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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rev It Up
Sheetmusicplus
Non classifié
138
Piano & claviers
Piano seul
123
Piano Facile
22
Piano, Voix et Guitare
16
Piano, Voix
13
Orgue
11
Instruments en Do
5
1 Piano, 4 mains
4
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
28
Guitare notes et tablatures
17
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
2 Guitares (duo)
1
Basse electrique
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
30
Chorale 3 parties
14
Chorale 2 parties
13
Chorale TTBB
6
Chorale SSAA
5
Voix duo, Piano
3
Chorale Unison
2
Voix seule
1
Chorale SSATTB
1
Voix duo
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
+ 7 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
18
Saxophone Soprano et Piano
11
Quatuor de Saxophones: 4 saxophones
9
Flûte traversière et Piano
9
Clarinette et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière
6
Flûte à bec Soprano
6
Saxophone Alto
5
Cor anglais, Piano
4
Saxophone Tenor et Piano
4
Saxophone Alto et Piano
4
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Flûte et Guitare
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette
3
Quintette de Saxophone: 5 saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor
2
Clarinette Basse, Piano
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois (partie séparée)
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Cor anglais, Guitare (duo)
1
Saxophone (partie séparée)
1
Ensemble de Clarinettes
1
Clarinette, Basson (duo)
1
2 Saxophones (duo)
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor et Piano
7
Trompette, Piano
7
Trombone et Piano
6
Trompette
5
Cor anglais, Piano
4
Tuba
4
Trombone
2
Ensemble de Cors
2
Tuba et Piano
2
Euphonium, Piano (duo)
2
4 Tubas
1
Quatuor de Cuivres
1
Cor
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
13
Violoncelle, Piano
9
Violoncelle
6
2 Harpes (duo)
6
Alto, Piano
5
Violon
5
Harpe
5
Violon, Violoncelle (duo)
4
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Alto, Guitare (duo)
1
4 Contrebasses
1
Autoharp
1
2 Violoncelles (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre
25
Orchestre d'harmonie
24
Ensemble Jazz
10
Ensemble de cuivres
8
Orchestre à Cordes
8
Orchestre de chambre
6
Cloches
4
Jazz combo
4
Ensemble de Percussions
2
Batterie
1
Xylophone, Piano
1
+ 6 instrumentations
Retracter
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Instruments
ACCORDEON
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Rev It Up
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Revive Us Again
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Chorale TTBB
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FACILE
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Gospel Spirituel
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John J
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Steve Milloy
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Revive Us Again
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Steve Milloy
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.596869 Composed by John J. Husband. Arranged by Steve Milloy. Gospel. Octavo. 9 pages. Steve Milloy #6010109. Pu...
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Choral Choir (TTBB) - Level 2 - SKU: A0.596869 Composed by John J. Husband. Arranged by Steve Milloy. Gospel. Octavo. 9 pages. Steve Milloy #6010109. Published by Steve Milloy (A0.596869). This arrangement takes the hymn and kicks it up into high Gospel praise! And it's easy to learn!
$1.99
South America, Take It Away!
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Chorale TTBB
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FACILE
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Bing Crosby
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Jim Shubert
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South America, Take It Away!
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971355 By Bing Crosby. By Harold Rome. Arranged by Jim Shubert. A Cappella,Jazz. Octavo. 4 pages. James W. Shube...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971355 By Bing Crosby. By Harold Rome. Arranged by Jim Shubert. A Cappella,Jazz. Octavo. 4 pages. James W. Shubert #6261451. Published by James W. Shubert (A0.971355). 4 part Male Barbershop Arrangement (TTBB) Early Intermediate Level. A fun, post WWII song that was a pretty big hit back in the day. Latin rhythm's are not prevalent in barbershop circles because of the lack of percussion in a cappella singing, so this will perk up your audience's ears.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Love You Anymore
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Chorale TTBB
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INTERMÉDIAIRE
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Michael Buble
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Liz Garnett
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Love You Anymore
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1127261 By Michael Buble. By Charlie Puth, Ilsey Juber, Jens Carlsson, and Scott Harris. Arranged by Liz Garnett...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1127261 By Michael Buble. By Charlie Puth, Ilsey Juber, Jens Carlsson, and Scott Harris. Arranged by Liz Garnett. A Cappella,Barbershop,Contemporary. Octavo. 5 pages. Liz Garnett #727895. Published by Liz Garnett (A0.1127261). Michael Buble's ballad of lost love starts off in a state of wistful attempted denial, but gradually reveals the depth of feeling that lies beneath the brave exterior. Both the emotional registers of the narrative and the harmonic shape fits it securely in the musical world of contest barbershop, albeit in a thoroughly up-to-date guise. Vocal Ranges: Tenor: D4 - A4 Lead: E3 - G4 Bari: F3 - F4 Bass: G2 - B3 www.HelpingYouHarmonise.com.
$2.99
Peace, Perfect Peace - TTBB
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Chorale TTBB
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FACILE
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Phil Beaman
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Peace, Perfect Peace - TTBB
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Phil Beaman
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107....
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Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99
Close Your Eyes
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Bernice Petkere
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Bob Eggers
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Close Your Eyes
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.940468 Composed by Bernice Petkere. Arranged by Bob Eggers. Contemporary. Octavo. 12 pages. ROBERT J EGGERS #666...
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Choral Choir (TTBB) - Level 3 - SKU: A0.940468 Composed by Bernice Petkere. Arranged by Bob Eggers. Contemporary. Octavo. 12 pages. ROBERT J EGGERS #6664469. Published by ROBERT J EGGERS (A0.940468). Close Your Eyes is a driving romp of a song with a relentless bass line and the insistent plea of the soloist. This arrangement captures that energy and will capture your audiences as well. It features big band characteristics like a backing chorus and the band shout. The ensemble takes over and shines during the interlude with a wild, syncopated variation that sets up the final verse with tremendous force.Please visit the YouTube link for a full preview of the arrangement. Orchestration is tenor solo plus TTBBDuration: 2:00.
$1.99
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Rev It Up
