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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So What - Bass
Non classifié
309
Piano & claviers
Piano seul
988
Piano Facile
470
Piano, Voix
146
Piano, Voix et Guitare
103
Orgue
18
Instruments en Do
17
1 Piano, 4 mains
11
Accompagnement Piano
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano grosses notes
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Clavecin
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
22
Guitare (partie séparée)
8
Ukulele
8
Paroles et Accords
8
Piano, Guitare (duo)
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Banjo
2
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
98
Chorale 2 parties
35
Chorale 3 parties
33
Chorale Unison
10
Chorale TTBB
9
Voix duo, Piano
4
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix Soprano, Piano
3
Voix haute
3
Voix duo
3
Voix moyenne, Piano
2
Chorale SSAA
2
Voix Tenor
1
Chorale SSATBB
1
Chorale SSATTB
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
66
Quatuor de Saxophones: 4 saxophones
59
Saxophone (partie séparée)
56
2 Saxophones (duo)
43
Clarinette
26
Flûte traversière
25
Saxophone Alto et Piano
24
Flûte traversière et Piano
23
Hautbois, Piano (duo)
23
Hautbois (partie séparée)
20
Saxophone Tenor et Piano
19
Saxophone Alto
19
Saxophone Tenor
18
Clarinette et Piano
17
Saxophone Soprano et Piano
14
Saxophone Baryton, Piano
12
Saxophone
12
Cor Anglais
12
Cor anglais, Piano
8
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette (partie séparée)
6
Flute (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Trio de Flûtes: 3 flûtes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte irlandaise
3
Ensemble de saxophones
2
Flûte, Clarinette (duo)
2
Instruments en Mib
2
2 Flûtes traversières (duo)
2
Clarinette, Violon (duo)
2
Ocarina
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
2 Flûte à bec (duo)
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
Harmonica
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
Flûte, Violon
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Quatuor de Cuivres
62
Trompette
38
Trompette (partie séparée)
26
Trombone (partie séparée)
22
Trombone
22
Trompette, Piano
22
Cor
21
Trombone et Piano
21
Cor et Piano
15
Tuba
15
Cor Anglais
12
Tuba et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor anglais, Piano
8
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor (partie séparée)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
2
Instruments en Sib
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
1
2 Trompettes (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone et orchestre
1
Trompette, Trombone (duo)
1
Euphonium
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Trombone, Orgue
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon et Piano
45
Violon
36
Harpe
36
Alto, Piano
29
Violoncelle, Piano
24
Violoncelle
24
Alto seul
12
Trio à Cordes: violon, alto, violoncelle
10
Alto (partie séparée)
9
2 Violons (duo)
7
Violon, Alto (duo)
5
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
2 Violoncelles (duo)
2
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
2 Altos (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
88
Ensemble Jazz
69
Orchestre à Cordes
23
Orchestre
23
Orchestre de chambre
13
Ensemble de cuivres
12
Fanfare
9
Batterie
8
Jazz combo
8
Cloches
6
Batterie (partie séparée)
6
Percussion (partie séparée)
4
Marimba
3
Ensemble de Percussions
2
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
So What - Bass
Chorale TTBB
Partitions à imprimer
9 partitions trouvées
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1
What Are You Doing New Year's Eve?
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Chorale TTBB
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FACILE
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Contemporain
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Frank Loesser
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Jim Shubert
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What Are You Doing New Year's
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971411 Composed by Frank Loesser. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6656...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971411 Composed by Frank Loesser. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6656527. Published by James W. Shubert (A0.971411). 4 part male barbershop arrangement (TTBB) Early Intermediate Level. A great Frank Loesser song that gets short shrift due to subject matter; it's not a Christmas song, so it doesn't get done before the holidays, and by New Year's everyone's grown tired of the Xmas music. However, it's much too good to ignore, and some musical epicure's will scarf up this tasty morsel.
$1.99
What Are You Doing New Year's Eve?
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Chorale TTBB
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FACILE
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Frank Loesser
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Jay Dearling
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What Are You Doing New Year's
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Jay Dearling
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1161237 Composed by Frank Loesser. Arranged by Jay Dearling. A Cappella,Barbershop,Christmas. Octavo. 4 pages. J...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1161237 Composed by Frank Loesser. Arranged by Jay Dearling. A Cappella,Barbershop,Christmas. Octavo. 4 pages. Jay Dearling #690287. Published by Jay Dearling (A0.1161237). The original song has only one verse so Jay has written a new ‘first’ verse with the second verse – the original – having a switch of the melody between voices.Frank has always objected to anyone saying that it is a Christmas song and this is understandable. More details on jaydeemusic.me.uk.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Lullabye (Goodnight, My Angel)
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Deb Jones
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Lullabye
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Deb Jones
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Publ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180). Lullabye (Goodnight My Angel) This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her. I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’ As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving. This version has been reformatted for male voices, so duet, cello, smattering of TTBB. I hope you enjoy it. Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece. Other formats will be available shortly with more choir involvement and for those without access to a cello. Formats available Duet, cello, SSA Duet, cello, TTBB
$1.99
BLESSED ASSURANCE
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Chorale TTBB
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FACILE
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Lyrics -Fannie Crosby, Music -
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Paul A
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,H...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Don't Give Up
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Peter Gabriel And Kate Bush
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Charles Beale
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Don't Give Up
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo. 18 pages. Char...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo. 18 pages. Charliebmusic #772070. Published by charliebmusic (A0.1171795). From Peter Gabriel's 1987 album 'So', 'Don't Give up' is a song about struggle. Originally written around what Gabriel saw as the 1980s struggle against UK Thatcherism, the song works well in the context of all kinds of oppression. The arrangement features three soloists, all perhaps facing different kinds of struggle or mental health issue. In each case, the choir responds with kindness: Don't GIve Up, 'cause you've got friends, and 'cause somewhere there's a place where we belong.
$1.99
Horizon
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Chorale TTBB
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INTERMÉDIAIRE
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
Shivers
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Chorale TTBB
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FACILE
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Pop musique
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Ed Sheeran
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Michael Stewart
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Shivers
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Michael D Stewart
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.928200 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Michael Stewart. Pop...
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Choral Choir (TTBB) - Level 2 - SKU: A0.928200 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Michael Stewart. Pop. Octavo. 19 pages. Michael D Stewart #6776487. Published by Michael D Stewart (A0.928200). This is an upbeat and amazing song to get your students moving. I've written this in a way that you can take and use whatever you need to make this piece work. You can exclude parts or use any that you would like. Part 2 is the melody throughout the entire piece except for the bridge section. It moves to the Part 1.It is in the original key, so if you buy the instrumental version of the song done by Ed Sheeran himself, you can actually do my arrangement with those instrumentals. If you would like the piano accompaniment, please email me at newamericanmichael@gmail.com.
$1.99
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So What - Bass