English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stand In The Light
Non classifié
519
Piano & claviers
Piano seul
451
Piano, Voix et Guitare
98
Piano Facile
84
Piano, Voix
57
Instruments en Do
53
Orgue
24
Piano grosses notes
14
Accompagnement Piano
9
1 Piano, 4 mains
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 6 mains
3
Piano (partie séparée)
3
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
58
Guitare notes et tablatures
46
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
12
Banjo
6
Guitare (partie séparée)
5
Basse electrique
5
2 Guitares (duo)
4
2 Dulcimers (duo)
2
Dulcimer
2
Piano, Guitare (duo)
2
Mandoline
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
94
Chorale 3 parties
30
Chorale 2 parties
20
Chorale TTBB
14
Voix duo, Piano
9
Chorale SSAA
7
Chorale Unison
5
Voix Alto, Piano
5
Voix Soprano, Piano
4
Pack Instrumental pour Chorale
3
Voix Tenor
2
Chorale
2
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
70
2 Saxophones (duo)
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Flûte, Hautbois, Clarinette, Basson
48
Clarinette et Piano
45
Quatuor de Saxophones: 4 saxophones
42
Saxophone Alto et Piano
36
2 Flûtes traversières (duo)
31
Hautbois, Piano (duo)
28
2 Clarinettes (duo)
27
Saxophone, Clarinette (duo)
26
Saxophone Soprano et Piano
25
Quintette de Saxophone: 5 saxophones
24
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette, Violon (duo)
21
Saxophone Tenor et Piano
18
Clarinette, Trompette (duo)
16
Flûte, Clarinette (duo)
14
Saxophone (partie séparée)
14
Flûte traversière
14
Clarinette
12
Saxophone Baryton, Piano
12
Clarinette et Alto
11
2 Hautbois (duo)
10
Flûte, Saxophone (duo)
10
Flûte, Violon
10
Quatuor de Flûtes : 4 flûtes
10
Cor anglais, Piano
9
3 Clarinettes (trio)
8
Hautbois, Clarinette (duo)
8
Hautbois, Flûte
8
Ensemble de Flûtes
7
Flûte, Alto (duo)
7
Saxophone Alto
7
Clarinette Basse, Piano
7
Flûte, Trompette (duo)
6
Saxophone Tenor
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois (partie séparée)
5
Hautbois, Basson (duo)
5
Hautbois
4
Flute (partie séparée)
3
Flûte, Clarinette et Basson
3
Ensemble de Clarinettes
3
Flûte à bec Alto, Piano
3
Flûte à bec Soprano
3
Saxophone et Harpe
2
Clarinette (partie séparée)
2
Saxophone Soprano
2
2 Flûte à bec (duo)
2
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
Ensemble de saxophones
2
Instruments en Mib
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte à bec Alto
1
Flûte et Guitare
1
Cor Anglais
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
3 Saxophones (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Piccolo
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Cor et Piano
27
Trompette, Piano
23
Trombone et Piano
22
Trompette, Saxophone (duo)
19
Trombone (partie séparée)
17
Euphonium, Piano (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Trompette
14
Trompette (partie séparée)
13
Trombone
12
Trompette, Trombone (duo)
12
Tuba et Piano
11
Cor anglais, Piano
9
Quatuor de Cuivres
9
Cor
9
2 Trombones (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trompettes (duo)
7
Tuba
7
Quatuor de cuivres: 4 trombones
3
Cor (partie séparée)
3
Instruments en Sib
2
2 Cors (duo)
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
Trompette, violon (duo)
1
4 Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trompette et Guitare
1
Trompette, Harpe
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
64
Alto, Piano
38
Violon
26
Violoncelle, Piano
26
2 Violons (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violoncelles (duo)
16
Harpe
15
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
12
Violon, Violoncelle (duo)
12
2 Altos (duo)
12
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
9
Alto seul
7
Contre Basse
5
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
3
Violon (partie séparée)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Violoncelles
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
149
Orchestre à Cordes
52
Orchestre
46
Ensemble Jazz
36
Jazz combo
23
Cloches
17
Orchestre de chambre
14
Ensemble de cuivres
13
Ensemble de Percussions
4
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Fanfare
2
Marimba
1
Xylophone
1
Vibraphone et Marimba
1
+ 10 instrumentations
Retracter
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLONCELLE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Stand In The Light
Chorale TTBB
Partitions à imprimer
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1
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Stand In The Light
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411664 By Jor…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411664 By Jordan Smith. By Lauren Christy and Stephan Moccio. Arranged by David Maddux. Pop. 13 pages. David Maddux #993908. Published by David Maddux (A0.1411664). Jordan Smith's masterful anthem of authenticity and vulnerablity, Stand In The Light, shines brightly in this true-to-the-original setting for tenor and bass voices.Note: This download contains the piano-vocal score only. Score and instrumental parts sold separately.
$1.99
1.83 €
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Chorale TTBB
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Jordan Smith
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David Maddux
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Stand In The Light
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David Maddux
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SheetMusicPlus
Stand In The Light
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.984793 By Jordan Smith. By…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.984793 By Jordan Smith. By Lauren Christy and Stephan Moccio. Arranged by Jason Falkofsky. A Cappella. Octavo. 8 pages. Jason Falkofsky #4414731. Published by Jason Falkofsky (A0.984793). With its powerful message of encouragement and self-pride, this moving pop ballad from solo artist Jordan Smith, winner of season 9 of The Voice, will inspire singers and audiences alike. Arranged here for the tenor-bass ensemble, this a cappella arrangement allows the sensitivity and determination of the original recording to shine through. The inclusion of an opening fanfare announces the song's celebration of individuality by boldly declaring to all to stand in the light and be seen as we are. Improvised vocal percussion may be added for a more pop a cappella feel.
$2.25
2.07 €
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Chorale TTBB
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Jordan Smith
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Jason Falkofsky
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Stand In The Light
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Jason Falkofsky
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SheetMusicPlus
(there Ought To Be A) Moonlight Saving Time
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1146884 Composed by Harry Richman…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1146884 Composed by Harry Richman and Irving Kahal. Arranged by Mark Jennings. A Cappella,Barbershop,Jazz,Standards. Barbershop Quartet. 6 pages. Mark Jennings #747082. Published by Mark Jennings (A0.1146884). TTBB Acappella arrangement written in the barbershop style. Additional lyrics added to add interest to the story line.
$12.99
11.98 €
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Chorale TTBB
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Harry Richman and Irving Kahal
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Mark Jennings
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(there Ought To Be A) Moonlight Saving Time
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Mark Jennings
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SheetMusicPlus
Standing on the Promises
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977514 Composed by R Kelso…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977514 Composed by R Kelso Carter. Arranged by Joseph Schrock. Christian,Gospel,Holiday,Sacred. Octavo. 12 pages. Schrock Music #4594851. Published by Schrock Music (A0.977514). This arrangement by Joseph Schrock highlights the power of men's voices joining in praise. Interesting harmony and tempo changes make this a fun sing. Unison and two part sections make it readable for most men's groups. Appropriate for general worship, special occasions, revival, concerts and festivals.Length 12 pages Duration approx. 4:00 minAlso available as ttbb unaccompanied
$2.25
2.07 €
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Chorale TTBB
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R Kelso Carter
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Joseph Schrock
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Standing on the Promises
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Schrock Music
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SheetMusicPlus
On The Way To Cape May
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.979925 Composed by Maurice…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.979925 Composed by Maurice Nugent. Arranged by Larry Triplett. A Cappella,Standards. Octavo. 6 pages. Larry Triplett #6210893. Published by Larry Triplett (A0.979925). A cappella harmony in the barbershop style for men's voices.Light & jaunty tune in a simple barbershop quartet arrangement including a section with baritone melody.
$3.99
3.68 €
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Chorale TTBB
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Maurice Nugent
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Larry Triplett
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On The Way To Cape May
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Larry Triplett
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SheetMusicPlus
Without Him
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.1327335 Composed by…
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Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.1327335 Composed by Mylon R. LeFevre. Arranged by Alex E. 20th Century,A Cappella,Chamber,Christian,Sacred. 3 pages. Müller Publishing company #915384. Published by Müller Publishing company (A0.1327335). Embark on a melodic journey with our meticulously arranged sheet music for Men's Choir, showcasing the touching composition Without Him by Mylon R. Lefevre. This TTBB male voice arrangement promises an exquisite presentation of Lefevre's creation, offered in a high-resolution digital format.Without Him stands as a remarkable piece, highlighting Mylon R. Lefevre's skill in invoking a sense of reverence and spirituality through musical artistry. This TTBB adaptation, thoughtfully crafted for male vocal ensembles, pays homage to the enduring beauty and profound emotions encapsulated in Lefevre's work.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this adaptation. The rich harmonies and captivating melodic lines are crafted to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir consists of seasoned vocalists or those beginning their musical voyage, this digital sheet music invites exploration into the harmonies of Without Him. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir repertoire, seize the opportunity to acquire this high-resolution sheet music for Without Him, arranged for TTBB. Revel in the harmonious blend of male voices as your choir breathes life into this compelling message, beautifully preserved in Mylon R. Lefevre's timeless composition.
$1.99
1.83 €
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Chorale TTBB
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Mylon R
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Alex E
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Without Him
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Müller Publishing company
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SheetMusicPlus
Silver Echo Taps (for double men's chorus)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union A…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
2.11 €
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Chorale TTBB
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Union Army Brigadier General Daniel Butterfield
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Donald A
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Words by Horace Lorenzo Trim
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Silver Echo Taps
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Donald A Mills
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SheetMusicPlus
It Had To Be You
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 1 - Digital Download SKU: A0.1458752 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 1 - Digital Download SKU: A0.1458752 Composed by Quincy D Jones. Arranged by Kirstie Smith. 20th Century,Film/TV,Jazz,Standards,Wedding. 8 pages. Kirstie Smith #1037686. Published by Kirstie Smith (A0.1458752). An uplifting and fun Male Voice Choir arrangement of the classic jazz standard It Had To Be You (Isham Jones, Gus Kahn, 1924). An iconic swing number recorded by legends such as Quincy Jones, Frank Sinatra and Ray Charles, this choral arrangement is written in the style of Harry Connick Jr. as featured in the film When Harry Met Sally. Perfectly crafted, slowly building in texture, tempo and dynamics from the understated opening bars to a rousing big-band style ending, this TTBB arrangement will delight singers and audiences alike.
$1.99
1.83 €
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Chorale TTBB
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Quincy D Jones
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Kirstie Smith
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It Had To Be You
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Kirstie Smith
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SheetMusicPlus
Old Bones
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979946 Composed by John Ha…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979946 Composed by John Hadley. Arranged by Larry Triplett. A Cappella,Standards. Octavo. 6 pages. Larry Triplett #6216655. Published by Larry Triplett (A0.979946). A cappella harmony in the barbershop style for men's voices.This light-hearted shuffle was a big hit for George Burns.
$3.99
3.68 €
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Chorale TTBB
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John Hadley
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Larry Triplett
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Old Bones
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Larry Triplett
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SheetMusicPlus
Bring Me Sunshine
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1422424 By Wil…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Comedy,Pop. 8 pages. Nathan Jones Music #1003763. Published by Nathan Jones Music (A0.1422424). Originally arranged for Rechoir (SATB) to perform at a member's wedding, the arrangements is now available for TTBB, arranged for The Morriston Orpheus Choir.This jovial choral arrangement of 'Bring Me Sunshine' is sure to get feet tapping, and bring a smile to any audience. This piece would fit well into any Spring or Summer programme, or even into a Winter one, if you're trying to cheer everyone up!Made famous in the UK as the signature tune of Morcambe & Wise.This arrangement is for standard TTBB with no splits, slightly simplified rhythms (compared to the SATB version) and identical repeats, all to aid learning. The melody moves between the sections, giving everyone a chance to shine!Intended for choirs of intermediate ability.Essential skills for this piece - Smiling and having fun!The YouTube link is of a live performance by Swansea University Choral Society (SATB). I updated the arrangement following this recording (which is the one available for sale here), but the video gives the gist of the cheery feel and an idea of the harmony.
$3.50
3.23 €
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Chorale TTBB
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Willie Nelson
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Nathan Jones
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Wise
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Bring Me Sunshine
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Nathan Jones Music
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SheetMusicPlus
Believe
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865846 By Josh Groban. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. 13 pages. Charliebmusic #4785529. Published by charliebmusic (A0.865846). From the movie 'Polar Express' (2004), 'Believe' is a heart-warming and hopeful pop ballad for the Holidays. The lyric tells how we all become slightly better people at Christmas, as we rediscover our inner child, find ourselves and 'believe'. Popular with kids and adults and originally featuring Josh Groban, this anthemic song stands up 15 years after the movie's release, and Charlie is frequently asked for this arrangement by different choirs.Set in four parts for TTBB with moments of doubling and simple divisi.
$1.99
1.83 €
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Chorale TTBB
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Josh Groban
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Charles Beale
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Believe
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charliebmusic
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SheetMusicPlus
Old Devil Moon
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477898 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477898 Composed by Burton Lane and E.Y. Yip Harburg. Arranged by James Morgan. A Cappella,Barbershop,Broadway,Contemporary,Jazz,Musical/Show. 5 pages. Modern Vocals Online - James Morgan #1055275. Published by Modern Vocals Online - James Morgan (A0.1477898). Infuse your repertoire with the timeless allure of “That Old Devil Moon,” masterfully arranged for a TTBB barbershop quartet. Originating from the 1947 musical “Finian’s Rainbow” and immortalized by Frank Sinatra, this medium swing-style chart melds classic swing rhythms with rich barbershop harmonies.This arrangement presents a rhythmic challenge with its array of jazz-inspired chords, offering both complexity and singability. It’s crafted to engage and delight both performers and audiences alike.While designed with contest potential in mind, always consult a certified Musicality judge to ensure it meets competition standards. This piece provides an excellent opportunity to showcase your quartet’s rhythmic precision and harmonic sophistication.Perfect for enhancing your program, whether in a concert setting or during a special performance, “That Old Devil Moon” will enchant listeners with its swinging rhythm and intricate harmonies. Embrace this classic and let your voices create an unforgettable musical experience.
$3.99
3.68 €
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Chorale TTBB
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Burton Lane and E
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James Morgan
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Old Devil Moon
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Modern Vocals Online - James Morgan
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SheetMusicPlus
Pure Imagination
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon T…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Timorell. A Cappella,Barbershop,Christmas,Film/TV,Standards. 16 pages. Timorell #942213. Published by Timorell (A0.1357674). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced level, TTTBB cover of the popular original song from the 70's movie, Willy Wonka & the Chocolate Factory. Intended to be earnest and magical, and even slightly worrisome in later sections, just like our imaginations can be. It is not sad or pensive, though. Multiple meters: 4|4 5|4 6|4 Opening melody could be cast as a solo through measure 16. Run time is 2:45. Note the third verse from the original song is not included in this arrangement. A piano reduction is provided for rehearsals as the chord structure is heavily jazz influenced (6ths, 9ths, 11ths and cluster chords abound). Vocal percussion, a key component, is not notated but encourage between measures 17 & 48. Range: low - (tessitura) - highT1: F3 - (G4) - D5T2: C3 - (F4) - Bb4T3: C3 - (D4) - Bb4Bari: C3 - (A3) - F4Bass: Eb2 - (D3) -Bb3
$2.00
1.84 €
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Chorale TTBB
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Mormon Tabernacle Choir
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Timorell
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Pure Imagination
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Timorell
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SheetMusicPlus
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