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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Set Blue
Non classifié
552
Piano & claviers
Piano seul
204
Piano, Voix
52
Piano Facile
28
Piano, Voix et Guitare
27
Instruments en Do
19
1 Piano, 4 mains
8
Accompagnement Piano
7
Orgue
5
Piano Trio: piano, violon, violoncelle
4
1 Piano, 6 mains
4
Clavecin
3
Accordéon, Corde(s)
2
2 Pianos, 4 mains
2
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
82
Guitare
44
Ligne De Mélodie, (Paroles) et Accords
24
Basse electrique
19
2 Guitares (duo)
10
Ukulele
3
Banjo
3
Ensemble de guitares
3
Paroles et Accords
3
Mandoline
2
Dulcimer
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
80
Chorale 2 parties
33
Chorale 3 parties
26
Chorale Unison
22
Chorale TTBB
14
Voix duo, Piano
12
Pack Instrumental pour Chorale
9
Voix seule
4
Chorale SSAA
4
Voix Tenor, Piano
4
Voix Alto, Piano
3
Voix d'Enfants
2
Voix duo
2
Voix Tenor
2
Chorale
2
Voix Soprano, Piano
1
Voix Baryton, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
89
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette et Piano
30
2 Saxophones (duo)
30
Flûte traversière et Piano
23
Saxophone Alto et Piano
23
Saxophone Tenor et Piano
22
Flûte, Hautbois, Clarinette, Basson
18
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Trio de Flûtes: 3 flûtes
16
3 Saxophones (trio)
16
Quatuor de Flûtes : 4 flûtes
14
Flûte traversière
14
2 Flûtes traversières (duo)
13
Quintette de Saxophone: 5 saxophones
13
Saxophone (partie séparée)
12
Saxophone
12
Saxophone Alto
11
Ensemble de Flûtes
11
Clarinette
10
Saxophone Baryton, Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Piano (duo)
8
Saxophone, Clarinette (duo)
8
Saxophone Soprano et Piano
8
Saxophone Tenor
8
3 Clarinettes (trio)
8
Clarinette Basse, Piano
7
2 Hautbois (duo)
6
Ensemble de Clarinettes
6
Clarinette, Violon (duo)
6
Clarinette (partie séparée)
5
Ensemble de saxophones
4
Clarinette, Guitare (duo)
4
Clarinette, Trompette (duo)
4
Harmonica
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Violon
4
Instruments en Mib
3
Flûte et Guitare
3
Hautbois (partie séparée)
3
Flûte, Clarinette et Basson
3
Hautbois, Flûte
2
Saxophone et Piano
2
Saxophone et Guitare
2
Hautbois, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
Flûte à bec Tenor
1
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Flûte à Bec, Piano
1
Piccolo
1
Clarinette et Alto
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Cor anglais, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trompette, Piano
18
Quatuor de Cuivres
14
Trombone et Piano
13
2 Trombones (duo)
12
Trombone (partie séparée)
11
Cor et Piano
11
Trompette
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette (partie séparée)
10
2 Trompettes (duo)
9
Quatuor de cuivres: 4 trombones
8
Trombone
8
Trompette, Saxophone (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Tuba et Piano
6
Ensemble de Trombones
6
Euphonium, Piano (duo)
5
Trompette, Trombone (duo)
4
Cor
4
2 Euphoniums et 2 Tubas
4
3 Trompettes (trio)
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Cors (duo)
3
2 Euphoniums (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Tuba
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
Bass Clef Instruments
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instruments en Sib
1
Ensemble de Tubas
1
Cor anglais, Piano
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Harpe
28
Violon et Piano
26
Violoncelle, Piano
22
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Violon
10
2 Violons (duo)
9
Violon, Alto (duo)
7
2 Altos (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Violoncelles (duo)
6
4 Violoncelles
6
Violoncelle
6
Alto seul
5
Violon, Violoncelle (duo)
5
Violon (partie séparée)
4
Trio à cordes
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
4 Harpes
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Alto (partie séparée)
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
131
Batterie
116
Orchestre d'harmonie
73
Jazz combo
51
Orchestre
48
Orchestre à Cordes
27
Ensemble de cuivres
19
Cloches
9
Fanfare
7
Vibraphone
5
Ensemble d'École
5
Percussion (partie séparée)
4
Ensemble de Percussions
4
Quintette à Vent
4
Marimba
3
Big band
3
Orchestre de chambre
3
Xylophone, Piano
2
Batterie (partie séparée)
2
Piano et Orchestre
2
Instrumentation Flexible
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
Idées cadeaux
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
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avec audio
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Vous avez sélectionné:
Set Blue
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
Blue Moon
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Chorale TTBB
#
FACILE
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Elvis Presley
#
Thomas J
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Blue Moon
#
Thomas J. West
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.928359 By Elvis Presley. By Richard Rodgers. Arranged by Thomas J. West. A Cappella,Rock. Octavo. 7 pages. Thoma...
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Choral Choir (TTBB) - Level 2 - SKU: A0.928359 By Elvis Presley. By Richard Rodgers. Arranged by Thomas J. West. A Cappella,Rock. Octavo. 7 pages. Thomas J. West #5828197. Published by Thomas J. West (A0.928359). This TTBB a cappella arrangement with a tenor lead vocal is written as an homage to the beloved recording by The Marcels. It's the perfect song to introduce a high school tenor-bass ensemble to doo wop style and begs for finger snaps on beats 2 and 4. There's an optional upper harmony to go with the lead during the outro. This arrangement was originally performed by The Dreamers of Phi Mu Alpha a cappella group at Penn State University and taught completely by rote. Bass range is G2 to G3. Tenor 1 sits comfortably in falsetto on G4, F#4, and one A4. The lead and optional harmony have some Frankie Valli style melismas in the outro that range up to falsetto D5 and E5. www.thomasjwestmusic.com .
$1.99
Blue Velvet
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Bobby Vinton
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Blue Velvet
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Tournesol Music, Inc.
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1312199 By Bobby Vinton. By Bernie Wayne and Lee Morris. Arranged by Greg Jasperse and Jonny Faucher. Bar...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1312199 By Bobby Vinton. By Bernie Wayne and Lee Morris. Arranged by Greg Jasperse and Jonny Faucher. Barbershop,Jazz,Pop. 5 pages. Tournesol Music, Inc. #901058. Published by Tournesol Music, Inc. (A0.1312199). Inspired by the Bobby Vinton recording, this arrangement is a lush 4-part TTBB setting in the style of the Hi-Los or Four Freshman. It features a short solo as well as an opportunity for vocal (or instrumental) improvisation in the middle.
$5.00
Blue Rondo A La Turk
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Chorale TTBB
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AVANCÉ
#
Al Jarreau and Dave Brubeck
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Anders Lindqvist
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Blue Rondo A La Turk
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Anders Lindqvist
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SheetMusicPlus
Voice (TTBB) - Level 5 - SKU: A0.1140626 Composed by Al Jarreau and Dave Brubeck. Arranged by Anders Lindqvist. 20th Century,A Cappella,Jazz. Barbershop...
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Voice (TTBB) - Level 5 - SKU: A0.1140626 Composed by Al Jarreau and Dave Brubeck. Arranged by Anders Lindqvist. 20th Century,A Cappella,Jazz. Barbershop Quartet. 13 pages. Anders Lindqvist #740863. Published by Anders Lindqvist (A0.1140626). A very challenging a cappella arrangement of a jazz classic by Dave Brubeck in a setting for an advanced male double quartet (TTTTBBBB) or chorus.
$12.99
G.i. Blues
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Chorale TTBB
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AVANCÉ
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Rock
#
Elvis Presley
#
Patrick Sheehan
#
G.i. Blues
#
Patrick Sheehan
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.748185 By Elvis Presley. By Roy C. Bennett and Sid Tepper. Arranged by Patrick Sheehan. Rock. Octavo. 36 pages. ...
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Choral Choir (TTBB) - Level 5 - SKU: A0.748185 By Elvis Presley. By Roy C. Bennett and Sid Tepper. Arranged by Patrick Sheehan. Rock. Octavo. 36 pages. Patrick Sheehan #6049021. Published by Patrick Sheehan (A0.748185). As recorded by Elvis Presley in the film G. I. Blues.INSTRUMENTATION: Lead Vocal, Male Chorus (TTTB), Piano, Electric Guitar, Electric Bass, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Can't Help Falling In Love
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Chorale TTBB
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AVANCÉ
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Rock
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Rock
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Elvis Presley
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Patrick Sheehan
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rock selections
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Can't Help Falling In Love
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Patrick Sheehan
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.748184 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Patrick Sheehan. R...
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Choral Choir (TTBB) - Level 5 - SKU: A0.748184 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Patrick Sheehan. Rock. Octavo. 44 pages. Patrick Sheehan #6047949. Published by Patrick Sheehan (A0.748184). As recorded by Elvis Presley on the 1961 album Blue HawaiiINSTRUMENTATION: Lead Vocal, Male Chorus (TTTB), Piano, Electric Guitar, String Bass, Glockenspiel, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
The Star-Spangled Banner – TTBB, a cappella
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Chorale TTBB
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INTERMÉDIAIRE
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John Stafford Smith
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Charles A
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The Star-Spangled Banner &ndas
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.882500 Composed by John Stafford Smith. Arranged by Charles A. Gravenhorst. A Cappella,Patriotic,Traditional. Oc...
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Choral Choir (TTBB) - Level 3 - SKU: A0.882500 Composed by John Stafford Smith. Arranged by Charles A. Gravenhorst. A Cappella,Patriotic,Traditional. Octavo. 6 pages. CG Publications #5287625. Published by CG Publications (A0.882500). The National Anthem arranged in a moving and manly style for 4-Part Men’s Voices (TTBB, with Bass divisi). A sprinkling of blue notes give a fresh flavor to this traditional song without detracting from its dignity. A piano reduction is included for rehearsal purposes, but may also serve as an option accompaniment. Set forth as originally performed by the International Collegiate A Cappella Champion University of California Men’s Octet.
$1.99
My Tennessee Mountain Home
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Chorale TTBB
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INTERMÉDIAIRE
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Dolly Parton
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Clifford W
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My Tennessee Mountain Home
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.
$2.10
Let's Live It Up
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Brian Setzer
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Wayne M
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Let's Live It Up
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Wayne Grimmer
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1378359 By Brian Setzer. By Brian Setzer. Arranged by Wayne M. Grimmer. A Cappella,Barbershop,Blues,Conte...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1378359 By Brian Setzer. By Brian Setzer. Arranged by Wayne M. Grimmer. A Cappella,Barbershop,Blues,Contest,Festival,Jazz. 9 pages. Wayne Grimmer #962983. Published by Wayne Grimmer (A0.1378359).
$12.99
Sloop John B
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Chorale TTBB
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INTERMÉDIAIRE
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The Beach Boys
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Matt Clifford Sharp
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Sloop John B
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Matthew Sharp
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495646 By The Beach Boys. By Traditional. Arranged by Matt Clifford Sharp. Pop,Standards,Traditio...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495646 By The Beach Boys. By Traditional. Arranged by Matt Clifford Sharp. Pop,Standards,Traditional. 10 pages. Matthew Sharp #1072169. Published by Matthew Sharp (A0.1495646). A spirited and entertaining take on the Beach Boys classic. This is a very accessible arrangement - B2 goes down to G and T1 goes briefly up to F. The melody is shared around and the piano gets some bluesy riffs towards the end.A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE. Contact: msharp93@live.co.uk Also available as: TTBB + Pianowww.matthewsharppianist.com
$2.99
Stop All the Clocks
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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G
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Stop All the Clocks
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George Skipworth
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.962558 Composed by G.F.Skipworth. Contemporary. Octavo. 12 pages. George Skipworth #4830581. Published by George...
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Choral Choir (TTBB) - Level 4 - SKU: A0.962558 Composed by G.F.Skipworth. Contemporary. Octavo. 12 pages. George Skipworth #4830581. Published by George Skipworth (A0.962558). Stop All the Clocks, or Funeral Blues on a text of W.H. Auden is scored for TT/BB (only occasionally divided) choir. Accompaniment is piano, not overly demanding, but requires the ability to read off-beat harmonies. Vocal ranges moderate for high school and collegiate use. The Auden poem is set to a relaxed, lazy blues style. Appropriate for any choral concert.
$2.99
Christmas Chopsticks ('Twas the Night Before Christmas)
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Chorale TTBB
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FACILE
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Euphemia Allen
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Thomas Coker
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Christmas Chopsticks
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1078085 Composed by Euphemia Allen. Arranged by Thomas Coker. A Cappella,Blues,Christmas,Holiday. Octavo. 7 page...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1078085 Composed by Euphemia Allen. Arranged by Thomas Coker. A Cappella,Blues,Christmas,Holiday. Octavo. 7 pages. Thomas Rembert Coker Jr #682288. Published by Thomas Rembert Coker Jr (A0.1078085). Arranged for the Men of the Wimberley, TX Community Chorus for their 2014 Christmas program, this fun arrangement for TTBB makes use of a portion of the well-known poem, 'Twas the Night Before Christmas and is set to the equally well-known Chop Waltz aka Chopsticks written by 16 year old Euphemial Allen in 1877.
$2.25
When the Roll Swings Low for Men's Quartet and Piano
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Chorale TTBB
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AVANCÉ
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James Milton Black, Wallace Wi
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Daniel R Davis
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When the Roll Swings Low for M
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Daniel R Davis
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.1017158 Composed by James Milton Black, Wallace Willis. Arranged by Daniel R Davis. Blues,Gospel,Jazz,Spiritual....
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Choral Choir (TTBB) - Level 5 - SKU: A0.1017158 Composed by James Milton Black, Wallace Willis. Arranged by Daniel R Davis. Blues,Gospel,Jazz,Spiritual. Octavo. 11 pages. Daniel R Davis #6081151. Published by Daniel R Davis (A0.1017158). When the Roll is Called Up Yonder and Swing Low, Sweet Chariot are the basis of this arrangement, and are featured individually and combined. The style is a driving jazz shuffle with the piano providing the groove and the four voices displaying melodies/harmonies in solo and ensemble voicings. The setting brings to mind more of a smoky blues club than any religious revival.
$5.99
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