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73
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56
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54
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52
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49
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38
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32
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16
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41
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33
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29
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27
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25
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24
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37
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32
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15
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4 Violoncelles
14
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12
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9
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9
Harpe, Flûte (duo)
6
Harpe, Voix
6
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6
Ensemble de Violons
5
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5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble d'Altos
3
Piano Trio: Violon, Alto, Piano
3
Violon, Orgue
2
Trio à cordes: 3 altos
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Violoncelle, Contrebasse (duo)
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Quatuor à cordes : 4 altos
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Ensemble de Violoncelles
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Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2257
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342
Orchestre
292
Ensemble Jazz
180
Cloches
135
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135
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70
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55
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51
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44
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29
Fanfare
24
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20
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8
Marimba
7
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3
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2
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2
Caisse Claire
2
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.84 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2.01 €
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Chorale TTBB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
I Guess That's Why They Call It The Blues
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877253 By Elton John. By B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877253 By Elton John. By Bernie Taupin, Davey Johnstone, and Elton John. Arranged by David Monseur. Pop,Rock. Octavo. 8 pages. David Monseur #5021881. Published by David Monseur (A0.877253). TTBB arrangement of the slow rocking ballad by Elton John.
$2.49
2.28 €
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Chorale TTBB
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Elton John
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David Monseur
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I Guess That's Why They Call It The Blues
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David Monseur
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SheetMusicPlus
O Come to the Stable
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634). A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concertsO come to the stable, O come to the BabeSee there in a manger, The Holy One is laid.O come to the stable, O come to the BabeA child like no other, A message of loveSinging Gloria in Excelcis, On a cold winter's breezeAngels guided the shepherds, To fall on their kneesO come to the stable. Whisper softly to findHis mother now resting, Sleeping Saviour of manThe wise men from asia, Being led by a starA call to come worship, The King of heaven's SonThe prophets of old days, Spoke a message of loveAnd mercy for all man, The Messiah has comeFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.83 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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O Come to the Stable
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John van Gulik
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SheetMusicPlus
What The Law Can't Do
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunningham #910066. Published by Rod Cunningham (A0.1321592). The initial idea for this song came from a point in a sermon (in June of 2020) by a pastor at my church (who shall remain nameless to protect the guilty 😊).  The point was that we can’t get to heaven by following the Law.  Only the Gospel can do that.  Therefore, the song is a Gospel song, even though the word “gospel†never appears in it.The song opens with the statement that the Law can’t “save your soulâ€.  It also points out that the Law can’t do miracles (like physically healing the body).  The song also addresses what the Law CAN do.  The song also alludes to a game (croquet) and a food (cinnamon toast) to demonstrate that neither a “Rule book†nor a “Recipe Book†can get us to heaven.  These allusions are a bit humorous and unexpected and therefore fit well in the genre of the Barbershop Quartet style.).
$2.49
2.28 €
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Chorale TTBB
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Rod Cunningham
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Rod Cunningham
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What The Law Can't Do
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Rod Cunningham
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SheetMusicPlus
We'll Be Together Again
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.967105 By Frankie Laine. B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.967105 By Frankie Laine. By Carl Fischer. Arranged by Robert Rund. Contemporary. Octavo. 1 pages. Robert Rund #5802203. Published by Robert Rund (A0.967105). This arrangement is part of a series called, The PandemiCats, reminiscent of the short form, homophonic barbershop arrangements, affectionately known at the Barber Pole Cats. The PandemiCats are lyrically themed toward the inability of barbershop singers to be able to sing together in person during the COVID-19 pandemic.
$4.60
4.21 €
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Chorale TTBB
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Frankie Laine
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Robert Rund
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We'll Be Together Again
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Robert Rund
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SheetMusicPlus
The Poor and the Refugee
Chorale TTBB
SATB chorus, a cappella - Medium Easy - Digital Download SKU: XA.9781506456881 U…
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SATB chorus, a cappella - Medium Easy - Digital Download SKU: XA.9781506456881 Ubi caritas. Composed by Jonathan D. Campbell. Augsburg Choral Library. Octavo. 8 pages. Augsburg Fortress - Digital #9781506456881. Published by Augsburg Fortress - Digital (XA.9781506456881). ISBN 9781506456881. 7x10.25 inches.God calls us to care for refugees, and it is in showing charity and love that God is found in our midst. Campbell's anthem is a powerful call to show God's love for all, with opportunity to practice expressive singing.
$1.80
1.65 €
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Chorale TTBB
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Jonathan D
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The Poor and the Refugee
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Augsburg Fortress - Digital
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SheetMusicPlus
Spirit In The Night
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
1.82 €
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Chorale TTBB
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Bruce Springsteen
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Bob Eggers
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
Let Us Break Bread Together (Downloadable)
Chorale TTBB
TTBB choir and piano - Moderately Easy - Digital Download SKU: MQ.8648-E Composed b…
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TTBB choir and piano - Moderately Easy - Digital Download SKU: MQ.8648-E Composed by Gwyneth W. Walker. World Communion Sunday. Score. 11 pages. E. C. Schirmer Music Company - Digital #8648-E. Published by E. C. Schirmer Music Company - Digital (MQ.8648-E). English.This work is dedicated to Heather Heyer of Charlottesville, Virginia, who gave her life for our mission of tolerance. Using the traditional African American tune LET US BREAK BREAD, this arrangement is scored for TTBB chorus and piano. A new verse is added, Let us rise up together all as one, as a call for strength through unity.
$2.65
2.42 €
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Chorale TTBB
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
My Father's Son
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.720319 By The Tenors. By A…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.720319 By The Tenors. By Asher Lenz, Clifton Murray, Fraser Lyle Walters, Fraser Walters, Remigio Pereira, and Victor Micallef. Arranged by Julie Gaulke. A Cappella,Contemporary. Octavo. 6 pages. Julie Gaulke #5299853. Published by Julie Gaulke (A0.720319). This is Julie Gaulke's arrangement of My Father's Son (The Tenors) scored for male barbershop quartet (on two staves in barbershop format). See full performance video here: https://youtu.be/3cUQ0vZ2gi4 LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://stefanwyattmusic.com/product/my-fathers-son-arr-julie-gaulke-for-ttbb-a-cappella-learning-tracks/ Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/
$2.99
2.74 €
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Chorale TTBB
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The Tenors
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Julie Gaulke
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My Father's Son
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Julie Gaulke
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SheetMusicPlus
Mouret Rondeau (AKA theme from Masterpiece Theater)
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1216148 By Typically Brass…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1216148 By Typically Brass ensembles. By Jean_Jospeh Mouret. Arranged by D. B. Updegrove. A Cappella,Barbershop. Octavo. 5 pages. Donald updegrove #812756. Published by donald updegrove (A0.1216148). Classic work ( Mouret: Rondeau ) is presented in TTBB (Barbershop) format, requiring the addition of Lyrics. The lyrics, in a humorous twist, describe to the listener what is happening within the various parts of the song while the song is being performed.
$2.50
2.29 €
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Chorale TTBB
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Typically Brass ensembles
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D
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Mouret Rondeau
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donald updegrove
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SheetMusicPlus
Lift High the Palms of Praise (Demonstration MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.836125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.836125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. Demo MP3. Celebrating Grace - Digital #836125. Published by Celebrating Grace - Digital (C6.836125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$1.99
1.82 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Alto Rehearsal MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.832125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.832125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. MP3. Celebrating Grace - Digital #832125. Published by Celebrating Grace - Digital (C6.832125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$2.99
2.74 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.811125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.811125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. Octavo. 12 pages. Celebrating Grace - Digital #811125. Published by Celebrating Grace - Digital (C6.811125). 6.75 x 10.5 inches.Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$2.40
2.2 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Accompaniment MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.846125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.846125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. Accompaniment MP3. Celebrating Grace - Digital #846125. Published by Celebrating Grace - Digital (C6.846125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$9.99
9.14 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Split Track MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.841125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.841125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. Split Track MP3. Celebrating Grace - Digital #841125. Published by Celebrating Grace - Digital (C6.841125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$9.99
9.14 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Tenor Rehearsal MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.833125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.833125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. MP3. Celebrating Grace - Digital #833125. Published by Celebrating Grace - Digital (C6.833125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$2.99
2.74 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Soprano Rehearsal MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.831125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.831125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. MP3. Celebrating Grace - Digital #831125. Published by Celebrating Grace - Digital (C6.831125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$2.99
2.74 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Lift High the Palms of Praise (Bass Rehearsal MP3)
Chorale TTBB
SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.834125 (An…
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SATB Chorus, opt. Children, opt. Handbells - Digital Download SKU: C6.834125 (An Introit for Palm Sunday). Composed by Victor C Johnson. Holy Week, Palm Sunday. MP3. Celebrating Grace - Digital #834125. Published by Celebrating Grace - Digital (C6.834125). Victor C. Johnson has written a bright and festive piece for Palm Sunday, incorporating SATB voices, optional Children, and optional Handbells. Children or Unison voices begin the piece as a call to worship, then the SATB choir joins in the cheerful melody. A contrasting middle section in a new key provides the opportunity for SA and TB singing, followed by rich SATB harmonies. The original theme returns with optional children's choir and Descant. A fun interplay between sections precedes the ending, which crescendos into jubilant praise. Parts for children and 3-octave Handbells (or Handchimes) are included.
$2.99
2.74 €
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Chorale TTBB
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Victor C Johnson
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Lift High the Palms of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
Ye nations all, on you I call
Chorale TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.481912 Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 160. Jeremy Nafziger #5n2CDKfy6EXVBKN7Yb7MLU. Published by Jeremy Nafziger (A0.481912). Key: Bb major.Four-part men's chorus arrangement of a great Southern Harmony tune, THE BABE OF BETHLEHEM. Includes one stanza of the original harmonization, and preserves the energy and raw shaped-note sound of the tune.
$2.99
2.74 €
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Chorale TTBB
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Jeremy Nafziger
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Ye nations all, on you I call
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Jeremy Nafziger
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SheetMusicPlus
The Heavens Declare the Glory of God
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930751 Composed by Andrew …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930751 Composed by Andrew Schneider. A Cappella,Christian,Contemporary,Romantic Period,Sacred. Octavo. 9 pages. Andrew Schneider #3573679. Published by Andrew Schneider (A0.930751). This piece is very much in the German and British tradition of a cappella choral works, and it is as American as my works are likely to get; I enjoy using such rhythmic and harmonic elements manneristically, as my otherwise Victorian compositional language is spiced up considerably, I believe, by their organic inclusion. Perhaps one can discover my love of the dynamic and adventurous a cappella works of MacDowell?
$2.49
2.28 €
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Chorale TTBB
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Andrew Schneider
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The Heavens Declare the Glory of God
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Andrew Schneider
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SheetMusicPlus
Call Me
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.849896 By Blondie. By Gior…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.849896 By Blondie. By Giorgio Moroder. Arranged by Sam Hubbard. Contemporary. Octavo. 7 pages. Sam Hubbard #5219353. Published by Sam Hubbard (A0.849896). This is an arrangement for men's barbershop groups.Duration c.3:00Originally arranged for Hallmark of Harmony.Visit https://www.facebook.com/SamHubbardVocalArrangements/ for more information.The audio sample is an excerpt from a set of learning tracks produced by HBTEACHTRACKS. Find them at https://www.hbteachtracks.co.uk/
$1.99
1.82 €
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Chorale TTBB
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Blondie
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Sam Hubbard
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Call Me
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Sam Hubbard
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SheetMusicPlus
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