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On The Bus
Chorale TTBB
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
And Music Shall Untune the Sky
Chorale TTBB
TTBB choir, Piano - Digital Download SKU: LX.15-3193H A Choral Fanfare. Comp…
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TTBB choir, Piano - Digital Download SKU: LX.15-3193H A Choral Fanfare. Composed by Douglas E. Wagner. General. Octavo. 12 pages. Heritage Music Press #e15/3193H. Published by Heritage Music Press (LX.15-3193H). ISBN 9780787714697. Text: John Dryden.Showcase the fullness and strength of the male voice with this robust setting of a powerful passage from Dryden’s A Song for St. Cecilia’s Day. An exceptional opener, this selection would make a dramatic first impression at any concert or contest. The trumpet shall be heard on high and music shall untune the sky..
$2.50
2.29 €
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Chorale TTBB
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Douglas E
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And Music Shall Untune the Sky
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Heritage Music Press
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SheetMusicPlus
The Nutcracker Song
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1289033 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1289033 Composed by Peter Ilyich Tchaikovsky. Arranged by SCMusic. Christmas,Classical,Holiday,Traditional. 16 pages. SCMusic #879879. Published by SCMusic (A0.1289033). A sparkling Christmas choral arrangement, based on tunes from Tchaikovsky's ballet 'The Nutcracker', with new words added to celebrate the joy and hustle and bustle of Christmas time, and the anticipation of Christmas Day ahead. Suitable for 4-part TTBB or male voice choir, non divisi with one part per line. Includes Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Trepak, Waltz of the Flowers, Overture and March.
$2.20
2.01 €
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Chorale TTBB
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Peter Ilyich Tchaikovsky
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SCMusic
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The Nutcracker Song
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SCMusic
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SheetMusicPlus
It Is Well....ttbb
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
2.73 €
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Chorale TTBB
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Philip Bliss, music and Horatio G
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Donald A
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It Is Well....ttbb
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Donald A Mills
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SheetMusicPlus
You Make It Feel Like Christmas
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1134909 By Gwen Stefani. B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1134909 By Gwen Stefani. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dougherty. A Cappella,Barbershop,Christmas,Holiday,Pop. Octavo. 7 pages. Jay Dougherty #734939. Published by Jay Dougherty (A0.1134909). This 2017 hit from superstars Gwen Stefani and Blake Shelton is sure to be crowd pleaser at your next holiday show. This arrangement is for TTBB a cappella voices. The SATB version is also available on SheetMusicPlus.comNOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.onQtracks.com.For more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
1.82 €
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Chorale TTBB
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Gwen Stefani
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Jay Dougherty
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You Make It Feel Like Christmas
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Jay Dougherty
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SheetMusicPlus
Stuck Like Glue
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.891487 By Sugarland. By Je…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.891487 By Sugarland. By Jennifer Nettles, Kevin Griffin, Kristian Bush, and Shy Carter. Arranged by Matt Astle. A Cappella. Octavo. 9 pages. Matt Astle Music #6222039. Published by Matt Astle Music (A0.891487). This arrangement of the country hit Stuck Like Glue by Sugarland is perfect for a barbershop or other a cappella men's quartet to add excitement to a show without much difficulty. It celebrates enduring love while featuring fun rhythms and easy harmonies. In this quartet version, one purchase entitles you to four copies for the quartet. Learning tracks available from Matt Astle at mattastle@outlook.com. Men's chorus, women's quartet and chorus, and mixed quartet and chorus versions also available on SheetMusicPlus.com. More information and custom arrangements available at facebook.com/mattastlemusic.
$12.99
11.88 €
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Chorale TTBB
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Sugarland
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Matt Astle
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Stuck Like Glue
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Matt Astle Music
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SheetMusicPlus
Black & Gold
Chorale TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479828 Composed by Jesse Rogg and Sam Falson. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 268. Deke Sharon #1Q2CB7QS4WbUSDS304KCun. Published by Deke Sharon (A0.479828). Key: E minor.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.82 €
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Chorale TTBB
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Jesse Rogg and Sam Falson
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Deke Sharon
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Black & Gold
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Deke Sharon
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SheetMusicPlus
Stuck Like Glue
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.891488 By Sugarland. By Je…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.891488 By Sugarland. By Jennifer Nettles, Kevin Griffin, Kristian Bush, and Shy Carter. Arranged by Matt Astle. A Cappella. Octavo. 9 pages. Matt Astle Music #6222037. Published by Matt Astle Music (A0.891488). This arrangement of the country hit Stuck Like Glue by Sugarland is perfect for a barbershop or other a cappella men's chorus to add excitement to a show without much difficulty. It celebrates enduring love while featuring fun rhythms and easy harmonies.In this chorus version, each copy is sold separately, with a minimum of 10 copies.Learning tracks available from Matt Astle at mattastle@outlook.com.Men's quartet, women's quartet and chorus, and mixed quartet and chorus versions also available on SheetMusicPlus.com.More information and custom arrangements available at facebook.com/mattastlemusic.
$1.99
1.82 €
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Chorale TTBB
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Sugarland
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Matt Astle
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Stuck Like Glue
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Matt Astle Music
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SheetMusicPlus
Evermore
Chorale TTBB
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1173753 Composed by Alan Menken a…
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1173753 Composed by Alan Menken and Tim Rice. Arranged by Nick Luna. A Cappella,Barbershop,Broadway,Contemporary,Film/TV,Musical/Show. Barbershop Quartet. 5 pages. Nick Luna Music #773903. Published by Nick Luna Music (A0.1173753). This is a dramatic and regal imagining of the Beast's unforgettable power ballad in Beauty and the Beast. This arrangement is four part TTBB voicing, no divisi. Perfect for a chamber ensemble or vocal quartet. The lowest bass note is a F2 and the highest Tenor note is an Eb4. It is at an intermediate difficulty level with regards to singability and readability. The emotional and nuanced story-telling is what makes this chart challenging and fun.One purchase gurantees you four legal copies. Remember to purchase the correct number of copies for your ensemble!Thank you for your business. Preview this arrangement on Soundcloud: https://soundcloud.com/nick-luna59/evermoreÂ
$12.99
11.88 €
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Chorale TTBB
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Alan Menken and Tim Rice
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Nick Luna
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Evermore
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Nick Luna Music
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SheetMusicPlus
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