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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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259
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
21382
PIANO & CLAVIERS
Piano seul
19922
Piano, Voix
6925
Piano Facile
4132
Piano, Voix et Guitare
3219
Piano grosses notes
3151
Orgue
2303
Instruments en Do
1025
Accordéon
895
1 Piano, 4 mains
557
Accompagnement Piano
445
Piano Trio: piano, violon, violoncelle
137
2 Pianos, 4 mains
95
Piano (partie séparée)
69
Clavier
59
Piano Quatuor: piano, violon, alto, violoncelle
55
Piano Quatuor: piano, 2 violons, violoncelle
53
Orgue, Trompette (duo)
44
Piano Quintette: piano, 2 violons, alto, violoncelle
43
Orgue, Piano (duo)
35
Ligne De Mélodie, Piano
24
1 Piano, 6 mains
14
Clavecin
14
Accordéon, Voix
12
Instrument seul et Orgue
8
2 Pianos, 8 mains
3
Orgue, Voix
2
Ensemble de Pianos
2
Ensemble d'Accordéons
2
Accordéon, Piano
1
Instrumentations suivantes
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GUITARES
Guitare
2372
Guitare notes et tablatures
2001
Basse electrique
1795
Ligne De Mélodie, (Paroles) et Accords
1065
Ukulele
669
Paroles et Accords
243
Piano, Guitare (duo)
207
2 Guitares (duo)
100
Guitare (partie séparée)
88
Mandoline
70
Banjo
63
4 Guitares (Quatuor)
58
Dulcimer
57
Ensemble de guitares
21
3 Guitares (trio)
20
Ukulele Baryton
10
Mandoline, Piano (duo)
10
Basse électrique (partie séparée)
10
2 Dulcimers (duo)
9
Guitare, Violon, Violoncelle (trio)
4
Ensemble de Ukulélés
4
Dobro
3
Mandoline, Guitare (duo)
3
Partitions De Groupes
3
2 Mandolines (duo)
2
Guitare Pedal Steel
2
2 Ukuleles
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
6689
Chorale 2 parties
2687
Chorale 3 parties
2388
Voix seule
1427
Chorale Unison
1208
Voix duo, Piano
883
Chorale TTBB
782
Chorale SSAA
478
Voix duo
402
Voix Soprano, Piano
144
Chorale
125
Voix haute
104
Voix Alto, Piano
42
Voix moyenne, Piano
39
Voix Tenor, Piano
22
Voix Tenor
20
Voix basse, Piano
16
Chorale SSATB
11
Voix basse
11
Voix Baryton, Piano
8
Chorale SSATTB
8
Voix Soprano
8
Soli, choeur mixte et accompagnement
8
Chorale SSAATTBB
8
Voix Mezzo-Soprano, Piano
7
Chorale SSAB, Piano
4
Chorale SATBB
2
Chorale SAATB A Cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATBB
1
Voix Baryton
1
Chorale SSAB a cappella
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Saxophone
4807
Clarinette
3099
Flûte traversière
2930
Flûte traversière et Piano
1643
Saxophone (partie séparée)
1147
2 Saxophones (duo)
1126
Hautbois, Piano (duo)
1086
Quatuor de Saxophones: 4 saxophones
1004
Saxophone Alto et Piano
977
Saxophone Alto
954
Clarinette et Piano
835
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
800
Saxophone Tenor et Piano
741
Flûte, Hautbois, Clarinette, Basson
713
Quatuor de Clarinettes: 4 clarinettes
710
2 Flûtes traversières (duo)
636
2 Clarinettes (duo)
601
Flûte à bec Soprano
554
Flûte à Bec
479
Saxophone Soprano et Piano
459
Saxophone Tenor
446
Quintette de Saxophone: 5 saxophones
363
Quatuor de Flûtes : 4 flûtes
345
Hautbois (partie séparée)
341
Flûte, Clarinette (duo)
317
3 Saxophones (trio)
296
3 Clarinettes (trio)
291
Hautbois
265
2 Flûte à bec (duo)
239
Clarinette (partie séparée)
237
Saxophone, Clarinette (duo)
235
Ensemble de Clarinettes
226
2 Hautbois (duo)
210
Clarinette, Violon (duo)
195
Trio de Flûtes: 3 flûtes
185
Saxophone Baryton, Piano
183
Saxophone Soprano
180
Ensemble de Flûtes
173
Hautbois, Basson (duo)
159
Clarinette, Trompette (duo)
151
Cor anglais, Piano
150
Flûte, Violon
138
Hautbois, Clarinette (duo)
133
Ensemble de saxophones
133
Quintette de Clarinettes: 5 clarinettes
130
Flute (partie séparée)
123
Flûte et Guitare
105
Clarinette et Alto
100
Flûte, Hautbois, Clarinette (trio)
93
Hautbois, Flûte
92
Flûte, Alto (duo)
90
Flûte, Saxophone (duo)
90
Flûte à bec Soprano, Piano
89
Quintette de Flûte : 5 flûtes
88
Quatuor de Flûtes à bec
87
Flûte, Clarinette et Basson
85
Flûte à bec Alto
75
Flûte, Violoncelle
70
Flûte irlandaise
68
Flûte, Hautbois, Basson
64
Clarinette, Basson (duo)
64
Flûte, Violon et Violoncelle
63
Harmonica
62
Flûte, Trompette (duo)
61
Cor Anglais
57
Hautbois, Clarinette, Basson (trio d'anches)
47
Flûte, Harpe et Violoncelle
46
2 Flûtes traversières, Piano
44
Clarinette Basse, Piano
44
Clarinette, Guitare (duo)
42
3 Flûtes à bec (trio)
39
Clarinette, Harpe (duo)
37
Flûte, Hautbois (duo)
34
Saxophone Baryton
33
2 Clarinettes, Basson
32
Clarinette, Violoncelle (duo)
31
Ensemble De Flûte à bec
28
Hautbois, Violoncelle
26
Flûte, Violon, Piano
25
Ocarina
23
5 Flûtes à bec
21
Instruments en Mib
21
Flûte à bec Alto, Piano
21
Flûte, Violoncelle, Piano (trio)
21
Flûte à bec Tenor
19
Flûte, Clarinette, Piano (trio)
18
4 Hautbois
17
Hautbois, Guitare (duo)
15
Piccolo, Piano
14
Clarinette, Violoncelle, Piano (trio)
14
Saxophone et Orgue
13
2 Clarinettes, Piano
13
Flûte, Trombone (duo)
12
Flûte à bec, Guitare (duo)
12
Cor anglais, Guitare (duo)
12
2 Saxophones, Piano
11
Saxophone et Guitare
11
Flûte, Basson et Piano
11
Flute, harpe et violon
10
Clarinette, Trombone (duo)
10
Flûte, Hautbois, Violon
10
3 Hautbois
10
Piccolo
9
Flûte, Hautbois, Piano (trio)
9
Flûte, Clarinette, Violon (trio)
8
Flûte à Bec, Piano
7
Flûte et Trio à cordes
7
Hautbois, violon (duo)
7
Saxophone et Piano
7
Hautbois et alto (duo)
7
Hautbois, trombone (duo)
7
Ensemble de Hautbois
6
Saxophone et violoncelle
6
Hautbois, Harpe
6
Flûte, Violon, Violoncelle et Piano
6
Hautbois, Basson et Piano
6
Clarinette Basse
6
Flûte, Alto et Piano
5
2 Cors Anglais Et Pianoforte
5
Flûte traversière, Orgue (duo)
5
Flûte, trombone et piano
4
Hautbois, Clarinette et Piano (Trio)
4
Flûte traversière, Basse continue
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Saxophone et Harpe
4
Clarinette, trompette et piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Alto et Piano (trio)
3
Cornemuse
3
Clarinette, Tuba
3
Flûte, Violoncelle, Guitare
3
Flûte, alto et harpe
3
Flûte à bec Soprano, Basse continue
2
Flûte, Violon, Guitare
2
Harmonica, Piano
2
Flute, Cor (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Ensemble à vent
2
Saxophone, Violon (duo)
2
Clarinette, Contrebasse (duo)
2
2 Hautbois, Piano
2
Flûte, Tuba (duo)
2
Flûte de Pan
2
Clarinette, Orgue
2
Flûte à bec, Harpe
1
Flûte et Quatuor à Cordes
1
Flute, alto, violoncelle et guitare
1
2 Harmonicas
1
Hautbois, Violoncelle et Piano
1
2 Flûtes traversières, Harpe
1
2 Hautbois et Basson
1
Clarinette, Orchestre
1
Flûte à bec Alto, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Melodica
1
Cor anglais et Harpe (duo)
1
Clarinette, Basson, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Trompette
2655
Trombone
2210
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1081
Trombone et Piano
922
Trompette, Piano
874
Cor et Piano
563
Quatuor de Cuivres : 2 trompettes, trombone, tuba
533
Cor
508
Trompette (partie séparée)
462
Trombone (partie séparée)
396
2 Trombones (duo)
348
2 Trompettes (duo)
322
Tuba
304
Quatuor de Cuivres
273
Quatuor de Cuivres: 2 trompettes, Cor, trombone
258
Tuba et Piano
232
Trompette, Trombone (duo)
197
Euphonium
191
Quatuor de cuivres: 4 trombones
169
Trompette, Saxophone (duo)
168
Cor anglais, Piano
150
Cor (partie séparée)
148
2 Cors (duo)
145
Euphonium, Piano (duo)
124
Ensemble de Trombones
103
Tuba (partie séparée)
86
Quatuor de cuivres: 4 cors
81
Trompette, Cor (duo)
78
2 Tubas (duo)
74
Ensemble de Trompettes
72
Cor Anglais
57
Quatuor de cuivres: 4 trompettes
42
2 Euphoniums et 2 Tubas
41
Trio de Cuivres
34
4 Tubas
31
Bass Clef Instruments
30
3 Trombones (trio)
29
Ensemble de Cors
28
2 Euphoniums (duo)
25
Instruments en Sib
23
Trombone, Tuba (duo)
22
Euphonium, Tuba (duo)
22
Trombone, Cor (duo)
20
3 Trompettes (trio)
16
Cor, Violoncelle (duo)
13
Cor anglais, Guitare (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Tuba et Orgue
10
Trompette, Violoncelle (duo)
10
Cornet A Pistons
9
Trompette, Trombone, Piano
9
3 Tubas (trio)
9
Cor et Harpe
9
Trompette, Harpe
8
Trompette, Tuba (duo)
8
Trombone, Violon (duo)
7
Trombone basse
7
3 Cors (trio)
7
Cor et Basson (duo)
6
Trombone, Alto (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, violon (duo)
6
Trombone, Orgue
6
Cor, Tuba (duo)
5
2 Cors Anglais Et Pianoforte
5
2 Trombones, Piano
5
Trombone basse et Piano
5
Trompette, Basson (duo)
5
Tuba ou Euphonium ou Saxhorn
4
Trompette et Guitare
4
2 Trompettes, Clavier (piano ou orgue)
4
Trombone et orchestre
4
Cor et Orgue
4
Cornet et orchestre
2
2 Cors, Piano
2
3 Euphoniums
2
Clarinette, Cor (duo)
2
Bugle
2
Instruments en Fa
2
4 Euphoniums
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
Cor anglais et Harpe (duo)
1
Trompette, Orchestre
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3144
Violon
2553
Harpe
2026
Violon et Piano
1945
Alto seul
1222
Violoncelle, Piano
1146
Alto, Piano
1055
Violoncelle
1039
Violon, Violoncelle (duo)
943
Trio à Cordes: violon, alto, violoncelle
722
Violoncelle (partie séparée)
600
2 Violons (duo)
545
2 Violoncelles (duo)
385
Violon, Alto (duo)
383
Quintette à cordes: 2 violons, alto, violoncelle, basse
320
Harpe, Flûte (duo)
305
2 Altos (duo)
289
Violon (partie séparée)
250
Contre Basse
222
Alto (partie séparée)
213
Trio à Cordes: 2 violons, violoncelle
205
2 Harpes (duo)
203
Contrebasse, Piano (duo)
190
Contrebasse (partie séparée)
177
Harpe, Violon (duo)
137
Alto, Violoncelle (duo)
134
Piano Trio: Violon, Alto, Piano
104
4 Violoncelles
97
Violon, Guitare (duo)
77
Trio à cordes: 3 violins
61
Trio à Cordes: 3 violoncelles
57
2 Contrebasses (duo)
56
Quatuor à cordes: 4 violons
52
Violoncelle, Contrebasse (duo)
44
Harpe et Piano
43
Violoncelle , Guitare (duo)
40
Trio à Cordes: 2 violons, alto
28
Quatuor à cordes : 4 altos
26
Violon, Basson (duo)
26
Trio à cordes
25
Trio à cordes: 3 altos
20
Harpe, Violoncelle (duo)
17
Alto et Basson
17
Harpe, Voix
16
Alto et Harpe
13
Alto, Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Flûte, Contrebasse (duo)
11
Ensemble de Violons
10
Harpe et mandoline
10
2 Violons, Piano
10
Violoncelle, Orgue
9
Harpe, Violon, Violoncelle
9
4 Contrebasses
8
Harpe (partie séparée)
8
Violon, Orgue
8
Ensemble d'Altos
7
Violon, Clarinette, Piano (trio)
7
Autoharp
7
2 Violoncelles, Piano
6
Ensemble de Violoncelles
5
Violoncelle, Basse continue
4
3 Harpes
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Altos, Piano
4
3 Contrebasses
2
Harpe, Trombone (duo)
2
Violon, Basse continue
2
Violon, Tuba (duo)
2
5 Harpes
2
Violoncelle, Orchestre
2
Violon, Contrebasse (duo)
1
4 Harpes
1
Alto, Orgue
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4331
Batterie
1982
Orchestre à Cordes
1636
Orchestre
1389
Cloches
887
Ensemble de cuivres
798
Ensemble Jazz
791
Orchestre de chambre
560
Fanfare
221
Ensemble de Percussions
217
Jazz combo
210
Percussion (partie séparée)
165
Batterie (partie séparée)
87
Marimba
75
Percussion
65
Vibraphone
58
Xylophone
18
Xylophone, Piano
16
Timbales (partie séparée)
13
2 Xylophones
9
Ensemble d'École
8
Quintette à Vent
8
3 Marimbas
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Piano et Orchestre
4
Caisse Claire
3
Orchestre, Violon
3
Quatuor à Vent : 4 instruments à vents
2
Trio à Vent: 3 instruments à vents
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Cajon
2
Timbales
2
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Conga
1
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
Orchestre Symphonique
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
49
Théorie de la musique
8
Vous avez sélectionné:
The Can Can
Chorale TTBB
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
2 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Candy Cane Lane
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1294187 By Sia. By …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1294187 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Contemporary,Pop. 9 pages. Rowena Harper #884612. Published by Rowena Harper (A0.1294187). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Key = EbThis is a per copy price with a minimum order of 10 copies. Contact: acappellatenor@gmail.com.
$3.00
2.74 €
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Chorale TTBB
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Sia
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Rowena Harper
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Candy Cane Lane
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Rowena Harper
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SheetMusicPlus
Ameriican Requiem
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Bey…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, Dan Walsh, Darius Dixson, Derek Dixie, Ink, Jonathan Batiste, Khirye Tyler, Michael Price, No I.d., Shawn Carter, Stephen Stills, and Tyler Johnson. Arranged by Charles Beale. 21st Century,Pop,R & B. 2 pages. Charliebmusic #1030297. Published by charliebmusic (A0.1450753). This powerful 45 second anthemic song by Beyoncé is about change. It points out that for things to stay the same, they have to change again. It speaks both to the African American experience in the US, and has a universal message that is applicable to climate change, LGBTQIA+ life, and indeed anyone who is going through grief or a time of change.The song went viral in Spring 2024, and many versions appeared on social media done by teens and choirs large and small.This TTBB arrangement would suit the opening of a Pride concert, a school concert or any context where you want to pull an audience in with simple strong church harmonies.
$1.99
1.82 €
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Chorale TTBB
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Beyonce
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Charles Beale
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Ameriican Requiem
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charliebmusic
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2.01 €
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Chorale TTBB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Two Flexible Anthems
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1444841 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1444841 Composed by Jean-Baptiste Faure. Arranged by Alan Saldaña-Silva. 19th Century,Christian,Contest,Festival,Romantic Period,Sacred. 8 pages. Alan Saldaña-Silva #1024710. Published by Alan Saldaña-Silva (A0.1444841). For Baritone Solo, Organ (or Piano), & Men’s Choir (ad libitum).These are two anthems for a men's choir with smaller forces. It can be either perfomed for Solo Baritone with Men's Choir or Unison Men's Choir for most of the Anthems and then Solo Baritone with Men's Choir in the specified sections. These two beautiful anthems can be used for different liturgical purposes and concert festivals.
$1.99
1.82 €
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Chorale TTBB
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Jean-Baptiste Faure
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Alan Saldaña-Silva
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Men’s Choir (ad libitum)
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Two Flexible Anthems
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Alan Saldaña-Silva
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SheetMusicPlus
Can't Help Falling In Love
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George D…
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Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.57 €
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Chorale TTBB
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Elvis Presley
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Jonathan Kilhams
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
What The Law Can't Do
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunningham #910066. Published by Rod Cunningham (A0.1321592). The initial idea for this song came from a point in a sermon (in June of 2020) by a pastor at my church (who shall remain nameless to protect the guilty 😊).  The point was that we can’t get to heaven by following the Law.  Only the Gospel can do that.  Therefore, the song is a Gospel song, even though the word “gospel†never appears in it.The song opens with the statement that the Law can’t “save your soulâ€.  It also points out that the Law can’t do miracles (like physically healing the body).  The song also addresses what the Law CAN do.  The song also alludes to a game (croquet) and a food (cinnamon toast) to demonstrate that neither a “Rule book†nor a “Recipe Book†can get us to heaven.  These allusions are a bit humorous and unexpected and therefore fit well in the genre of the Barbershop Quartet style.).
$2.49
2.28 €
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Chorale TTBB
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Rod Cunningham
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Rod Cunningham
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What The Law Can't Do
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Rod Cunningham
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.84 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Were You There? (TTBB)
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1020715 Composed by Tradit…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1020715 Composed by Traditional. Arranged by Jared Rodehorst. Easter,Gospel,Sacred,Spiritual. Octavo. 4 pages. Adis Publishing #6201487. Published by Adis Publishing (A0.1020715). An unaccompanied setting of a classic Lenten spiritual. The questions in this song ask us to remember the crucifixion as well as the horrors of the African-American slave experience that gave birth to the spiritual.
$2.25
2.06 €
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Chorale TTBB
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Traditional
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Jared Rodehorst
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Were You There?
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Adis Publishing
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SheetMusicPlus
Star in the East - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by Americ…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
1.82 €
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Chorale TTBB
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
She Used To Be Mine (from Waitress the Musical)
Chorale TTBB
TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodo…
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TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore Hicks. Score. 10 pages. Published by Theo Hicks Music
This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.<br> <br> This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.<br> <br> For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.<br> LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/<br> <br> Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com.<br> <br> For more information on Momma's Boys, visit http://mommasboysquartet.com/
$4.00
3.66 €
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Chorale TTBB
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Sara Bareilles
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She Used To Be Mine
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Theo Hicks Music
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SheetMusicPlus
The Hildegard Motets: 8. O speculum columbe (Downloadable)
Chorale TTBB
TTBB choir (a cappella) - Digital Download SKU: MQ.4995-E Composed by Frank Ferko. …
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TTBB choir (a cappella) - Digital Download SKU: MQ.4995-E Composed by Frank Ferko. 12 pages. E. C. Schirmer Music Company - Digital #4995-E. Published by E. C. Schirmer Music Company - Digital (MQ.4995-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65
2.42 €
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Chorale TTBB
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Frank Ferko
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The Hildegard Motets: 8. O speculum columbe
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Deck The Hall
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927816 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927816 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Octavo. 8 pages. Eddy Clement #5755413. Published by Eddy Clement (A0.927816). This arrangement of the Traditional Deck The Hall breathes new life into the Holiday classic. Easily accessible voice parts will sing solidly with your ensembles. The sophisticated Fa, la, la... chorus is playful, and is skillfully used as an overlay with the third verse of the carol. A great concert Opener or Closer! Available in S(S)ATB and TTBB voicings, these can be used separately or together for massed choir settings. Accompaniment can be Piano only, or any one of the Instrumental Packs (Winds, Strings and/or Brass [Brass orchestration by KEVIN ROBISON]). Unlike the Choral voicings, the Instrumental Packs should not be combined.
$2.95
2.7 €
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Chorale TTBB
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Traditional
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EDDY CLEMENT
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Deck The Hall
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Eddy Clement
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SheetMusicPlus
O Canada!
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1181487 By Canadian Nation…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1181487 By Canadian National Anthem | Hymne National. By Calixa Levalée. Arranged by Ken Litton. Historic,March,Patriotic,Standards,Traditional. Octavo. 2 pages. Artist of Note, Inc. #781277. Published by Artist of Note, Inc. (A0.1181487). O Canada!/Weir - Levalée arranged by Ken LittonTTBB opt. accompanimentWhen the first familiar chords of O Canada play at concerts and other public events, Canadians stand with pride in their country’s honor. Proclaimed Canada's national anthem in 1980, O Canada was first sung in French 100 years earlier to music by Calixa Lavallée—a well-known composer of the day—while the English version came from Robert S. Weir in 1908.Your intermediate to advanced Tenor - Bass choir or ensemble will love singing this energetic TTBB version with or without instrumental accompaniment!
$1.99
1.82 €
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Chorale TTBB
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Canadian National Anthem | Hymne National
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Ken Litton
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O Canada!
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Artist of Note, Inc.
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SheetMusicPlus
We Gather Together
Chorale TTBB
TTBB choir and optional keyboard - Medium - Digital Download SKU: MQ.1.3629-E Compo…
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TTBB choir and optional keyboard - Medium - Digital Download SKU: MQ.1.3629-E Composed by Aaron Humble. Thanksgiving. 10 pages. Galaxy Music Corporation - Digital #1.3629-E. Published by Galaxy Music Corporation - Digital (MQ.1.3629-E). UPC: 600313136290. English.Written for the Cantus Vocal Ensemble and recorded on their 2014 recording “A Harvest Home.†This setting is available for both SATB and TTBB choirs and features original material that helps this standard hymn feel both traditional, yet fresh.
$2.65
2.42 €
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Chorale TTBB
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Aaron Humble
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We Gather Together
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Candy Cane Lane
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1313411 By Sia. By …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1313411 By Sia. By Greg Kurstin and Sia. Arranged by Gabriel Lawson. 21st Century,A Cappella,Christmas,Pop. 12 pages. Gabriel Lawson #902167. Published by Gabriel Lawson (A0.1313411). “Candy Cane Lane†is the second track on the album Everyday Is Christmas by Sia. Amazingly fun, nostalgic, bright, upbeat song. Arranged for four-part a cappella Men's Chorus (TTBB) with the melody in the Tenor 2 part.Key of A Major (original key B Major).Difficulty 5/10.Tenor 1 G#3-A4.Tenor 2 E#3-B4.Baritone C#3-F#4.Bass E2-B3.
$1.99
1.82 €
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Chorale TTBB
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Sia
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Gabriel Lawson
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Candy Cane Lane
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Gabriel Lawson
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SheetMusicPlus
Let Us Break Bread Together (Downloadable)
Chorale TTBB
TTBB choir and piano - Moderately Easy - Digital Download SKU: MQ.8648-E Composed b…
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TTBB choir and piano - Moderately Easy - Digital Download SKU: MQ.8648-E Composed by Gwyneth W. Walker. World Communion Sunday. Score. 11 pages. E. C. Schirmer Music Company - Digital #8648-E. Published by E. C. Schirmer Music Company - Digital (MQ.8648-E). English.This work is dedicated to Heather Heyer of Charlottesville, Virginia, who gave her life for our mission of tolerance. Using the traditional African American tune LET US BREAK BREAD, this arrangement is scored for TTBB chorus and piano. A new verse is added, Let us rise up together all as one, as a call for strength through unity.
$2.65
2.42 €
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Chorale TTBB
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Shepherds Hear the Good News - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144884 Composed by Henry …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144884 Composed by Henry T Smart, James Montgomery, and Nahum Tate. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. Octavo. 30 pages. Mark R Lewis #745200. Published by Mark R Lewis (A0.1144884). The Shepherds Hear the Good News is a medley of two Christmas hymns, While Shepherds Watched Their Flocks and Angels from the Realms of Glory. Together these two hymns are used to illustrate the portion of the of the Christmas narrative when the angels announce the birth of Jesus to the shepherds. This arrangement is for TTBB choir with piano and optional percussion accompaniment. With a driving piano part and fun percussion, this piece is a wonderful addition to any Christmas program, especially a lesson and carols service. The percussion can be covered by three players: a timpanist, one for orchestral chimes, and one that will switch between sleigh-bells and glockenspiel.
$1.99
1.82 €
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Chorale TTBB
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Henry T Smart, James Montgomery, and Nahum Tate
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Mark R Lewis
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The Shepherds Hear the Good News - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
I Know Why The Caged Bird Sings (Sympathy) (TTB)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.631468 Composed by Stephen…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.631468 Composed by Stephen DeCesare. Concert,Contemporary,Folk,Standards. Octavo. 8 pages. Exultet Music #6610493. Published by Exultet Music (A0.631468). Sympathy is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem around while he was working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Scored for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$3.99
3.65 €
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Chorale TTBB
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Stephen DeCesare
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I Know Why The Caged Bird Sings
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Exultet Music
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SheetMusicPlus
I Know Why The Caged Bird Sings (Sympathy) (TTB)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.501922 By Stephen DeCesare…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.501922 By Stephen DeCesare. By Stephen DeCesare. Classical,Contemporary,Contest,Festival,Film/TV,Traditional. Octavo. 8 pages. Exultet Music #114538. Published by Exultet Music (A0.501922). Sympathy is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem around while he was working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Scored for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$3.99
3.65 €
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Chorale TTBB
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Stephen DeCesare
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I Know Why The Caged Bird Sings
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Exultet Music
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SheetMusicPlus
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