.508153). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
This Is Me
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
Saturday In The Park
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Chicago
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Nick Luna
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Saturday In The Park
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Nick Luna Music
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1301370 By Chicago. By Robert Lamm. Arranged by Nick Luna. A Cappella,Barbershop,Contemporary,Pop,Rock. Barbershop Quar...
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Voice (TTBB) - Level 4 - SKU: A0.1301370 By Chicago. By Robert Lamm. Arranged by Nick Luna. A Cappella,Barbershop,Contemporary,Pop,Rock. Barbershop Quartet. 7 pages. Nick Luna Music #891002. Published by Nick Luna Music (A0.1301370). This is arrangement is a great way to bring the energy of a rock band to your quartet catalogue!I had a blast bringing one of my favorite classic rock tunes to life for barbershop quartet. This arrangement is four part TTBB voicing, no divisi. Perfect for an intermediate to advanced level vocal quartet. The lowest bass note is a Eb2 and the highest Tenor note is an C5. The rhythmic nature of this chart is what make this piece the most challenging, as it becomes very tempting to shift the tempo if you are not taking adequate breaths between phrases. Remember to purchase the correct number of copies for your ensemble!Thank you for your business.
$12.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
O Come All Ye Faithful (TTBB choir and piano accompaniment)
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Chorale TTBB
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DÉBUTANT
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1337480 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. 6 pa...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1337480 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. 6 pages. Rodrigo Faleiros #922725. Published by Rodrigo Faleiros (A0.1337480). Celebrate the joy of the season with our heartwarming choir arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for singers making their way into the magical world of music.Key Features:Beginner-Friendly Choir Part: Dive into the beauty of O Come All Ye Faithful with a 2 tenor and 2 bass arrangement designed specifically for those beginning their musical journey.Piano Accompaniment with Chord Symbols: The piano part not only provides a delightful backdrop but also includes chord symbols, offering the opportunity to explore harmonies and play along with ease.Instant : Access your choir sheet music effortlessly with our convenient PDF download.Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible melodies.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$1.99
O Come All Ye Faithful (TTBB choir)
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Chorale TTBB
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DÉBUTANT
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1337481 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. 3 pa...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.1337481 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. 3 pages. Rodrigo Faleiros #922726. Published by Rodrigo Faleiros (A0.1337481). Celebrate the joy of the season with our heartwarming choir arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for singers making their way into the magical world of music.Key Features:Beginner-Friendly Choir Part: Dive into the beauty of O Come All Ye Faithful with a 2 tenor and 2 bass arrangement designed specifically for those beginning their musical journey.Chord Symbols: The score contains chord symbols, offering the opportunity to another musician to explore harmonies and play along with ease.Instant : Access your choir sheet music effortlessly with our convenient PDF download.Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible melodies.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$1.99
O for a Thousand Tongues to Sing
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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O for a Thousand Tongues to Si
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacr...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Artist of Note, Inc. #1069484. Published by Artist of Note, Inc. (A0.1492799). O for a Thousand Tongues to SingText by Charles Wesley/Music by Ken Litton (ASCAP) TTBB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close. All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers. Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard1
$2.99
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My Way Is Not His Way
