Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tee-Set
Non classifié
497
Piano & claviers
Piano seul
116
Piano, Voix
67
Piano, Voix et Guitare
20
Piano Facile
20
Orgue
16
Instruments en Do
5
1 Piano, 4 mains
3
Clavier
1
2 Pianos, 8 mains
1
Clavecin
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
8
Basse electrique
6
2 Guitares (duo)
4
4 Guitares (Quatuor)
2
Ukulele
2
Banjo
2
3 Guitares (trio)
1
Mandoline
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
Guitare Pedal Steel
1
Dulcimer
1
Paroles et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
155
Chorale 3 parties
29
Chorale 2 parties
19
Chorale Unison
10
Voix Baryton, Piano
8
Chorale TTBB
6
Voix Soprano, Piano
6
Voix duo
5
Voix duo, Piano
4
Voix seule
3
Voix Tenor, Piano
2
Chorale SSAATB
1
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone Alto et Piano
9
Saxophone Tenor et Piano
9
3 Clarinettes (trio)
8
Flûte traversière
8
Flûte, Hautbois, Clarinette, Basson
7
Hautbois, Piano (duo)
6
2 Flûtes traversières (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette et Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de saxophones
3
Clarinette
3
Saxophone Soprano et Piano
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Basson
2
2 Clarinettes (duo)
1
Saxophone Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
2 Saxophones (duo)
1
Flûte, Clarinette (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières, Piano
1
+ 29 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
5
Trompette
5
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor et Piano
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
3 Trombones (trio)
2
Ensemble de Trombones
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Ensemble de Trompettes
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
Tuba et Orgue
1
Trombone (partie séparée)
1
Tuba et Piano
1
Trio de Cuivres
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Harpe
31
Violon et Piano
14
Contrebasse (partie séparée)
9
Violon
7
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle, Piano
5
2 Harpes (duo)
4
2 Violons (duo)
4
Alto, Piano
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Alto (duo)
3
4 Violoncelles
3
Violoncelle
3
Violon, Violoncelle (duo)
3
3 Harpes
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
2
5 Harpes
2
2 Altos (duo)
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Contre Basse
1
Trio à cordes: 3 violins
1
4 Harpes
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
106
Batterie
44
Ensemble de Percussions
33
Orchestre à Cordes
22
Orchestre
20
Cloches
17
Percussion
12
Ensemble de cuivres
10
Orchestre de chambre
3
Jazz combo
2
Ensemble Jazz
2
Fanfare
2
Orchestre, Violon
1
3 Percussions
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
6
Librairie Musicale
3
Matériel de Musique
3 760
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Tee-Set
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
<
1
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Gift of Life for 3-part men's chorus, tenor solo, and piano
#
Chorale TTBB
#
Contemporain
#
Leslie Kleen
#
The Gift of Life for 3-part me
#
Music From Riverside
#
SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1004825 Composed by Leslie Kleen. Contemporary. Octavo. 8 pages. Music From Riverside #4805121. Published by Music From Ri...
(+)
Choral Choir (TTBB) - SKU: A0.1004825 Composed by Leslie Kleen. Contemporary. Octavo. 8 pages. Music From Riverside #4805121. Published by Music From Riverside (A0.1004825). The Gift of Life is a setting of the words by Henry Thoreau. It is from a collection called 'WALDEN' (titled after his book about his stay there) which consists of readings and musical settings of words by all by Henry Thoreau. This is one of the sixteen songs from that collection.It is a celebration of Thoreau and Nature. The complete orchestral score as well as a piano-vocal score is also available.
$1.99
The Waking
#
Chorale TTBB
#
Daniel Baldwin
#
The Waking
#
Imagine Music - Digital
#
SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW2210 Composed by Daniel Baldwin. Octavo. 12 pages. Imagine Music - Digital #VMW2210. Published by Imagine Music - Digit...
(+)
SATB Chorus & Piano - SKU: IZ.VMW2210 Composed by Daniel Baldwin. Octavo. 12 pages. Imagine Music - Digital #VMW2210. Published by Imagine Music - Digital (IZ.VMW2210). 9 x 12 inches.America, the Land of Liberty celebrates immigration, freedom, and liberty in America. Verses from the poem on the pedestal of the Statue of Liberty, “Give me your tired, your poor… are set to music and then combined with My Country ‘Tis of Thee and Home on the Range. This piece of music weaves in a fresh new setting of the timeless poetry of Emma Lazarus along with patriotic music and a classic folk song, giving a sense of the contemporary and traditional importance of American immigration.“Give me your tired, your poor,Your huddled masses yearning to breathe free,The wretched refuse of your teeming shore.Send these, the homeless, tempest-tost to me,I lift my lamp beside the golden door!- From “The New Colossus by Emma Lazarus.
$2.25
Look Up
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Joy Oladokun
#
Elizabeth Fisher
#
Look Up
#
Elizabeth Fisher Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1281413 By Joy Oladokun. By Dave Bassett and Olubukola Oladokun. Arranged by Elizabeth Fisher. Singer/Songwriter...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.1281413 By Joy Oladokun. By Dave Bassett and Olubukola Oladokun. Arranged by Elizabeth Fisher. Singer/Songwriter. Octavo. 13 pages. Elizabeth Fisher Music #872757. Published by Elizabeth Fisher Music (A0.1281413). TTBB Arrangement of Look Up by Joy Oladokun. Arranged for Steel City Men's Chorus in Birmingham, AL.
$2.25
Cantique de Jean Racine - G.Fauré - TTBB
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Gabriel Fauré
#
Wilian Dolfini
#
Cantique de Jean Racine - G.Fa
#
Wilian Dolfini
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.954831 Composed by Gabriel Fauré (1845 - 1924). Arranged by Wilian Dolfini. Christian,Concert,Praise & Worshi...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.954831 Composed by Gabriel Fauré (1845 - 1924). Arranged by Wilian Dolfini. Christian,Concert,Praise & Worship,Romantic Period,Sacred. Octavo. 14 pages. Wilian Dolfini #4269369. Published by Wilian Dolfini (A0.954831). Cantique de Jean Racine (Chant by Jean Racine), Op. 11, is a composition for mixed choir and piano or organ by Gabriel Fauré. The text, Verbe égal au Très-Haut (Word, one with the Highest), is a French paraphrase by Jean Racine of a Latin hymn from the breviary for matins, Consors paterni luminis. The nineteen-year-old composer set the text in 1864–65 for a composition competition at the École Niedermeyer de Paris, and it won him the first prize.
$2.00
Sea-Fever (Tenor Solo and TTBB)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Stephen DeCesare
#
Sea-Fever
#
Exultet Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.611471 Composed by Stephen DeCesare. Contemporary,Film/TV,Folk,Instructional,Standards. Octavo. 17 pages. Exulte...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.611471 Composed by Stephen DeCesare. Contemporary,Film/TV,Folk,Instructional,Standards. Octavo. 17 pages. Exultet Music #540383. Published by Exultet Music (A0.611471). 2016 New Year Contest. Enchanting setting for TTBB of the famous poem by John Masefield which starts I must go down to the seas again, to the lonely sea and sky, And all I ask is a tall ship and a star to steer her by. It also incorporates another poem by J. Masefield Cargoes which acts as a countermelody to the original. Scored for Tenor Solo, TTBB, Violin and Piano. Excellent selection for any high-school, college, amateur/professional level of choir singing.
$3.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Tee-Set
