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ALTO
AUTOHARPE
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Ten Songs of America
Non classifié
212
Piano & claviers
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82
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63
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45
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25
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21
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3
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2
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1
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1
Orgue
1
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1
+ 6 instrumentations
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15
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10
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8
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6
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4
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3
Banjo
2
Dobro
1
Ukulele Baryton
1
+ 4 instrumentations
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41
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25
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24
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12
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11
Voix duo, Piano
8
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7
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3
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1
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1
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1
+ 16 instrumentations
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32
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18
2 Saxophones (duo)
17
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16
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16
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14
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14
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12
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11
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11
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11
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9
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9
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9
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8
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7
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7
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Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
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1
Flûte, Alto (duo)
1
+ 49 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
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14
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13
Quatuor de Cuivres
9
Trompette, Piano
9
Euphonium, Piano (duo)
8
Trompette
8
Cor et Piano
6
Tuba et Piano
4
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4
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3
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
2 Trompettes (duo)
2
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2
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2
Trompette (partie séparée)
2
Tuba
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violoncelle, Piano
13
Violon et Piano
12
Alto, Piano
10
Violoncelle
9
Violon
9
Violon, Violoncelle (duo)
8
Harpe
7
Trio à cordes
6
2 Violoncelles (duo)
6
2 Violons (duo)
5
Violon, Alto (duo)
5
2 Altos (duo)
4
Alto (partie séparée)
4
2 Harpes (duo)
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Alto seul
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
1
Contre Basse
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 20 instrumentations
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Orchestre d'harmonie
75
Orchestre à Cordes
20
Ensemble de cuivres
11
Orchestre
11
Jazz combo
9
Orchestre de chambre
6
Ensemble Jazz
4
Cajon
1
Percussion (partie séparée)
1
Cloches
1
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Crtitères actifs :
Ten Songs of America
Chorale TTBB
Partitions à imprimer
12 partitions trouvées
<
1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
My Tennessee Mountain Home
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Chorale TTBB
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INTERMÉDIAIRE
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Dolly Parton
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Clifford W
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My Tennessee Mountain Home
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.
$2.10
BATTLE HYMN OF THE REPUBLIC (for TB Men's Choir with piano)
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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American Folk Melody
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Gary Lanier
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BATTLE HYMN OF THE REPUBLIC
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The Lanier Company
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.617087 Composed by American Folk Melody. Arranged by Gary Lanier. Holiday,Patriotic,Praise & Worship. Octavo. 13...
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Choral Choir (TTBB) - Level 3 - SKU: A0.617087 Composed by American Folk Melody. Arranged by Gary Lanier. Holiday,Patriotic,Praise & Worship. Octavo. 13 pages. The Lanier Company #4362399. Published by The Lanier Company (A0.617087). BATTLE HYMN OF THE REPUBLIC for TB Men's Choir with piano is an arrangement by Gary Lanier of one of our most popular patriot songs/hymns. It is often considered a candidate for the National Anthem. It works great for special music where Patriotism or God and Country is the emphasis... or for the joy of singing an inspired song about the coming of the Lord and His final victory (13 pages).
$3.50
John Purifoy: Westward Ho! Songs of the American West (Medley) - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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John Purifoy
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Virtualsheetmusic
Instantly printable sheet music by John Purifoy for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,standards,american
Instantly printable sheet music by John Purifoy for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,standards,american
$6.97
Kirke Mechem: Three American Folk Songs For Men for choir and piano (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Kirke Mechem
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Virtualsheetmusic
Instantly printable sheet music by Kirke Mechem for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,american,concert
Instantly printable sheet music by Kirke Mechem for choir (TTBB: tenor, bass) of MEDIUM skill level. / folk,american,concert
$6.93
Beds Are Burning
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Midnight Oil
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Sandra Milliken
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Beds Are Burning
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contempo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
$2.30
This Land Is Your Land
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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New Christy Minstrels
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Stephen DeCesare
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This Land Is Your Land
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.631326 By New Christy Minstrels. By Woody Guthrie. Arranged by Stephen DeCesare. Folk. Octavo. 10 pages. Exultet...
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Choral Choir (TTBB) - Level 2 - SKU: A0.631326 By New Christy Minstrels. By Woody Guthrie. Arranged by Stephen DeCesare. Folk. Octavo. 10 pages. Exultet Music #6532111. Published by Exultet Music (A0.631326). One of the United States' most famous folk songs. which was written in critical response to Irving Berlin's God Bless America. When Guthrie was tired of hearing Kate Smith sing God Bless America on the radio in the late 1930s, he wrote this song and it has been freshly arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$1.99
You Belong To My Heart (solamente Una Vez)
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Chorale TTBB
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FACILE
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Agustin Lara and Ray Gilbert
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Anastasio Rossi
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You Belong To My Heart
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1301790 Composed by Agustin Lara and Ray Gilbert. Arranged by Anastasio Rossi. 20th Century,A Cappella,Ba...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1301790 Composed by Agustin Lara and Ray Gilbert. Arranged by Anastasio Rossi. 20th Century,A Cappella,Barbershop,Multicultural,Pop,World. 4 pages. Anastasio Rossi #891382. Published by Anastasio Rossi (A0.1301790). You Belong To My Heart is the English language version of Solamente Una Vez. If your quartet or chorus is looking to expand its Singing Valentine base, this is the perfect choice. This song is arguably one of the most popular and beloved songs in Spanish-speaking countries world wide. The melody is lovely and flowing, and the lryics are tender and poignant. The short Spanish intro is easy to learn, and gives your quartet or chorus, a chance to show off singing in a foreign language. Ray Gilbert is an American lyricist, and he has skillfully created the expressive English lyrics for this song. The translation is not exact, but perfectly captures the same meaning and emotions. A hit in any language!Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$1.99
Happy Joyous Hanuka
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Lorin Sklamberg and Woody Guth
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Jake Bavarsky
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Happy Joyous Hanuka
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Jake Bavarsky
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1255049 Composed by Lorin Sklamberg and Woody Guthrie. Arranged by Jake Bavarsky. 20th Century,A Cappella...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1255049 Composed by Lorin Sklamberg and Woody Guthrie. Arranged by Jake Bavarsky. 20th Century,A Cappella,Barbershop,Hanukkah,Holiday. 6 pages. Jake Bavarsky #848642. Published by Jake Bavarsky (A0.1255049). Tired of all the dull Hanukkah songs in the Choral Catalog? Look no further! Here is a fresh take on a classic American songwriter Woody Guthrie! This guy wrote so much Hanukkah music and now you get to share it with your ensemble in the Barbershop style! Written in TTBB voicing, but other voicings are available for Mixed Voices and Treble Voices! Contact Jake Bavarsky at jbavarsky@gmail.com for more details!
$2.99
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Ten Songs of America 
