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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Run D
Non classifié
169
Piano & claviers
Piano seul
131
Piano, Voix
112
Piano, Voix et Guitare
17
Piano Facile
16
Orgue
6
Instruments en Do
4
Clavier
3
1 Piano, 4 mains
2
Piano grosses notes
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Basse electrique
39
Guitare notes et tablatures
30
Guitare
24
Ukulele
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
33
Voix seule
18
Chorale 3 parties
10
Chorale TTBB
6
Chorale 2 parties
5
Chorale SSAA
4
Voix haute
2
Chorale SSAATTBB
1
Chorale Unison
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone
34
Flûte traversière
29
Clarinette
21
Flûte traversière et Piano
11
Saxophone Alto
10
Saxophone Tenor
9
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
2 Saxophones (duo)
5
Flûte à Bec
5
Hautbois, Piano (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quatuor de Flûtes : 4 flûtes
3
Flûte à bec Soprano
3
Clarinette et Piano
3
Quatuor de Flûtes à bec
3
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois
2
2 Flûtes traversières (duo)
2
3 Clarinettes (trio)
2
Flûte et Guitare
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois et Orchestre
1
Flûte à bec Soprano, Basse continue
1
Ocarina
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
Ensemble de Flûtes
1
Flûte à Bec, Piano
1
2 Clarinettes (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Soprano
1
Ensemble de Clarinettes
1
Saxophone (partie séparée)
1
+ 33 instrumentations
Retracter
Cuivres
Trompette
23
Trombone
21
Euphonium
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Instruments en Sib
2
Cor
2
Tuba
2
2 Tubas (duo)
1
2 Cors (duo)
1
Cor et Piano
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Harpe
14
Violon
13
Violon et Piano
12
Violoncelle
9
Violoncelle, Piano
9
Violon (partie séparée)
5
2 Violons (duo)
4
Alto, Piano
4
Alto seul
3
Alto (partie séparée)
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Ensemble d'Altos
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 036
Batterie
53
Ensemble Jazz
16
Orchestre à Cordes
16
Orchestre
12
Ensemble de cuivres
9
Cloches
5
Fanfare
3
Jazz combo
3
Percussion (partie séparée)
2
Ensemble de Percussions
2
Orchestre de chambre
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Big band
1
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Run D
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
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Old MacDonald Had a Farm (TTBB - Barbershop) - arr. Robert Rund
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Frederick Thomas Nettingham an
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Robert Rund
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Old MacDonald Had a Farm
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.967131 Composed by Frederick Thomas Nettingham and Thomas d'Ufrey. Arranged by Robert Rund. A Cappella,Folk,Jazz...
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Choral Choir (TTBB) - Level 4 - SKU: A0.967131 Composed by Frederick Thomas Nettingham and Thomas d'Ufrey. Arranged by Robert Rund. A Cappella,Folk,Jazz. Octavo. 13 pages. Robert Rund #5865985. Published by Robert Rund (A0.967131). This 4-part male acapella arrangement in the barbershop style captures the swing version that Frank Sinatra sang, but for barbershop quartet. Do note that the lyrics are somewhat dated (1960) and could be considered offensive. Frank Sinatra's version on which this was based, can be heard on the attached YouTube Link. .
$4.60
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Creep
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Chorale TTBB
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AVANCÉ
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Radiohead
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Rowena Harper
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Creep
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.762489 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Phi...
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Choral Choir (TTBB) - Level 5 - SKU: A0.762489 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Rowena Harper. A Cappella,Barbershop,Pop,Rock. Octavo. 12 pages. Rowena Harper #4301755. Published by Rowena Harper (A0.762489). This male / mixed barber-pop arrangement is a fun arrangement of a rock anthem in the original key, with chords that are true to the song and a little humour injected into it (including air guitar if you wish) to lighten an otherwise fairly intense song! The well known lead line She's running out the door... descant could be sung by either the lead, tenor, a mix of both, or a soloist, sliding back into the correct part near the end, as needed (see performance notes). Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass D-Eb, Baritone D-C, Lead B-D, Tenor B-G - High Descant (Lead) = F-B. Baritone and Tenor are suitable for female voices.Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.) Contact: acappellatenor@gmail.com.
$3.00
For Lack Of A Better Title
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Tate Russell
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For Lack Of A Better Title
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Tate Russell
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1032131 Composed by Tate Russell. Broadway,Contemporary,Jazz,Musical/Show,Pop. Octavo. 6 pages. Tate Russell #44...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1032131 Composed by Tate Russell. Broadway,Contemporary,Jazz,Musical/Show,Pop. Octavo. 6 pages. Tate Russell #4405952. Published by Tate Russell (A0.1032131). Fun and upbeat music theatre piece about falling in love with your best friend... (With a twist)Each part must be solid for tight harmonies, and dynamics are key. Runs about 2:30.Contact me at trussting7@gmail.com with any questions, and enjoy! I'd love to do some commissions if you like my work, too!
$3.99
Smokin' Out The Window
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Chorale TTBB
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AVANCÉ
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Bruno Mars, Anderson
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Roy Nussbaum
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Smokin' Out The Window
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Roy Nussbaum
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SheetMusicPlus
Choral Choral,Voice (TTBB Chorus) - Level 5 - Interactive Download SKU: A0.1494309 By Bruno Mars, Anderson .paak And Silk Sonic. By Brandon Paak Anderson...
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Choral Choral,Voice (TTBB Chorus) - Level 5 - Interactive Download SKU: A0.1494309 By Bruno Mars, Anderson .paak And Silk Sonic. By Brandon Paak Anderson, Bruno Mars, and Dernst Emile. Arranged by Roy Nussbaum. This edition: Interactive Download. Hip-Hop,Jazz. 17 pages. Duration 187. Roy Nussbaum #Bxwi72eAQJB420Md3Tyo3. Published by Roy Nussbaum (A0.1494309). Key: D major.6-part (+2 solos) tenor-bass a cappella arrangement of Silk Sonic's Smokin' Out the Window.
$2.99
Skate
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Bruno Mars, Anderson
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Jake Liguori
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Skate
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Jake Robert Liguori
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.610487 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Bruno Mars, Der...
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Choral Choir (TTBB) - Level 4 - SKU: A0.610487 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Bruno Mars, Dernst Emile, Domi Degalle, J.d. Beck, and James Edward Fauntleroy. Arranged by Jake Liguori. A Cappella. Octavo. 8 pages. Jake Robert Liguori #219616. Published by Jake Robert Liguori (A0.610487).
$1.99
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Run D
