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Vous avez sélectionné:
Remembering You
Chorale TTBB
Partitions à imprimer
10 partitions trouvées
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1
Only Remembered
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1108233 Composed by Ira Sa…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1108233 Composed by Ira Sankey. Arranged by Jonathan Kilhams. A Cappella,Barbershop,Christian,Classical,Sacred. Octavo. 3 pages. Jonathan Kilhams #710862. Published by Jonathan Kilhams (A0.1108233). This is a really moving piece for TTBB and Tenor soloist. The soloist can come from within the choir and the harmony is arranged in a way that would suit amateur male voice choirs. A very poignant piece and perfect for remembrance concerts or services. A recording is available to listen to but you can also contact me for rehearsal tracks if you need them. www.jonathankilhams.com.
$5.00
4.59 €
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Chorale TTBB
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Ira Sankey
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Jonathan Kilhams
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Only Remembered
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Jonathan Kilhams
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SheetMusicPlus
Remembering You
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1457872 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1457872 Composed by Carroll O'connor and Roger Kellaway. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Film/TV. 4 pages. Kevin Keller #1036880. Published by Kevin Keller (A0.1457872). TTBB A cappella arrangement in the barbershop style (melody in T2). Although suitable for contest in BHS, it is more designed for typical choruses and quartets who want a novelty number that is familiar to older audiences.
$2.99
2.75 €
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Chorale TTBB
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Carroll O'connor and Roger Kellaway
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Kevin Keller
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Remembering You
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Kevin Keller
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SheetMusicPlus
Wayfaring Stranger - Male Chorus TTB
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1012286 Composed by Chris …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1012286 Composed by Chris Kamerling, James Kane Bradley. Arranged by Phantom K Music. A Cappella,Folk. Octavo. 16 pages. Phantom K Music #6331773. Published by Phantom K Music (A0.1012286). Wayfaring Stranger is an American folk song that is initially presented here in its most simple form of an a cappella single voice line. The arrangement slowly builds throughout the piece culminating in 3-part harmony before being scaled back to a monophonic vocal line again. Remembering that this is a folk song, the text should be sung in a simple, innocent style. While writing this piece, we often thought about picturing the countryside of youth. The text deals with one of the most personal things in one's life and that is the subject of life after death. We really hope you enjoy performing this piece as much as we did writing it.
$2.50
2.3 €
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Chorale TTBB
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Chris Kamerling, James Kane Bradley
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Phantom K Music
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Wayfaring Stranger - Male Chorus TTB
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Phantom K Music
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SheetMusicPlus
We Need Christmas
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1095869 By Maddie & Tae. B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1095869 By Maddie & Tae. By Aj Pruis and Matthew West. Arranged by Natalie Goossens. A Cappella,Christian,Christmas,Holiday,Singer/Songwriter. Octavo. 12 pages. Natalie Goossens #699841. Published by Natalie Goossens (A0.1095869). A lovely Christmas song of the American singer-songwriter Matthew West. This song celebrates the magic of Christmas: a time of family, singing carols and remembering sweet memories. A time of joy, peace, love and hope. A great new Christmas song for your Christmas concert or service.For youth choirs, community choirs, church choirs and concert choirs.Duration: 4'00
$2.10
1.93 €
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Chorale TTBB
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Maddie & Tae
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Natalie Goossens
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We Need Christmas
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Natalie Goossens
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SheetMusicPlus
So I Could Find My Way
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1246173 By Enya. By Eithne…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1246173 By Enya. By Eithne Ni Bhraonain, Enya, Nicky Ryan, and Roma Ryan. Arranged by John Bouwmans. Celtic,Contemporary,Irish,Pop. Octavo. 11 pages. Music4voices #841042. Published by Music4voices (A0.1246173). A song by the Irish singer Enya, about remembering a person that has meant a lot to you. Arranged by John Bouwmans for TTBB/Piano. Full Score (6 pages) and Choral Score (3 pages). Performance time approx. 4:20. SMP-121M.
$2.00
1.84 €
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Chorale TTBB
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Enya
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John Bouwmans
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So I Could Find My Way
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Music4voices
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SheetMusicPlus
Beautiful Boy (darling Boy)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928996 By John Lennon. By …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928996 By John Lennon. By John Lennon. Arranged by Donald A. Mills. A Cappella,Rock. Octavo. 5 pages. Donald A Mills #5316253. Published by Donald A Mills (A0.928996). This arrangement of Beautiful Boy by John Lennon is TTBB a cappella. Perfect for a barbershop quartet or chorus, as well as non-barbershop men's chorus groups. This is a beautiful lullaby that your singing group and your audiences will love. Of course, remembering John Lennon during the performance will be a very real part of the listening experience.
$2.99
2.75 €
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Chorale TTBB
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John Lennon
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Donald A
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Beautiful Boy
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Donald A Mills
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Remember (for TTBB choir, a cappella)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1140977 Composed by Aaron …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1140977 Composed by Aaron Lee. 20th Century,A Cappella,Contemporary. Octavo. 11 pages. J. Aaron Lee #741226. Published by J. Aaron Lee (A0.1140977). Based on Christina Rossetti's beautiful poem, Remember, this song is portrays the empathetic words of a loved one who has passed away. With great empathy, the song addresses grief and how the character in this song, though they wish to be remembered, would prefer that their loved ones be happy and smile than grieve over their loss. It is ultimately an attempt to uplift the mourners and comfort them. This work is approx. 6 minutes long and is written for a cappella men's chorus and is somewhat challenging due to chromaticism. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
2.29 €
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Chorale TTBB
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Aaron Lee
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Remember
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J. Aaron Lee
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.84 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
3.21 €
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Chorale TTBB
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James W
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The Parting Before the Battle- Ní neart go cur le chéile
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Knox Music
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SheetMusicPlus
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