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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
New Again
Non classifié
266
Piano & claviers
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225
Piano, Voix
92
Piano, Voix et Guitare
61
Piano Facile
22
Orgue
17
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
5
Accompagnement Piano
2
2 Pianos, 4 mains
2
Accordéon
1
+ 6 instrumentations
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Guitares
Basse electrique
12
Guitare
7
Guitare notes et tablatures
4
2 Guitares (duo)
2
Mandoline
2
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1
Ukulele
1
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Voix
Chorale SATB
117
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20
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14
Chorale Unison
11
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11
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4
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2
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2
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2
Voix moyenne, Piano
1
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1
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1
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1
Voix Alto, Piano
1
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24
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23
Flûte traversière et Piano
23
Saxophone Alto et Piano
22
Hautbois, Piano (duo)
19
Flûte, Hautbois, Clarinette, Basson
19
Clarinette et Piano
19
Clarinette
15
Saxophone Tenor et Piano
13
Ensemble de saxophones
12
Quintette de Saxophone: 5 saxophones
11
Hautbois (partie séparée)
10
2 Saxophones (duo)
10
Saxophone Alto
9
Flûte traversière
9
Saxophone Baryton, Piano
8
Clarinette (partie séparée)
7
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
6
Clarinette Basse, Piano
6
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
4
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
Cor anglais, Piano
4
Ensemble de Clarinettes
3
2 Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Flûtes
2
Saxophone Tenor
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute (partie séparée)
1
Hautbois, Harpe
1
3 Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Soprano
1
Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
Harmonica
1
Cor Anglais
1
Clarinette, Guitare (duo)
1
+ 44 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
15
Trompette, Piano
13
Quatuor de Cuivres
12
Euphonium, Piano (duo)
12
Cor et Piano
12
Tuba et Piano
11
Trompette
10
Trombone
9
Tuba
8
Cor
8
Trombone (partie séparée)
4
Cor anglais, Piano
4
Trompette (partie séparée)
3
Euphonium
2
Ensemble de Trombones
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone basse
1
Ensemble de Trompettes
1
Cor Anglais
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
27
Alto, Piano
21
Violoncelle, Piano
18
Violon
14
Violoncelle
10
Contrebasse, Piano (duo)
9
Contre Basse
9
Harpe
8
Violon, Violoncelle (duo)
7
Alto seul
6
Violon (partie séparée)
5
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
4
2 Violons (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, alto
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
81
Orchestre
40
Jazz combo
28
Orchestre à Cordes
14
Ensemble de cuivres
10
Ensemble Jazz
7
Percussion (partie séparée)
5
Xylophone, Piano
4
Cloches
4
Orchestre de chambre
3
Ensemble de Percussions
2
Fanfare
2
Vibraphone
2
Batterie
2
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
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New Again
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Pure Imagination
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Gene Wilder
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Yumiko Matsuoka
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Pure Imagination
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Yumiko Matsuoka
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417826 By Gene Wilder. By Anthony Newley and Leslie Bricusse. Arranged by Yumiko Matsuoka. A Cappel...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417826 By Gene Wilder. By Anthony Newley and Leslie Bricusse. Arranged by Yumiko Matsuoka. A Cappella,Film/TV,Jazz. 5 pages. Yumiko Matsuoka #999362. Published by Yumiko Matsuoka (A0.1417826). Originally written for a cappella quintet Vox One's comeback album of the same title, this new version of the Bricusse/Newley classic has been adapted for TTBB voices by Clint Novotny, the music coordinator of Low Rez Melbourne Male Choir. It features a bari-tenor solo with the background vocals that re-creates the dreamy world of Willy Wonka's Chocolate Factory. Come and explore the harmony and texture that builds up to a fantastic climax. It will make you want to watch and savor the movie once again. Approx. performance time 3:30. The YouTube link is that of the original SATBB version sung by Vox One. The score is available from the UNC Jazz Press.
$3.50
A Child Is Born Upon This Night (TTB)
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Martin Luther, J
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Garrett Breeze
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A Child Is Born Upon This Nigh
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Lagom Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.723480 Composed by Martin Luther, J.O. Wallin. Arranged by Garrett Breeze. Christmas. Octavo. 14 pages. Lagom Mu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.723480 Composed by Martin Luther, J.O. Wallin. Arranged by Garrett Breeze. Christmas. Octavo. 14 pages. Lagom Music #6655851. Published by Lagom Music (A0.723480). Based on the popular Swedish Christmas carol Ett barn är fött på denna dag (which is itself based on the German carol Vom Himmel hoch, da komm ich her) this arrangement uses various English translations to create a new expressive text brought to life by a sweeping and energetic orchestration! Available in: SATB: https://bit.ly/3pm1LKE SAB: https://bit.ly/32gICkE SSA: https://bit.ly/3mq7jCl TTB: https://bit.ly/3H8lbbY String Orchestra Accompaniment: https://bit.ly/3yRuJFv Find more Christmas music at https://holidaychoirmusic.com Visit https://garrettbreeze.com for choral commissions, blog, and resources for teachers. LYRICS: A child is born upon this night beneath a star so bright, from heaven above to earth has come, the dark to save us from. This newborn babe of lowly birth brings light to all the earth. The God who once created all rests in a manger small. Now let us all with gladsome cheer go with the shepherds near to see the crib marked by a star with Wise Men from afar. Were earth a thousand times as far, crowned with gold and jewels rare, she yet were far too poor to be a cradle, Lord, for Thee. My heart for very joy doth leap; I cannot silence keep! With angel choirs I sing along the ancient cradle song of peace on earth, good will to men, until He comes again to fill the world with truth and light; a Child is born this night! © 2021 LAGOM MUSIC.
$2.75
Jesus Is Coming Soon
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Chorale TTBB
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FACILE
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R
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Paul A
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Jesus Is Coming Soon
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522398 Composed by R.E. Winsett and Robert E. Winsett. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Pa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522398 Composed by R.E. Winsett and Robert E. Winsett. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Paul A. Jorg #6076061. Published by Paul A. Jorg (A0.522398). This song was written in 1942; I can understand the urgency of the lyrics as WWII was in full swing.But Jesus didn't come at that time; the world is again in a great mess and again the lyrics come to new life.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
On Bethlehem's Silent Plain : TTBB Acapella
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Chorale TTBB
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M
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On Bethlehem's Silent Plain :
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484...
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Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
What If There Had Been No Star? (A Christmas Message) (TTBB version)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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David W
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What If There Had Been No Star
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David...
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Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David W. Barber #1086554. Published by David W. Barber (A0.1511381). An original Christmas carol with an insightful message. For TTBB with optional keyboard accompaniment. (There's also a setting for SATB.)This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com YouTube Link https://youtu.be/aW-i0imLNw0.
$2.99
Skye Boat Song
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Chorale TTBB
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Folklorique/Traditionel
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Traditional
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Philip Le Bas
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Skye Boat Song
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Philip Le Bas
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.818144 Composed by Traditional. Arranged by Philip Le Bas. Folk. Octavo. 5 pages. Philip Le Bas #3053069. Published by Phi...
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Choral Choir (TTBB) - SKU: A0.818144 Composed by Traditional. Arranged by Philip Le Bas. Folk. Octavo. 5 pages. Philip Le Bas #3053069. Published by Philip Le Bas (A0.818144). The Skye Boat Song is a romantic and political song about the escape of Bonnie Prince Charlie from the English across the ocean (little more than a mile or two!) after the battle of Culloden in 1746. This a new arrangement of the traditional Scottish folksong for 4-part male voice barbershop choir by Philip Le Bas is intended to be reasonably straightforward to sing, but with plenty of dramatic intensity. There is sense of tragedy in the song, but notice the final dark threat that Charlie will come again....
$1.99
Sea-Fever (Tenor Solo and TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Stephen DeCesare
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Sea-Fever
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.611471 Composed by Stephen DeCesare. Contemporary,Film/TV,Folk,Instructional,Standards. Octavo. 17 pages. Exulte...
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Choral Choir (TTBB) - Level 3 - SKU: A0.611471 Composed by Stephen DeCesare. Contemporary,Film/TV,Folk,Instructional,Standards. Octavo. 17 pages. Exultet Music #540383. Published by Exultet Music (A0.611471). 2016 New Year Contest. Enchanting setting for TTBB of the famous poem by John Masefield which starts I must go down to the seas again, to the lonely sea and sky, And all I ask is a tall ship and a star to steer her by. It also incorporates another poem by J. Masefield Cargoes which acts as a countermelody to the original. Scored for Tenor Solo, TTBB, Violin and Piano. Excellent selection for any high-school, college, amateur/professional level of choir singing.
$3.99
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
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