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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sleep Song
Sheetmusicplus
Non classifié
199
Piano & claviers
Piano, Voix
120
Piano seul
104
Piano, Voix et Guitare
62
Piano Facile
41
Orgue
11
Instruments en Do
10
Piano grosses notes
10
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
7
Ukulele
2
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
77
Chorale 3 parties
19
Chorale SSAA
9
Chorale TTBB
9
Chorale 2 parties
8
Chorale Unison
7
Voix Soprano, Piano
5
Voix haute
4
Voix duo
2
Chorale
2
Voix duo, Piano
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
23
Clarinette et Piano
17
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
12
3 Saxophones (trio)
8
2 Clarinettes (duo)
8
2 Saxophones (duo)
7
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
6
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte et Guitare
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette
5
Saxophone (partie séparée)
4
Saxophone Tenor
4
3 Clarinettes (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
2 Flûtes traversières (duo)
4
Clarinette (partie séparée)
3
Flûte, Hautbois, Basson
3
Saxophone Alto
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Baryton, Piano
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Harmonica
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Flûte traversière
2
Hautbois, Basson (duo)
2
Cor anglais, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette Basse, Piano
2
Quatuor de Flûtes à bec
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Clarinette, Guitare (duo)
1
Hautbois, violon (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette (duo)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Cor anglais, Guitare (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Ensemble de Clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Hautbois et alto (duo)
1
Harmonica, Piano
1
+ 53 instrumentations
Retracter
Cuivres
Trombone et Piano
10
Trompette, Piano
10
Cor et Piano
6
Trompette
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette (partie séparée)
4
Quatuor de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
3
2 Trompettes (duo)
2
Cor (partie séparée)
2
Trombone (partie séparée)
2
Cor anglais, Piano
2
Trombone
2
Trompette, Trombone (duo)
1
Tuba et Orgue
1
Tuba et Piano
1
Cor
1
2 Tubas (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
28
Alto, Piano
19
Violoncelle, Piano
14
Harpe
9
2 Violons (duo)
5
Violon
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
4
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Trio à cordes: 3 violins
2
Violoncelle
2
Alto, Violoncelle (duo)
2
Alto seul
1
Harpe, Violon, Violoncelle
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
25
Orchestre
7
Ensemble de cuivres
6
Orchestre de chambre
6
Orchestre à Cordes
6
Fanfare
3
Ensemble Jazz
2
Batterie
1
Cloches
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Sleep Song
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
Sleep
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Allen Stone
#
Kevin Cincotta-Guest
#
Sleep
#
Kevin Cincotta-Guest
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.823228 By Allen Stone. By Allen Stone, Andrew William Rose, Audra Mae, and Audra Mae Butts. Arranged by Kevin Ci...
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Choral Choir (TTBB) - Level 3 - SKU: A0.823228 By Allen Stone. By Allen Stone, Andrew William Rose, Audra Mae, and Audra Mae Butts. Arranged by Kevin Cincotta-Guest. A Cappella,Pop,Singer/Songwriter. Octavo. 16 pages. Kevin Cincotta-Guest #5711297. Published by Kevin Cincotta-Guest (A0.823228). *Runner Up for the 2014 Contemporary A Cappella Recording Award (CARA) for Best Contemporary A Cappella League (CAL) Song.*Selected for the 2013 sing international a cappella compilation album, Sing 10: Neon.A fun contemporary a cappella TTTTBB+Solo+Vocal Percussion version of Allen Stone's song from his 2012 Top Charting US Billboard Heatseekers Albums, Top R&B/Hip-Hop album charting, debut studio album, Allen Stone.As performed by Boston, MA, USA based, award-winning all-male Contemporary A Cappella League (CAL) group, Redline (www.redlineboston.com). A part of the 2017 Contemporary A Cappella Recording Award (CARA) nominated album, Paint the Town.
$1.99
Two Sleepy People
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Chorale TTBB
#
INTERMÉDIAIRE
#
Frank Loesser and Hoagy Carmic
#
Antony Currington
#
Two Sleepy People
#
Antony Currington
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1389503 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Antony Currington. 20th Century,A Cap...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1389503 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Antony Currington. 20th Century,A Cappella,Barbershop,Film/TV. 5 pages. Antony Currington #973091. Published by Antony Currington (A0.1389503). Originally performed by Bob Hope and Shirley Ross, this song tells of a young couple in love, who despite being sleepy, sit up together until dawn because they do not want to say good night and part. A fun little swing tune from the 1930's, this song has been recorded by many people including Fats Waller and Art Garfunkle. This arrangement is done in the barbershop style for men's quartets or choruses (TTBB), and should be suitable for a barbershop contest performance.
$2.50
Two Sleepy People
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Chorale TTBB
#
INTERMÉDIAIRE
#
Frank Loesser and Hoagy Carmic
#
Antony Currington
#
Two Sleepy People
#
Antony Currington
#
SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1389506 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Antony Currington. 20th Century,A Cappella,Barbersh...
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Voice (TTBB) - Level 3 - SKU: A0.1389506 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Antony Currington. 20th Century,A Cappella,Barbershop,Film/TV. Barbershop Quartet. 5 pages. Antony Currington #973094. Published by Antony Currington (A0.1389506). Originally performed by Bob Hope and Shirley Ross, this song tells of a young couple in love, who despite being sleepy, sit up together until dawn because they do not want to say good night and part. A fun little swing tune from the 1930's, this song has been recorded by many people including Fats Waller and Art Garfunkle. This arrangement is done in the barbershop style for men's quartets or choruses (TTBB), and should be suitable for a barbershop contest performance.
$12.99
Sleeping On My Dreams
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Chorale TTBB
#
INTERMÉDIAIRE
#
Jacob Collier
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Jeff Tincher
#
Sleeping On My Dreams
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Jeff Tincher
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1312106 By Jacob Collier. By Jacob Collier. Arranged by Jeff Tincher. Contemporary,Pop,Singer/Songwriter....
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1312106 By Jacob Collier. By Jacob Collier. Arranged by Jeff Tincher. Contemporary,Pop,Singer/Songwriter. 18 pages. Jeff Tincher #900999. Published by Jeff Tincher (A0.1312106). If there was ever a song that would be fun to perform it would be this one. In the original key from Jacob Collier's Djesse Vol 3, this song has a fast melody with great rhythmic background. It is categorized as Intermediate because of the speed the singers have to sing the melody in octaves. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Lullabye (Goodnight, My Angel)
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Deb Jones
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Lullabye
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Deb Jones
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Publ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180). Lullabye (Goodnight My Angel) This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her. I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’ As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving. This version has been reformatted for male voices, so duet, cello, smattering of TTBB. I hope you enjoy it. Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece. Other formats will be available shortly with more choir involvement and for those without access to a cello. Formats available Duet, cello, SSA Duet, cello, TTBB
$1.99
Peace, Perfect Peace - TTBB
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Chorale TTBB
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FACILE
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Phil Beaman
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Peace, Perfect Peace - TTBB
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Phil Beaman
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107....
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Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99
The Ash Grove
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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Glenda E
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The Ash Grove
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Glenda E. Franklin Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.956367 Arranged by Glenda E. Franklin. Folk. Octavo. 8 pages. Glenda E. Franklin Publications #6266705. Publishe...
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Choral Choir (TTBB) - Level 2 - SKU: A0.956367 Arranged by Glenda E. Franklin. Folk. Octavo. 8 pages. Glenda E. Franklin Publications #6266705. Published by Glenda E. Franklin Publications (A0.956367). This familiar folksong, arranged for men's choir, offers an abundance of teaching and learning opportunities in phrasing and diction as the story is told of the sweet maiden sleeping 'neath the green grass by the ash grove.
$2.00
BATTLE HYMN OF THE REPUBLIC
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Chorale TTBB
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FACILE
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Words by JULIA WARD HOWE - Mus
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Paul A
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BATTLE HYMN OF THE REPUBLIC
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522302 Composed by Words by JULIA WARD HOWE - Music by WILLIAM STEFFE. Arranged by Paul A. Jorg. Christian,Holid...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522302 Composed by Words by JULIA WARD HOWE - Music by WILLIAM STEFFE. Arranged by Paul A. Jorg. Christian,Holiday,Patriotic. Octavo. 4 pages. Paul A. Jorg #5765669. Published by Paul A. Jorg (A0.522302). This patriotic arrangement puts new life into a wonderful, old song. No one will be sleeping through its performance. The variations in tempo, melody lines and timing will provide this.
$4.59
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Sleep Song