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Tri et filtres :
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Piano, Voix
53
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42
Orgue
36
Accompagnement Piano
33
Piano, Voix et Guitare
32
2 Pianos, 4 mains
25
2 Accordéons
5
Accordéon
5
Orgue, Trompette (duo)
4
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4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
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2
2 Pianos, 8 mains
1
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55
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40
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9
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7
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4
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3
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3
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2
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2
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1
Banjo
1
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1
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1
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1
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VOIX
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80
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60
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25
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7
Chorale TTBB
7
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5
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2
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2
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2
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1
Voix Alto, Piano
1
Voix Tenor
1
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1
Voix haute
1
Chorale SSAB a cappella
1
Voix Soprano
1
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2 Saxophones (duo)
352
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214
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197
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190
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145
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144
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139
2 Flûtes traversières (duo)
137
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91
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67
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55
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45
Clarinette
35
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32
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31
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29
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27
Clarinette et Alto
24
Flûte traversière
23
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23
Hautbois (partie séparée)
23
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23
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23
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22
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20
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19
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19
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18
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17
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16
3 Clarinettes (trio)
14
Flûte, Trompette (duo)
14
Cor anglais, Piano
14
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13
Saxophone Baryton, Piano
12
Flûte à bec Soprano
12
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10
3 Saxophones (trio)
9
Saxophone Tenor
9
Quintette de Saxophone: 5 saxophones
8
Flûte à bec Soprano, Piano
8
Ensemble de Clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Flûte à bec Tenor
5
Clarinette Basse, Piano
5
Flûte à bec Alto, Piano
5
Cor Anglais
4
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4
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
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2
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2
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2
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2
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2
Saxophone Soprano
2
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2
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2
Flûte irlandaise
2
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2
Clarinette (partie séparée)
2
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2
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2
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2
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1
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1
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1
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1
Flûte à bec Alto
1
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1
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1
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1
Flûte, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
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Clarinette Basse
1
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Flûte, Clarinette, Piano (trio)
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159
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99
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94
Trompette
93
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75
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72
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49
Trombone
26
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25
Trompette (partie séparée)
19
2 Cors (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor anglais, Piano
14
2 Euphoniums (duo)
10
Euphonium, Piano (duo)
9
2 Tubas (duo)
9
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres
4
Cor Anglais
4
Trombone (partie séparée)
4
Tuba et Piano
4
Euphonium
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
Trombone basse et Piano
3
Tuba
3
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
Cor
2
Cor (partie séparée)
2
Euphonium, Tuba (duo)
1
3 Euphoniums
1
Tuba (partie séparée)
1
Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
4 Tubas
1
3 Tubas (trio)
1
Trompette et Guitare
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Trio de Cuivres
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3 Cors (trio)
1
Trombone, Tuba (duo)
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Bass Clef Instruments
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Tuba et Orgue
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Trombone basse
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Violon et Piano
191
Alto, Piano
186
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152
2 Violons (duo)
140
2 Harpes (duo)
117
2 Altos (duo)
115
2 Violoncelles (duo)
113
Trio à Cordes: 2 violons, violoncelle
66
Quatuor à cordes: 2 violons, alto, violoncelle
63
Violon
58
Violoncelle
43
Violon, Violoncelle (duo)
40
Violon, Alto (duo)
31
Alto seul
21
Harpe
21
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
7
Contre Basse
6
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
6
Violon (partie séparée)
6
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, alto
3
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Alto et Basson
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
3 Harpes
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
177
Orchestre à Cordes
34
Orchestre
33
Ensemble Jazz
25
Cloches
22
Ensemble de cuivres
16
Orchestre de chambre
10
Jazz combo
6
Batterie
4
Ensemble de Percussions
4
Percussion
4
Xylophone, Piano
3
Fanfare
3
2 Xylophones
2
2 Marimbas
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Tea for two
Chorale TTBB
Partitions à imprimer
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TEA FOR TWO from NO, NO NANETTE
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871540 Composed by Vincent…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871540 Composed by Vincent Youmans, Irving Caesar. Arranged by Walter Latzko. Musical/Show,Traditional. Octavo. 4 pages. Latzko Muzic #5217921. Published by Latzko Muzic (A0.871540). Classic barbershop tune as performed by The Buffalo Bills.
$5.99
5.37 €
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Chorale TTBB
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Vincent Youmans, Irving Caesar
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Walter Latzko
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TEA FOR TWO from NO, NO NANETTE
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Latzko Muzic
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SheetMusicPlus
AMORI: 8 madrigals for male chorus
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
2.69 €
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Chorale TTBB
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Alessandro Palazzani
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AMORI: 8 madrigals for male chorus
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A work by Alessandro Palazzani
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SheetMusicPlus
Lord, Keep Us Steadfast in Your Word
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871080 Composed by Paul Jo…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871080 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Sacred. Octavo. 3 pages. Paul S. Jones #3559223. Published by Paul S. Jones (A0.871080). This is a powerful setting for men's voices of Martin Luther's 16th-century hymn. It begins plaintively and ends triumphantly. While there are TB and TTBB sections throughout, the majority of the work is sung in unison making this arrangement easily learnable. The organ accompaniment is written in two staves and could easily be adapted for piano or keyboard. Perfect for any church service, Reformation Sunday, a conference about the Bible, or the installation of a minister.
$2.00
1.79 €
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Chorale TTBB
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Paul Jones
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Paul S
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Lord, Keep Us Steadfast in Your Word
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Paul S. Jones
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SheetMusicPlus
Away in a Manger
Chorale TTBB
SATB chorus and 2 solo voices - Digital Download SKU: BJ.1185 Arranged by Sven Inge…
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SATB chorus and 2 solo voices - Digital Download SKU: BJ.1185 Arranged by Sven Inge Frisk. Christmas. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1185. Published by Bo Ejeby Forlag - Digital (BJ.1185). 8.27 x 11.7 inches.Well-known Christmas Carol lyrics in a new musical dress, and a delicious one! Beautifully arranged for two soprano soloists and mixed choir. The composer Sven Inge Frisk is a former church musician and teacher at Malmo Academy of Music.
$2.40
2.15 €
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Chorale TTBB
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Sven Inge Frisk
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Away in a Manger
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.57 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Tu es Petrus
Chorale TTBB
Men's choir (TTBB) and organ - intermediate - Digital Download Two motets for me…
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Men's choir (TTBB) and organ - intermediate - Digital Download Two motets for men's choire (TTBB) and organ. Composed by Nino Rota (1911-1979). This edition: score. Schott Choral Music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q7267. Published by Schott Music - Digital
Latin.<br> <br> This edition of 'Tu es Petrus' (You are St. Peter) for male-voice choir and organ adds to the existing collection of beautiful and easy-to-sing choral pieces by Nino Rota. The appeal of the piece headed 'Festoso, con solennita' (festive, with solemnity) lies in its homophonic and dense four-part setting which flows steadily both with regard to rhythm and melody. An evocative and confident piece which is perfect for the repertoire of good amateur choirs.
$6.99
6.26 €
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Chorale TTBB
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Nino Rota
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Tu es Petrus
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Schott Music - Digital
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SheetMusicPlus
Angels
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1282588 By Robbie Williams…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1282588 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Zac Booles. 20th Century,A Cappella,Barbershop,Pop. Octavo. 5 pages. Zac Booles #873844. Published by Zac Booles (A0.1282588). An acapella arrangement in TTBB Barbershop voicings. The arrangement splits the Bass part in two (making it 5 parts for most of the song). There is also a solo line, featured only at the start of the song. Teach tracks can be found at https://strikeforcemusic.com/
$1.99
1.78 €
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Chorale TTBB
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Robbie Williams
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Zac Booles
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Angels
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Zac Booles
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SheetMusicPlus
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