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Tell Him
Chorale TTBB
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1
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.63 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.18 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
(ghost) Riders In The Sky (a Cowboy Legend)
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan J…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.83 €
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Chorale TTBB
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Ol' 55
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1471700 By Tom…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1471700 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Country,Folk,Pop. 12 pages. ROBERT J EGGERS #1049454. Published by ROBERT J EGGERS (A0.1471700). Ol' 55, popularized by the Eagles, is considered to be one of Tom Waits's more conventional songs typical of his early work. But some writers believe it captures a cleverly encoded message revelaing something of Waits's darker side. Although most listeners hear the story of a man driving home from his girlfiend's place in the early morning, it may well tell the story of a man who has passed from this world and finds himself riding off into the next at the head of his own funeral procession. You be the judge!The arrangement is set for 4 background voices and tenor soloist, with an active, wall of sound style. Duration is 4:05, and it is suitable for all audiences. It builds to a remarkable climax and key change before unwinding with a more relective final verse.
$1.99
1.81 €
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Chorale TTBB
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Tom Waits
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Bob Eggers
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Ol' 55
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ROBERT J EGGERS
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SheetMusicPlus
See You Again
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1476683 By Wiz…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1476683 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Alex Lamb. 21st Century,Film/TV,Pop. 11 pages. Alex Lamb #1054194. Published by Alex Lamb (A0.1476683). About the ArrangerAlex Lamb graduated from the Reid School of Music at the University of Edinburgh in 2016. He has played piano for a wide variety of ensembles, especially choirs, since the age of 16. His experience has allowed him to create his own arrangements which are focussed on giving effective and entertaining adaptations, with sensitive and intelligent accompaniments.
$1.99
1.81 €
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Chorale TTBB
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Wiz Khalifa Feat
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Alex Lamb
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See You Again
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Alex Lamb
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SheetMusicPlus
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491215 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
$2.99
2.72 €
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Chorale TTBB
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Das Gebet des Herrn
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Müller Publishing company
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SheetMusicPlus
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491217 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.
$2.99
2.72 €
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Chorale TTBB
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Das Gebet des Herrn
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Müller Publishing company
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SheetMusicPlus
Can I Interest You In Hannukah?
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1498044 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1498044 Composed by Adam Schlesinger and David Javerbaum. Arranged by Dom Finetti. A Cappella,Barbershop,Christmas,Comedy,Hanukkah. 13 pages. Dom Finetti #1074385. Published by Dom Finetti (A0.1498044). If you're looking for a unique, fun, and entertaining arrangement to add to your a cappella ensemble's holiday repertoire, look no further than Can I Interest You In Hanukkah.Originally written for A Colbert Christmas: The Greatest Gift Of All!, a TV special produced and starring television personality, Stephan Colbert. Originally featuring friend Jon Stewart, alongside Colbert himself, this SATB arrangement tells the story of a proud Jewish person's desperate (and hopeless) plea for their non-Jewish friend to give Hanukkah a try. Voices shift between 5 and 7 parts.
$2.99
2.72 €
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Chorale TTBB
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Adam Schlesinger and David Javerbaum
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Dom Finetti
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Can I Interest You In Hannukah?
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Dom Finetti
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SheetMusicPlus
Hawaiian Roller Coaster Ride
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001566 Composed by Alan S…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001566 Composed by Alan Silvestri and Mark Keali'i Ho'omalu. Arranged by Mark R Lewis. A Cappella. Octavo. 12 pages. Mark R Lewis #6566881. Published by Mark R Lewis (A0.1001566). Disney's 2002 movie Lilo & Stitch tells the story of an alien experiment that crash-lands on Earth and must learn how to behave himself. The story is set in Hawai'i and as such incorporates Hawai'ian culture into the story frequently. The movie opens with the song Hawai'ian Roller Coaster Ride, performed by Mark Keali'I Ho'Omal. This arrangement by Mark Lewis is for six part Men's Ensemble, including a vocal percussion part. It was written as an assignment for Pentatonix's Fall 2021 arranging class.With a call and response feel, the incorporation of Hawai'ian language lyrics, and a simple vocal percussion part, this arrangement is ideal for a group of intermediate singers who are looking at joining the world of a cappella music. The quick lyrics and fun style provides a bit of a challenge that should not be overwhelming. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
$1.99
1.81 €
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Chorale TTBB
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Alan Silvestri and Mark Keali'i Ho'omalu
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Mark R Lewis
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Hawaiian Roller Coaster Ride
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Mark R Lewis
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SheetMusicPlus
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