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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last To Know
Non classifié
321
Piano & claviers
Piano seul
163
Piano, Voix et Guitare
41
Piano, Voix
35
Piano Facile
31
Instruments en Do
7
Orgue
5
Accompagnement Piano
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
10
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ukulele
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
60
Chorale 3 parties
22
Chorale TTBB
11
Voix Soprano, Piano
9
Chorale 2 parties
8
Voix haute
4
Voix duo, Piano
4
Chorale Unison
4
Chorale SSAA
3
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix Tenor
2
Voix basse
1
Voix basse, Piano
1
Voix duo
1
+ 11 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
37
2 Saxophones (duo)
34
2 Flûtes traversières (duo)
27
Quatuor de Clarinettes: 4 clarinettes
23
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte, Hautbois, Clarinette, Basson
15
3 Saxophones (trio)
14
Flûte traversière et Piano
14
Quintette de Saxophone: 5 saxophones
13
Flûte, Clarinette (duo)
10
Saxophone Alto et Piano
10
Hautbois (partie séparée)
9
Clarinette
9
Clarinette et Piano
9
Hautbois, Piano (duo)
6
Saxophone, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
5
3 Clarinettes (trio)
5
Saxophone Baryton, Piano
4
Saxophone Tenor
4
2 Hautbois (duo)
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Hautbois, Basson (duo)
4
Saxophone Tenor et Piano
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Saxophone (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon
3
Flûte traversière
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone (partie séparée)
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Flûte à Bec
1
Ensemble de Hautbois
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, violon (duo)
1
Harmonica
1
Flûte à bec Tenor
1
+ 62 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
9
Trombone et Piano
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 trombones
7
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
5
Trompette
5
Trompette, Trombone (duo)
5
Cor et Piano
5
2 Cors (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Piano
4
3 Cors (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
3 Tubas (trio)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
2
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Tuba et Orgue
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
17
2 Violons (duo)
16
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
9
Alto, Piano
8
Violon
7
Violoncelle
7
2 Violoncelles (duo)
6
Harpe
6
Violoncelle, Piano
5
2 Altos (duo)
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
4 Violoncelles
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Contre Basse
1
Harpe, Violon (duo)
1
Alto seul
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre à Cordes
26
Orchestre
18
Cloches
11
Ensemble de cuivres
9
Orchestre de chambre
5
Ensemble de Percussions
4
Jazz combo
3
Ensemble Jazz
3
Batterie
2
Piano et Orchestre
1
+ 6 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
The Last To Know
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James W
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The Parting Before the Battle-
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Knox Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (...
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Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
Angel, Blow that Trumpet
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
Winter
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Chorale TTBB
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INTERMÉDIAIRE
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Music by Lisa Brigantino and W
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Winter
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Brigmusic
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1314377 Composed by Music by Lisa Brigantino and Words by Louisa May Alcott. A Cappella,Christmas,Holiday...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1314377 Composed by Music by Lisa Brigantino and Words by Louisa May Alcott. A Cappella,Christmas,Holiday. 7 pages. Brigmusic #903109. Published by Brigmusic (A0.1314377). Winter is a seasonal, secular, a cappella piece for men's choir (TTBB). Suitable for high school on up. Click HERE for a link to a scrolling score with MIDI voices. Winter - words by Louisa May AlcottThe stormy winter's come at last,With snow and rain and bitter blast;Ponds and brooks are frozen o'er,We cannot sail there any more. The little birds are flown awayTo warmer climes than ours;They'll come no more till gentle MayCalls them back with flowers. Oh, then the darling birds will singFrom their neat nests in the trees.All creatures wake to welcome Spring,And flowers dance in the breeze. With patience wait till winter is o'er,And all lovely things return;Of every season try the moreSome knowledge or virtue to learn.
$2.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Chorale TTBB
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INTERMÉDIAIRE
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Michael Buble
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Paul Hayward
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The Christmas Song
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Paul Hayward
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1289693 By Michael Buble. By Mel Torme and Robert Wells. Arranged by Paul Hayward. Christmas,Contemporary...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1289693 By Michael Buble. By Mel Torme and Robert Wells. Arranged by Paul Hayward. Christmas,Contemporary,Pop. 8 pages. Paul Hayward #880403. Published by Paul Hayward (A0.1289693). An arrangement for male voice choir and piano (TTBarB, Piano) of Mel Torme and Robert Well's The Christmas Song - better known by the first line, Chestnuts roasting on an open fire. It lasts a little over 4 minutes and will be accessible to all types of male voice choir.
$1.99
Solitude
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Chorale TTBB
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Sven Hagvil
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Solitude
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeb...
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TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeby Forlag - Digital (BJ.1141). 8.27 x 11.7 inches.An off-print of the last movement in Sven Hagvil's composition Symphony of Solitarities (SATB) adapted for male choir. The solo part could be performed by a soprano or tenor or a treble instrument. For many people silence and solitude are strongly connected with fears of the unknown, yet that may often be precisely what is lacking. In some cases solitude could be all that is necessary. There is no need for us to search far and wide for truth and meaning, we bear the most essential insights within ourselves. - Sven Hagvil.
$4.80
Texas Hold 'em
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Chorale TTBB
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FACILE
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Beyonce
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Nicholas Wright and Timorell
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Texas Hold 'em
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Timorell
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1431938 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian Bates, Elizabeth B...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1431938 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Nicholas Wright and Timorell. A Cappella,Country,Pop,R & B,Singer/Songwriter. 15 pages. Timorell #1012412. Published by Timorell (A0.1431938). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc https://linktr.ee/tonewallnyc #queeracappella. Questions for the arranger? Contact Timorell at tonewallnyc@gmail.com.- TTTBB a cappella cover.- High-Energy, upbeat- Follows closely to original audio EXCEPT original dream ending has been incorporated as a bridge before the last chorus. - Vocal Percussion is provided and encouraged.Ranges:T: D4 - D5T: G3 - A4T: A3 - G4B: D3 - D4B: D2 - G3.
$1.99
Come, Thou Fount - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Come, Thou Fount - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1144864 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred. Octavo. 12 p...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1144864 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745182. Published by Mark R Lewis (A0.1144864). Come, Thou Fount is a very popular hymn, so much so that dozens of arrangements are published every year in both traditional and contemporary settings. The text was written by Robert Robinson in the mid-1700s and the tune most often associated with it is the American folk tune known as Nettleton. This arrangement by Mark Lewis is for a cappella Men's Ensemble and body percussion or simple other percussion. It features the Tenor 2 voice for most of the piece but the other voices get moments to shine in the last verse as well. The arrangement is also mostly in 4/4 instead of the typical 3/4, which leads to some fun rhythmic challenges.
$1.99
A Mighty Fortress is Our God - For Men's Choir in E-flat Major
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Chorale TTBB
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FACILE
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Martin Luther
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L
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A Mighty Fortress is Our God -
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1488572 Composed by Martin Luther. Arranged by L. Müller. Christian,Historic,Medieval,Religious,Sac...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1488572 Composed by Martin Luther. Arranged by L. Müller. Christian,Historic,Medieval,Religious,Sacred. 2 pages. Müller Publishing company #1065439. Published by Müller Publishing company (A0.1488572). Add the revered hymn A Mighty Fortress Is Our God to your choir’s collection with this TTBB arrangement for Men's Choir. Known for its commanding melody and rich harmonies, this arrangement provides an opportunity for your choir to engage with one of the most influential hymns in Christian history. Whether for worship or concert, this arrangement will make a lasting impression.
$2.99
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