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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Of Moonlight
Sheetmusicplus
Non classifié
143
Piano & claviers
Piano seul
239
Piano, Voix
105
Piano Facile
55
Piano, Voix et Guitare
40
Orgue
6
Piano grosses notes
6
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Guitare
7
Ukulele
4
Banjo
3
Basse electrique
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
46
Chorale 3 parties
9
Chorale 2 parties
8
Chorale TTBB
5
Chorale SSAA
5
Voix duo, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Chorale Unison
2
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Clarinette et Piano
18
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto et Piano
11
Hautbois, Piano (duo)
11
Quatuor de Saxophones: 4 saxophones
9
Quintette de Saxophone: 5 saxophones
9
Flûte, Hautbois, Clarinette, Basson
7
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
6
Saxophone Tenor et Piano
6
3 Saxophones (trio)
5
3 Clarinettes (trio)
4
Saxophone Baryton, Piano
4
2 Flûte à bec (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Soprano et Piano
4
Flûte, Clarinette (duo)
4
2 Clarinettes (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Basson (duo)
2
Clarinette
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte et Guitare
2
5 Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Hautbois, violon (duo)
1
Flûte irlandaise
1
Hautbois, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Trombone (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon, Guitare
1
Flûte, Tuba (duo)
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
Clarinette (partie séparée)
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Saxophone Tenor
1
Hautbois, Violoncelle
1
Piccolo, Piano
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
11
Trompette, Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
8
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
3
Cor anglais, Piano
3
2 Cors (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Cors
1
Trompette
1
Trompette, Harpe
1
Tuba (partie séparée)
1
2 Trombones (duo)
1
Cor et Harpe
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
4 Tubas
1
Trio de Cuivres
1
3 Trombones (trio)
1
3 Cors (trio)
1
Ensemble de Trompettes
1
3 Trompettes (trio)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle, Piano
15
Alto, Piano
12
Violon et Piano
12
Harpe
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Violoncelle (duo)
5
Violon
4
Violon, Alto (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle
2
Violoncelle, Contrebasse (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
2 Violons (duo)
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
22
Orchestre à Cordes
12
Ensemble Jazz
6
Ensemble de cuivres
4
Cloches
3
Percussion (partie séparée)
1
Fanfare
1
Marimba
1
Orchestre de chambre
1
Ensemble de Percussions
1
Quintette à Vent
1
+ 7 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Of Moonlight
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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By The Light Of The Silvery Moonlight Bay - Barbershop Men, TTBB, Chorus, Quartet
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Chorale TTBB
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INTERMÉDIAIRE
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The Light Of The Silvery Moon
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Ed Madden, Gus Edwards, and Pe
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Mark Goodney
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Moonlight Bay
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By The Light Of The Silvery Mo
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.836320 Composed by Ed Madden, Gus Edwards, and Percy Wenrich. Arranged by Mark Goodney. Broadway,Folk,Musical/Sh...
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Choral Choir (TTBB) - Level 3 - SKU: A0.836320 Composed by Ed Madden, Gus Edwards, and Percy Wenrich. Arranged by Mark Goodney. Broadway,Folk,Musical/Show,Traditional. Octavo. 6 pages. Mark Goodney #5219121. Published by Mark Goodney (A0.836320). 2 songs in one. By The Light Of The Silvery Moon & Moonlight Bay. This arrangement includes verse and chorus of both songs and a third chorus combing both choruses together.
$4.51
Moonlight Medley
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Chorale TTBB
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Folklorique/Traditionel
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The Light Of The Silvery Moon
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Kim Brittain
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Moonlight Medley
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HKB Music
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1017488 Arranged by Kim Brittain. Traditional. Octavo. 4 pages. HKB Music #6658601. Published by HKB Music (A0.1017488).
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Choral Choir (TTBB) - SKU: A0.1017488 Arranged by Kim Brittain. Traditional. Octavo. 4 pages. HKB Music #6658601. Published by HKB Music (A0.1017488). Barbershop style (TTBB) medley of By The Light Of The Silvery Moon and Moonlight Bay.
$3.95
Save The Daylight For Somebody Else (but save the moonlight for me)
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Chorale TTBB
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FACILE
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Contemporain
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Harry Von Tilzer
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Joe Grimme
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Save The Daylight For Somebody
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Joseph R Grimme
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.853499 Composed by Harry Von Tilzer. Arranged by Joe Grimme. Contemporary. Octavo. 3 pages. Joseph R Grimme #489...
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Choral Choir (TTBB) - Level 2 - SKU: A0.853499 Composed by Harry Von Tilzer. Arranged by Joe Grimme. Contemporary. Octavo. 3 pages. Joseph R Grimme #4890679. Published by Joseph R Grimme (A0.853499). Originally titled Save the Daylight for Somebody Else (but save the moonlight for me), this tongue in cheek rip on daylight savings time also has an undertone from the vaudeville age. For four-part men's groups of varying size. .
$1.99
Magic Is The Moonlight
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Placido Domingo
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Jon Nicholas
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Magic Is The Moonlight
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Jon Nicholas
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.747716 By Placido Domingo. By Maria Grever. Arranged by Jon Nicholas. Contemporary. Octavo. 6 pages. Jon Nichola...
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Choral Choir (TTBB) - Level 3 - SKU: A0.747716 By Placido Domingo. By Maria Grever. Arranged by Jon Nicholas. Contemporary. Octavo. 6 pages. Jon Nicholas #4403632. Published by Jon Nicholas (A0.747716). A barbershop version of this classic doo-wop number.Duration: 2:36.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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Of Moonlight
