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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten in the Bed
Non classifié
292
Piano & claviers
Piano seul
107
Instruments en Do
99
Piano Facile
79
Piano, Voix
69
Piano, Voix et Guitare
23
Orgue
16
1 Piano, 4 mains
8
Accompagnement Piano
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
11
Guitare notes et tablatures
10
Dulcimer
4
4 Guitares (Quatuor)
2
Ukulele
2
Mandoline
2
3 Guitares (trio)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale TTBB
14
Chorale 3 parties
9
Voix Alto, Piano
9
Chorale 2 parties
8
Chorale Unison
8
Chorale SSAA
6
Voix Soprano, Piano
4
Voix haute
3
Voix Tenor, Piano
3
Voix Tenor
1
Voix Baryton, Piano
1
Voix duo
1
Voix duo, Piano
1
Chorale SSAATTBB
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
38
Ensemble de saxophones
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière et Piano
10
Ensemble de Clarinettes
8
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
6
2 Saxophones (duo)
6
Saxophone Tenor
5
Clarinette et Piano
4
Clarinette
4
2 Flûtes traversières (duo)
4
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Alto et Piano
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Ocarina
2
Clarinette Basse, Piano
2
Hautbois, Piano (duo)
2
Hautbois, Basson (duo)
2
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Trompette (duo)
1
2 Clarinettes (duo)
1
Saxophone Alto
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Flûte, alto et harpe
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Ensemble à vent
1
Harmonica
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quatuor de Cuivres
12
Ensemble de Trombones
8
Trompette
8
Ensemble de Trompettes
6
Quatuor de cuivres: 4 trombones
5
Trombone
4
Ensemble de Cors
3
Trombone et Piano
3
Tuba et Piano
3
Trompette, Saxophone (duo)
3
Trompette, Piano
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
2
Tuba
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon, Violoncelle (duo)
87
Trio à Cordes: 2 violons, violoncelle
57
Trio à Cordes: violon, alto, violoncelle
26
Violon et Piano
26
Violoncelle
24
Violon
21
Violoncelle, Piano
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
9
Alto, Piano
8
2 Violons (duo)
4
Harpe
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Contre Basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre
48
Orchestre à Cordes
24
Ensemble Jazz
14
Orchestre de chambre
12
Cloches
6
Ensemble de cuivres
5
Jazz combo
1
Fanfare
1
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
Ten in the Bed
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Beds Are Burning
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Midnight Oil
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Sandra Milliken
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Beds Are Burning
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contempo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
$2.30
Över de stillen Straten (TTBB) - German bed-time song (as performed by Die Blowboys)
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Chorale TTBB
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FACILE
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Martin Schröder
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Över de stillen Straten
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Martin Schröder
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.758075 Composed by Martin Schröder. Contemporary,Folk,Multicultural,Romantic Period,World. Octavo. 4 pages. M...
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Choral Choir (TTBB) - Level 2 - SKU: A0.758075 Composed by Martin Schröder. Contemporary,Folk,Multicultural,Romantic Period,World. Octavo. 4 pages. Martin Schröder #3235485. Published by Martin Schröder (A0.758075). The famous German song 'Över de stillen Straten' sung in lower German in a new version composed by Martin Schröder and arranged for men's choir (TTBB). As performed by German sea shanty group Die Blowboys. 2 pp.
$2.50
Tauben vergiften im Park
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Chorale TTBB
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INTERMÉDIAIRE
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofm...
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TTBB chorus and piano - intermediate - SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - schwarzer Humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q46985. Published by Schott Music - Digital (S9.Q46985). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions:Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99
Your Tender Mercies
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Chorale TTBB
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FACILE
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D
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D A Jaquish
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Your Tender Mercies
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D A Jaquish
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.984208 Composed by D. A. Jaquish. Arranged by D A Jaquish. 20th Century,Sacred,Standards. Octavo. 4 pages. D A J...
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Choral Choir (TTBB) - Level 2 - SKU: A0.984208 Composed by D. A. Jaquish. Arranged by D A Jaquish. 20th Century,Sacred,Standards. Octavo. 4 pages. D A Jaquish #4367208. Published by D A Jaquish (A0.984208). The Odes of Solomon are ancient texts from the Early Church in Antioch, ascribed to a Christian songwriter named Solomon. When I first read this text (No. 14 of the odes) I was struck by how prescient the words were, fitting not only the needs and aspirations of early Christians but the cry of hearts today.In keeping with the tone and historicity of the words I chose a musical setting reminiscent of Gregorian chant, albeit with richer harmonies. The mood is contemplative, prayerful, and could be used to effect in many types of worship services.
$2.00
Bed Of Roses
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Bon Jovi
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Carolyn Goates
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Bed Of Roses
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Carolyn Goates
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1330431 By Bon Jovi. By Jon Bon Jovi. Arranged by Carolyn Goates. 20th Century,Pop,Rock. 15 pages. Caroly...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1330431 By Bon Jovi. By Jon Bon Jovi. Arranged by Carolyn Goates. 20th Century,Pop,Rock. 15 pages. Carolyn Goates #918300. Published by Carolyn Goates (A0.1330431). Jon Bon Jovi wrote the song in a hotel room while suffering from a hangover and the lyrics reflect his feelings at the time. The song's power ballad style made it a worldwide hit and reached No. 10 on the US Billboard Hot 100, No. 2 on the Canadian RPM 100 Hit Tracks chart, No. 13 on the UK Singles Chart, and No. 10 on the German Singles Chart.This arrangement for TTBB choir and piano builds to immense and passionate choruses between tender and reflective verses, with the piano part increasingly heavy as the song progresses.
$2.99
Peace, Perfect Peace - TTBB
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Chorale TTBB
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FACILE
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Phil Beaman
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Peace, Perfect Peace - TTBB
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Phil Beaman
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107....
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Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99
Mein Fahrrad
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Chorale TTBB
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INTERMÉDIAIRE
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Die Prinzen
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Sophia Transistor
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Mein Fahrrad
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Sophia Transistor
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Oc...
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Choral Choir (TTBB) - Level 3 - SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Octavo. 25 pages. Sophia Transistor #6401511. Published by Sophia Transistor (A0.851134). Description mostly in German, because this song is also in german ;-):Ein Lied über Bipolartransistoren aus Siliziumkarbid in der Leistungselektronik. Ein A-Capella Arrangement des Songs mein Fahrrad von den Prinzen, umgedichtet von Sophia Transistor zu einer Elektrotechniker-Hymne.Lyrics:1. Strophe:Ja ich frag'mich immer wieder,warum gibt's so wenig Liederüber Leistungselektronikoder Halbleiterphysik.das sind Themen, die Bewegennen' Antrieb oder Strom.Betriebszustände: active, desat,failure, off and on.2. Strophe:Mein schöner Bipolartransistor,leitet vorwärts richtig gut,auch sein Steuerstrom ist kraftvoll,Treiber bauen kostet Mut.Soviel kann dabei passieren,wer soll das dann reparieren?Desatschutz und Bypass,sicheres Booting das macht Spaß!REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.3. Strophe:Diese Manager, die meinen:Transistorforschung darf nicht bleiben!Hör'n nicht die Physikerproteste:Unser Bipo ist der Beste!Ingenieure sollen's bauen:Ihr schafft das, hab't vertrauen!Zu spät, der Bipo ist vom Markt verbannt,obwohl zu recht total verkannt.REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.Referenzen / Quellenangabe:https://de.wikipedia.org/wiki/SiliciumEigene alte Power Point Präsentationen von mir (Sophia Transistor)Power Semiconductor Deviceshttps://de.wikipedia.org/wiki/Gallium-Arsenidhttps://en.wikipedia.org/wiki/History_of_the_transistorEigene Aufnahmen aus meiner LaborarbeitszeitNotenreferenz (keine Sorge, dieses Stück ist Teil des SMP arrange-me Programmes, das bedeutet: Arrangieren erlaubt: Copyright © BMG RIGHTS MANAGEMENT GMBH (GERMANY) / LAKEWORTH MUSIC PUBLISHING): Gesangsstimmen:- Part: Solo Voice (Tenor oder Alt) einmal auf 2 Notenseiten und einmal kleiner auf nur einer Seite notiert- Part: 2nd Voice (Alt oder Tenor)- Part: 3rd Voice (Tenor)- Part: 4th Voice (Baritone)- Part: Percussive Baritone (optional)- Part: 5th Voice (Bass)Instrumente (optional):- Part: Piano; ausgeschriebene Klavierbegleitung mit zusätzlichen Akkordsymbolen auf 2 Seiten- Part: Basslinie notiert in C und im Bassschlüssel (Kontrabass, E-Bass, Posaune, Tenorhorn, etc.) notiert auf einer Seite + zusätzlichen Akkordsymbolen- Part: Percussive Bassline (optional zum Gesangspart), ebenfalls als Bassstimme notiert- Part: Drum Set; Schlagzeugnotation (Fahrradklingel steht auch drin)Ultimatives Chor Noten Arrangement von Mein Fahrrad - A Capella Version umgedichtet zu einem Transistor Song.Inhaltsangabe mit timestamps: 00:00 Intro mit Sophia an der Gitarre00:18 Das großartige Transistorlied02:15 Outro mit Gitarre und übertriebenen Laboreinsichten voller Elektronik03:34 Doppelseitig gekühltes package mit rosa Blümchen und SchmetterlingenVideo created, arranged, performed and edited by Sophia Transistor* Disclaimer: Ich habe einen Tonumfang von maximal 2 Oktaven und kann sehr tief singen. Die Bassstimme kann also auch von manchen Frauen komplett ausgefüllt werden.YouTube.
$14.99
Lagrimas Negras
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Chorale TTBB
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INTERMÉDIAIRE
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Miguel Matamoros
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Jay Dougherty
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Lagrimas Negras
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317590 Composed by Miguel Matamoros. Arranged by Jay Dougherty. 20th Century,A Cappella,Barbershop,Maria...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317590 Composed by Miguel Matamoros. Arranged by Jay Dougherty. 20th Century,A Cappella,Barbershop,Mariachi,Multicultural,World. 8 pages. Jay Dougherty #906260. Published by Jay Dougherty (A0.1317590). Lagrimas Negras is a hit song by Miguel Matamoros, first recorded by the TrÃo Matamoros in 1931. The song was written in Santo Domingo, Dominican Republic, in 1930, when Matamoros was on his way back to Cuba from the Ibero-American Exposition of 1929. The song has been described as the perfect fusion of the son with the bolero. It became the TrÃo Matamoros' most famous song.This arrangement by Jay Dougherty is for TTBB a cappella voices in the contestable barbershop style.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets almost nothing from that price, and you're getting great legal music for $5 per quartet member. Learning tracks are available at www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
Libre soy
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Chorale TTBB
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INTERMÉDIAIRE
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Daniel Torrez
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Libre soy
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Daniel Torrez
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1033034 Composed by Daniel Torrez. Contemporary,Instructional. Octavo. 4 pages. Daniel Torrez #6016491. Publishe...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1033034 Composed by Daniel Torrez. Contemporary,Instructional. Octavo. 4 pages. Daniel Torrez #6016491. Published by Daniel Torrez (A0.1033034). -TTBB choir with tenor/baritone soloist-Spanish lyrics-Has a lot of music freedom when it comes to phrasing and teaches the ensemble expression and text analysis.-Duration: Approx. 3 MinutesInspiration:During the COVID-19 pandemic, I was tasked by my choir professor to compose a choral piece, and with me meditating and thinking of inspirations while at home; I thought of my late uncle and grandfather. I never got to meet my uncle and with my grandfather, he passed away in the summer of 2018. I never really absorbed what really happened and I never had the chance to express how I really felt, until I found the poem Libre soy. The piece is based on the funeral poem Libre soy by an unknown author. The main theme is the calming freedom that is an afterthought when it comes to grieving and a homage to my uncle and grandfather.
$4.99
From Now On
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Hugh Jackman & The Greatest Sh
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EDDY CLEMENT
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From Now On
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Eddy Clement
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1477438 By Hugh Jackman & The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by ...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1477438 By Hugh Jackman & The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by EDDY CLEMENT. Broadway,Film/TV,Musical/Show. 15 pages. Eddy Clement #1054842. Published by Eddy Clement (A0.1477438). Fresh from being the celebrated finale of the Palm Springs Gay Men's Chorus performance at GALA2024, this awesome arrangement is now available for your Men's Chorus! Starting with a haunting a cappella (optional piano) choral bed of sound, the opening pensive statements of a soloist set the tone. Lush chords, written with excellent voice-leadings make this accessible to intermediate to advanced choruses. The tempo picks up with the entrance of the Piano accompaniment (other Instrumental Parts available in an Instrumental Pack) and things really get cooking. The full chorus is featured for Verse 2 and the Chorus of the song. The soloist(s) rejoin the Chorus in a great build to a Double Chorus overlay of the two themes. Finally, the Chorus unites in brilliant sparkling chords to finish the song's epic message. Sample audio recording of part of PSGMC's performance coming soon.
$4.99
Det var en hjärtans dag
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Chorale TTBB
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Stefan Forssén
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Det var en hjärtans dag
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and piano - SKU: BJ.1317 Composed by Stefan Forssén. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1317. Published by Bo Ejeby Forlag - Dig...
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SATB chorus and piano - SKU: BJ.1317 Composed by Stefan Forssén. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1317. Published by Bo Ejeby Forlag - Digital (BJ.1317). 8.27 x 11.7 inches.A poem in old style, but written in our time: It was a day of all hearts, when the cuckoo sang and Flora bound a garland. The music might be described as romantic yet dignified. Stefan Forssén is a Swedish jazz pianist and composer.
$2.80
Paralyzer
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Chorale TTBB
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Finger Eleven
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Corey Cerullo
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Paralyzer
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Cerullo Music LLC
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.540602 By Finger Eleven. By James Black, Rich Beddoe, Rick Jackett, Scott Anderson, and Sean Anderson. Arranged by Corey C...
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Choral Choir (TTBB) - SKU: A0.540602 By Finger Eleven. By James Black, Rich Beddoe, Rick Jackett, Scott Anderson, and Sean Anderson. Arranged by Corey Cerullo. A Cappella,Metal,Rock. Octavo. 13 pages. Cerullo Music LLC #4302897. Published by Cerullo Music LLC (A0.540602). This is a killer collegiate a cappella title for your male ensemble. The solo is mid range and can be sung by the lower voice start in choir that may not have all those Tenor notes. A beatboxer is definitely recommended. The EFX line should be sung with all ah vowels unless otherwise noted.
$3.50
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Ten in the Bed
