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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Voice for All
Non classifié
4 331
Piano & claviers
Piano, Voix
2 060
Piano, Voix et Guitare
1 064
Piano seul
186
Piano Facile
88
Accompagnement Piano
86
Instruments en Do
70
Orgue
20
Piano grosses notes
12
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
103
Guitare notes et tablatures
52
Ukulele
39
Guitare
22
Paroles et Accords
15
4 Guitares (Quatuor)
4
Basse electrique
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
656
Chorale TTBB
280
Chorale 3 parties
250
Chorale 2 parties
179
Voix Baryton, Piano
165
Voix duo, Piano
123
Chorale SSAA
121
Chorale Unison
103
Voix duo
97
Voix Soprano, Piano
95
Voix Tenor, Piano
70
Voix Alto, Piano
70
Voix haute
54
Voix seule
26
Voix moyenne, Piano
15
Voix basse, Piano
10
Voix Tenor
9
Voix Soprano
8
Chorale SSAATTBB
4
Chorale
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Chorale SSATTB
2
Voix Soprano, Orchestre
1
Voix, Guitare
1
Voix basse
1
Voix Baryton
1
+ 24 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
90
Quintette de Saxophone: 5 saxophones
58
Saxophone Alto et Piano
47
2 Saxophones (duo)
42
Quatuor de Clarinettes: 4 clarinettes
40
3 Saxophones (trio)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte, Hautbois, Clarinette, Basson
36
Saxophone Soprano et Piano
33
Saxophone Tenor et Piano
30
Flûte traversière et Piano
27
2 Flûtes traversières, Piano
25
2 Clarinettes (duo)
23
3 Clarinettes (trio)
23
Clarinette et Piano
22
Saxophone Baryton, Piano
21
Quintette de Clarinettes: 5 clarinettes
21
Saxophone (partie séparée)
20
Clarinette
17
2 Flûtes traversières (duo)
16
Saxophone Alto
16
Hautbois, Piano (duo)
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Hautbois (partie séparée)
13
Trio de Flûtes: 3 flûtes
11
Flûte traversière
11
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor
10
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Flute (partie séparée)
7
Quatuor de Flûtes à bec
6
Hautbois, Basson (duo)
6
Quintette de Flûte : 5 flûtes
6
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
4
Clarinette, Violon (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone Baryton
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Hautbois
2
Saxophone Soprano
2
5 Flûtes à bec
2
Saxophone et Harpe
2
Flûte à Bec
2
Cor anglais, Guitare (duo)
2
2 Hautbois (duo)
1
Saxophone et Guitare
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
52
Trombone
22
Quatuor de cuivres: 4 trombones
18
Cor et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trombones
14
Cor
13
2 Trombones (duo)
13
Trompette
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Tuba
10
Trombone (partie séparée)
10
Trompette (partie séparée)
10
Tuba et Piano
10
Quatuor de Cuivres
10
2 Trompettes (duo)
8
Euphonium, Piano (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
6
3 Trombones (trio)
5
2 Euphoniums et 2 Tubas
5
Ensemble de Trompettes
4
2 Cors (duo)
3
Ensemble de Cors
3
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone basse
1
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
Cor Anglais
1
3 Euphoniums
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
66
Trio à Cordes: violon, alto, violoncelle
38
Violon et Piano
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle, Piano
25
Violon
24
Violon, Violoncelle (duo)
23
Alto, Piano
15
2 Violons (duo)
14
Harpe, Voix
13
Violoncelle
13
Violon, Alto (duo)
9
Contre Basse
9
Contrebasse, Piano (duo)
7
2 Violoncelles (duo)
7
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
6
2 Altos (duo)
5
2 Harpes (duo)
4
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Alto (partie séparée)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
2
Ensemble d'Altos
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Ensemble Jazz
114
Orchestre
113
Orchestre de chambre
44
Orchestre à Cordes
43
Ensemble de cuivres
43
Jazz combo
23
Cloches
19
Ensemble de Percussions
10
Fanfare
6
2 Xylophones
5
Batterie
3
Marimba
2
Piano et Orchestre
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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One Voice for All
Chorale TTBB
Partitions à imprimer
280 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Mat
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912464. Published by Müller Publishing company (A0.1324266). Herzliebster Jesu from St. Matthew Passion - for Men's Choir (A minor)Delve into the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Specially crafted for male choirs in A minor, this musical gem enables your ensemble to explore the emotional depths of this composition with ease.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all male choir members.**Tailored for Lower Voices (TTBB):** This score is thoughtfully adapted for male choirs with lower voices (Tenor 1, Tenor 2, Baritone, Bass), providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your male choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among male choir members, promoting efficient and collaborative preparation.**Ideal for Male Choral Performance:** Tuned in A minor, the score creates an optimal sonic environment for male choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your male choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your male choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your male choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
We Are One (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Christopher Alexander
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We Are One
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages. Christopher Alexander #967412. Published by Christopher Alexander (A0.1382985). We Are One is a new choral work for a cappella voices. Starting with a soloist, the piece grows into a small ensemble and then finally the reonant entrance of the entire choir. Harmonic and homophonic voice leading gives strength to the text, creating a hymn-like quality. Divisi does occur at times within specific voice sections, all the while articulating and expanding the universality and connection to the seemingly simple text. Your singers will fall in love with this choral piece and, hopefully, be inspired to create a better humanity for today’s world.Also available in SATB and SSAA.SSAA Audio recording by:Rocky Mountain Chamber Choir - Virtual SingersFacebook: @Rocky Mountain Chamber Choir - Virtual SingersInstagram: @RMCCVCYouTube: @rockymountainchamberchoir3528#RMCC, #RMCCVC.
$2.50
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Charles A
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For Unto Us A Child Is Born
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1227062 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Hist...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1227062 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Octavo. 6 pages. CG Publications #823069. Published by CG Publications (A0.1227062). Vocal Score from the full arrangement of Handel’s inspiring chorus from “MESSIAH†re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. May be performed with Keyboard accompaniment only from any available Messiah edition. Performance Notes provided in score. The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, may be obtained from CG Publications here through Sheet Music Direct/Sheet Music Plus.
$2.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Thunderball
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Chorale TTBB
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Film/TV
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Tom Jones
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Anders Lindqvist
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Thunderball
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Anders Lindqvist
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SheetMusicPlus
Tenor Voice, Baritone Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Download By Tom Jones. Arranged by Anders Lindqvist. Score. 3 pages. Pu...
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Tenor Voice, Baritone Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Download By Tom Jones. Arranged by Anders Lindqvist. Score. 3 pages. Published by Anders Lindqvist
A close harmony arrangement of this James Bond soundtrack hit, written by John Barry & Don Black and performed by Tom Jones. Suitable for a male acapella quartet or chorus of intermediate skills.
$12.99
What Was I Made For?
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Chorale TTBB
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INTERMÉDIAIRE
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Billie Eilish
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Charles Beale
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What Was I Made For?
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beal...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beale. 21st Century,Pop. 10 pages. Charliebmusic #1030300. Published by charliebmusic (A0.1450755). This resonant Billie Eillish song swept to success thanks to its appearance in the 2024 'Barbie' movie. The lyric is really around mental health and identity. A break-up song on one level, it asks an ex-partner who am I if I am not with 'you'? It also has a wider resonance, in the voice of someone in a mentally fragile and potentially traumatized state, who is gradually healing.This quiet and reflective TTBB arrangement features a soloist at the start, and, like the original, ends on a question.
$1.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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G
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Charles A
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Drum)
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Hallelujah
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1118232 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Christian,Christmas,Classical,Sacr...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1118232 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Christian,Christmas,Classical,Sacred,Traditional. Octavo. 5 pages. CG Publications #719735. Published by CG Publications (A0.1118232). Vocal Score from the full arrangement of Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). May be performed with keyboard accompaniment only. Performance Notes provided in score. The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, may be obtained from CG Publications here through Sheet Music Direct/Sheet Music Plus.
$2.99
And The Glory Of The Lord (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Charles A
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And The Glory Of The Lord
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1232912 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Hist...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1232912 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Octavo. 6 pages. CG Publications #828541. Published by CG Publications (A0.1232912). Vocal Score from the full arrangement of Handel’s inspiring chorus from “MESSIAH†re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). May be performed with Keyboard accompaniment only from any available Messiah edition. Performance Notes provided in score. The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.Â
$2.99
Movie Music Medley (O For the Joy Ride of the King)
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Chorale TTBB
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INTERMÉDIAIRE
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Opera
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Classique
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Ash
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Ash
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Movie Music Medley
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Music by Ash
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1345144 By Ash. By Carl Orff, Edvard Grieg, Richard Wagner, Ludvig van Beethoven. Arranged by Ash. Classi...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1345144 By Ash. By Carl Orff, Edvard Grieg, Richard Wagner, Ludvig van Beethoven. Arranged by Ash. Classical,Film/TV,Opera,Romantic Period. 19 pages. Music by Ash #930079. Published by Music by Ash (A0.1345144). A unique choral medley of Carl Orff's O Fortuna (Carmina Burana), Edvard Grieg's In the Hall of the Mountain King, Richard Wagner's Ride of the Valkyries, and Ludvig van Beethoven's Ode to Joy choral finale. This arrangement is a great opportunity to show off your classical chops while having fun with iconic and familiar music frequently featured in film.General DetailsTTBB with piano only4 voice parts (brief T2 divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:20Vocal RangesTenor 1: C#3-C#5Tenor 2: B2-G4Baritone: A2-D4Bass: F#2-C#4 (optional E2)Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
$3.00
Holy is the Lord (Heilig ist der Herr) - For Men's Choir - TTBB with accompaniment
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Chorale TTBB
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FACILE
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Classique
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Franz Schubert
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Alex E
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Holy is the Lord
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325689 Composed by Franz Schubert. Arranged by Alex E. 19th Century,A Cappella,Christian,Romantic Period...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325689 Composed by Franz Schubert. Arranged by Alex E. 19th Century,A Cappella,Christian,Romantic Period,Sacred. 5 pages. Müller Publishing company #913879. Published by Müller Publishing company (A0.1325689). Embark on an exquisite musical journey with our specially crafted sheet music for Men's Choir, featuring the profound hymn Holy is the Lord (Heilig ist der Herr in German) from Deutsche Messe, D.872 Zum Sancts by Franz Schubert. This arrangement, tailored for male vocal ensembles in TTBB, offers a captivating interpretation of Schubert's masterpiece.Heilig ist der Herr stands as a remarkable composition, showcasing Franz Schubert's artistry in capturing reverence and spirituality through his musical prowess. As an integral part of the Deutsche Messe, this work reflects Schubert's distinct ability to weave rich melodies and expressive harmonies.Immerse your Men's Choir in harmonious voices accompanied by the inspiring organ/piano, bringing to life the potent message encapsulated in Heilig ist der Herr. The opulent harmonies and captivating melodic lines will contribute to a profound and impactful musical journey for both performers and listeners alike.Whether your Men's Choir is seasoned or comprised of beginners, this sheet music invites exploration into the harmonies of Heilig ist der Herr. Marked with clarity and featuring accessible notation, the score empowers the choir to focus on expressing the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir repertoire, seize the opportunity to acquire this sheet music for Heilig ist der Herr. Tailored for Men's Choir and organ/piano in TTBB, revel in the harmony of male voices and allow the timeless beauty of Schubert's composition to resonate as your choir breathes life into its sacred message.
$1.99
Holy is the Lord (Heilig ist der Herr) - For Men's Choir
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Chorale TTBB
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FACILE
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Classique
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Franz Schubert
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Alex E
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Holy is the Lord
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325687 Composed by Franz Schubert. Arranged by Alex E. 19th Century,A Cappella,Christian,Romantic Period...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1325687 Composed by Franz Schubert. Arranged by Alex E. 19th Century,A Cappella,Christian,Romantic Period,Sacred. 3 pages. Müller Publishing company #913877. Published by Müller Publishing company (A0.1325687). Embark on an enchanting musical odyssey with the specially crafted sheet music for Men's Choir, featuring the timeless hymn Holy is the Lord (Heilig ist der Herr in German) from Franz Schubert's Deutsche Messe, D.872 Zum Sancts. Tailored for male vocal ensembles in TTBB, this arrangement presents a captivating interpretation of Schubert's composition.Holy is the Lord (Heilig ist der Herr) stands as an extraordinary piece, exemplifying Franz Schubert's prowess in capturing reverence and spirituality through the medium of music. Composed as part of the Deutsche Messe, this work mirrors Schubert's distinctive ability to weave intricate melodies and expressive harmonies.Immerse your Men's Choir in the resplendent voices, breathing life into the potent message encapsulated in Heilig ist der Herr (Holy is the Lord). The opulent harmonies and entrancing melodic lines will contribute to a profound and impactful musical journey for both performers and discerning listeners.Whether your Men's Choir boasts seasoned members or embraces beginners, this sheet music serves as a gateway to explore the harmonies of Heilig ist der Herr (Holy is the Lord). The score boasts lucid markings and user-friendly notation, enabling the choir to channel their focus into expressing the music with nuanced interpretation and genuine emotion.For a purposeful and compelling addition to your Men's Choir repertoire, seize the opportunity to acquire this sheet music for Heilig ist der Herr (Holy is the Lord) tailored for Men's Choir in TTBB. Revel in the harmonious blend of male voices and allow the timeless splendor of Schubert's composition to resonate as your choir breathes vitality into its sacred message.
$1.99
There But For Fortune
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Chorale TTBB
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FACILE
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Contemporain
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Phil Ochs
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Bob Eggers
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There But For Fortune
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. P...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. Published by ROBERT J EGGERS (A0.940457). There But For Fortune is a powerful song coming out of the peace and love decade, the 1960's whose verses examine first a prisoner, a hobo and a country devastated by war. Peter, Paul and Mary did a wonderful rendition of the song in 6/8 time creating a lilting and driving version, adding a bridge which expanded the themes of the original poem and offered a melodic variation. This arrangement is based on that rendition, and features a powerful duet and a dramatic conclusion that will have your audiences on their feet.Level of difficulty: easy to moderate. Duration 3:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
Since U Been Gone
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Chorale TTBB
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DÉBUTANT
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Kelly Clarkson
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Ash
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Since U Been Gone
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.919851 By Kelly Clarkson. By Lukasz Gottwald and Max Martin. Arranged by Ash. A Cappella,Pop. Octavo. 10 pages. ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.919851 By Kelly Clarkson. By Lukasz Gottwald and Max Martin. Arranged by Ash. A Cappella,Pop. Octavo. 10 pages. Music by Ash #6575467. Published by Music by Ash (A0.919851). General DetailsA cappella4 voice parts (divisi in T2 line)Melody appears in various voice partsIdeally suited for 8-16 voicesDuration: approx. 2:55Vocal RangesTenor 1: D3-A4Tenor 2: D3-G4Baritone: D3-D4Bass: E2-B3 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
Surely He Hath Borne Our Griefs (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Charles A
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Surely He Hath Borne Our Grief
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1227060 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Hist...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1227060 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Octavo. 2 pages. CG Publications #823067. Published by CG Publications (A0.1227060). Vocal Score from the full arrangement of Handel’s stirring chorus from “MESSIAH†is here re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). May be performed with Keyboard accompaniment only from any available Messiah edition.The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, may be obtained from CG Publications here through Sheet Music Direct/Sheet Music Plus.
$1.99
AMORI: 8 madrigals for male chorus
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Chorale TTBB
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AVANCÉ
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Alessandro Palazzani
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AMORI: 8 madrigals for male ch
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A work by Alessandro Palazzani
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pa...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Lascia ch'io pianga (for TTBB choir)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449263 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1449263 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028408. Published by Rodrigo Faleiros (A0.1449263). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Alone Tonight
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Mike Rutherford
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Bob Eggers
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Alone Tonight
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.940458 Composed by Mike Rutherford. Arranged by Bob Eggers. Contemporary. Octavo. 12 pages. ROBERT J EGGERS #530...
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Choral Choir (TTBB) - Level 3 - SKU: A0.940458 Composed by Mike Rutherford. Arranged by Bob Eggers. Contemporary. Octavo. 12 pages. ROBERT J EGGERS #5306561. Published by ROBERT J EGGERS (A0.940458). Haunting and sweet, Rutherford's verse about longing for love explodes into an anthem of grand proportion. This arrangement makes a great platform for a tenor soloist who wants to both croon and wail and ends on a powerful and uplifting statement.Orchestration: Solo + TTtBB. Level of difficulty: moderate. Duration 3:55Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
I Just Called To Say I Love You
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Chorale TTBB
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DÉBUTANT
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Stevie Wonder
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Susanna Lausevic
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I Just Called To Say I Love Yo
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Susanna Lausevic
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.497967 By Stevie Wonder. By Stevie Wonder. Arranged by Susanna Lausevic. 20th Century,A Cappella,Contemporary,Po...
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Choral Choir (TTBB) - Level 1 - SKU: A0.497967 By Stevie Wonder. By Stevie Wonder. Arranged by Susanna Lausevic. 20th Century,A Cappella,Contemporary,Pop,Traditional. Octavo. 3 pages. Susanna Lausevic #111640. Published by Susanna Lausevic (A0.497967). A cappella version. men's parts. male chorus. high voice tenor soloist goes up to A at the last note. other voices are 2 tenors, baritone and bass. all parts are easy peasy check out my YOUTUBE channel for the audio version of this beautiful song.
$2.25
All I Know So Far
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Chorale TTBB
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INTERMÉDIAIRE
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Pink
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Ash
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All I Know So Far
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Music by Ash
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1497354 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/So...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1497354 By Pink. By Alecia Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop,Rock,Singer/Songwriter. 15 pages. Music by Ash #1073767. Published by Music by Ash (A0.1497354). General DetailsTTBB with piano onlySolo for first verse and chorus4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:45Note: there is an alternate version without a solo available here.Vocal RangesSolo: A2-F#4Tenor 1: C#3-B4Tenor 2: C#3-F#4Baritone: A2-E4Bass: A2-C#4Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.99
All I Know So Far
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Pink
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Ash
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All I Know So Far
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.919867 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop. Octavo. 16 ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.919867 By Pink. By Alecia Moore, Alicia B. Moore, Benj Pasek, and Justin Paul. Arranged by Ash. Pop. Octavo. 16 pages. Music by Ash #6655721. Published by Music by Ash (A0.919867). General DetailsTTBB with piano onlyBass and drum set scores NOT included (alternate version with bass and drums coming soon to SMP)4 voice parts (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:30Vocal RangesTenor 1: E3-A4Tenor 2: E3-F#4Baritone: C#3-E4Bass: A2-C#4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
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