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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
PIANO
SAXOPHONE
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COUNTRY
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185
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Orgue
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1 Piano, 4 mains
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2
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1
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GUITARES
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2
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2
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1
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1
Dulcimer
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VOIX
Chorale SATB
84
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18
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17
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16
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13
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8
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7
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7
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6
Voix Alto, Piano
5
Voix Tenor
4
Voix haute
2
Voix Soprano
1
Voix duo, Piano
1
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Clarinette et Piano
20
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19
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16
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14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto
11
Saxophone Alto et Piano
11
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10
Saxophone Tenor et Piano
10
2 Saxophones (duo)
9
Clarinette
9
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
Hautbois (partie séparée)
8
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Tenor
7
Saxophone Baryton, Piano
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
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3
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2
Saxophone et Harpe
2
Hautbois, Harpe
1
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1
5 Flûtes à bec
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
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1
Cor anglais, Piano
1
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1
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1
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1
3 Clarinettes (trio)
1
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1
Hautbois
1
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1
Cor Anglais
1
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1
Clarinette, Trompette (duo)
1
Saxophone Soprano
1
Clarinette, Basson (duo)
1
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1
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CUIVRES
Trombone et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette, Piano
15
Cor et Piano
14
Trompette
10
Trombone (partie séparée)
9
Trombone
9
Quatuor de Cuivres
5
Tuba et Piano
5
2 Trombones (duo)
5
Trompette (partie séparée)
5
Tuba
5
Trio de Cuivres
4
Cor
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
1
Cor et Harpe
1
Tuba (partie séparée)
1
Ensemble de Trompettes
1
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
Trompette, Saxophone (duo)
1
Cor (partie séparée)
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Cor Anglais
1
Trompette, Harpe
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
31
Violon, Violoncelle (duo)
25
Violon
23
Violoncelle, Piano
21
Alto, Piano
20
Violoncelle
12
Alto seul
10
Harpe
8
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
6
Violon (partie séparée)
6
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse (partie séparée)
5
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
2
4 Violoncelles
2
Trio à cordes: 3 altos
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
235
Orchestre à Cordes
27
Ensemble Jazz
22
Ensemble de cuivres
8
Orchestre
7
Ensemble de Percussions
5
Fanfare
4
Jazz combo
3
Batterie
3
Orchestre de chambre
3
Cloches
3
Xylophone, Piano
2
Batterie (partie séparée)
2
Orchestre, Violon
1
Percussion (partie séparée)
1
Marimba
1
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AUTRES
Vous avez sélectionné:
Stay With You
Chorale TTBB
Partitions à imprimer
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1
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.83 €
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Chorale TTBB
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.83 €
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Chorale TTBB
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Rock And Roll Is Here To Stay
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1191551 By Danny and the J…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1191551 By Danny and the Juniors. By David White. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 6 pages. Tom Gentry #791053. Published by Tom Gentry (A0.1191551). This one requires some explanation. This is Part 2 of my Rock and Rock Medley, the first song being Rock Around the Clock. Since the songs are owned by different publishers, you have to order each song separately. Each pdf and mp3 file includes only part of the medley, so no, uh, fudging is possible. But I have set the per-copy price at SMP's minimum, $1.99, so even with their 10-copy minimum order, you can get by pretty inexpensively. Oh . . . and this medley is high-energy fun!
$1.99
1.83 €
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Chorale TTBB
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Danny and the Juniors
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Tom Gentry
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Rock And Roll Is Here To Stay
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Tom Gentry
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SheetMusicPlus
Stayin' At Home
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856200 Composed by Thomas …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856200 Composed by Thomas Fats Waller. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4281875. Published by Liz Garnett (A0.856200). This song from one of Fats Waller's earliest albums explores the theme of trust in long-distance relationships he was to return to much more famously in 'Ain't Misbehaving' 6 years later. This early version of the faithful lover gives a gentler reassurance, both in lyric and in tempo. Rather than listing the things he's not getting up to in his beloved's absense, he paints a picture of quiet evenings spent thinking about her. Like his later self, though, he does like to pass the time listening to the radio.This contest-suitable arrangement sets up the chorus with a free-flowing verse before settling into a relaxed swing feel.Vocal Ranges:Tenor: B3 - B flat 4Lead: E flat 3 - F4Bari: D3 - E4Bass: A flat 2 - C4www.HelpingYouHarmonise.com
$2.99
2.74 €
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Chorale TTBB
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Thomas Fats Waller
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Liz Garnett
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Stayin' At Home
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Liz Garnett
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SheetMusicPlus
The Water Is Wide
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince P…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
49.53 €
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Chorale TTBB
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
You Stayed With Me
Chorale TTBB
(TTBB) - Digital Download SKU: HX.386231 Composed by Taylor Scott Davis. Choral. Co…
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(TTBB) - Digital Download SKU: HX.386231 Composed by Taylor Scott Davis. Choral. Concert,Festival. Choral. 8 pages. Published by Hal Leonard - Digital (HX.386231).
$2.25
2.06 €
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Chorale TTBB
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Taylor Scott Davis
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You Stayed With Me
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Hal Leonard - Digital
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SheetMusicPlus
Cabaret
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856176 By Herb Alpert And …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856176 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #3916663. Published by Liz Garnett (A0.856176). The title song from the musical and movie has been a mainstay of barbershop contest repertoire for many years, but most versions take the world of cabaret and absorb it into the barbershop world. This arrangement, whilst fully barbershop in terms of its harmonic and textural choices, stays in the imaginative world of the original story, where the glitz is used to ward off the darkness of life outside. Using the full verse, with its story of a life lived hard and fast, transforms the meaning of the second chorus. Happiness is felt the more for being hard-won.Vocal Ranges:Tenor: C4 - C5Lead: C3 - G5Bari: F3 - F4Bass: G2 - D4www.HelpingYouHarmonise.com
$2.99
2.74 €
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Chorale TTBB
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Herb Alpert And The Tijuana Brass
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Liz Garnett
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Cabaret
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Liz Garnett
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Rock Around The Clock
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1191553 By Bill Haley & Hi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1191553 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 2 pages. Tom Gentry #791054. Published by Tom Gentry (A0.1191553). This one requires some explanation. This is Part 1 of my Rock and Rock Medley, the second part being Rock and Roll Is Here to Stay. Since the songs are owned by different publishers, you have to order each song separately. Each pdf and mp3 file includes only part of the medley, so no, uh, fudging is possible. But I have set the per-copy price at SMP's minimum, $1.99, so even with their 10-copy minimum order, you can get by pretty inexpensively. Oh . . . and this medley is high-energy fun!
$1.99
1.83 €
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Chorale TTBB
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Bill Haley & His Comets
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Tom Gentry
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Rock Around The Clock
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Tom Gentry
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SheetMusicPlus
Ameriican Requiem
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Bey…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, Dan Walsh, Darius Dixson, Derek Dixie, Ink, Jonathan Batiste, Khirye Tyler, Michael Price, No I.d., Shawn Carter, Stephen Stills, and Tyler Johnson. Arranged by Charles Beale. 21st Century,Pop,R & B. 2 pages. Charliebmusic #1030297. Published by charliebmusic (A0.1450753). This powerful 45 second anthemic song by Beyoncé is about change. It points out that for things to stay the same, they have to change again. It speaks both to the African American experience in the US, and has a universal message that is applicable to climate change, LGBTQIA+ life, and indeed anyone who is going through grief or a time of change.The song went viral in Spring 2024, and many versions appeared on social media done by teens and choirs large and small.This TTBB arrangement would suit the opening of a Pride concert, a school concert or any context where you want to pull an audience in with simple strong church harmonies.
$1.99
1.83 €
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Chorale TTBB
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Beyonce
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Charles Beale
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Ameriican Requiem
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charliebmusic
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.21 €
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Chorale TTBB
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Suit & Tie
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlak…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
59.62 €
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Chorale TTBB
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Justin Timberlake
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Tim Brent
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Take It On The Run
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1466822 By REO…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1466822 By REO Speedwagon. By Gary Richrath. Arranged by Ed Howard. A Cappella,Barbershop,Rock. 4 pages. Edward Allen Howard #1045357. Published by Edward Allen Howard (A0.1466822). Step into the nostalgic embrace of classic rock with our stunning TTBB arrangement of REO Speedwagon's timeless hit, Take it on the Run. Ideal for beginning to intermediate ensembles seeking to electrify their repertoire, our arrangement stays true to the original spirit while making the song approachable. Whether you're performing on stage or simply enjoying the music in your rehearsals, our rendition promises to be a standout addition to your set.
$1.99
1.83 €
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Chorale TTBB
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REO Speedwagon
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Ed Howard
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Take It On The Run
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Edward Allen Howard
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SheetMusicPlus
I Want It That Way
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
2.75 €
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Chorale TTBB
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The Backstreet Boys
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Rowena Harper
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
Amazing Grace
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1212359 Composed by John N…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1212359 Composed by John Newton. Arranged by Tehillah Alphonso. A Cappella,Christian,Contemporary,Jazz,Traditional. Octavo. 5 pages. Tehillah Alphonso #809860. Published by Tehillah Alphonso (A0.1212359). This rendition of Amazing Grace features all four voices in the TTBB arrangement. Staying true to choral voicings while implementing pop sounds, jazz harmony, and gospel influences, this piece is challenging yet rewarding for any sized ensemble and accessible for all audiences and events. Add Amazing Grace to your repertoire today!As performed by the internationally acclaimed men's quartet, Kings Return, arranged by Tehillah Alphonso. Arranged for 4+ voices with a moving solo in TTBB (easily adaptable to SATB).
$10.00
9.17 €
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Chorale TTBB
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John Newton
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Tehillah Alphonso
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Amazing Grace
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Tehillah Alphonso
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SheetMusicPlus
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
Chorale TTBB
By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Ne…
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By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol)
"I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries. This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience."I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries.
This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience.
$5.00
4.59 €
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Chorale TTBB
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The Backstreet Boys
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Julien Neel
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I Want It That Way
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Julien Neel
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SheetMusicPlus
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