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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stay With Me - Soprano
Non classifié
60
Piano & claviers
Piano seul
160
Piano, Voix et Guitare
49
Piano, Voix
45
Piano Facile
44
Instruments en Do
15
Piano grosses notes
5
1 Piano, 4 mains
4
Orgue
2
Accompagnement Piano
1
Accordéon
1
Ligne De Mélodie, Piano
1
Clavier
1
2 Pianos, 4 mains
1
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
19
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
10
Ukulele
7
Paroles et Accords
7
Ensemble de guitares
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
38
Voix seule
13
Chorale TTBB
8
Chorale Unison
3
Chorale 3 parties
3
Chorale SSAA
2
Chorale 2 parties
2
Voix duo
1
Chorale SSAB, Piano
1
Voix Alto, Piano
1
Voix haute
1
+ 6 instrumentations
Retracter
Vents
Saxophone
16
Clarinette
14
Flûte traversière
14
Saxophone Tenor
12
Saxophone Alto
10
Saxophone (partie séparée)
7
Hautbois (partie séparée)
5
Flûte traversière et Piano
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
2
Hautbois
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Flûtes
2
Instruments en Mib
2
Quintette de Clarinettes: 5 clarinettes
2
Ocarina
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
Flûte à Bec
2
Quatuor de Flûtes : 4 flûtes
2
2 Saxophones (duo)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette Basse
1
Quatuor de Saxophones: 4 saxophones
1
5 Flûtes à bec
1
+ 23 instrumentations
Retracter
Cuivres
Trombone
16
Trompette
13
Tuba
8
Cor
5
2 Trombones (duo)
3
Euphonium
3
2 Trompettes (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Ensemble de Tubas
1
Trompette, Piano
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon
20
Violoncelle
15
Alto seul
12
Violon, Violoncelle (duo)
9
Alto (partie séparée)
6
2 Violons (duo)
6
Harpe
5
Violon et Piano
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
3
Violoncelle, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
1
Trio à cordes
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre à Cordes
4
Orchestre
3
Ensemble de cuivres
3
Jazz combo
2
Ensemble Jazz
2
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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Vous avez sélectionné:
Stay With Me - Soprano
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
Stay With Me
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Sam Smith
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Chad Weirick
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Stay With Me
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Chad Weirick
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SheetMusicPlus
Piano Accompaniment, Voice, Tenor Voice, TTBB - Intermediate - Digital Download By Sam Smith. Arranged by Chad Weirick. Score. 10 pages. Published by Chad ...
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Piano Accompaniment, Voice, Tenor Voice, TTBB - Intermediate - Digital Download By Sam Smith. Arranged by Chad Weirick. Score. 10 pages. Published by Chad Weirick
Simple version for TTBB chorus with piano and soloist.
$2.99
Stay With Me
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Chorale TTBB
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INTERMÉDIAIRE
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Sam Smith
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Chad Weirick
#
Stay With Me
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Chad Weirick
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1109363 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arranged b...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1109363 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arranged by Chad Weirick. 20th Century,Contemporary,Hip-Hop,Pop,R & B,Rock. Octavo. 10 pages. Chad Weirick #711835. Published by Chad Weirick (A0.1109363).
$3.00
Stay With Me (arr. Carol Canning)
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Chorale TTBB
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Pop musique
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Sam Smith
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Carol Canning
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Stay With Me
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ChorusOnline
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SheetMusicPlus
TTBB, 4-Part, A Cappella - By Sam Smith. Arranged by Carol Canning. This edition: scorch. A Cappella,Pop. 7 pages. ChorusOnline #261499. Published...
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TTBB, 4-Part, A Cappella - By Sam Smith. Arranged by Carol Canning. This edition: scorch. A Cappella,Pop. 7 pages. ChorusOnline #261499. Published by ChorusOnline
$1.99
You Stayed With Me
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Chorale TTBB
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Taylor Scott Davis
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You Stayed With Me
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Hal Leonard - Digital
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SheetMusicPlus
(TTBB) - SKU: HX.386231 Composed by Taylor Scott Davis. Choral. Concert,Festival. Choral. 8 pages. Published by Hal Leonard - Digital (HX.386231).
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(TTBB) - SKU: HX.386231 Composed by Taylor Scott Davis. Choral. Concert,Festival. Choral. 8 pages. Published by Hal Leonard - Digital (HX.386231).
$2.25
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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The Backstreet Boys
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Julien Neel
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I Want It That Way
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Julien Neel
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SheetMusicPlus
By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol) ...
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By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol)
"I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries.
This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience.
$5.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Suit & Tie
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Chorale TTBB
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INTERMÉDIAIRE
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Justin Timberlake
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Tim Brent
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake...
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Choral Choir (TTBB) - Level 3 - SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
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Stay With Me - Soprano
