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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Next 2 You
Non classifié
317
Piano & claviers
Piano seul
95
Instruments en Do
56
Piano Facile
46
Piano, Voix
41
Accompagnement Piano
23
Piano, Voix et Guitare
14
Orgue
8
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Ukulele
13
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
4
Basse electrique
2
2 Guitares (duo)
2
Guitare (partie séparée)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 2 parties
36
Chorale 3 parties
19
Chorale TTBB
7
Chorale SSAA
5
Chorale Unison
3
Voix Alto, Piano
2
Voix duo, Piano
2
Voix Soprano
1
Voix Soprano, Piano
1
Voix haute
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
37
2 Flûtes traversières (duo)
36
Quatuor de Clarinettes: 4 clarinettes
30
Quatuor de Flûtes : 4 flûtes
28
Quatuor de Saxophones: 4 saxophones
27
2 Clarinettes (duo)
20
Clarinette et Piano
15
Quintette de Saxophone: 5 saxophones
15
Flûte traversière et Piano
14
Hautbois, Piano (duo)
13
Saxophone Alto et Piano
12
Flûte traversière
10
Saxophone Tenor et Piano
10
Clarinette
9
Saxophone Tenor
8
Flûte, Hautbois, Clarinette, Basson
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
7
Hautbois
7
Saxophone Baryton, Piano
7
Saxophone (partie séparée)
7
Saxophone Soprano et Piano
7
Saxophone Alto
7
3 Clarinettes (trio)
7
Saxophone Baryton
5
2 Hautbois (duo)
5
Quintette de Flûte : 5 flûtes
5
Hautbois (partie séparée)
5
Clarinette (partie séparée)
5
Flûte, Clarinette (duo)
4
Saxophone Soprano
4
2 Flûte à bec (duo)
4
Trio de Flûtes: 3 flûtes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Soprano
3
Flûte à bec Alto
3
Clarinette Basse, Piano
2
Flute (partie séparée)
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
2 Flûtes traversières, Piano
1
Cor Anglais
1
2 Clarinettes, Piano
1
Ensemble de Clarinettes
1
Flûte et Guitare
1
5 Flûtes à bec
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trompette, Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette
14
Cor et Piano
10
Tuba et Piano
10
Trombone et Piano
9
Tuba
8
Trombone
7
2 Trompettes (duo)
6
Trompette (partie séparée)
6
Trombone (partie séparée)
6
2 Trombones (duo)
6
Cor
6
2 Cors (duo)
4
2 Tubas (duo)
4
Quatuor de Cuivres
3
Tuba (partie séparée)
2
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Cor Anglais
1
Ensemble de Trompettes
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violon et Piano
27
Violon
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Violon (partie séparée)
17
Trio à Cordes: 2 violons, violoncelle
16
2 Violons (duo)
15
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
14
Violoncelle, Piano
13
Alto, Piano
12
Alto seul
12
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
8
Contrebasse (partie séparée)
8
Trio à Cordes: 2 violons, alto
7
Violon, Violoncelle (duo)
7
2 Altos (duo)
6
Contre Basse
6
Alto (partie séparée)
5
Violoncelle (partie séparée)
4
Violon, Alto (duo)
3
2 Harpes (duo)
3
Harpe
2
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
682
Orchestre à Cordes
54
Orchestre
18
Ensemble Jazz
18
Ensemble de cuivres
12
Cloches
9
Fanfare
7
Percussion (partie séparée)
5
2 Xylophones
4
Batterie
3
Batterie (partie séparée)
2
Orchestre de chambre
2
Jazz combo
1
Ensemble de Percussions
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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Librairie Musicale
Matériel de musique
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Next 2 You
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
I Can't Get Next To You
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Chorale TTBB
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FACILE
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The Temptations
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Bob Eggers
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I Can't Get Next To You
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940447 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Bob Eggers. A Cappella,Oldies. Oc...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940447 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Bob Eggers. A Cappella,Oldies. Octavo. 8 pages. ROBERT J EGGERS #3245589. Published by ROBERT J EGGERS (A0.940447). A mash up of the soulful Al Green version with the Temptations driving rendition, this arrangement captures the sounds of the era. With some optional percussion and easy backup parts and a driving bass line, your group will find it easy to be a hit with this song.Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
Got To Get You Into My Life
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Chorale TTBB
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FACILE
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Rock
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Earth Wind and Fire
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Kathleen McGuire
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Got To Get You Into My Life
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1167892 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Kathleen McGuire. Blues,Funk,Hip-...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1167892 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Kathleen McGuire. Blues,Funk,Hip-Hop,Jazz,R & B,Rock. Octavo. 7 pages. Kathleen McGuire #768246. Published by Kathleen McGuire (A0.1167892). Inspired by Earth, Wind and Fire's funky version of the classic Beatles hit, this arrangement includes unison melody and scat singing for the whole choir, with some straightforward harmonies, and finger snaps and hand claps. Audiences of all ages love it, plus it's a great way to introduce choirs to compound rhythms (swing in 12/8), featuring Jazz/Blues vocal idioms.The piano part can carry the accompaniment, but to bring it to the next level, add a band; this choral arrangement can be performed with John Wasson's tremendous Big Band arrangement (published by Hal Leonard).Also available for SATB choral voicing.
$2.50
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Four Appalachian Hymns (TTBB)
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Chorale TTBB
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FACILE
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Traditional
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Michael Myrick
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Four Appalachian Hymns
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Multicultural,Sacr...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Multicultural,Sacred,World. Octavo. 24 pages. MICHAEL MYRICK #687089. Published by MICHAEL MYRICK (A0.1082883). Here is an outstanding collection of some of the most beloved hymns from the rural Appalachian Mountains. This is an extremely moving song cycle that can be used as individual anthems or as an entire concert piece for your TTBB choir. You will find throughout this cycle many solo sections for each section of your choir as well as for individual singers. The group of hymns is very versatile and can be easily tailored to your next concert or worship service. In addition, vocal lines are written for ease of range for each vocal type. 1. Jesus Walked This Lonesome Valley 2. The Wayfarin’ Stranger 3. What Wondrous Love Is This 4. How Firm a Foundation.
$6.99
Dance of the Sugar Plum Fairy
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Chorale TTBB
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FACILE
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Classique
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Pyotr Illyich Tchaikovsky
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Nick Luna
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Dance of the Sugar Plum Fairy
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Nick Luna Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.891985 Composed by Pyotr Illyich Tchaikovsky. Arranged by Nick Luna. A Cappella,Christmas,Classical,Romantic Per...
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Choral Choir (TTBB) - Level 2 - SKU: A0.891985 Composed by Pyotr Illyich Tchaikovsky. Arranged by Nick Luna. A Cappella,Christmas,Classical,Romantic Period. Octavo. 4 pages. Nick Luna Music #3628165. Published by Nick Luna Music (A0.891985). This four part TTBB a cappella arrangement is a perfect addition to your next holiday concert. It works great for both choruses and quartets. Dance of the Sugar Plum Fairy is one of the most famous excerpts of Tchaikovsky's Nutcracker Suite, and this adaptation will be sure to put smiles on the admiring faces of your audience. Check out the Youtube video below to see the Wesminster Chorus debut this song at their holiday concert!One purchase guarantees four legal copies. Be sure to purchase enough copies for your ensemble! Learning tracks available. Contact Robbie Nack at robbienack@yahoo.com
$1.99
A Certain Smile
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Chorale TTBB
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INTERMÉDIAIRE
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Johnny Mathis
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Ryan Pitasky
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A Certain Smile
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Ryan Pitasky
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450159 By Johnny Mathis. By Paul Francis Webster and Sammy Fain. Arranged by Ryan Pitasky. 20th Cen...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450159 By Johnny Mathis. By Paul Francis Webster and Sammy Fain. Arranged by Ryan Pitasky. 20th Century,A Cappella,Barbershop,Standards. 2 pages. Ryan Pitasky #1029859. Published by Ryan Pitasky (A0.1450159). Drawing influences from vocal jazz and the barbershop style, this straightforward, impactful arrangement of Johnny Mathis' 1958 hit is certain to pack a punch on your quartet or chorus's next show.Not intended for barbershop competition. Ask before you sing.
$2.19
Ain't Got Rhythm
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Chorale TTBB
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FACILE
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Dan Povenmire, Danny Jacob, Je
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Christopher Alexander
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Ain't Got Rhythm
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. ...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arranged by Christopher Alexander. Film/TV,Funk. 20 pages. Christopher Alexander #994347. Published by Christopher Alexander (A0.1412111). NEW GENERATION CHORAL SERIESThis groovy song from the hit Disney® TV series Phineas and Ferb will have your singers and audiences dancing in the aisles at your next performance.  In the episode, the school librarian (a former rock band drummer) argues he is not able to make music anymore unbeknowningly rapping and creating a stomp-like rhythm groove, inspiring the students in the library to erupt into excited mayhem.  This message of hope and changing one’s self view should be the focus of your singers…and having fun!Also available in SATB.
$2.25
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