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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tell Her
Non classifié
1 110
Piano & claviers
Piano seul
692
Piano, Voix
389
Piano, Voix et Guitare
192
Piano Facile
164
Orgue
63
Accompagnement Piano
51
Instruments en Do
47
2 Pianos, 4 mains
36
1 Piano, 4 mains
34
Piano grosses notes
27
Accordéon
15
Piano Trio: piano, violon, violoncelle
10
Clavier
4
Piano (partie séparée)
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
86
Ligne De Mélodie, (Paroles) et Accords
60
Ukulele
48
Guitare
28
Paroles et Accords
24
Mandoline
17
Basse electrique
15
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Banjo
2
3 Guitares (trio)
2
Guitare (partie séparée)
2
Dulcimer
1
Guitare, Quatuor à cordes
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
458
Chorale 3 parties
126
Chorale 2 parties
86
Chorale Unison
73
Chorale TTBB
65
Pack Instrumental pour Chorale
62
Voix Soprano, Piano
60
Voix Alto, Piano
58
Voix Tenor, Piano
54
Chorale SSAA
42
Voix duo, Piano
22
Chorale
11
Voix duo
10
Voix seule
6
Voix Baryton, Piano
6
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix haute
2
Voix basse, Piano
2
Voix Soprano
1
Voix Tenor
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Ocarina
263
Flûte traversière et Piano
63
2 Saxophones (duo)
61
Clarinette et Piano
48
Quatuor de Saxophones: 4 saxophones
41
Saxophone Alto et Piano
41
Flûte traversière
40
Hautbois, Piano (duo)
38
Flûte, Hautbois, Clarinette, Basson
36
2 Clarinettes (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
2 Flûtes traversières (duo)
31
Saxophone Tenor et Piano
29
Flûte à bec Soprano
28
Saxophone Alto
28
Saxophone (partie séparée)
26
Quatuor de Clarinettes: 4 clarinettes
25
Clarinette
22
Saxophone Tenor
21
Saxophone Soprano et Piano
19
Saxophone, Clarinette (duo)
18
Flûte, Clarinette (duo)
17
Clarinette, Violon (duo)
12
Harmonica
12
3 Clarinettes (trio)
12
Saxophone Baryton, Piano
12
Flûte à bec Alto
11
Hautbois (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
10
2 Hautbois (duo)
9
Saxophone Soprano
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Quintette de Saxophone: 5 saxophones
8
Ensemble de saxophones
7
Clarinette, Trompette (duo)
7
Clarinette et Alto
7
Trio de Flûtes: 3 flûtes
7
Ensemble de Clarinettes
6
Flute (partie séparée)
6
Flûte et Guitare
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Flûte, Violon
5
Clarinette (partie séparée)
4
Quatuor de Flûtes à bec
4
Flûte, Trompette (duo)
4
Hautbois, Flûte
4
2 Flûtes traversières, Piano
3
Saxophone et Harpe
3
Clarinette, Guitare (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Clarinette, Violoncelle (duo)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
3 Saxophones (trio)
2
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Harpe (duo)
2
Hautbois
2
Hautbois, Harpe
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte traversière, Basse continue
2
Instruments en Mib
2
Hautbois, Violoncelle
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Piano
1
Cor Anglais
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Cornemuse
1
2 Saxophones, Piano
1
Flûte, Basson et Piano
1
Quintette de Flûte : 5 flûtes
1
Piccolo, Piano
1
Flûte irlandaise
1
Flûte à Bec
1
2 Flûte à bec (duo)
1
Flûte, Alto et Piano
1
Flûte, alto et harpe
1
Flûte, Violoncelle, Guitare
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trombone et Piano
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trompette
33
Trompette, Piano
27
Trombone
22
Quatuor de cuivres: 4 trombones
20
Cor et Piano
20
2 Trompettes (duo)
17
Trompette (partie séparée)
16
Trombone (partie séparée)
15
2 Trombones (duo)
15
Quatuor de Cuivres
14
Tuba
11
Trompette, Trombone (duo)
11
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
9
Cor anglais, Piano
8
2 Cors (duo)
8
Tuba et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
6
Cor
5
2 Trompettes, Clavier (piano ou orgue)
4
Bass Clef Instruments
4
Trompette, Harpe
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
Instruments en Sib
2
Trio de Cuivres
2
Ensemble de Trompettes
2
Trompette, Trombone, Piano
2
Euphonium
2
Cor et Harpe
2
Tuba et Orgue
1
Cor et Orgue
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Violon (duo)
1
Cor Anglais
1
2 Euphoniums (duo)
1
Trombone basse
1
Instruments en Fa
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
98
Violon
49
Violoncelle, Piano
48
Violoncelle
47
Alto, Piano
33
Harpe
28
Violon, Violoncelle (duo)
27
2 Violons (duo)
24
Alto seul
20
Violon, Alto (duo)
16
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
2 Harpes (duo)
13
2 Altos (duo)
13
Violon (partie séparée)
10
Contrebasse (partie séparée)
9
Violoncelle (partie séparée)
7
Alto (partie séparée)
6
Harpe, Flûte (duo)
4
Trio à cordes: 3 violins
3
Harpe, Voix
3
Harpe, Violoncelle (duo)
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
3
2 Violons, Piano
3
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
Contre Basse
2
Alto et Harpe
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Trio à cordes
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
274
Fanfare
105
Orchestre
79
Orchestre à Cordes
43
Ensemble Jazz
40
Cloches
35
Orchestre de chambre
29
Ensemble de cuivres
24
Jazz combo
19
Marimba
4
Batterie
4
2 Xylophones
2
Batterie (partie séparée)
2
Xylophone, Piano
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Vibraphone
1
Ensemble de Percussions
1
+ 14 instrumentations
Retracter
Autres
Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Tell Her
Chorale TTBB
Partitions à imprimer
65 partitions trouvées
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51
What If There Had Been No Star? (A Christmas Message) (TTBB version)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
David W
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What If There Had Been No Star
#
David W. Barber
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David...
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Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David W. Barber #1086554. Published by David W. Barber (A0.1511381). An original Christmas carol with an insightful message. For TTBB with optional keyboard accompaniment. (There's also a setting for SATB.)This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com YouTube Link https://youtu.be/aW-i0imLNw0.
$2.99
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
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Chorale TTBB
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FACILE
#
C
#
L
#
Das Gebet des Herrn
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Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.
$2.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
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Chorale TTBB
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FACILE
#
C
#
L
#
Das Gebet des Herrn
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
$2.99
I Want To Tell You
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Chorale TTBB
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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I Want To Tell You
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Jeff Tincher
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1125746 By The Beatles. By George Harrison. Arranged by Jeff Tincher. Rock. Octavo. 11 pages. Jeff Tincher #7264...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1125746 By The Beatles. By George Harrison. Arranged by Jeff Tincher. Rock. Octavo. 11 pages. Jeff Tincher #726485. Published by Jeff Tincher (A0.1125746). Here is another song from The Beatles' Revolver LP. In the original key, this song is a nice shuffle rock feel. Duration = 2:36. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
I Love To Tell The Story
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Catherine Hankey William Fisch
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Walter Latzko
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I Love To Tell The Story
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.871598 Composed by Catherine Hankey William Fischer. Arranged by Walter Latzko. Christian,Sacred. Octavo. 2 page...
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Choral Choir (TTBB) - Level 1 - SKU: A0.871598 Composed by Catherine Hankey William Fischer. Arranged by Walter Latzko. Christian,Sacred. Octavo. 2 pages. Latzko Muzic #5298059. Published by Latzko Muzic (A0.871598). 19th century religious piece as performed by The Buffalo Bills.
$5.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
I Cannot Tell--Full Score.pdf
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Chorale TTBB
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Traditional/Ira Sankey
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Marilyn Thompson
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I Cannot Tell--Full Score.pdf
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Marilyn Thompson
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.809521 Composed by Traditional/Ira Sankey. Arranged by Marilyn Thompson. Christian,Christmas. Octavo. 16 pages. Marilyn Th...
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Choral Choir (TTBB) - SKU: A0.809521 Composed by Traditional/Ira Sankey. Arranged by Marilyn Thompson. Christian,Christmas. Octavo. 16 pages. Marilyn Thompson #6087223. Published by Marilyn Thompson (A0.809521). A stirring medley of two meaningful hymns are found in this moving and dramatic Christmas arrangement of I Cannot Tell (Londonderry Air) with words by William Young Fullerton– interspersed with Thou Didst Leave Thy Throne (words by E.S. Elliott , Music by Ira Sankey). A full choir is needed for the SSATTBB vocal lines. Parts and Octavo with Piano accompaniment are available on separate posts. For further information, please contact marilyn@mtmusicministries.com ASCAP.
$4.99
I Cannot Tell--Parts.pdf
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Chorale TTBB
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Traditional/Ira Sankey
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Marilyn Thompson
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I Cannot Tell--Parts.pdf
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Marilyn Thompson
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.809523 Composed by Traditional/Ira Sankey. Arranged by Marilyn Thompson. Christian,Christmas. Octavo. 39 pages. Marilyn Th...
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Choral Choir (TTBB) - SKU: A0.809523 Composed by Traditional/Ira Sankey. Arranged by Marilyn Thompson. Christian,Christmas. Octavo. 39 pages. Marilyn Thompson #6087233. Published by Marilyn Thompson (A0.809523). A stirring medley of two meaningful hymns are found in this moving and dramatic Christmas arrangement of I Cannot Tell (Londonderry Air) with words by William Young Fullerton– interspersed with Thou Didst Leave Thy Throne (words by E.S. Elliott , Music by Ira Sankey). A full choir is needed for the SSATTBB vocal lines. Full Score and Octavo with Piano accompaniment are available on separate posts. For further information, please contact marilyn@mtmusicministries.com ASCAP.
$19.99
I Won't Tell A Soul
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Chorale TTBB
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AVANCÉ
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Charlie Puth
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Jackson Pinder
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I Won't Tell A Soul
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Pinder Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.1075452 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Jackson Pinder. A Cappella. Octav...
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Choral Choir (TTBB) - Level 5 - SKU: A0.1075452 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Jackson Pinder. A Cappella. Octavo. 6 pages. Pinder Press #679640. Published by Pinder Press (A0.1075452).
$1.99
Go, tell it on the mountain
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Chorale TTBB
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Wilfried Fischer
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Go, tell it on the mountain
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) - SKU: S9.Q14935 Negro Spiritual. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Digita...
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Men's choir (TTBB) - SKU: S9.Q14935 Negro Spiritual. Arranged by Wilfried Fischer. This edition: Sheet music. Downloadable. Schott Music - Digital #Q14935. Published by Schott Music - Digital (S9.Q14935). English.
$2.99
Whispering Grass (don't Tell The Trees)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ringo Starr
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Jon Nicholas
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Whispering Grass
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Jon Nicholas
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.747779 By Ringo Starr. By Doris Fisher. Arranged by Jon Nicholas. Contemporary. Octavo. 5 pages. Jon Nicholas #4...
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Choral Choir (TTBB) - Level 4 - SKU: A0.747779 By Ringo Starr. By Doris Fisher. Arranged by Jon Nicholas. Contemporary. Octavo. 5 pages. Jon Nicholas #4412725. Published by Jon Nicholas (A0.747779). A barbershop version.Duration: 2:56.
$4.51
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Where Could I Go
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Chorale TTBB
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Musique Sacrée
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Elvis Presley
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Bert Phillips
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Where Could I Go
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Bert Phillips
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Sp...
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Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Spiritual. Octavo. 10 pages. Bert Phillips #4610109. Published by Bert Phillips (A0.844180). This TTBB arrangement is written in the barbershop style. The melody is mostly in the lead (2nd Tenor) part. This version is based on Elvis' version on the album How Great Thou Art. The now won't you tell me lyric was sung by Elvis in his cover of this song, but in this arrangement the bass singer gets that part. Elvis' version was in E, but this version has been pitched up to G with two half step key changes. The baritone part is high. This chart could be pitched down a step if needed. I hope you enjoy this chart. Please follow me on Facebook @bertscharts.
$1.99
Tell Her About It (arr. Jack Zaino)
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Chorale TTBB
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Billy Joel
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Jack Zaino
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Tell Her About It
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (TTBB) - SKU: HX.1074803 Composed by Billy Joel. Arranged by Jack Zaino. This edition: scorch. Jazz,Pop,Rock. Octavo. 19 pages...
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Choral Choir,Choral,Voice (TTBB) - SKU: HX.1074803 Composed by Billy Joel. Arranged by Jack Zaino. This edition: scorch. Jazz,Pop,Rock. Octavo. 19 pages. Duration 250. Hal Leonard - Digital #817000. Published by Hal Leonard - Digital (HX.1074803).
$2.75
Go Tell It On The Mountain - Glee Club Arrangement
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Kc Daugirdas
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Go Tell It On The Mountain - G
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Kc Daugirdas
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SheetMusicPlus
TTBB - Intermediate - Digital Download Arranged by Kc Daugirdas. Christian, Gospel, Spiritual, Praise & Worship, Christmas. Octavo. 6 pages. Publis...
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TTBB - Intermediate - Digital Download Arranged by Kc Daugirdas. Christian, Gospel, Spiritual, Praise & Worship, Christmas. Octavo. 6 pages. Published by Kc Daugirdas
This arrangement of the classic spiritual and holiday carol "Go Tell It On The Mountain" makes a strong statement right away, with powerful gospel harmonies in the introduction.
The verses and choruses pass around the main melody - from bass to tenor, to group, to a high-flying soloist.
The bridge introduces some new, original musical material to add variety to the centuries-old text, and things conclude with a keychange and a strong, satisfying, joyful finish.
There are homages to the barbershop style here as well - a vibrant tune for a Glee Club! A crowd-pleaser at holiday concerts.
$2.50
MARY, DON'T YOU WEEP (O, Mary, Don't You Weep)
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Chorale TTBB
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FACILE
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Gospel Spirituel
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Traditional Spiritual - circa
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Paul A
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MARY, DON'T YOU WEEP
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditiona...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 5 pages. Paul A. Jorg #5971195. Published by Paul A. Jorg (A0.522344). This arrangement is for 4-part male voices (TTBB) a cappella. The melody is passed around to each part during the presentation, which makes it interesting to sing or to hear it sung.This Spiritual was created before the Civil War, circa 1840. Mary Don't You Weep (alternately titled O Mary Don't You Weep, Oh Mary, Don't You Weep, Don't You Mourn, or variations thereof) is a Spiritual that originates from before the American Civil War – thusit describes their origins among the enslaved, and it contains coded messages of hope and resistance. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh's army got drown-ded, and to God's rainbow covenant to Noah after the Great Flood. There are many verses that developed over the years, here are just a few.
$4.59
Teenage Dirtbag
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Wheatus
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Alison Crutchley
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Teenage Dirtbag
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Alison Crutchley
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1465763 By Wheatus. By Brendan B. Brown. Arranged by Alison Crutchley. Pop,Rock. 6 pages. Alison Cru...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1465763 By Wheatus. By Brendan B. Brown. Arranged by Alison Crutchley. Pop,Rock. 6 pages. Alison Crutchley #1044373. Published by Alison Crutchley (A0.1465763). Wheatus’ college-rock classic is a surprisingly touching story of unrequited-until-the-last-moment love. It’s given a wistful, reflective feel in this TTBB arrangement. Tenor 2 has the tune in the verse, Tenor 1 in the chorus. The Tenor 1s split occasionally, to give an additional descant (particularly in the last chorus, where the girl’s telling her side of the story).Arrangement by Alison Crutchley, https://alisoncrutchley.wordpress.com/arrangements.
$2.99
Tell My Father (from The Civil War)
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Chorale TTBB
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Comédie Musicale
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Frank Wildhorn
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Andrea Ramsey
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Concert
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Tell My Father
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Frank Wildhorn. Arranged by Andrea Ramsey. TTBB. Broadway; Concert; Inspirational. Choral. 10 pages. Duration 3:53. Published by Hal Leonard - Digital Sheet ...
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By Frank Wildhorn. Arranged by Andrea Ramsey. TTBB. Broadway; Concert; Inspirational. Choral. 10 pages. Duration 3:53. Published by Hal Leonard - Digital Sheet Music
$2.50
Tell My Father
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Chorale TTBB
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INTERMÉDIAIRE
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Comédie Musicale
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Sol3 Mio
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Craig James
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Tell My Father
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Craig James
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317630 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Craig James. Broadway,Musical/Show. 4...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317630 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Craig James. Broadway,Musical/Show. 4 pages. Craig James #906303. Published by Craig James (A0.1317630). An incredibly emotive song from 'Civil War - An American Musical', perfect from bringing out the emotion of your choir.
$2.20
Tell My Father
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frank Wildhorn
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Tom Gentry
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Tell My Father
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.776505 Composed by Frank Wildhorn. Arranged by Tom Gentry. Contemporary. Octavo. 3 pages. Tom Gentry #5868667. P...
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Choral Choir (TTBB) - Level 4 - SKU: A0.776505 Composed by Frank Wildhorn. Arranged by Tom Gentry. Contemporary. Octavo. 3 pages. Tom Gentry #5868667. Published by Tom Gentry (A0.776505).
$4.50
Det förlorade paradiset
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Chorale TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beet...
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SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Pippo Non Lo Sa
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Chorale TTBB
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INTERMÉDIAIRE
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Giuseppe Rastelli, Gorni Krame
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Bacco Baccanels
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Centur...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
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