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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Years After
Non classifié
301
Piano & claviers
Piano seul
121
Piano, Voix et Guitare
15
Piano, Voix
15
Piano Facile
15
1 Piano, 4 mains
6
Instruments en Do
5
Orgue
4
2 Pianos, 4 mains
3
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
13
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Voix
Chorale SATB
37
Voix Alto, Piano
9
Chorale 3 parties
8
Chorale 2 parties
4
Chorale SSAA
3
Chorale TTBB
3
Voix haute
2
Voix Tenor
1
Voix seule
1
Chorale Unison
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quintette de Saxophone: 5 saxophones
60
Quatuor de Saxophones: 4 saxophones
46
2 Saxophones (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de saxophones
16
Flûte traversière et Piano
14
3 Saxophones (trio)
13
Clarinette et Piano
12
Hautbois, Piano (duo)
12
2 Flûte à bec (duo)
10
Saxophone Alto et Piano
10
Ensemble de Clarinettes
9
2 Clarinettes (duo)
9
Quintette de Flûte : 5 flûtes
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Tenor et Piano
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
5
Saxophone, Clarinette (duo)
4
Clarinette
4
Quatuor de Flûtes à bec
4
3 Clarinettes (trio)
3
Clarinette, Basson (duo)
3
Clarinette, Violon (duo)
3
Flûte à Bec
3
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
5 Flûtes à bec
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
1
Flûte irlandaise
1
Flûte à bec Soprano, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
Flûte à bec Alto
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Saxophone Tenor
1
Flûte traversière
1
2 Clarinettes, Basson
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Ensemble de Trompettes
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
9
Trombone et Piano
8
Ensemble de Trombones
7
Trompette, Piano
6
Tuba et Piano
5
Cor anglais, Piano
5
Trombone
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Trompette
3
Trompette, Trombone (duo)
2
4 Tubas
2
Cor
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
23
Alto, Piano
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
5
2 Violoncelles (duo)
5
Ensemble d'Altos
5
2 Violons (duo)
5
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Alto (duo)
4
4 Violoncelles
3
Violon
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Violoncelle
2
Alto seul
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Harpe
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Orchestre
26
Orchestre à Cordes
13
Ensemble de cuivres
9
Ensemble Jazz
8
Orchestre de chambre
6
Ensemble de Percussions
2
Fanfare
2
Piano et Orchestre
1
Jazz combo
1
Cloches
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Crtitères actifs :
Ten Years After
Chorale TTBB
Partitions à imprimer
3 partitions trouvées
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1
Pippo Non Lo Sa
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Chorale TTBB
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INTERMÉDIAIRE
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Giuseppe Rastelli, Gorni Krame
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Bacco Baccanels
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Centur...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
If
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Chorale TTBB
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DÉBUTANT
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Bread
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Thomas J
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If
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Thomas J. West
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1517526 By Bread. By David Gates. Arranged by Thomas J. West. A Cappella,Barbershop,Contemporary,P...
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Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1517526 By Bread. By David Gates. Arranged by Thomas J. West. A Cappella,Barbershop,Contemporary,Pop. 3 pages. Thomas J. West #1091686. Published by Thomas J. West (A0.1517526). TTBB Barbershop HarmonyJim West Barbershop Arrangement Librarywww.thomasjwestmusic.comIf, a song written by David Gates to share the love of a father for his son, was recorded by the band Bread. It peaked at #4 on the Billboard Top 100 in 1971. My father, Jim West, wrote his arrangement in the 1980's for his quartet Memories of Yesterday. It was performed multiple times over the years by his quartets and also by Four the Glory, the quartet that was part of the Alpha Zeta Chapter of Phi Mu Alpha Sinfonia at Penn State University.Jim West was a life-long barbershop harmony singer, coach, teacher, arranger, adjudicator, and director. After his death on August 11, 2024, his son, Thomas J. West, began the process of curating his extensive barbershop harmony arrangement library of over 100 hand-crafted arrangements. They are now being sold in an arrangement with Hal Leonard publishing.
$4.00
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Ten Years After
