Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Time
Non classifié
555
Piano & claviers
Piano seul
384
Piano, Voix
106
Piano, Voix et Guitare
88
Piano Facile
66
Instruments en Do
29
Orgue
22
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
6
Piano grosses notes
4
Orgue, Trompette (duo)
3
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
47
Guitare
21
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
Ukulele
11
Mandoline
3
2 Guitares (duo)
3
Paroles et Accords
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
Dulcimer
1
Banjo
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
139
Voix Soprano, Piano
44
Chorale 3 parties
43
Voix Baryton, Piano
30
Voix Alto, Piano
29
Chorale 2 parties
28
Voix Tenor, Piano
27
Chorale SSAA
26
Voix duo, Piano
18
Chorale Unison
13
Chorale TTBB
11
Voix seule
10
Voix duo
8
Voix haute
3
Voix Tenor
2
Voix moyenne, Piano
2
Voix basse, Piano
2
Voix basse
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
2 Saxophones (duo)
38
Flûte, Hautbois, Clarinette, Basson
34
Flûte traversière et Piano
31
2 Flûtes traversières (duo)
29
Flûte traversière
28
Clarinette
24
Clarinette et Piano
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
21
2 Clarinettes (duo)
20
Saxophone, Clarinette (duo)
19
Quintette de Saxophone: 5 saxophones
19
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Tenor
17
Saxophone Alto
16
Hautbois (partie séparée)
14
3 Clarinettes (trio)
14
Saxophone (partie séparée)
13
Clarinette, Violon (duo)
11
Flûte, Clarinette (duo)
11
Clarinette, Trompette (duo)
10
Saxophone
10
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Quatuor de Flûtes : 4 flûtes
9
Flûte, Violon
8
Hautbois, Basson (duo)
8
Trio de Flûtes: 3 flûtes
8
3 Saxophones (trio)
7
Quintette de Flûte : 5 flûtes
7
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Hautbois
6
2 Hautbois (duo)
6
Hautbois, Clarinette (duo)
6
Saxophone Baryton, Piano
6
Saxophone Soprano et Piano
6
Clarinette Basse, Piano
5
Clarinette et Alto
5
Flûte, Saxophone (duo)
5
Ensemble de Clarinettes
5
Ensemble de saxophones
5
Flûte et Guitare
5
Ensemble de Flûtes
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor anglais, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
2
Saxophone Soprano
2
Flûte, Violon, Piano
2
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violoncelle
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Clarinette, Guitare (duo)
1
Clarinette Basse
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
+ 67 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone et Piano
23
Trompette
21
Cor et Piano
14
Trompette, Saxophone (duo)
13
Trompette, Piano
12
Trombone
11
Tuba et Piano
10
Quatuor de Cuivres
9
2 Trompettes (duo)
8
Cor
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba
7
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Trompette (partie séparée)
4
Trombone (partie séparée)
4
Euphonium
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Trombone basse
1
2 Cors (duo)
1
Ensemble de Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon, Violoncelle (duo)
44
Alto, Piano
37
Violon
34
Violon et Piano
31
Violoncelle, Piano
23
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
16
Trio à Cordes: violon, alto, violoncelle
14
Alto seul
13
Trio à Cordes: 2 violons, violoncelle
11
Violon, Alto (duo)
10
Harpe
8
2 Violoncelles (duo)
8
Contrebasse, Piano (duo)
7
2 Altos (duo)
6
Contre Basse
6
Violon (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
4 Violoncelles
2
Violoncelle (partie séparée)
2
4 Contrebasses
1
Violon, Orgue
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Violoncelle, Orchestre
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
141
Orchestre
52
Orchestre à Cordes
42
Ensemble Jazz
30
Ensemble de cuivres
28
Cloches
17
Batterie
16
Orchestre de chambre
14
Ensemble de Percussions
9
Jazz combo
8
Fanfare
4
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
11
Librairie Musicale
3
Matériel de Musique
651
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Last Time
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
<
1
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
#
Chorale TTBB
#
DÉBUTANT
#
Unknown - traditional
#
Paul A
#
peripatetic country preachers
#
WAYFARING STRANGER
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Casper The Friendly Ghost
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Jerry Livingston and Mack Davi
#
Julie Hinton
#
Casper The Friendly Ghost
#
Red Tape Productions
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477136 Composed by Jerry Livingston and Mack David. Arranged by Julie Hinton. A Cappella,Barbershop...
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477136 Composed by Jerry Livingston and Mack David. Arranged by Julie Hinton. A Cappella,Barbershop,Children,Film/TV,Halloween. 5 pages. Red Tape Productions #1054569. Published by Red Tape Productions (A0.1477136). TTBB acapella. This boogie version of the popular children's cartoon theme song brings an exciting energy to any group who performs it. The bass sticks with a boogie line throughout the piece (vocal percussion encouraged) while the other parts form a trio around the melody line. The verses are separated by exclaimed Casper!s to break it up. There is an optional repeat of the last verse to lengthen the tune - with the repeat the runtime is approximately 2:21. Great for men's acapella choirs, Barbershop groups, Halloween carolers and television afficionados!Also available in SATB and SSAA. The demo audio is from the bridge and final verse of the piece.
$2.25
The Leaves of the Fall
#
Chorale TTBB
#
FACILE
#
John van Gulik
#
John van Gulik
#
The Leaves of the Fall
#
John van Gulik
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
The Last Time I Saw Paris
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
Jerome Kern
#
Walter Latzko
#
The Last Time I Saw Paris
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871934 Composed by Jerome Kern. Arranged by Walter Latzko. Contemporary. Octavo. 3 pages. Latzko Muzic #5718657....
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.871934 Composed by Jerome Kern. Arranged by Walter Latzko. Contemporary. Octavo. 3 pages. Latzko Muzic #5718657. Published by Latzko Muzic (A0.871934). THIS IS A GREAT ARRANGEMENT OF A BEAUTIFUL KERN, HAMMERSTEIN SONG.
$5.99
Candy Cane Lane
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Sia
#
Rowena Harper
#
Candy Cane Lane
#
Rowena Harper
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1294187 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Conte...
(+)
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1294187 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Contemporary,Pop. 9 pages. Rowena Harper #884612. Published by Rowena Harper (A0.1294187). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Key = EbThis is a per copy price with a minimum order of 10 copies. Contact: acappellatenor@gmail.com.
$3.00
Amber Days
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Terry Rigler
#
Terry Rigler & Doug Gould
#
Amber Days
#
Terry Rigler
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1025551 Composed by Terry Rigler. Arranged by Terry Rigler & Doug Gould. Jazz,Musical/Show,World. Octavo. 9 page...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.1025551 Composed by Terry Rigler. Arranged by Terry Rigler & Doug Gould. Jazz,Musical/Show,World. Octavo. 9 pages. Terry Rigler #4839339. Published by Terry Rigler (A0.1025551). The word amber to me conveys glowing warmth and in this life ballad the lyrics are describing how these (amber) warm moments or times in our life carry us through all the tougher times and create bonds and memories which last. This is an original and has never been staged. The generated sample voice parts will be replaced with a performed version in a few weeks time
$1.99
Imagine
#
Chorale TTBB
#
FACILE
#
Pop musique
#
John Lennon And The Plastic On
#
Kathleen McGuire
#
Imagine
#
Kathleen McGuire
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1167901 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Kathleen McGuire. Pop. Octavo. 4 pa...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1167901 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Kathleen McGuire. Pop. Octavo. 4 pages. Kathleen McGuire #768256. Published by Kathleen McGuire (A0.1167901). John Lennon's quintessential anthem of peace and unity still resonates more than half a century later. It was first released in 1971 and came into sharp focus again with Lennon's untimely death in 1981. This arrangement -- which assigns the verse's trickier rhythms to a soloist while the choir sings lush, vertical harmonies in the refrain and transitions -- works particularly well as a contemplative, moving concert moment. The piano accompaniment underpins the voices, supporting the choir and creating space for the soloist. Also available for SATB choir.
$2.50
Hey Sis It's Christmas
#
Chorale TTBB
#
FACILE
#
Rupaul Feat
#
Charles Beale
#
Hey Sis It's Christmas
#
charliebmusic
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1302629 By Rupaul Feat. Markaholic. By Mark Byers and Rupaul Andre Charles. Arranged by Charles Beale. Hi...
(+)
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1302629 By Rupaul Feat. Markaholic. By Mark Byers and Rupaul Andre Charles. Arranged by Charles Beale. Hip-Hop,Holiday,Soul. 17 pages. Charliebmusic #892249. Published by charliebmusic (A0.1302629). 'Hey Sis It's Christmas' was featured on the UK's Season 3 of the iconic drag queen show RuPaul's Drag Race in 2021, and featured verses from various performers featured that year. The sentiment of the song is expressed in the last line of the chorus: 'We're gonna have the best Christmas that ever existed'. It is in this sense the perfect show starter for an LGBTQIA+-friendly Holiday show.This celebratory TTBB version does not include the more risque lyrics from the original, and would definitely benefit from some appropriate costume and dance, if available.
$1.99
I've Found a New Baby
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Palmer and Spencer
#
Walter Lazko
#
I've Found a New Baby
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.872132 Composed by Palmer and Spencer. Arranged by Walter Lazko. Jazz,Traditional. Octavo. 6 pages. Latzko Muzic...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.872132 Composed by Palmer and Spencer. Arranged by Walter Lazko. Jazz,Traditional. Octavo. 6 pages. Latzko Muzic #6306307. Published by Latzko Muzic (A0.872132). This is a great arrangement of an old time jazz tune. It is also the last arrangement that Walter arranged before he passed away in 2010.
$7.99
Solitude
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
40s Instrumental Music
#
James Morgan
#
Solitude
#
Modern Vocals Online - James Morgan
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1477309 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by ...
(+)
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1477309 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by James Morgan. A Cappella,Barbershop,Jazz. 5 pages. Modern Vocals Online - James Morgan #1054730. Published by Modern Vocals Online - James Morgan (A0.1477309). Discover the timeless elegance of Duke Ellington’s “Solitude” with this exceptional a cappella arrangement, meticulously crafted for barbershop and jazz vocal ensembles. Ideal for advanced groups seeking to elevate their repertoire, this chart promises to enchant both performers and audiences alike.Set in the key of C major, this arrangement immerses you in the slow, soulful swing of Ellington’s masterpiece. The intricate rhythmic variety and rich, complex jazz harmonies create a sonorous tapestry, offering singers a chance to delve into the depths of jazz expression.What sets this arrangement apart is the challenging “instrumental” interlude in the middle. This section, designed to emulate the instrumental nuances of the original composition, provides a unique opportunity for vocalists to showcase their precision and artistry. It’s a highlight that will captivate your audience and leave a lasting impression.With lush, sophisticated harmonies, this arrangement is perfect for vocal groups ready to embrace a new challenge. The piece not only tests your ensemble’s technical skills but also allows you to explore the emotional landscape of Ellington’s music, making each performance a memorable experience.Elevate your ensemble’s repertoire with this stunning arrangement of “Solitude.” Perfect for competitions, concerts, and recordings, this chart is a must-have for any serious barbershop or jazz vocal group. Dive into the captivating world of Duke Ellington and let your voices bring his timeless music to life.
$3.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Last Time
