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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tell Me It
Non classifié
124
Piano & claviers
Piano seul
101
Piano, Voix et Guitare
48
Piano, Voix
43
2 Pianos, 4 mains
22
Piano Facile
13
Instruments en Do
6
Orgue
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
30
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Banjo
1
Guitare
1
Ukulele
1
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale TTBB
12
Chorale 3 parties
12
Chorale 2 parties
8
Voix Soprano, Piano
4
Chorale SSAA
3
Chorale Unison
2
Voix duo, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
11
Saxophone Tenor et Piano
9
Clarinette et Piano
8
Flûte traversière
6
2 Clarinettes (duo)
6
Saxophone Alto et Piano
5
Saxophone, Clarinette (duo)
5
Hautbois, Piano (duo)
5
Clarinette
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
2 Flûtes traversières (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto
4
Flûte, Clarinette (duo)
3
Cor anglais, Piano
3
Flûte traversière et Piano
3
Saxophone (partie séparée)
3
Flûte, Alto (duo)
2
3 Clarinettes (trio)
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Saxophone Tenor
2
Ensemble de Flûtes
2
Hautbois (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
2 Hautbois (duo)
2
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Ensemble de Clarinettes
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes : 4 flûtes
1
5 Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte à bec Soprano
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto, Piano
1
+ 36 instrumentations
Retracter
Cuivres
Trombone et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
7
Trompette, Piano
5
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
4
2 Trompettes (duo)
4
Cor et Piano
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Tuba et Piano
1
Trompette, Saxophone (duo)
1
Trompette, Trombone, Piano
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon
8
Violon, Violoncelle (duo)
7
Violoncelle, Piano
5
2 Violons (duo)
5
Violon, Alto (duo)
4
2 Altos (duo)
4
Alto, Piano
3
2 Violoncelles (duo)
3
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Voix
2
Violoncelle
2
Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
8
Orchestre d'harmonie
7
Orchestre
6
Orchestre à Cordes
5
Jazz combo
4
Ensemble Jazz
4
Orchestre de chambre
3
Cloches
1
Batterie
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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2 186
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Tell Me It
Chorale TTBB
Partitions à imprimer
12 partitions trouvées
<
1
Don't Tell Me
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Chorale TTBB
#
FACILE
#
Hudson Taylor
#
G
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Don't Tell Me
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G. M. Morley
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G...
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Choral Choir (TTBB) - Level 2 - SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 9 pages. G. M. Morley #6450807. Published by G. M. Morley (A0.500725). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49
TELL ME WHY (Gospel)
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Chorale TTBB
#
DÉBUTANT
#
Unknown
#
Paul A
#
TELL ME WHY
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Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522299 Composed by Unknown. Arranged by Paul A. Jorg. Christian,Easter,Gospel,Sacred,Spiritual. Octavo. 4 pages....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522299 Composed by Unknown. Arranged by Paul A. Jorg. Christian,Easter,Gospel,Sacred,Spiritual. Octavo. 4 pages. Paul A. Jorg #5754237. Published by Paul A. Jorg (A0.522299). This is a beautiful gospel song from the mid 20th century that has almost been lost over the years. It's my hope to help revive it, and bring it back into the churches. It presents a word picture full of emotion particularly at Easter, but is appropriate at any time in gospel preaching churches.
$4.59
This Is Me
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Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
#
This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
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Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
The Backstreet Boys
#
Julien Neel
#
I Want It That Way
#
Julien Neel
#
SheetMusicPlus
By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol) ...
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By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol)
"I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries.
This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience.
$5.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
#
Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
The Night Is Still Young
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Bob Eggers
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The Night Is Still Young
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.940459 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 11 pages. ROBERT J EGGERS #530656...
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Choral Choir (TTBB) - Level 3 - SKU: A0.940459 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 11 pages. ROBERT J EGGERS #5306567. Published by ROBERT J EGGERS (A0.940459). A Billy Joel hit song from 1985, the lyrics tell the story of a man whose priorities are shifting away from his musical career and towards marriage and family - and works as a love song from a career driven man who realizes what is really important in his life. The arrangement begins with the tenor soloist considering his life, doubling with a bass soloist and creating a haunting sound that draws in your audience. Then, as the soloist arrives at his realization, the tenor line soars as he realizes he still has time to get it right - a very inspirational and an affirmative message.Orchestration: Tenor solo + Bass duet + TTBBb + Hand claps. Level of difficulty: moderate. Duration: 2:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$1.99
A Problem With Our Bass
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Chorale TTBB
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Contemporain
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Garth Davies
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Garth Davies
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A Problem With Our Bass
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Garth Davies
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1015892 Composed by Garth Davies. Arranged by Garth Davies. Contemporary. Octavo. 6 pages. Garth Davies #5754743. Publishe...
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Choral Choir (TTBB) - SKU: A0.1015892 Composed by Garth Davies. Arranged by Garth Davies. Contemporary. Octavo. 6 pages. Garth Davies #5754743. Published by Garth Davies (A0.1015892). A comedy barbershop song arranged for men's voices, whose lyrics make it unsuitable for a chorus. Lyrics tell of a bass singer who is about to be sacked by his quartet for traits including laziness and idiosyncrasy. Suitable for women with transposition and a minor adjustment to the lyrics. Plenty of scope for performance points. Ends with a short post for lead. Teach tracks for this arrangement are being re-written - contact me for details. The $12.99 minimum price includes four legal copies.
$12.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
Horizon
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Chorale TTBB
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INTERMÉDIAIRE
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Shelton Ridge Love
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
Judge Not (John 8 & Matthew 7)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Carol Taylor
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Carol Taylor
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Judge Not
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C.Taylor
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.934055 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.934055 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. C.Taylor #3111417. Published by C.Taylor (A0.934055). This is a ballad telling the story of the woman caught in adultery. The verses are all taken directly from scripture and the chorus is based entirely on scripture. This music would be suitable for all Christian groups and can be sung as a solo, duet, in unison or as a choir (possibly using a soloist for the verses and the choir for the chorus) It could also be used within a musical about Christ and His teachingsI am a member of a worldwide Church organization which has used this piece privately for special music within servicesThis piece takes approx. 3-4 mins to performI have extensive contacts via Facebook, both social and religiousPlease contact me with questions, requests or comments at: CarolTaylor27@yahoo.com
$1.99
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