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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Put It On
Non classifié
424
Piano & claviers
Piano seul
173
Piano, Voix
62
Piano, Voix et Guitare
58
Accordéon
52
Piano Facile
29
Instruments en Do
18
Orgue
15
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
+ 8 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
34
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
3
Piano, Guitare (duo)
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
98
Chorale 3 parties
32
Chorale 2 parties
28
Chorale TTBB
21
Chorale Unison
9
Voix duo, Piano
9
Chorale SSAA
6
Voix Alto, Piano
4
Voix duo
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix Tenor
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
24
Hautbois, Piano (duo)
21
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière
19
Clarinette et Piano
14
Clarinette
12
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
3 Saxophones (trio)
9
Quatuor de Clarinettes: 4 clarinettes
9
2 Flûtes traversières (duo)
8
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
Saxophone Alto
5
Ensemble de Flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Saxophone Tenor
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
2
Saxophone Soprano
2
Saxophone Baryton
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois
2
2 Clarinettes (duo)
2
Clarinette Basse
1
Flûte à bec Tenor
1
Ensemble de Clarinettes
1
Saxophone (partie séparée)
1
Saxophone
1
Harmonica
1
Quintette de Flûte : 5 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
10
Trombone et Piano
9
Trombone
8
Trompette, Piano
7
Euphonium, Piano (duo)
7
Cor
6
Tuba et Piano
5
Tuba
5
Ensemble de Trompettes
4
Cor anglais, Piano
4
Ensemble de Trombones
2
2 Trompettes (duo)
2
Quatuor de Cuivres
2
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
34
Violon
28
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
20
Violoncelle, Piano
18
Harpe
16
Alto, Piano
13
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
6
Violon, Alto (duo)
5
Contre Basse
4
2 Violons (duo)
3
Alto (partie séparée)
2
Violon (partie séparée)
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
29
Ensemble Jazz
21
Orchestre à Cordes
18
Ensemble de cuivres
14
Orchestre de chambre
12
Cloches
7
Fanfare
5
Jazz combo
4
Ensemble de Percussions
3
Xylophone
2
Piano et Orchestre
1
Orchestre, Violon
1
Batterie
1
Marimba
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Put It On
Chorale TTBB
Partitions à imprimer
21 partitions trouvées
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1
I Said My Pajamas (and Put On My Pray'rs)
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Chorale TTBB
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FACILE
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Tony Martin & Fran Warren
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Fran Wilson
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I Said My Pajamas
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Fran Wilson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.995593 By Tony Martin & Fran Warren. By Eddie Pola and George Wyle. Arranged by Fran Wilson. A Cappella. Octavo....
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Choral Choir (TTBB) - Level 2 - SKU: A0.995593 By Tony Martin & Fran Warren. By Eddie Pola and George Wyle. Arranged by Fran Wilson. A Cappella. Octavo. 5 pages. Fran Wilson #4279245. Published by Fran Wilson (A0.995593). This a cappella TTBB arrangement in the Barbershop style is in the humorous novelty category and would work well for either quartet or chorus. It is appropriate for either high school students or older adults. Learning tapes are available for each part from www.shawngavinthomas.wix.com/shawnmusic or email Shawn Thomas <shawngavinthomas@gmail.com> Shawn Thomas <shawngavinthomas@gmail.com>
$1.99
It Must Be Love
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Madness
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Austin Ralphson
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It Must Be Love
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Austin Ralphson
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161....
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Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161. Published by Austin Ralphson (A0.563716). Ska/pop band Madness recorded this song in 1981 and it has become a firm favourite, especially at weddings and anniversary parties. This arrangement avoids the obvious piano chords in the vocal parts, focusing more on melodic polyphony. It is not too difficult to put together and has exciting parts for all singers. I've also done optional parts for the sax/guitar solo in the middle; these are provided in C (treble and bass clefs), B flat and E flat to cater for almost any solo instrument you have available to play it (possibly a choir member?). This solo should be loud and raucous! The piece still works perfectly well without, however. It is great to perform and to listen to for the audience. Enjoy!
$2.49
Single Ladies (Put A Ring On It)
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Beyonce
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Joe Paxton
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Single Ladies
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Joe Paxton
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1461187 By Beyonce. By Beyonce Knowles, Christopher Stewart, Terius Nash, and Thaddis Harrell. Arran...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1461187 By Beyonce. By Beyonce Knowles, Christopher Stewart, Terius Nash, and Thaddis Harrell. Arranged by Joe Paxton. Pop. 59 pages. Joe Paxton #1040046. Published by Joe Paxton (A0.1461187).
$1.99
Single Ladies (Put A Ring On It)
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Beyonce
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Steve Milloy
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Single Ladies
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Steve Milloy
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.596767 By Beyonce. By Beyonce Knowles, Christopher Stewart, Terius Nash, and Thaddis Harrell. Arranged by...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.596767 By Beyonce. By Beyonce Knowles, Christopher Stewart, Terius Nash, and Thaddis Harrell. Arranged by Steve Milloy. Pop,R & B. 21 pages. Steve Milloy #4296725. Published by Steve Milloy (A0.596767).
$1.99
Do-re-mi
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Chorale TTBB
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INTERMÉDIAIRE
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Various Artists
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Anastasio Rossi
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Do-re-mi
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1250074 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Anastasio Rossi. Pop,Standards. Barbe...
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Voice (TTBB) - Level 3 - SKU: A0.1250074 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Anastasio Rossi. Pop,Standards. Barbershop Quartet. 7 pages. Anastasio Rossi #844346. Published by Anastasio Rossi (A0.1250074). Do Re Mi is one of the most popular Broadway songs. This arrangement, with its dialog and staging is sure to be a showstopper! It is based closely on a performance by Andy Williams, Bobby Darin and Eddie Fisher, as seen on Andy Williams' TV Show. This version is written for four male voices. The complete package includes the score, an Orchestral Accompaniment Track in MP3 format, one page of dialog used throughout the performance, and instructions on how to put it all together. Watch a performance using the video link.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$19.99
Dance of the Sugar Plum Fairy
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Chorale TTBB
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FACILE
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Classique
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Pyotr Illyich Tchaikovsky
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Nick Luna
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Dance of the Sugar Plum Fairy
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Nick Luna Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.891985 Composed by Pyotr Illyich Tchaikovsky. Arranged by Nick Luna. A Cappella,Christmas,Classical,Romantic Per...
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Choral Choir (TTBB) - Level 2 - SKU: A0.891985 Composed by Pyotr Illyich Tchaikovsky. Arranged by Nick Luna. A Cappella,Christmas,Classical,Romantic Period. Octavo. 4 pages. Nick Luna Music #3628165. Published by Nick Luna Music (A0.891985). This four part TTBB a cappella arrangement is a perfect addition to your next holiday concert. It works great for both choruses and quartets. Dance of the Sugar Plum Fairy is one of the most famous excerpts of Tchaikovsky's Nutcracker Suite, and this adaptation will be sure to put smiles on the admiring faces of your audience. Check out the Youtube video below to see the Wesminster Chorus debut this song at their holiday concert!One purchase guarantees four legal copies. Be sure to purchase enough copies for your ensemble! Learning tracks available. Contact Robbie Nack at robbienack@yahoo.com
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Beds Are Burning
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Midnight Oil
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Sandra Milliken
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Beds Are Burning
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contempo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
$2.30
2020 The people will sing.
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Terry Rigler
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Doug Gould
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2020 The people will sing.
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Terry Rigler
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1025554 Composed by Terry Rigler. Arranged by Doug Gould. Contemporary. Octavo. 9 pages. Terry Rigler #6056463. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1025554 Composed by Terry Rigler. Arranged by Doug Gould. Contemporary. Octavo. 9 pages. Terry Rigler #6056463. Published by Terry Rigler (A0.1025554). As a choral singer and enthusiast I have tried to put together all my feelings on this strange period of 2020. As they say It is what it is but I have faith our good times will return and hope my music message has carried the positives . Music lives on within us and has the power to bring us all back together one day soon ! .
$1.99
We Need A Little Christmas
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Kimberley Locke
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Charles Beale
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We Need A Little Christmas
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865875 By Kimberley Locke. By Jerry Herman. Arranged by Charles Beale. Disney. Octavo. 9 pages. Charliebmusic #5...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865875 By Kimberley Locke. By Jerry Herman. Arranged by Charles Beale. Disney. Octavo. 9 pages. Charliebmusic #5313453. Published by charliebmusic (A0.865875). We Need a Little Christmas’ comes from the 1966 Jerry Herman musical ‘Mame’, and was sung by Angela Lansbury on Broadway. Usually an upbeat fast showtune, this surprising arrangement treats the song as a ballad. It focuses on the more wistful aspects of the lyric, about how after a year we have grown a little older, wise and (perhaps!) leaner. It is slow, legato, largely quiet and chorally contrapuntal in places. To give your show an arc, think about about using the other, contrasting arrangement of this song by Charlie, which is the more conventional upbeat show-2 finale. He originally wrote both for one Holiday program, and put one at the beginning and the other at the end.
$1.99
Drei Equale / Three Equali (male choir)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Matthijs van der Moolen
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Drei Equale / Three Equali
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Matthijs van der Moolen
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.882468 Composed by Ludwig van Beethoven. Arranged by Matthijs van der Moolen. Christian,Classical,Contemporary,R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.882468 Composed by Ludwig van Beethoven. Arranged by Matthijs van der Moolen. Christian,Classical,Contemporary,Romantic Period. Octavo. 7 pages. Matthijs van der Moolen #566713. Published by Matthijs van der Moolen (A0.882468). The version of Beethoven's 'Drei Equale' for male choir was added to the original's first and the last movement by Ignaz Seyfried, a friend of Beethoven. The second movement was performed on a later moment, but the link between the instrumental version (with text by Frans Grillparzer) was not made. I have taken the freedom to put these two together in this score, and transposed it one major second down to make it fit smoothly in between the other two movements. The first and last movement also contained a text in Latin, but since the second movement was only available in German, I also used the German texts for the other movements.
$12.49
The Impression That I Get
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Chorale TTBB
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AVANCÉ
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The Mighty Mighty Bosstones
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Corey Cerullo
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The Impression That I Get
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Cerullo Music LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella...
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Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella. Octavo. 12 pages. Cerullo Music LLC #4301113. Published by Cerullo Music LLC (A0.540600). Your advanced male a cappella group is going to love this arrangement! As true to the original as can be with just voices, this is going to knock the socks off of your audiences. If you are dying to showcase your male singers, this is the tune to do it with!Arranged for TTBB with some divisi and a Solo/duet on top. It's going to be a rockin' good time when you put all of this together!
$4.00
Those Were The Days
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Chorale TTBB
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INTERMÉDIAIRE
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Mary Rice Hopkins
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Raymond Fenech
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Those Were The Days
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Raymond Fenech
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.760673 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festiva...
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Choral Choir (TTBB) - Level 3 - SKU: A0.760673 By Mary Rice Hopkins. By Gene Raskin. Arranged by Raymond Fenech. 20th Century,A Cappella,Contest,Festival,Instructional,Pop. Octavo. 9 pages. Raymond Fenech #5772041. Published by Raymond Fenech (A0.760673). Those Were the Days is a song credited to Gene Raskin, who put a new English lyric to the Russian romance song Dorogoi dlinnoyu composed by Boris Fomin (1900–1948) with words by the poet Konstantin Podrevsky. It deals with reminiscence upon youth and romantic idealism. Mary Hopkin's 1968 debut single of Those Were the Days, which was produced by Paul McCartney of the Beatles, became a number one hit on the UK Singles Chart. It was number one in the very first edition of the foreign singles sales chart.This piece is arranged for TTBB Men's Choir (A Cappella). The duration is 2.43 minutes and Intermediate level.Contact for other voices arrangements: rfenech58@gmail.com
$4.00
Don't Stop Me Now
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Chorale TTBB
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Rock
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Queen
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Liz Garnett
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Don't Stop Me Now
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.856156 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 5 pages. Liz Garnett #36...
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Choral Choir (TTBB) - SKU: A0.856156 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 5 pages. Liz Garnett #3628565. Published by Liz Garnett (A0.856156). One of Queen’s all-time great feel-good songs. It is impossible to sing or hear this song without getting an immediate boost to your mood. Go on, try singing ‘I am a sex-machine’ without smiling. The arrangement follows the form of the original closely, including ending with a gradual fade-out. There is an optional cut if you don't feel like pretending to be Brian May on the guitar for the instrumental break, and an optional moment of a high 5th part, put in because a performer loved a particular guitar twiddle in the original.Vocal ranges:Tenor: B flat 3 – D5 (with alt note C3)Lead: F3 – B flat 4 (with alt note C3)Bari: F3 – G4 (with alt note C3)Bass: F2 – F#4A video of this arrangement in performance is available at: https://www.helpingyouharmonise.com/DontStop
$2.99
Spirituals from Harlem Songs
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Chorale TTBB
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Gospel Spirituel
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Gwyneth W
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Spirituals from Harlem Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir and piano - SKU: MQ.7294-E Composed by Gwyneth W. Walker. African American Heritage. 12 pages. E. C. Schirmer Music Company - Digital #7294-E...
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TTBB choir and piano - SKU: MQ.7294-E Composed by Gwyneth W. Walker. African American Heritage. 12 pages. E. C. Schirmer Music Company - Digital #7294-E. Published by E. C. Schirmer Music Company - Digital (MQ.7294-E). English.Spirituals is about strength. It opens with ascending patterns representing the rising shafts of mountains...something strong to put my hands on. The focus then shifts to the strength of song in times of trouble: I heard my mother singing when life hurt her: Gonna ride in my chariot someday! The music then rises to the affirmation: Sing, O black mother! Song is a strong thing..
$2.65
Kiss From A Rose
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Chorale TTBB
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INTERMÉDIAIRE
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Seal
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Sonny Vande Putte
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Kiss From A Rose
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Sonny Vande Putte
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.977480 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Sonny Vande Putte. Contemporary,Pop. Octavo. 8 page...
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Choral Choir (TTBB) - Level 3 - SKU: A0.977480 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Sonny Vande Putte. Contemporary,Pop. Octavo. 8 pages. Sonny Vande Putte #5801585. Published by Sonny Vande Putte (A0.977480). Looking for an arrangement that'll stun the crowd? You want a little extra awesomeness on an already perfect song? Check out the full performance on http://youtube.com/sgtsonny and see if you like it for your chorus, ensemble or quartet.
$95.00
Love Of My Life
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Chorale TTBB
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Rock
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Queen
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Sonny Vande Putte
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Love Of My Life
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Sonny Vande Putte
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.977478 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Sonny Vande Putte. Rock. Octavo. 7 pages. Sonny Van...
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Choral Choir (TTBB) - SKU: A0.977478 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Sonny Vande Putte. Rock. Octavo. 7 pages. Sonny Vande Putte #4310663. Published by Sonny Vande Putte (A0.977478). Learning tracks available for TTBB, SATB and SSAA: http://sgtsonnytracks.comThis tear-jerking ballad is a great addition to any chorus' or quartet's repertoire. With the biopic 'Bohemian Rhapsody' coming out, there has been a huge Queen revival going on. So young and old will appreciate one of Freddie Mercury's most beautiful masterpieces. There's also a less rangy version and audio learning tracks (sgtsonnytracks.com) available. If you'd like to know more about it, please send an email to sonnyvandeputte@gmail.com.You can check out a rendition by the arranger himself by following this link to my sgtsonny YouTube channel: https://youtu.be/9vBeJ4xdC1M
$95.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE
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Peter Paul and Mary
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Ryan Wainwright-Meekins
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Puff The Magic Dragon
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekin...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekins. 20th Century,A Cappella,Barbershop,Pop. 9 pages. Ryan Wainwright-Meekins #1022062. Published by Ryan Wainwright-Meekins (A0.1442067). This is a barbershop arrangement for TTBB voices. Duration c.3:30. 9 pages.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Happy Birthday
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Chorale TTBB
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FACILE
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Ryan Wainwright-Meekins
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Ryan Wainwright-Meekins
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Happy Birthday
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins....
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins. A Cappella,Barbershop,Traditional. 1 pages. Ryan Wainwright-Meekins #1023450. Published by Ryan Wainwright-Meekins (A0.1443505). This is a barbershop arrangement of Happy Birthday for TTBB voices. 1 page.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
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