Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One More Night
Non classifié
311
Piano & claviers
Piano seul
130
Piano Facile
49
Piano, Voix et Guitare
48
Piano, Voix
47
2 Pianos, 4 mains
22
Instruments en Do
10
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
2
Accompagnement Piano
2
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
26
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
Basse electrique
2
Ukulele
2
Guitare, Violon, Violoncelle (trio)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
40
Chorale 3 parties
11
Chorale TTBB
9
Chorale SSAA
6
Chorale 2 parties
6
Chorale Unison
4
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix haute
2
Voix duo, Piano
2
Voix Baryton, Piano
1
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
67
Saxophone Alto et Piano
39
Saxophone Tenor et Piano
35
Saxophone Alto
30
Saxophone Soprano et Piano
27
Clarinette
25
Saxophone
24
Saxophone, Clarinette (duo)
24
Saxophone Tenor
20
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
18
2 Flûtes traversières (duo)
18
Saxophone Baryton, Piano
17
2 Clarinettes (duo)
16
Flûte traversière et Piano
15
Clarinette et Piano
15
Quintette de Saxophone: 5 saxophones
14
Saxophone (partie séparée)
14
Clarinette, Violon (duo)
14
Ensemble de saxophones
13
Hautbois, Piano (duo)
11
Clarinette, Trompette (duo)
10
Flûte, Clarinette (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Violon
8
Hautbois, Flûte
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Soprano
7
Clarinette et Alto
7
Flûte, Saxophone (duo)
7
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
5
3 Saxophones (trio)
5
Ensemble de Clarinettes
5
Flûte, Trompette (duo)
5
Quatuor de Flûtes : 4 flûtes
5
2 Hautbois (duo)
5
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Soprano
2
Flûte et Guitare
2
5 Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Piccolo, Piano
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flute, harpe et violon
1
3 Clarinettes (trio)
1
Ensemble à vent
1
Flûte de Pan
1
Clarinette, Basson (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
35
Trombone
27
Trompette
21
Trompette, Saxophone (duo)
16
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
10
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Piano
8
2 Trompettes (duo)
6
Ensemble de Trompettes
6
Ensemble de Trombones
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Tuba et Piano
4
Ensemble de Cors
2
Cor
2
2 Tubas (duo)
1
Trompette (partie séparée)
1
Trombone, Tuba (duo)
1
2 Cors (duo)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
18
Violon, Violoncelle (duo)
13
Alto, Piano
10
Violoncelle, Piano
9
2 Violons (duo)
9
Violoncelle
8
2 Violoncelles (duo)
8
Violon, Alto (duo)
7
Violon
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse, Piano (duo)
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Ensemble d'Altos
1
Alto (partie séparée)
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
19
Ensemble de cuivres
16
Orchestre à Cordes
15
Ensemble Jazz
15
Orchestre de chambre
9
Jazz combo
8
Fanfare
7
Big band
4
Batterie
4
Cloches
3
Ensemble de Percussions
2
Marimba ou Xylophone et Piano
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
1
Matériel de Musique
52
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
One More Night
Chorale TTBB
Partitions à imprimer
9 partitions trouvées
<
1
Lullabye (Goodnight, My Angel)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Rock
#
Billy Joel
#
Deb Jones
#
Lullabye
#
Deb Jones
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Publ...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180). Lullabye (Goodnight My Angel) This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her. I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’ As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving. This version has been reformatted for male voices, so duet, cello, smattering of TTBB. I hope you enjoy it. Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece. Other formats will be available shortly with more choir involvement and for those without access to a cello. Formats available Duet, cello, SSA Duet, cello, TTBB
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Patient Is The Night
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Brandon Michael Armstrong, Jos
#
Jake Bavarsky
#
Patient Is The Night
#
Jake Bavarsky
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1201664 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mch...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.1201664 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale. Arranged by Jake Bavarsky. A Cappella,Barbershop,Blues,Ragtime. Octavo. 5 pages. Jake Bavarsky #800279. Published by Jake Bavarsky (A0.1201664). From the Cartoon Network show Over the Garden Wall, Patient is the Night is a whimsical love song of a by-gone era. Evoking feelings of the autumn and its changes, this song touches the heartstrings and transports you to a land of familiarity, but still seems ever-so distant. Enjoy this arrangement in the Barbershop style and use it as a show piece to wow your audiences! For more information or to contact the arranger, you can contact him at: jbavarsky@gmail.com.
$2.99
Walkin' After Midnight
#
Chorale TTBB
#
FACILE
#
Patsy Cline
#
Bob Eggers
#
Walkin' After Midnight
#
ROBERT J EGGERS
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 pages. ROBERT J E...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 pages. ROBERT J EGGERS #3245593. Published by ROBERT J EGGERS (A0.940448). One of the most durable Patsy Cline hits, this setting begins with a swung barbershop feel, features a baritone section solo on the bridge and then transforms into a more jazzy feel to finish with high energy. Your audiences will love it!Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
In My Room
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
The Beach Boys
#
Donald A
#
In My Room
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Africa
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Rock
#
Toto
#
Jonathan Kilhams
#
Africa
#
Jonathan Kilhams
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Copacabana (At The Copa)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Barry Manilow
#
Matt Astle
#
Copacabana
#
Matt Astle Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.891479 By Barry Manilow. By Barry Manilow. Arranged by Matt Astle. Contemporary,Rock. Octavo. 9 pages. Matt Astl...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.891479 By Barry Manilow. By Barry Manilow. Arranged by Matt Astle. Contemporary,Rock. Octavo. 9 pages. Matt Astle Music #5209367. Published by Matt Astle Music (A0.891479). Why don't more barbershop quartets sing about love and murder in Latin nightclubs? This classic disco hit is now arranged for barbershop quartet, complete with a misdirectional original introduction. In this quartet version, one purchase entitles you to four copies for the quartet.More information and custom arrangements available at facebook.com/mattastlemusic.
$12.99
What Makes You Beautiful
#
Chorale TTBB
#
FACILE
#
One Direction
#
Eric Hagmann
#
What Makes You Beautiful
#
Eric Hagmann
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.796832 By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Eric Hagmann. A Cappella,Pop....
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.796832 By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Eric Hagmann. A Cappella,Pop. Octavo. 9 pages. Eric Hagmann #5033831. Published by Eric Hagmann (A0.796832). This TTBB + solo contemporary a cappella arrangement of What Makes You Beautiful by One Direction comes from their 2011 debut album, Up All Night. While the original tune is in E major, this chart transposes it down by a third to C major to make it more accessible for high school voices. If your bass clef voices have been itching to perform this tune but it was always out of their ranges, they finally now have their chance!RangesSolo: G2 - E4Tenor 1: G3 - E4Tenor 2: E3 - B3Baritone: C3 - A3 Bass: E2 - C3Performance time = approx. 3:25.
$2.25
Maroon 5 Megamix - 5 Prints by Sam Tsui & Peter Hollens - Men's Choir A Cappella
#
Chorale TTBB
#
Sam Tsui & Peter Hollens
#
Maroon 5 Megamix - 5 Prints
#
Musicnotes
Performed by: Sam Tsui & Peter Hollens: Maroon 5 Megamix - Sunday Morning - Harder to Breathe - This Love - She Will Be Loved - Makes Me Wonder - Won't...
(+)
Performed by: Sam Tsui & Peter Hollens: Maroon 5 Megamix - Sunday Morning - Harder to Breathe - This Love - She Will Be Loved - Makes Me Wonder - Won't Go Home Without You - Wake Up Call - Goodnight Goodnight - Moves Like Jagger - Never Gonna Leave This Bed - Give a Little More - Misery - Payphone Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Men's Choir A Cappella, instruments: Choir; 29 pages -- Pop~~R & B~~Adult Alternative~~Alternative Pop/Rock~~Dance-Pop~~Pop Rock~~Choral~~Electronica~~A cappella~~Dance-Rock
$2.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
One More Night 
