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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That\'s Not Right
Non classifié
341
Piano & claviers
Piano seul
284
Piano Facile
117
Piano, Voix
68
Piano, Voix et Guitare
39
Instruments en Do
23
Orgue
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
23
Basse electrique
7
Banjo
3
2 Guitares (duo)
3
Ukulele
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Paroles et Accords
2
Mandoline
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale SSAA
20
Chorale 3 parties
20
Chorale 2 parties
17
Chorale TTBB
11
Chorale Unison
11
Voix Alto, Piano
9
Voix duo, Piano
5
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix haute
2
Chorale SSATTB
1
Voix basse
1
Voix moyenne, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Ensemble de Flûtes
11
Ensemble de saxophones
11
Flûte traversière et Piano
11
Harmonica
9
Hautbois, Piano (duo)
9
Flûte traversière
8
2 Saxophones (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Baryton, Piano
7
Clarinette et Piano
7
Hautbois, Clarinette (duo)
7
Ensemble de Clarinettes
7
Saxophone Tenor
6
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Hautbois (duo)
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
2
Ocarina
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba
8
Trombone et Piano
7
Trombone (partie séparée)
5
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Trombone
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Trompette, Piano
4
Cor
4
Tuba et Piano
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trompette
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon, Violoncelle (duo)
34
Harpe
26
Violon
20
Violon et Piano
20
Violoncelle
19
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle, Piano
7
2 Violoncelles (duo)
5
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
4
2 Altos (duo)
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Harpe, Voix
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
Ensemble de Violons
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
30
Orchestre à Cordes
25
Ensemble Jazz
21
Orchestre de chambre
15
Ensemble de cuivres
13
Cloches
4
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Batterie
1
Marimba
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
That\'s Not Right
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
What Are You Doing New Year's Eve?
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Chorale TTBB
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INTERMÉDIAIRE
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Various Artists
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Larry Wright
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What Are You Doing New Year's
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853881 By Various Artists. By Frank Loesser. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. La...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853881 By Various Artists. By Frank Loesser. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4727585. Published by Larry Wright (A0.853881). A MEN'S 4-part, a cappella barbershop arrangement of this popular holiday uptempo'd song. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89 to $1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price,... PLUS you also get a second Arrmt/Trax COMBO of your choice from my website FREE!!!! Of course, you'll still to pay the song licensing fee to the publisher who administers the song licensing for that copyrighted song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
On Bethlehem's Silent Plain : TTBB Acapella
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Chorale TTBB
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M
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On Bethlehem's Silent Plain :
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484...
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Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
If Your Heart Keeps Right
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Chorale TTBB
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FACILE
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Musique Sacrée
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Lyrics by Lizzie DeArmond - Mu
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Paul A
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If Your Heart Keeps Right
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522476 Composed by Lyrics by Lizzie DeArmond - Music by Bentley D. Ackley. Arranged by Paul A. Jorg. A Cappella,...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522476 Composed by Lyrics by Lizzie DeArmond - Music by Bentley D. Ackley. Arranged by Paul A. Jorg. A Cappella,Christian,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #6244999. Published by Paul A. Jorg (A0.522476). About the Author - from Hymnary.com: Lizzie De Armond was a prolific writer of children's hymns, recitations and exercises. When she was twelve years old her first poem was published in the Germantown, Pa. Telegraph, however, it was not until she was a widow with eight children to support that she started writing in earnest. The song has an upbeat character, both lyrics and music.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
Do You Really Love Me
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Ruby Rhea/Ken Potter
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Ruby Rhea, Ken Potter
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Do You Really Love Me
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #64...
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Choral Choir (TTBB) - Level 3 - SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6460921. Published by Ken Potter (A0.888082). This arrangement originally for female quartet (SAI) was originally written by Ruby Rhea. This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00
I'll Remember You
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Elvis Presley
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Rich Hasty
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I'll Remember You
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.888084 By Elvis Presley. By Kuiokalani Lee. Arranged by Rich Hasty. Rock. Octavo. 3 pages. Ken Potter #6486943. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.888084 By Elvis Presley. By Kuiokalani Lee. Arranged by Rich Hasty. Rock. Octavo. 3 pages. Ken Potter #6486943. Published by Ken Potter (A0.888084). This arrangement for male quartet was written by Rich Hasty This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Rich Hasty. As curator of his arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Rich wanted his charts to be used by the public legally. Please note that I do not receive compensation for managing his charts. Contact me directly if you need to speak to me about Rich Hasty's material. (310-702-5285). .
$5.00
How Can You Mend A Broken Heart
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Chorale TTBB
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Bee Gees
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Ruby Rhea
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How Can You Mend A Broken Hear
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.888087 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Ruby Rhea. Dance,Disco. Octavo. 6 pages. Ken Potter #6500599...
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Choral Choir (TTBB) - SKU: A0.888087 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Ruby Rhea. Dance,Disco. Octavo. 6 pages. Ken Potter #6500599. Published by Ken Potter (A0.888087). This arrangement for male quartet was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me (Ken) about Ruby Rhea's material. (310-702-5285). This arrangement includes a modified tag, which Ruby Rhea would approve of. .
$1.99
Home
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Phillip Phillips
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Charles Beale
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Home
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. Charliebmusic #4988499. Published by charliebmusic (A0.865849). This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie’s arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world. Anthemic, triumphant and celebratory, ‘Home’ is a country rock medium tempo hit, originally sung on 'America's Got Talent'. The song tells the world (and the audience!) not to be afraid in dark times. It asserts that ‘this is my home’, this is the safe place where I have the right to belong. 4 parts, medium difficulty, involves some fun falsetto to 'oo'.
$1.99
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