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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing! - Trombone Folk
Non classifié
2 506
Piano & claviers
Piano, Voix et Guitare
1 998
Piano seul
1 196
Piano Facile
922
Piano, Voix
741
Instruments en Do
251
Accompagnement Piano
135
Piano grosses notes
96
1 Piano, 4 mains
80
Accordéon
63
Orgue
36
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
17
Ligne De Mélodie, Piano
12
Accordéon, Voix
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Instrument seul et Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Accordéons
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
773
Ukulele
454
Ligne De Mélodie, (Paroles) et Accords
272
Guitare
162
Paroles et Accords
75
Basse electrique
31
Dulcimer
23
Mandoline
21
2 Guitares (duo)
17
Banjo
11
Piano, Guitare (duo)
8
Guitare Pedal Steel
7
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
2
Ukulele Baryton
1
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
668
Chorale 3 parties
458
Chorale 2 parties
209
Chorale TTBB
146
Chorale Unison
127
Voix seule
124
Chorale SSAA
87
Voix Alto, Piano
36
Voix Soprano, Piano
28
Chorale
23
Voix duo, Piano
22
Voix duo
18
Voix Baryton, Piano
15
Voix, Guitare
14
Voix Tenor, Piano
13
Voix basse, Piano
12
Pack Instrumental pour Chorale
12
Voix haute
11
Voix moyenne, Piano
7
Voix Tenor
3
Voix Soprano
2
Chorale SSATBB
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale, Orgue
1
Chorale SSAATB
1
Voix basse
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
179
Clarinette et Piano
116
Saxophone Alto
98
Saxophone Alto et Piano
96
Flûte traversière
94
Hautbois, Piano (duo)
84
2 Flûtes traversières (duo)
73
Clarinette
72
2 Clarinettes (duo)
70
Quatuor de Saxophones: 4 saxophones
64
Flûte, Hautbois, Clarinette, Basson
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Saxophone Tenor
51
2 Saxophones (duo)
39
Trio de Flûtes: 3 flûtes
39
Saxophone Tenor et Piano
39
Quatuor de Clarinettes: 4 clarinettes
36
Flûte, Clarinette (duo)
36
Saxophone (partie séparée)
33
Flûte irlandaise
27
Saxophone Soprano et Piano
25
3 Clarinettes (trio)
23
Quintette de Saxophone: 5 saxophones
21
Hautbois, Basson (duo)
20
2 Hautbois (duo)
20
Hautbois (partie séparée)
20
Hautbois
19
Flûte et Guitare
18
Ensemble de Clarinettes
18
Quatuor de Flûtes : 4 flûtes
18
Saxophone
15
Hautbois, Violoncelle
15
Saxophone, Clarinette (duo)
10
Hautbois, Clarinette (duo)
10
Clarinette, Violon (duo)
9
3 Saxophones (trio)
9
Saxophone Baryton, Piano
9
Flûte, Violon
8
Hautbois, Flûte
8
Quatuor de Flûtes à bec
8
Clarinette, Harpe (duo)
8
Ensemble de Flûtes
8
Clarinette, Trompette (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Hautbois (duo)
7
Clarinette, Basson (duo)
7
Flûte, Clarinette, Piano (trio)
7
Clarinette, Guitare (duo)
7
Piccolo
6
Cor anglais, Piano
6
Flûte, Violon, Piano
6
Ensemble de saxophones
5
Clarinette Basse, Piano
5
Harmonica
5
Flûte, Saxophone (duo)
5
Flute (partie séparée)
5
Flûte à bec Soprano
5
Ocarina
5
Clarinette et Alto
5
Flûte à Bec
5
Flûte, Alto (duo)
5
Hautbois, Guitare (duo)
5
Quintette de Flûte : 5 flûtes
5
Instruments en Mib
4
Flûte à bec Alto
4
Clarinette (partie séparée)
3
Flûte, Violoncelle
3
Flûte, Basson et Piano
3
Saxophone et Piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Piano
3
Saxophone Soprano
3
Flûte, Trompette (duo)
3
Flûte, Hautbois, Violon
3
2 Saxophones, Piano
2
Saxophone Baryton
2
Clarinette, Basson, Piano (trio)
2
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle, Piano (trio)
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle (duo)
2
Cor anglais, Guitare (duo)
1
Flûte, Guitare, Piano
1
Hautbois et alto (duo)
1
Flûte à bec, Guitare (duo)
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Guitare
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Guitare
1
5 Flûtes à bec
1
3 Hautbois
1
Hautbois, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes à bec, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Harpe
1
Clarinette Basse
1
Saxophone et Harpe
1
+ 95 instrumentations
Retracter
Cuivres
Trompette
79
Trompette, Piano
74
Cor et Piano
59
Cor
32
Tuba et Piano
28
Tuba
19
2 Trompettes (duo)
15
Trompette, Saxophone (duo)
8
2 Euphoniums et 2 Tubas
7
Euphonium, Piano (duo)
7
2 Cors (duo)
7
Cor anglais, Piano
6
Trompette (partie séparée)
5
Instruments en Sib
4
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Trompette, violon (duo)
3
2 Tubas (duo)
3
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
1
4 Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Ensemble de Tubas
1
Cor (partie séparée)
1
3 Trompettes (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 25 instrumentations
Retracter
Cordes
Violon et Piano
262
Quatuor à cordes: 2 violons, alto, violoncelle
230
Harpe
201
Violon
131
Violoncelle, Piano
113
Alto, Piano
83
Violoncelle
79
2 Violons (duo)
65
Violon, Violoncelle (duo)
59
Alto seul
58
Trio à Cordes: violon, alto, violoncelle
37
2 Harpes (duo)
31
Violon, Alto (duo)
24
2 Violoncelles (duo)
24
Harpe, Flûte (duo)
21
Trio à Cordes: 2 violons, violoncelle
21
Violon (partie séparée)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Contrebasse, Piano (duo)
17
2 Altos (duo)
17
Violon, Basson (duo)
14
Alto (partie séparée)
12
Contre Basse
11
Violoncelle , Guitare (duo)
11
Trio à Cordes: 3 violoncelles
9
Alto, Violoncelle (duo)
9
Violon, Guitare (duo)
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 violins
6
Alto, Guitare (duo)
5
4 Violoncelles
5
Contrebasse (partie séparée)
4
Harpe, Voix
4
Trio à Cordes: 2 violons, alto
3
Violoncelle, Contrebasse (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle (partie séparée)
3
Ensemble de Violons
3
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Basse continue
1
Alto et Harpe
1
Autoharp
1
Quatuor à cordes: 4 violons
1
4 Harpes
1
Alto et Basson
1
Ensemble d'Altos
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
251
Orchestre à Cordes
135
Cloches
81
Orchestre
77
Ensemble de cuivres
40
Orchestre de chambre
30
Ensemble Jazz
14
Jazz combo
12
Ensemble de Percussions
12
Fanfare
9
Marimba
9
Percussion (partie séparée)
6
2 Xylophones
4
Xylophone
4
Batterie
3
Timbales (partie séparée)
2
Piano et Orchestre
2
Quintette à Vent
2
Percussion
2
Vibraphone
1
+ 15 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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Vous avez sélectionné:
Sing! - Trombone Folk
Chorale TTBB
Partitions à imprimer
146 partitions trouvées
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1
26
51
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126
Bad Moon Rising
#
Chorale TTBB
#
DÉBUTANT
#
Creedence Clearwater Revival
#
Carolyn Goates
#
Bad Moon Rising
#
Carolyn Goates
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1192850 By Creedence Clearwater Revival. By John Fogerty. Arranged by Carolyn Goates. 20th Century,Folk,Pop,Rock...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1192850 By Creedence Clearwater Revival. By John Fogerty. Arranged by Carolyn Goates. 20th Century,Folk,Pop,Rock. Octavo. 5 pages. Carolyn Goates #792303. Published by Carolyn Goates (A0.1192850). This catchy tune performed by Creedance Clearwater Revival is really easy to learn and fun to sing. This arrangement has a piano accompaniment to add a bit of interest between the lyrics.Easy guitar chords are included.
$2.49
O for a Thousand Tongues to Sing
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Ken Litton
#
Ken Litton
#
O for a Thousand Tongues to Si
#
Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacr...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Artist of Note, Inc. #1069484. Published by Artist of Note, Inc. (A0.1492799). O for a Thousand Tongues to SingText by Charles Wesley/Music by Ken Litton (ASCAP) TTBB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close. All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers. Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard1
$2.99
Sing, You Sinners
#
Chorale TTBB
#
AVANCÉ
#
Contemporain
#
Sam Coslow and W
#
Bob Eggers
#
Sing, You Sinners
#
ROBERT J EGGERS
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.940467 Composed by Sam Coslow and W. Franke Harling. Arranged by Bob Eggers. Contemporary. Octavo. 11 pages. ROB...
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Choral Choir (TTBB) - Level 5 - SKU: A0.940467 Composed by Sam Coslow and W. Franke Harling. Arranged by Bob Eggers. Contemporary. Octavo. 11 pages. ROBERT J EGGERS #6663213. Published by ROBERT J EGGERS (A0.940467). Sing, You Sinners is an outrageously funny novelty song that will delight audiences, young and old. This advanced level arrangement is chock full of delightful surprises, featuring a very active ensemble interacting with a strong, carnival barker tenor solo. Appropriate for both school and adult audiences, this song has a driving beat and a big finish that will bring folks to their feet.Please click on the YouTube link for a complete listen.Duration: 2:12Orchestration: Tenor solo plus TTtBB.
$1.99
How Can I Keep From Singing? (Downloadable)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Stephen Caracciolo
#
How Can I Keep From Singing?
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy...
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TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy Music Corporation - Digital (MQ.1.3398-E). English.Commissioned by Cantus in 2014 for their album A Harvest Home and subsequent tours through Northern Europe, the BalticStates, and United States. Written as a companion piece to the composer's setting of Simple Gifts (also commissioned by Cantus four years earlier) this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically using the sonorous sounds of men’s voices.Knowing that Cantus planned to place How Can I Keep From Singing? at the end of their tour program, the final bars were fitted with an extended cadence to bring their staged performances to a satisfying and heartfelt close.
$2.65
Three Mexican Folk Songs: 1. La Martiniana (Downloadable Piano/Choral Score)
#
Chorale TTBB
#
FACILE
#
David Conte
#
Three Mexican Folk Songs: 1. L
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C...
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TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C. Schirmer Music Company - Digital (MQ.8203-E). Spanish.Little girl, when I diedon't cry over my graveSing me a beautiful song, oh mothersing to me La Sandunga.
$2.25
Lift Every Voice and Sing...ttbb
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Lyrics: James Weldon Johnson a
#
Donald A
#
Lift Every Voice and Sing...tt
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.929003 Composed by Lyrics: James Weldon Johnson and Music: J. Rosemond Johnson. Arranged by Donald A. Mills. A C...
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Choral Choir (TTBB) - Level 4 - SKU: A0.929003 Composed by Lyrics: James Weldon Johnson and Music: J. Rosemond Johnson. Arranged by Donald A. Mills. A Cappella,Classical,Concert,Folk. Octavo. 5 pages. Donald A Mills #6264747. Published by Donald A Mills (A0.929003). This song was written in 1901 as anthem sung by or sung to, African Americans. The lyrics are as important today as they were in 1901. This song is written in four part a cappella for a men's chorus. This arrangement would be best sung by an experienced chorus. Both the chorus and the listening audience will love this song.
$3.99
House Of The Rising Sun
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Chorale TTBB
#
FACILE
#
Bob Dylan
#
Richard Cook
#
House Of The Rising Sun
#
RCM Enterprises
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1036495 Composed by Bob Dylan. Arranged by Richard Cook. 20th Century,Celtic,Folk,Irish,Pop. Octavo. 10 pages. R...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1036495 Composed by Bob Dylan. Arranged by Richard Cook. 20th Century,Celtic,Folk,Irish,Pop. Octavo. 10 pages. RCM Enterprises #641517. Published by RCM Enterprises (A0.1036495). Haunting folk melody arranged for men's voices.
$1.99
Three Mexican Folk Songs: 3. La Llorona (Downloadable Piano/Choral Score)
#
Chorale TTBB
#
FACILE
#
David Conte
#
Three Mexican Folk Songs: 3. L
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.8205-E Composed by David Conte. 7 pages. E. C. Schirmer Music Company - Digital #8205-E. Published by E. C...
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TTBB choir, piano - Moderately Easy - SKU: MQ.8205-E Composed by David Conte. 7 pages. E. C. Schirmer Music Company - Digital #8205-E. Published by E. C. Schirmer Music Company - Digital (MQ.8205-E). Spanish.You were going out of the temple, lloronaWhen I saw you passing by.A beautiful huipil you were wearing, lloronaThat I thought you were the virgin.
$1.95
I Know Why The Caged Bird Sings (Sympathy) (TTB)
#
Chorale TTBB
#
FACILE
#
Stephen DeCesare
#
I Know Why The Caged Bird Sing
#
Exultet Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.631468 Composed by Stephen DeCesare. Concert,Contemporary,Folk,Standards. Octavo. 8 pages. Exultet Music #661049...
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Choral Choir (TTBB) - Level 2 - SKU: A0.631468 Composed by Stephen DeCesare. Concert,Contemporary,Folk,Standards. Octavo. 8 pages. Exultet Music #6610493. Published by Exultet Music (A0.631468). Sympathy is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem around while he was working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Scored for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$3.99
Come Thou Fount of Every Blessing
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Sacred Harp
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W
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Come Thou Fount of Every Bless
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Wilhelm Schmidt
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.806605 Composed by Sacred Harp. Arranged by W. F. Schmidt. Folk. Octavo. 9 pages. Wilhelm Schmidt #6682871. Publ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.806605 Composed by Sacred Harp. Arranged by W. F. Schmidt. Folk. Octavo. 9 pages. Wilhelm Schmidt #6682871. Published by Wilhelm Schmidt (A0.806605). A dynamic arrangement of this Sacred Harp melody. Effective for use in worship.
$2.00
Irish Blessing
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Chorale TTBB
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INTERMÉDIAIRE
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Noel Stookey
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Andrew Emmet
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Irish Blessing
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1046914 Composed by Noel Stookey. Arranged by Andrew Emmet. A Cappella,Celtic,Folk,Irish,Multicultural,Sp...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1046914 Composed by Noel Stookey. Arranged by Andrew Emmet. A Cappella,Celtic,Folk,Irish,Multicultural,Spiritual,World. 2 pages. Andrew J Emmet #651414. Published by Andrew J Emmet (A0.1046914). TTBB A Cappella arrangement.Tenor 1 goes up to B for one note.
$4.00
How Can I Keep from Singing?
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Robert Lowry
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Daniel Blosser
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How Can I Keep from Singing?
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Hedgerow Music Publishing
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1485657 Composed by Robert Lowry. Arranged by Daniel Blosser. A Cappella,Christian,Contest,Festival,...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1485657 Composed by Robert Lowry. Arranged by Daniel Blosser. A Cappella,Christian,Contest,Festival,Folk,Jazz. 20 pages. Hedgerow Music Publishing #1062726. Published by Hedgerow Music Publishing (A0.1485657). This enduring hymn about gratitude in all circumstances is given a lush a cappella treatment for tenors and basses that is equally suitable for worship services and secular performances.
$2.99
How Can I Keep From Singing A Cappella TTBB [original lyrics]
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Chorale TTBB
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INTERMÉDIAIRE
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R
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Andrew Emmet
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How Can I Keep From Singing A
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719076 Composed by R. W. Lowry. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Multicultural,Spiritu...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719076 Composed by R. W. Lowry. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Multicultural,Spiritual,World. 3 pages. Andrew J Emmet #5336053. Published by Andrew J Emmet (A0.719076). TTBB A Cappella arrangement.Original Christian lyrics.
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Shenandoah (3-part)
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Chorale TTBB
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DÉBUTANT
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Bonnie V
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Shenandoah
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King #6460757. Published by Clifford W. King (A0.901103). 3-Part for changing voices. Piano accompaniment, Key of F.Boys just want to sing! This arrangement of Shenandoah accommodates unchanged voices, changing voices, and newly changed voices. The piece includes unison singing, voice doubling in different octaves, and some 2 and 3-part harmony with note preparation and support in the accompaniment. The arrangement is easy to learn and easy for singers to make adjustments if needed as they mature. Legato singing is usually a challenge for boys and this piece teaches skills in connecting pitches. So many times boys feel unsuccessful in choral ensembles because of the challenges of their changing voice. This arrangement will overcome those feelings and give these young singers a rewarding experience- not to mention confidence.
$1.99
Lines on Ale
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Edgar Allan Poe
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Lines on Ale
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James Knox
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.499404 By Edgar Allan Poe. By James W. Knox. Contemporary,Folk. Octavo. 29 pages. James Knox #112785. Published ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.499404 By Edgar Allan Poe. By James W. Knox. Contemporary,Folk. Octavo. 29 pages. James Knox #112785. Published by James Knox (A0.499404). A rousing rendition of ‘Lines on Ale’ by Edgar Allan Poe, written for Men's Chorus, Piano and Percussion. It is believed by some to have been written in 1848 at a tavern in Lowell, Massachusetts. This poem, like many of Poe’s, feels quite personal. What’s different in this one, in comparison to some of his better-known poems, is that it’s focusing on the result of Poe’s sorrow rather than that sorrow itself.
$4.25
Skye Boat Song
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Chorale TTBB
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Folklorique/Traditionel
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Traditional
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Philip Le Bas
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Skye Boat Song
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Philip Le Bas
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.818144 Composed by Traditional. Arranged by Philip Le Bas. Folk. Octavo. 5 pages. Philip Le Bas #3053069. Published by Phi...
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Choral Choir (TTBB) - SKU: A0.818144 Composed by Traditional. Arranged by Philip Le Bas. Folk. Octavo. 5 pages. Philip Le Bas #3053069. Published by Philip Le Bas (A0.818144). The Skye Boat Song is a romantic and political song about the escape of Bonnie Prince Charlie from the English across the ocean (little more than a mile or two!) after the battle of Culloden in 1746. This a new arrangement of the traditional Scottish folksong for 4-part male voice barbershop choir by Philip Le Bas is intended to be reasonably straightforward to sing, but with plenty of dramatic intensity. There is sense of tragedy in the song, but notice the final dark threat that Charlie will come again....
$1.99
How Long Dear Saviour
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Chorale TTBB
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DÉBUTANT
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JEREMIAH INGALLS
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Joseph Schrock
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How Long Dear Saviour
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.977533 Composed by JEREMIAH INGALLS. Arranged by Joseph Schrock. A Cappella,Folk,Sacred. Octavo. 4 pages. Schroc...
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Choral Choir (TTBB) - Level 1 - SKU: A0.977533 Composed by JEREMIAH INGALLS. Arranged by Joseph Schrock. A Cappella,Folk,Sacred. Octavo. 4 pages. Schrock Music #4968249. Published by Schrock Music (A0.977533). A cappella for four part men's voicesFun to sing, and easily learned, this Old Harp Series song is from The New Harp of Columbia, an Old Harp song book still widely used by Old Harp singers of East Tennessee.appropriate for church or concertThis version is published with shaped notesalso available with normal note headsDuration appr 1:30 minLength 4 pages
$1.99
All the Pretty Little Horses TTBB
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Unknown
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Donald A
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All the Pretty Little Horses T
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928954 Composed by Unknown. Arranged by Donald A. Mills. Children,Classical,Folk. Octavo. 4 pages. Donald A Mill...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928954 Composed by Unknown. Arranged by Donald A. Mills. Children,Classical,Folk. Octavo. 4 pages. Donald A Mills #3079007. Published by Donald A Mills (A0.928954). A beautiful lullaby from early America, this new arrangement will become a favorite to all who hear it. Your audiences and singers alike will love the soft melodies and the new harmonies. It's a lullaby, so sing it softly, slowly, and use the dynamics posted to best advantage. This song's level of performance is mid-to-upper levels .
$2.29
How Long Dear Saviour
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Chorale TTBB
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DÉBUTANT
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JEREMIAH INGALLS
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Joseph Schrock
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How Long Dear Saviour
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.977531 Composed by JEREMIAH INGALLS. Arranged by Joseph Schrock. A Cappella,Folk,Sacred. Octavo. 4 pages. Schroc...
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Choral Choir (TTBB) - Level 1 - SKU: A0.977531 Composed by JEREMIAH INGALLS. Arranged by Joseph Schrock. A Cappella,Folk,Sacred. Octavo. 4 pages. Schrock Music #4968245. Published by Schrock Music (A0.977531). A cappella for four part men's voicesFun to sing and easily learned, this Old Harp Series song is from The New Harp of Columbia, an Old Harp song book still widely used by Old Harp singers of East Tennessee.Appropriate for church of concert.Duration app. 1:30 minLength 4 pagesAlso available in shaped note edition
$1.99
Silver Bells
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Chorale TTBB
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FACILE
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John Denver
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Charles Beale
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Silver Bells
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1302579 By John Denver. By Jay Livingston and Ray Evans. Arranged by Charles Beale. Folk,Holiday. 13 page...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1302579 By John Denver. By Jay Livingston and Ray Evans. Arranged by Charles Beale. Folk,Holiday. 13 pages. Charliebmusic #892200. Published by charliebmusic (A0.1302579). This warm and classic North American holiday song was first recorded by Bing Crosby and Carol RIchards in 1950 for the movie 'The Lemon Drop Kid', and has since been covered countless times, by singers including Judy Collins, Bob Hope, the UK's Aled Jones and even Terry Wogan.This TTBB arrangement features an initial solo and two sections of singalong, to engage an audience.
$1.99
Danny Boy ttbb
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Traditional Irish, composer un
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Donald A
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Danny Boy ttbb
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928990 Composed by Traditional Irish, composer unknown. Arranged by Donald A. Mills, 2020. Concert,Folk,Holiday....
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Choral Choir (TTBB) - Level 4 - SKU: A0.928990 Composed by Traditional Irish, composer unknown. Arranged by Donald A. Mills, 2020. Concert,Folk,Holiday. Octavo. 3 pages. Donald A Mills #5203901. Published by Donald A Mills (A0.928990). A beautiful arrangement, with a new introduction. Your chorus or quartet and their audiences will love this traditional Irish song written in the barbershop style of music. Of course sing it during Irish holidays and festivals...but it is also appropriate for singing in concert any time of the year. .
$2.99
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